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My Years with Townes Van Zandt by Harold F. Eggers Pdf
“Other people locked themselves away and hid from their demons. Townes flung open his door and said, 'Come on in.'” So writes Harold Eggers, Townes Van Zandt's longtime road manager and producer, in My Years with Townes Van Zandt: Music, Genius, and Rage – a gripping memoir revealing the inner core of an enigmatic troubadour, whose deeply poetic music was a source of inspiration and healing for millions but was for himself a torment struggling for dominance among myriad personal demons. Townes Van Zandt often stated that his main musical mission was to “write the perfect song that would save someone's life.” However, his life was a work in progress he was constantly struggling to shape and comprehend. Eggers says of his close friend and business partner that “like the master song craftsman he was, he was never truly satisfied with the final product but always kept giving it one more shot, one extra tweak, one last effort.” A vivid, firsthand account exploring the source of the singer's prodigious talent, widespread influence, and relentless path toward self-destruction, My Years with Townes Van Zandt presents the truth of that all-consuming artistic journey told by a close friend watching it unfold.
A biography of Texas songwriter Townes Van Zandt, discussing his troubled childhood, the development of his career as a wandering folk singer, and his relationships with women, and including analyses of his songs.
At last, the authorized biography of Townes Van Zandt (1944-1997), who wrote such unforgettable songs as “Pancho & Lefty” and “If I Needed You.” Born to a wealthy oil family in Ft. Worth, Texas, hounded by alcoholism and depression, Van Zandt pursued a nomadic existence following his muse, whatever the cost to himself, friends, and relatives. Based on exclusive interviews with those close to Van Zandt, including his best friend Guy Clark and colleagues like Steve Earle and John Prine, To Live's to Fly captures all the humor, hijinks, poetry, and heartbreak of this revered, genuinely outlaw country artist.
With A Haven For Songs: Connecting The Dots About Americana Music, selected works of novelist, lyricist and music critic Martin Wimmer are available in the USA for the first time. Martin Wimmer explains his personal relationship with the art of magicians such as Townes Van Zandt, Jerry Jeff Walker, Blaze Foley, Woody Guthrie, John Prine, Bob Dylan, and Johnny Mercer. These artists, among many others mentioned in the book, are the glue that holds together time, love, history, space, and identity. Join Wimmer on a trip down musical-memory lane as he recounts his adventures at the 30A Songwriter Festival in Florida, the Kerrville Folk Festival in Texas, and New York City. Finally, experience Wimmer's perspective on the Cajun music of Louisiana, Hawaiian Slack Key, the Paisley Underground scene in California, Americana in Europe, and how each of these music scenes are tied to the "Country & Folk" music we know and love today.
I'll Be Here in the Morning by Brian T. Atkinson Pdf
The writer of such influential songs as “Pancho and Lefty,” “To Live’s to Fly,” “If I Needed You,” and “For the Sake of the Song,” Townes Van Zandt exerted an influence on at least two generations of Texas musicians that belies his relatively brief, deeply troubled life. Indeed, Van Zandt has influenced millions worldwide in the years since his death, and his impact is growing rapidly. Respected singer/songwriter John Gorka speaks for many when he says, “‘Pancho and Lefty’ changed—it unchained—my idea of what a song could be.” In this tightly woven, intelligently written book, Brian T. Atkinson interviews both well-known musicians and up-and-coming artists to reveal, in the performers’ own words, how their creative careers have been shaped by the life and work of Townes Van Zandt. Kris Kristofferson, Guy Clark, Billy Joe Shaver, Rodney Crowell, Lucinda Williams, and Lyle Lovett are just a few of the established musicians who share their impressions of the breathtakingly beautiful tunes and lyrics he created, along with their humorous, poignant, painful, and indelible memories of witnessing Van Zandt’s rise and fall. Atkinson balances the reminiscences of seasoned veterans with the observations of relative newcomers to the international music scene, such as Jim James (My Morning Jacket), Josh Ritter, and Scott Avett (the Avett Brothers), presenting a nuanced view of Van Zandt’s singular body of work, his reckless lifestyle, and his long-lasting influence. Forewords by “Cowboy” Jack Clement and longtime Van Zandt manager and friend Harold F. Eggers Jr. open the book, and each chapter begins with an introduction in which Atkinson provides context and background, linking each interviewee to Van Zandt’s legacy. Historians, students, and fans of all music from country and folk to rock and grunge will find new insights and recall familiar pleasures as they read I’ll Be Here in the Morning: The Songwriting Legacy of Townes Van Zandt.
