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Seven years ago, Christian Wiman, a well-known poet and the editor of Poetry magazine, wrote a now-famous essay about having faith in the face of death. My Bright Abyss, composed in the difficult years since and completed in the wake of a bone marrow transplant, is a moving meditation on what a viable contemporary faith—responsive not only to modern thought and science but also to religious tradition—might look like. Joyful, sorrowful, and beautifully written, My Bright Abyss is destined to become a spiritual classic, useful not only to believers but to anyone whose experience of life and art seems at times to overbrim its boundaries. How do we answer this "burn of being"? Wiman asks. What might it mean for our lives—and for our deaths—if we acknowledge the "insistent, persistent ghost" that some of us call God? One of Publishers Weekly's Best Religion Books of 2013
A passionate meditation on the consolations and disappointments of religion and poetry. Wiman, an award-winning poet and the editor of "Poetry" magazine, was diagnosed with a rare form of cancer, he began to question what his Christian beliefs and his love of poetry could really do.
A passionate meditation on the consolations and disappointments of religion and poetry. Wiman, an award-winning poet and the editor of "Poetry" magazine, was diagnosed with a rare form of cancer, he began to question what his Christian beliefs and his love of poetry could really do.
A moving meditation on memory, oblivion, and eternity by one of our most celebrated poets What is it we want when we can’t stop wanting? And how do we make that hunger productive and vital rather than corrosive and destructive? These are the questions that animate Christian Wiman as he explores the relationships between art and faith, death and fame, heaven and oblivion. Above all, He Held Radical Light is a love letter to poetry, filled with moving, surprising, and sometimes funny encounters with the poets Wiman has known. Seamus Heaney opens a suddenly intimate conversation about faith; Mary Oliver puts half of a dead pigeon in her pocket; A. R. Ammons stands up in front of an audience and refuses to read. He Held Radical Light is as urgent and intense as it is lively and entertaining—a sharp sequel to Wiman’s earlier memoir, My Bright Abyss.
Named as a 2020 Book of the Year by The Times Literary Supplement Survival Is a Style, Christian Wiman’s first collection of new poems in six years, may be his best book yet. His many readers will recognize the musical and formal variety, the voice that can be tender and funny, credibly mystical and savagely skeptical. But there are many new notes in this collection as well, including a moving elegy to the poet’s father, sharp observations and distillations of modern American life, and rangy poems that merge and juxtapose different modes of speech and thought. The cumulative effect is extraordinary. Reading Survival Is a Style, one has the sense one is encountering work that will become a permanent part of American literature.
A vibrant new collection from one of America's most talented young poets Every Riven Thing is Christian Wiman's first collection in seven years, and rarely has a book of poetry so borne the stamp of necessity. Whether in stark, haiku-like descriptions of a cancer ward, surrealistic depictions of a social order coming apart, or fluent, defiant outpourings of praise, Wiman pushes his language and forms until they break open, revealing startling new truths within. The poems are joyful and sorrowful at the same time, abrasive and beautiful, densely physical and credibly mystical. They attest to the human hunger to feel existence, even at its most harrowing, and the power of art to make our most intense experiences not only apprehensible but transfiguring.
"That calling, at once religious, ethical, and aesthetic, is one that only a genuine poet can hear—and very few poets can explain it as compellingly as Mr. Wiman does. That gift is what makes Ambition and Survival, not just one of the best books of poetry criticism in a generation, but a spiritual memoir of the first order." —New York Sun "This weighty first prose collection should inspire wide attention, partly because of Wiman's current job, partly because of his astute insights and partly because he mixes poetry criticism with sometimes shocking memoir ... The collection's greatest strength comes in general ruminations on the writing, reading and judging poetry." —Publishers Weekly "[Wiman is] a terrific personal essayist, as this new collection illustrates, with the command and instincts of the popular memoirist ... This is a brave and bracing book." —Booklist “Blazing high style” is how The New York Times describes the prose of Christian Wiman, the young editor transforming Poetry, the country’s oldest literary magazine. Ambition and Survival is a collection of stirring personal essays and critical prose on a wide range of subjects: reading Milton in Guatemala, recalling violent episodes of his youth, and traveling in Africa with his eccentric father, as well as a series of penetrating essays on writers as diverse as Thomas Hardy and Janet Lewis. The book concludes with a portrait of Wiman’s diagnosis of a rare form of incurable and lethal cancer, and how mortality reignited his religious passions. When I was twenty years old I set out to be a poet. That sounds like I was a sort of frigate raising anchor, and in a way I guess I was, though susceptible to the lightest of winds. . . . When I read Samuel Johnson’s comment that any young man could compensate for his poor education by reading five hours a day for five years, that’s exactly what I tried to do, practically setting a timer every afternoon to let me know when the little egg of my brain was boiled. It’s a small miracle that I didn’t take to wearing a cape. Christian Wiman is the editor of Poetry magazine. His poems and essays appear regularly in The New Yorker, The Atlantic Monthly, Harper’s, and The New York Times Book Review.
