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Using case studies, some of a high-profile nature, the contributors to this expert guide show how trace evidence, when handled correctly, can change the course of a criminal investigation and often affect the final outcome.
Feder's Succeeding as an Expert Witness by Max M. Houck Pdf
As the first major revision since 2000 of the landmark handbook on expert testimony, this fourth edition provides the crucial, insider information that today‘s testifying forensic experts want and need to not only survive, but thrive in deposition and court testimony.Comprehensively reorganized to accommodate greater breadth and scope, this edition
Picture the Scarlet Pimpernell as a woman—dealing with murder before the Terror made heads roll... It’s the eve of the French Revolution. Fiscal crisis and social tensions brew. Anne Cartier, a headstrong young vaudeville actress at Sadler’s Wells company in London hears terrible news. Her stepfather, the actor Antoine Dubois has mysteriously died in Paris. The official verdict: he killed his mistress, then himself. Anne enlists the aid of Colonel Paul de Saint-Martin and his adjutant Georges Charpentier of the royal highway patrol. But, in her search for truth, Anne befriends a deaf, illiterate seamstress with a talent for puppetry who gives Anne an entre into the Palais Royale. Her quest further confronts her with an amateur theatrical society of dissolute young noblemen; a tormented female botanist; a sadistic aesthete; a rich, well-connected financier; a professional assassin. Unravelling the mystery tests Anne’s nerve as well as her remarkable acrobatic skills. At a critical juncture in the investigation, she acts the part of an exotic queen in Indian costume at a reception. Priceless Indian jewelry disappears. Its owner, an aged count is murdered. And a venal police inspector threatens to derail Anne’s project. The story rises to a violent climax in a vast limestone caveoutside Paris where the city has begun to bury its dead. Historian O’Brien’s debut novel is elegantly written as befits the times and explores borders between countries and between layers of society. Few have chosen to place a crime novel here. O’Brien makes us wonder why.
The stupendous work by Kavalam Balachandran, in which he endeavours to demythify and reconstrue the saga of Ramayana from a diametrically opposite perspective, is a landmark event. Indeed, it is the fruit of a long haul of research, imagination and logical thought process by which faces, places and events are reoriented to concoct a plausible narrative. Do read it to the end, as this genre of books does not happen every now and then. -Dr. Alex Paikada Writer, Historian and Poet
Does fiction do more than just represent space? Can our experiences with fictional storytelling be in themselves spatial? In Constructing Spain: The Re-imagination of Space and Place in Fiction and Film, Nathan Richardson explores relations between cultural representation and spatial transformation across fifty years of Spanish culture. Beginning in 1953, the year Spanish space was officially reopened to Western thought and capital, and culminating in 2003, the year of Aznar’s unpopular involvement of his country in the second Iraq War, Richardson traces in popular and critically acclaimed fiction and film an evolution in Spanish storytelling that, while initially representative in nature, increasingly engages its audience in spatial practices that go beyond mere perception or conception of local material geographies. In original readings of films by Luis Berlanga, Luis Buñuel, Alex de la Iglesia, Alejandro Amenábar, and Julio Medem, and novels by Juan Goytisolo, Antonio Muñoz Molina, and Javier Marías, Richardson shows this formal evolution as a necessary response to developments, restorations, and transformations of local landscapes that resulted during these years from various human migrations, tourist-invasions, urban development plans, resurgent nationalisms, and finally globalization. As these changes occur, Richardson traces a shift in the works studied from mere representation of spatial change toward actual engagement with shifting physical and social geographies, as they inch ever closer toward the production of an actual spatial experience for their audiences. In the final chapters of this book, Richardson offers in-depth and highly original readings of the storytelling projects of Medem and Marías in particular, showing how these two artists invite readers to not only reconceive hegemonic notions of space and place, but to practice alternative notions of being-in-place. In these final readings, Constructing Spain, points to the newest developments in contemporary Spanish narrative and film, a rise of new grammars of creation to challenge the ongoing capital-driven creative destruction of globalized Spanish geography.
A New Witness for God (Vol. 1-3) by B. H. Roberts Pdf
A New Witness for God is a three volume treatise by B. H. Roberts, one of the leaders in the Church of Jesus Christ of Latter-day Saints, who wrote this work as a recapitulation of 75 years of the existence of "Mormonism" and "Mormon Church." The author's purpose was to prove that the world was in need of a new God's witness, and that Joseph Smith, a great modern prophet, was that witness. Dividing the work in thesis he firstly proves that the world was in necessity of a New Witness; then moves on to the state of the Christian church and how it was destroyed and there was an apostasy from the Christian religion; third thesis deals with the Scriptures declaring that the Gospel will be restored to the Earth; final thesis suggest that Joseph Smith is the New Witness for God who re-established the Church of Jesus Christ on Earth. Following these theses is the study of the Book of Mormon.
Oliver Logan and the Witness Tree by R. D. Slover Pdf
When young Oliver Logan tragically loses his mom, he moves into the home of his aunt and uncle. Although he is lovingly welcomed by his new family, Oliver discovers a special feeling of peace and solace whenever he climbs into the embracing branches of a large and ancient sycamore tree, which grows beside the family garage. Oliver adjusts to life in his new home and makes friends at school, but he continuously finds himself seeking the comfort of his special seat high up in the spreading branches of that old sycamore. It is during these times that Oliver gradually and unwittingly becomes familiar with long past events that occurred in the very neighborhood in which he now lives, and his newfound knowledge comes from a very surprising and unexpected source.