Offers a glimpse into the turbulent life of Texas music legend Blaze Foley (1949-1989). This book is suitable for Blaze Foley and Texas music fans, as well as romantics of different ages.
The ideal handbook for every rock-n-roll pilgrim, Music USA tours the musical heritage of America, from New York to Seattle, stopping at all the shrines of sound in between. Coverage includes background on the development of local music styles, with details on clubs and venues, radio stations and record stores nationwide.
Miss You Like Hell by Quiara Alegría Hudes,Erin McKeown Pdf
“This is a fresh take on the American road story, filled with people and ideas we rarely get to see onstage…It offers two seriously rich roles for women, each with important things worth singing about…Miss You Like Hell is a powerful example of what musicals do best: explore the unprotected border where individual needs and social issues intermix.” —Jesse Green, New York Times A troubled teenager and her estranged mother—an undocumented Mexican immigrant on the verge of deportation—embark on a road trip and strive to mend their frayed relationship along the way. Combined with the musical talent of Erin McKeown, Hudes artfully crafts a story of the barriers and the bonds of family, while also addressing the complexities of immigration in today’s America.
Hailed as The Awl’s 2012’s novel to anticipate, this glorious debut stars hippie detectives, a singular city, and an MFA student on the run. On a residential Bay Area block struggling with the collision of gentrifier condos and longtime residents, stymied recent MFA grad Philip Kim is sleeping the night away when bullets fly through a window in his apartment building and end up killing one of his neighbors. Philip only learns about the murder the next day when bored and Googling himself. But when he gets caught up in the investigation and becomes the focus of an elaborate, violent scheme, he will learn far more than he ever wanted to about his former four-eggs-at-a-time borrowing neighbor Dolores Stone, aka “The Grey Beaver,” and her shocking connections to an underworld only a city like this one could create. Siddhartha “Sid” Finch, a homicide detective bitter about everything except his gorgeous wife, and his phlegmatic, pock-marked partner Jim Kim, land the case. Sid and Jim race after Philip through a menacing, unknowable San Francisco fending off militant surfers, vaguely European cafes, and aggressive Advanced Creative Writing students as they all try to figure out just who’s causing trouble in this city they love to hate. Exceedingly unique, pulsing with vigor and heart, and loaded with fierce, fresh language, The Dead Do Not Improve confirms Jay Caspian Kang as a true American original as obsessed with surfing and surviving as with the power of unforgettable storytelling.
Full-tilt, hardcore, down-home, and groundbreaking, the women of country music speak volumes with every song. From Maybelle Carter to Dolly Parton, k.d. lang to Taylor Swift—these artists provided pivot points, truths, and doses of courage for women writers at every stage of their lives. Whether it’s Rosanne Cash eulogizing June Carter Cash or a seventeen-year-old Taylor Swift considering the golden glimmer of another precocious superstar, Brenda Lee, it’s the humanity beneath the music that resonates. Here are deeply personal essays from award-winning writers on femme fatales, feminists, groundbreakers, and truth tellers. Acclaimed historian Holly George Warren captures the spark of the rockabilly sensation Wanda Jackson; Entertainment Weekly’s Madison Vain considers Loretta Lynn’s girl-power anthem “The Pill”; and rocker Grace Potter embraces Linda Ronstadt’s unabashed visual and musical influence. Patty Griffin acts like a balm on a post-9/11 survivor on the run; Emmylou Harris offers a gateway through paralyzing grief; and Lucinda Williams proves that greatness is where you find it. Part history, part confessional, and part celebration of country, Americana, and bluegrass and the women who make them, Woman Walk the Line is a very personal collection of essays from some of America’s most intriguing women writers. It speaks to the ways in which artists mark our lives at different ages and in various states of grace and imperfection—and ultimately how music transforms not just the person making it, but also the listener.