One of The New York Times' 10 Favorite Poetry Books of 2014 National Book Critics Circle Award Finalist A searing new collection from one of our country's most important poets Memories mercies mostly aren't but there were I swear days veined with grace —from "Memory's Mercies" Once in the West, Christian Wiman's fourth collection, is as intense and intimate as poetry gets—from the "suffering of primal silence" that it plumbs to the "rockshriek of joy" that it achieves and enables. Readers of Wiman's earlier books will recognize the sharp characterizations and humor—"From her I learned the earthworm's exemplary open-mindedness, / its engine of discriminate shit"—as well as his particular brand of reverent rage: "Lord if I implore you please just please leave me alone / is that a prayer that's every instant answered?" But there is something new here, too: moving love poems to his wife, tender glimpses of his children, and, amid the onslaughts of illness and fear and failures, "a trace / of peace."
In this controversial book, philosopher and psychoanalyst Jon Mills argues that God does not exist; and more provocatively, that God cannot exist as anything but an idea. Put concisely, God is a psychological creation signifying ultimate ideality. Mills argues that the idea or conception of God is the manifestation of humanity’s denial and response to natural deprivation; a self-relation to an internalized idealized object, the idealization of imagined value. After demonstrating the lack of any empirical evidence and the logical impossibility of God, Mills explains the psychological motivations underlying humanity’s need to invent a supreme being. In a highly nuanced analysis of unconscious processes informing the psychology of belief and institutionalized social ideology, he concludes that belief in God is the failure to accept our impending death and mourn natural absence for the delusion of divine presence. As an alternative to theistic faith, he offers a secular spirituality that emphasizes the quality of lived experience, the primacy of feeling and value inquiry, ethical self-consciousness, aesthetic and ecological sensibility, and authentic relationality toward self, other, and world as the pursuit of a beautiful soul in search of the numinous. Inventing God will be of interest to academics, scholars, lay audiences and students of religious studies, the humanities, philosophy, and psychoanalysis, among other disciplines. It will also appeal to psychotherapists, psychoanalysts and mental health professionals focusing on the integration of humanities and psychoanalysis.
Jeremiah Bradford was just a mechanic's son living on Movaria, in bustling Canvar City, when his father passed away, leaving him a family heirloom wrapped in mystery. Little did he know that what his father left behind would start him on a journey to unravel the truths of the stories he grew up with; stories of a good creator and a primordial evil bent on dragging the world into his darkness. Follow Jeremiah and his companions as they face the violence of a universe divided and come to grips with the darkness within and without. Through tragic losses, space battles, and the secrets of the past, Jeremiah wrestles with his own calling and the fear that keeps him from becoming the hero his father always believed he could be.
Beginning with the Word (Cultural Exegesis) by Roger Lundin Pdf
In this addition to the critically acclaimed Cultural Exegesis series, a nationally recognized scholar and award-winning author offers a sophisticated theological engagement with the nature of language and literature. Roger Lundin conducts a sustained theological dialogue with imaginative literature and with modern literary and cultural theory, utilizing works of poetry and fiction throughout to prompt the discussion and focus his reflections. The book is marked by a commitment to bring the history of Christian thought, modern theology in particular, into dialogue with literature and modern culture. It is theologically rigorous, widely interdisciplinary in scope, lucidly written, and ecumenical in tone and approach.
