Mysterious Psychic Forces An Account Of The Author S Investigations In Psychical Research Together With Those Of Other European Savants
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Mysterious Psychic Forces; an Account of the Author's Investigations in Psychical Research, Together With Those of Other European Savants by Camille Flammarion Pdf
A fascinating journey into the world of psychic phenomena and paranormal research, by one of the leading scientists of the 19th century. Flammarion's meticulous investigations of telepathy, spiritualism, and other unexplained phenomena provide a window into the human mind and the mysteries of the universe. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Mysterious Psychic Forces; an Account of the Author's Investigations in Psychical Research, Together With Those of Other European Savants by Camille 1842-1925 Flammarion Pdf
A fascinating journey into the world of psychic phenomena and paranormal research, by one of the leading scientists of the 19th century. Flammarion's meticulous investigations of telepathy, spiritualism, and other unexplained phenomena provide a window into the human mind and the mysteries of the universe. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Mystrious Psychic Forces by Camille Flammarion Pdf
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
MYSTRIOUS PSYCHIC FORCES AN AC by Camille 1842-1925 Flammarion Pdf
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Mysterious Psychic Forces: An Account of the Author's Investigations in Psychical Research, Together with Those of Other European Savants by Camille Flammarion Pdf
"I do not conceal from myself the consequences of such sincerity. It requires a good deal of boldness to insist on affirming, in the name of positive science, the POSSIBILITY of these phenomena (wrongly styled supernatural), and to constitute one's self the champion of a cause apparently ridiculous, absurd, and dangerous, knowing, at the same time, that the avowed adherents of said cause have little standing in science, and that even its eminent partisans only venture to speak of their approval of it with bated breath. However, since the matter has just been treated momentarily in fugitive writings by a group of journalists whose exacting labors wholly forbid a study of the psychic and physical forces; and since, of all this multitude of writers, the greater part have only heaped error upon error, puerility upon extravagance; and since it appears from every page they have written (I hope they will pardon me) that not only are they ignorant of the very a, b, c of the subject they have so fantastically treated, but their opinions upon this class of facts rest upon no basis whatever,—therefore I have thought it would serve a purpose if I should leave, as a souvenir of the long wrangle, a piece of writing better based and buttressed than the lucubrations of the above-mentioned gentlemen. As a lover of truth, I am willing to face a thousand reproaches. Be it distinctly understood that I do not for a moment deem my judgment superior to that of my confrères, some of whom are in other respects highly gifted. The simple fact is that they are not familiar with this subject, but are straying in it at random, wandering through a strange region. They misunderstand the very terminology, and imagine that facts long ago well authenticated are impossible. By way of contrast, the writer of these lines will state that for several years he has been engaged in discussions and experiments upon the subject. (I am not speaking of historical studies.) "Moreover, although the old saw would have us believe that 'it is not always desirable to state the truth,' yet, to speak frankly, I am so indignant at the overweening presumption of certain polemical opponents, and at the gall they have injected into the debate, that I do not hesitate to rise and point out to the deceived public that, without a single exception, all the arguments brought up by these writers, and upon which they have boldly planted their banner of victory, prove absolutely nothing, NOTHING, against the possible truth of the things which they, in the fury of their denial, have so perverted. Such a snarl of opinions must be analyzed. In brief, the true must be disentangled from the false. Veritas, veritas!"
Noakes' revelatory analysis of Victorian scientists' fascination with psychic phenomena connects science, the occult and religion in intriguing new ways.
A Study Guide for Ryunosuke Akutagawa's "In a Grove" by Gale, Cengage Learning Pdf
A Study Guide for Ryunosuke Akutagawa's "In a Grove," excerpted from Gale's acclaimed Short Stories for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Short Stories for Students for all of your research needs.