For the Sake of the Song by Ann Norton Holbrook,Dan Beller-McKenna Pdf
After death, Townes Van Zandt found the success that he sabotaged during life. Diagnosed as bipolar, an alcoholic, and perennially unreliable, Van Zandt died of heart failure at the age of 52 on New Year’s Day 1997. He released sixteen albums during life, and since his death numerous albums both by and in honor of him have been released and many critical articles published, in addition to several books (including Robert Hardy’s A Deeper Blue by UNT Press). Van Zandt, once an underappreciated and self-destructive wandering troubadour, is now a critics’ and fan-favorite. His best-known songs are “Pancho and Lefty,” covered by Waylon Jennings and Willie Nelson, and “If I Needed You.” Steve Earle’s 2009 Townes album of covers jumpstarted a slate of more recent tributes, including those by Robert Earl Keen, Lucinda Williams, and John Prine. For the Sake of the Song collects ten essays on Townes Van Zandt from a variety of approaches. For example, contributors examine his legacy; his use of the minor key; psychological interpretation of “High, Low and In Between”; his reception in the Austin music scene; and an exploration of his relationship with Richard Dobson, a so-called “outlaw songwriter” with whom he toured as part of the Hemmer Ridge Mountain Boys. An introduction by editors Ann Norton Holbrook and Dan Beller-McKenna provides an overview of Van Zandt’s literary excellence and philosophical wisdom, rare among even the best songwriters.
The thrash of Motörhead. The mechanized anxiety of Suicide. The poignancy of Leonard Cohen. The arrogance of Bowie. The Sisters Of Mercy combined it all to create an unforgettable noise. From 1980 to 1985 lead singer and master strategist Andrew Eldritch maneuvered The Sisters Of Mercy from the grimy pubs and student unions of Northern England to London's storied Royal Albert Hall. Then the whole thing fell apart.Based on original research and a thorough reading and synthesis of hundreds of interviews, articles and reviews, Waiting For Another War is a chronicle of The Sisters Of Mercy's brilliant and tumultuous years from 'The Damage Done' to First And Last And Always.
Pickers and Poets by Craig E. Clifford,Craig Hillis Pdf
Many books and essays have addressed the broad sweep of Texas music—its multicultural aspects, its wide array and blending of musical genres, its historical transformations, and its love/hate relationship with Nashville and other established music business centers. This book, however, focuses on an essential thread in this tapestry: the Texas singer-songwriters to whom the contributors refer as “ruthlessly poetic.” All songs require good lyrics, but for these songwriters, the poetic quality and substance of the lyrics are front and center. Obvious candidates for this category would include Townes Van Zandt, Michael Martin Murphey, Guy Clark, Steve Fromholz, Terry Allen, Kris Kristofferson, Vince Bell, and David Rodriguez. In a sense, what these songwriters were doing in small, intimate live-music venues like the Jester Lounge in Houston, the Chequered Flag in Austin, and the Rubaiyat in Dallas was similar to what Bob Dylan was doing in Greenwich Village. In the language of the times, these were “folksingers.” Unlike Dylan, however, these were folksingers writing songs about their own people and their own origins and singing in their own vernacular. This music, like most great poetry, is profoundly rooted. That rootedness, in fact, is reflected in the book’s emphasis on place and the powerful ways it shaped and continues to shape the poetry and music of Texas singer-songwriters. From the coffeehouses and folk clubs where many of the “founders” got their start to the Texas-flavored festivals and concerts that