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My Lady of the Chinese Courtyard by Elizabeth Cooper Pdf
"My Lady of the Chinese Courtyard" by Elizabeth Cooper. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
My Lady of the Chinese Courtyard (Classic Reprint) by Elizabeth Cooper Pdf
Excerpt from My Lady of the Chinese Courtyard That the hope of the educational, social, and religious change in China rests with the new generation is evident to all. The Chinese father and mother will sail in the wooden ships which their sons and daughters are begin ning to leave for barks of steel. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
My Lady of the Chinese Courtyard by Elizabeth Cooper Pdf
My Lady of the Chinese Courtyard by Elizabeth Cooper A writer on things Chinese was asked why one found so little writingupon the subject of the women of China. He stopped, looked puzzledfor a moment, then said, "The woman of China! One never hears aboutthem. I believe no one ever thinks about them, except perhaps thatthey are the mothers of the Chinese men!"Such is the usual attitude taken in regard to the woman of the floweryRepublic. She is practically unknown, she hides herself behind herhusband and her sons, yet, because of that filial piety, that almostreligious veneration in which all men of Eastern races hold theirparents, she really exerts an untold influence upon the deeds of themen of her race.Less is known about Chinese women than about any other women ofOriental lands. Their home life is a sealed book to the average personvisiting China. Books about China deal mainly with the lower-classChinese, as it is chiefly with that class that the average visitor ormissionary comes into contact. The tourists see only the cooliewoman bearing burdens in the street, trotting along with a couple ofheavy baskets swung from her shoulders, or they stop to stare at theneatly dressed mothers sitting on their low stools in the narrowalleyways, patching clothing or fondling their children. They see andhear the boat-women, the women who have the most freedom of anyin all China, as they weave their sampans in and out of the crowdedtraffic on the canals. These same tourists visit the tea-houses andsee the gaily dressed "sing-song" girls, or catch a glimpse of agaudily painted face, as a lady is hurried along in her sedan-chair, carried on the shoulders of her chanting bearers. But the real Chinesewoman, with her hopes, her fears, her romances, her children, and herreligion, is still undiscovered.I hope that this book, based on letters shown me many years afterthey were written, will give a faint idea of the life of a Chinese lady.The story is told in two series of letters conceived to be written byKwei-li, the wife of a very high Chinese official, to her husband whenhe accompanied his master, Prince Chung, on his trip around theworld.She was the daughter of a viceroy of Chih-li, a man most advanced forhis time, who was one of the forerunners of the present educationalmovement in China, a movement which has caused her youth to riseand demand Western methods and Western enterprise in place of theobsolete traditions and customs of their ancestors. To show his beliefin the new spirit that was breaking over his country, he educated hisdaughter along with his sons. She was given as tutor Ling-Wing-pu, afamous poet of his province, who doubtless taught her the imageryand beauty of expression which is so truly Eastern.Within the beautiful ancestral home of her husband, high on themountains-side outside of the city of Su-Chau, she lived the quite, sequestered life of the high-class Chinese woman, attending to thehousehold duties, which are not light in these patriarchal homes, where an incredible number of people live under the same rooftree.... We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience
My Lady of the Chinese Courtyard - Scholar's Choice Edition by Elizabeth Cooper Pdf
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author : John Minford,Joseph S. M. Lau Publisher : Chinese University Press Page : 1248 pages File Size : 53,9 Mb Release : 2000 Category : Literary Collections ISBN : 9629960486
The Complete Novels of Earl Derr Biggers: 11 Mystery Classics, Thrillers & Detective Stories (Illustrated) by Earl Derr Biggers Pdf
This carefully crafted ebook: "The Complete Novels of Earl Derr Biggers” is formatted for your eReader with a functional and detailed table of contents: The Charlie Chan Series The House Without a Key The Chinese Parrot Behind That Curtain The Black Camel Charlie Chan Carries On Keeper of the Keys Other Novels Seven Keys to Baldpate Love Insurance Inside the Lines The Agony Column (Second-Floor Mystery) Fifty Candles Earl Derr Biggers (1884-1933) was an American novelist and playwright best known for his mystery novels. His first novel Seven Keys to Baldpate was a major success and it was adapted into several movies and plays. Even greater success came with his series of detective novels featuring Chinese American detective Charlie Chan. Many of his novels were made into movies.
