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Myth-O-Mania: Phone Home, Persephone! by Kate McMullan Pdf
In this modern version of the Greek myth, Persephone asks Hades for a ride to escape her overprotective mother, sneaks into the Underworld, and refuses to leave.
Myth-O-Mania: Have a Hot Time, Hades! by Kate McMullan Pdf
Think you know the real story behind the Greek myths? Think again. Most people only know what Zeus wants them to. But the truth is, Zeus is a total myth-o-maniac. Hades, King of the Underworld, is here to set the record straight on how he ended up as Ruler of the Underworld and Zeus became King of the Gods.
Myth-O-Mania: Get Lost, Odysseus! by Kate McMullan Pdf
The Trojan War is over, but now Odysseus has to find his way home to Ithaca . . . and in typical fashion, he's angered Poseidon enough that the sea-god has decided to make his journey miserable (if not impossible).
Myth-O-Mania: Get to Work, Hercules! by Kate McMullan Pdf
You've heard of Hercules, right? Big, strong guy who did tons of amazing, heroic deeds? Well one part of that myth is correct. Hercules was big and strong. But he had an teeny-tiny brain. He couldn't have done any of those heroic deeds if it hadn't been for his friends telling him exactly what to do. Hades sets the record straight on the true story of Hercules.
Myth-O-Mania: Nice Shot, Cupid! by Kate McMullan Pdf
The story about the handsome Greek god Cupid and how he met Psyche? Just another lie from that myth-o-maniac Zeus! The truth is, when Cupid met Psyche he was a gawky teen god with bad skin and braces. Psyche was so beautiful, Cupid was scared to even approach her. Instead, he and Zeus cooked up a plan to kidnap Psyche. Hades, King of the Underworld, is here to shine some light on what really happened.
Myth-O-Mania: Keep a Lid on It, Pandora! by Kate McMullan Pdf
The story about Pandora opening a box and releasing terrible evils into the world? Totally made up! Pandora couldn't have cared less about what was in that box. The one who was really dying to know was Zeus. Zeus gave Pandora a box alright. A box full of really nasty items. But disease? Pain? Greed? No way. Hades, King of the Underworld, reveals the true story behind the Pandora myth.
Meteors fall above the town of Zion Falls, and below the town an ancient evil awakens--caught in the middle are four friends, who must use their new powers to defeat the troll monsters and save the world.
Myth-O-Mania: Stop that Bull, Theseus! by Kate McMullan Pdf
Zeus's version of the Theseus myth is totally fabricated! Theseus went into the labyrinth all right, but the only thing he did in there was get lost. He never killed the Minotaur. Zeus made the whole thing up so everyone would think the Minotaur was gone for good. Hades, King of the Underworld, sets the record straight on the story of Theseus and the Minotaur.
Experience the thrilling journey of a wrestling superstar in this no-holds-barred memoir from the first undisputed WWE heavyweight champion. Chris Jericho is the first undisputed Heavyweight Champion of the WWE and WCW, and has been called one of the fifty greatest wrestlers of all time. Now retired, he is writing his memoir, telling the story of his journey from wrestling school in Canada to his time in leagues in Mexico and Japan to his big break in the WCW. He'll dish the dirt on how he worked his way through the ranks alongside major wrestling stars like Chris Benoit and Lance Storm to become a major superstar.
Myth-O-Mania: Say Cheese, Medusa! by Kate McMullan Pdf
In Greek mythology, Medusa was a Gorgon a winged monster with snakes for hair. Anyone who looked at her was instantly turned to stone. But she wasn't born that way. Not even close. Athena was so jealous of Medusa's beauty that she cursed her. Zeus changed the story to make his son, Perseus, look good. Hades is here to set the record straight on Perseus, Medusa, and everything in between.
Edgar G. Ulmer is perhaps best known today for Detour, considered by many to be the epitome of a certain noir style that transcends its B-list origins. But in his lifetime he never achieved the celebrity of his fellow Austrian and German émigré directors--Billy Wilder, Otto Preminger, Fred Zinnemann, and Robert Siodmak. Despite early work with Max Reinhardt and F. W. Murnau, his auspicious debut with Siodmak on their celebrated Weimar classic People on Sunday, and the success of films like Detour and Ruthless, Ulmer spent most of his career as an itinerant filmmaker earning modest paychecks for films that have either been overlooked or forgotten. In this fascinating and well-researched account of a career spent on the margins of Hollywood, Noah Isenberg provides the little-known details of Ulmer's personal life and a thorough analysis of his wide-ranging, eclectic films--features aimed at minority audiences, horror and sci-fi flicks, genre pictures made in the U.S. and abroad. Isenberg shows that Ulmer's unconventional path was in many ways more typical than that of his more famous colleagues. As he follows the twists and turns of Ulmer's fortunes, Isenberg also conveys a new understanding of low-budget filmmaking in the studio era and beyond.