This book reveals how, when, where, and why vitalism and its relationship to new scientific theories, philosophies and concepts of energy became seminal from the fin de siècle until the Second World War for such Modernists as Sophie Taeuber-Arp, Hugo Ball, Juliette Bisson, Eva Carrière, Salvador Dalì, Robert Delaunay, Marcel Duchamp, Edvard Munch, Picasso, Yves Tanguy, Gino Severini and John Cage. For them, Vitalism entailed the conception of life as a constant process of metamorphosis impelled by the free flow of energies, imaginings, intuition and memories, unconstrained by mechanistic materialism and chronometric imperatives, to generate what the philosopher Henri Bergson aptly called Creative Evolution. Following the three main dimensions of Vitalist Modernism, the first part of this book reveals how biovitalism at the fin de siècle entailed the pursuit of corporeal regeneration through absorption in raw nature, wholesome environments, aquatic therapies, electromagnetism, heliotherapy, modern sports, particularly rugby, water sports, the Olympic Games and physical culture to energize the human body and vitalize its life force. This is illuminated by artists as geoculturally diverse as Gustave Caillebotte, Thomas Eakins, Munch and Albert Gleizes. The second part illuminates how simultaneously Vitalism became aligned with anthroposophy, esotericism, magnetism, occultism, parapsychology, spiritism, theosophy and what Bergson called "psychic states", alongside such new sciences as electromagnetism, radiology and the Fourth Dimension, as captured by such artists as Juliette Bisson, Giacomo Balla, Albert Besnard, Umberto Boccioni, Eva Carrière, John Gerrard Keulemans, László Moholy-Nagy, James Tissot, Albert von Schrenck Notzing and Picasso. During and after the devastation of the First World War, the third part explores how Vitalism, particularly Bergson’s theory of becoming, became associated with Dadaist, Neo-Dadaist and Surrealist notions of amorality, atemporality, dysfunctionality, entropy, irrationality, inversion, negation and the nonsensical captured by Hans Arp, Charlie Chaplin, Theo Van Doesburg, Kazimir Malevich, Kurt Schwitters and Vladimir Tatlin alongside Cage’s concept of Nothing. After investigating the widespread engagement with Bergson’s philosophies and Vitalism and art by Anarchists, Marxists and Communists during and after the First World War, it concludes with the official rejection of Bergson and any form of Vitalism in the Soviet Union under Stalin. This book will be of vital interest to gallery, exhibition and museum curators and visitors, plus readers and scholars working in art history, art theory, cultural studies, modernist studies, occult studies, European art and literature, health, histories of science, philosophy, psychology, sociology, sport studies, heritage studies, museum studies and curatorship.
Part hidden history, part love letter to creative innovation, this is the true story of an unlikely friendship between a dancer, Loie Fuller, and a scientist, Marie Curie, brought together by an illuminating discovery. At the turn of the century, Paris was a hotbed of creativity. Technology boomed, delivering to the world electric light, the automobile, and new ways to treat disease, while imagination blossomed, creating Art Nouveau, motion pictures, and modernist literature. A pivotal figure during this time, yet largely forgotten today, Loie Fuller was an American performance artist who became a living symbol of the Art Nouveau movement with her hypnotic dances and stunning theatrical effects. Credited today as the pioneer of modern dance, she was perennially broke, never took no for an answer, spent most of her life with a female partner, and never questioned her drive. She was a visionary, a renegade, and a loyal friend. In the early 1900s, she heard about Marie Curie's discovery of a glowing blue element and dreamed of using it to dazzle audiences on stage. While Loie's dream wouldn't be realized, her connection with Marie and their shared fascination with radium endured. Radiant is the true story of Marie Curie and Loie Fuller, two revolutionary women drawn together at the dawn of a new era by a singular discovery, and the lifelong friendship that grew out of their shared passion for enlightenment.
Popular Exhibitions, Science and Showmanship, 1840-1910 by Joe Kember,John Plunkett,Jill A. Sullivan Pdf
Victorian culture was characterized by a proliferation of shows and exhibitions. These were encouraged by the development of new sciences and technologies, together with changes in transportation, education and leisure patterns. The essays in this collection look at exhibitions and their influence in terms of location, technology and ideology.
Vision, Science and Literature, 1870-1920 by Martin Willis Pdf
This book explores the Victorian concept of vision across scientific and cultural forms. Willis charts the characterization of vision through four organizing principles – small, large, past and future – to arrive at a Victorian conception of what vision was. Willis then explores how this Victorian vision influenced twentieth-century ways of seeing.
Reconstructing the Personal Library of William James by Ermine L. Algaier Pdf
While a reconstruction of the whole of William James’s personal library isn’t feasible, there are significant portions of it that reside within the Harvard University Library system and this book is a partial reconstruction of their story. Reconstructing the Personal Library of William James offers a new, comprehensive account of the James collection at Harvard University, bringing together all known Harvard-owned entries into one comprehensive volume. The annotated bibliography contains data on 2,554 entries (2,862 volumes) from James’s personal library, including both the 1923 “Philosophical Library” and all known additional donations by James and his family. . Each entry, when applicable, contains the following data points: Harvard Library location and call number, provenance, bookplate, accession record, autographs, inscriptions, ownership marks, indexical annotations, markings, and marginalia. To orient the reader, Ermine L. Algaier IV supplements the bibliography with essays that examine the history of the James’s library at Harvard, assess the size of the collection and how it came to reside at Harvard, and showcase patterns that emerge from looking at the collection as a whole. Additional essays are devoted to explaining the source lists and archival resources used in reconstructing James’s personal library, as well as outlining steps for continued research on the collection.