With this groundbreaking collection Classical Chinese Poetry, translated and edited by the renowned poet and translator David Hinton, a new generation will be introduced to the work that riveted Ezra Pound and transformed modern poetry. The Chinese poetic tradition is the largest and longest continuous tradition in world literature, and this rich and far-reaching anthology of nearly five hundred poems provides a comprehensive account of its first three millennia (1500 BCE to 1200 CE), the period during which virtually all its landmark developments took place. Unlike earlier anthologies of Chinese poetry, Hinton's book focuses on a relatively small number of poets, providing selections that are large enough to re-create each as a fully realized and unique voice. New introductions to each poet's work provide a readable history, told for the first time as a series of poetic innovations forged by a series of master poets. From the classic texts of Chinese philosophy to intensely personal lyrics, from love poems to startling and strange perspectives on nature, Hinton has collected an entire world of beauty and insight. And in his eye-opening translations, these ancient poems feel remarkably fresh and contemporary, presenting a literature both radically new and entirely resonant, in Classical Chinese Poetry.
Author : YANG YUANZHENG Publisher : Hong Kong University Press Page : 317 pages File Size : 44,6 Mb Release : 2023-01-11 Category : Music ISBN : 9789888805662
Grounded in a desire to bring back to life rare items from the University of Hong Kong’s Fung Ping Shan Library that are entwined within the world of music and to place them in a context of books and images in American, British, and other Asian collections, Chinese Music in Print views the library as a repository not of information but of artifact, and then uses these artifacts as a means for generating scholarly narrative. It begins by assessing seminal texts in the Confucian canon set against the delicacy of the concubine and amanuensis Shen Cai’s calligraphy and poetry. Confucianism was itself a crucial aspect of courtly life, and an exploration of its ritual is the book’s second theme. Vernacular genres of opera and song are represented in the third chapter, while the Great Sage returns in the fourth for an exploration of the repertoire and richness of his favourite instrument, the qin. The final chapter ends the journey with discussion of the legacy of generations of Europeans who have visited China and their contribution to the understanding of a more vernacular instrument, the erhu. “Like the 2021 exhibition called ‘Music in Print’ that preceded it, this exploration of Chinese music history introduces many rare books from the University of Hong Kong Libraries. The essays combine professional expertise in musicology with an excellent grasp of traditional bibliography, which allows the one to illuminate the other. Bravo!” —J. S. Edgren, Princeton University “I am most impressed by the critical reading of the author who excels in classical studies, whose expertise in calligraphy, seals, editions, and other related disciplines in Sinology is admirable. His meticulous investigation into the complicated situation regarding the book printing business of dynastic China is professional and convincing.” —Yu Siu-wah, chief editor of Anthology of Chinese Folk and Ethnic Instrumental Music: The Hong Kong Volume “Such a wide-ranging but meticulously researched book that now contextualizes the dissemination and transmission of music into the discussion of manuscript and printed culture in China will clearly be an important addition to the holdings of libraries supporting Chinese studies and book studies broadly taken, as well as those supporting the study of music. Obviously, it will be of direct importance for specialists in East Asian book studies and for musicologists of East Asian traditions.” —Elizabeth Markham, University of Arkansas “This beautifully illustrated and carefully edited book is the first English-language monograph dedicated exclusively to the history of Chinese music as captured through the medium of print. It introduces a host of new sources and methodologies to the English-speaking public, fruitfully complicates established narratives of music history and of print cultures in both East and West, and offers a vital building-block for the creation of a truly global music history.” —Karl Kügle, University of Oxford