nurtured both their fame and the rise of a new generation, the indelible stamp of origins is inseparable from the work of these troubadour-poets. Contents Introduction, by Craig Clifford and Craig D. Hillis | 1 Part One. The First Generation: Folksingers, Texas Style Too Weird for Kerrville: The Darker Side of Texas Music | 17 Craig Clifford Townes Van Zandt: The Anxiety, Artifice, and Audacity of Influence | 27 Robert Earl Hardy Vignette—The Ballad of Willis Alan Ramsey | 36 Bob Livingston Guy Clark: Old School Poet of the World | 39 Tamara Saviano Kris Kristofferson: The Silver-Tongued Rhodes Scholar | 49 Peter Cooper Vignette—Don Henley: Literature, Land, and Legacy | 59 Kathryn Jones Steven Fromholz, Michael Martin Murphey, and Jerry Jeff Walker: Poetic in Lyric, Message, and Musical Method | 61 Craig D. Hillis Vignette—Kinky Friedman: The Mel Brooks of Texas Music | 83 Craig Clifford Billy Joe Shaver: Sin and Salvation Poet | 85 Joe Holley One Man’s Music: Vince Bell | 92 Joe Nick Patoski Vignette—Ray Wylie Hubbard: Grifter, Ruffian, Messenger | 101 Jenni Finlay The Great Progressive Country Scare of the 1970s | 103 Craig D. Hillis (interview with Gary P. Nunn) Plenty Else to Do: Lyrical Lubbock | 109 Andy Wilkinson Roots of Steel: The Poetic Grace of Women Texas Singer-Songwriters | 115 Kathryn Jones From Debauched Yin to Mellow Yang: A Circular Trip through the Texas Music Festival Scene | 136 Jeff Prince Vignette—Bobby Bridger: “Heal in the Wisdom,” Creating a Classic | 145 Craig D. Hillis (interview with Bobby Bridger) Interlude: What Do We Do with Willie? | 148 —I. Willie (An Early Encounter) | 148 Craig D. Hillis —II. Willie (On Everything) | 151 Craig Clifford and Craig D. Hillis Part Two. The Second Generation: Garage Bands, Large Bands, and Other Permutations “Gettin’ Tough”: Steve Earle’s America | 161 Jason Mellard Lyle Lovett and Robert Earl Keen: Cosmic Aggies | 166 Jan Reid Vignette—Walt Wilkins: Spirituality and Generosity | 174 Craig Clifford (interview with Tim Jones) Lucinda Williams: Poet of Places in the Heart | 176 Kathryn Jones Rodney Crowell: Looking Inward, Looking Outward | 185 John T. Davis Vignette—Sam Baker: Short Stories in Song | 192 Robert Earl Hardy James McMurtry: Too Long in the Wasteland | 193 Diana Finlay Hendricks Part Three. Epilogue: Passing of the Torch? Drunken Poet’s Dream: Hayes Carll | 203 —I. Good Enough for Old Guys | 203 Craig Clifford —II. Good Enough for Young Guys | 207 Brian T. Atkinson Roll On: Terri Hendrix | 209 Brian T. Atkinson From Riding Bulls to Dead Horses: Ryan Bingham | 212 Craig Clifford (interview with Shaina Post) Bad Girl Poet: Miranda Lambert | 218 Craig Clifford Challenge to Bro Country: Kacey Musgraves | 221 Grady Smith Beyond the Rivers | 224 Craig Clifford Notes | 231 Selected Sources | 233 Contributors | 243 Index | 251
I Lived to Tell It All by George Jones,Tom Carter Pdf
Boozing. Womanizing. Brawling. Singing. For the last forty years George Jones has reigned as the country's king--the singer many have called the Frank Sinatra of country. And for most of that time, his career has been marked by hard-living, hard-loving, and hard luck. From his early east Texas recordings through his marriage with Tammy Wynette to his latest acclaim as a solid citizen and "high-tech red-neck," Americans have been fascinated with Jones, never even knowing whether he's going to show up for his next concert. Now, in I Lived To Tell It All, George Jones supplies a no-holds-barred account of his excesses and ecstasies. How alcohol ruled his life and performances. How violence marred many friendships and relationships. How money was something to be made but never held on to. And, finally, how the love of a good woman can ultimately change a man, redeem him, and save his life.