"Built on her ... Modern Love column, 'When a Couch is More Than a Couch' (9/23/2016), a ... memoir of living meaningfully with 'death in the room' by the 38-year-old great-great-great granddaughter of Ralph Waldo Emerson--mother to two young boys, wife of 16 years--after her terminal cancer diagnosis"--
Winner, Christianity Today 2015 Book Award in History/Biography Shortlisted for the PEN/Jacqueline Bograd Weld Award for Biography In the decades since his execution by the Nazis in 1945, Dietrich Bonhoeffer, the German pastor, theologian, and anti-Hitler conspirator, has become one of the most widely read and inspiring Christian thinkers of our time. With unprecedented archival access and definitive scope, Charles Marsh captures the life of this remarkable man who searched for the goodness in his religion against the backdrop of a steadily darkening Europe. From his brilliant student days in Berlin to his transformative sojourn in America, across Harlem to the Jim Crow South, and finally once again to Germany where he was called to a ministry for the downtrodden, we follow Bonhoeffer on his search for true fellowship and observe the development of his teachings on the shared life in Christ. We witness his growing convictions and theological beliefs, culminating in his vocal denunciation of Germany’s treatment of the Jews that would put him on a crash course with Hitler. Bringing to life for the first time this complex human being—his substantial flaws, inner torment, the friendships and the faith that sustained and finally redeemed him—Strange Glory is a momentous achievement.
A real professor and her student forge a friendship through correspondence as they discuss love, art, life, cancer, and death. In 2012, Sarah Ruhl was a distinguished author and playwright, twice a finalist for the Pulitzer Prize. Max Ritvo, a student in her playwriting class at Yale University, was an exuberant, opinionated, and highly gifted poet. He was also in remission from pediatric cancer. Over the next four years—in which Ritvo’s illness returned and his health declined, even as his productivity bloomed—the two exchanged letters that spark with urgency, humor, and the desire for connection. Reincarnation, books, the afterlife as an Amtrak quiet car, good soup: in Ruhl and Ritvo’s exchanges, all ideas are fair, nourishing game, shared and debated in a spirit of generosity and love. “We’ll always know one another forever, however long ever is,” Ritvo writes. “And that’s all I want—is to know you forever.” Studded with poems and songs, Letters from Max is a deeply moving portrait of a friendship, and a shimmering exploration of love, art, mortality, and the afterlife. Praise for Letters from Max “An unusual, beautiful book about nothing less than the necessity of art in our lives. Two big-hearted, big-brained writers have allowed us to eavesdrop on their friendship: jokes and heartbreaks, admiration, hard work, tender work.” —Elizabeth McCracken, author of Bowlaway “Immediate comparisons will be made to Rainer Maria Rilke’s Letters to a Young Artist . . . this book is a nuanced look at the evolution of an incredible talent facing mortality and the mentor, never condescending, who recognizes his gift. Their infectious letters shine with a love of words and beauty.” —The Observer “Deeply moving, often heartbreaking. . . . A captivating celebration of life and love.” —Kirkus Reviews “Moving and erudite . . . devastating and lyrical . . . Ruhl draws a comparison between their correspondence and that between poets Robert Lowell and Elizabeth Bishop, and indeed, with the depth and intelligence displayed, one feels in the presence of literary titans.” —Publishers Weekly
The Operation of Grace collects a decade's worth of essays by Gregory Wolfe taken from the pages of Image, the literary journal he founded more than a quarter century ago. As he notes in the preface, his Image editorials, while they cover a wide range of topics, focus on the intersection of "art, faith, and mystery." Wolfe believes that art and religion, while hardly identical, offer illuminating analogies to one another--art deepening faith through the empathetic reach of the imagination and faith anchoring art in a vision beyond the artist's ego. Several essays dwell on how aesthetic values like ambiguity, tragedy, and beauty enlarge our understanding of the spiritual life. There are also a series of reflections that extend Wolfe's campaign to renew the neglected and often misunderstood tradition of Christian humanism. Finally, there are sections that contain more personal meditations arising from Wolfe's involvement in nurturing and promoting the work of emerging writers and artists. The Operation of Grace demonstrates once again why novelist Ron Hansen has spoken of Wolfe as "one of the most incisive and persuasive voices of our generation." .embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }
