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“Rich word choices and settings that blend speculative concepts with quotidian reality highlight this stellar anthology of prose and poetry.” —Publishers Weekly “One of those rare long-term survivors of the small-press landscape…contributes mightily to the health of our genre.” —Locus Online Assembled from the second year of the digital journal Mythic Delirium and recast in an artfully arranged anthology, this latest offering from editors Mike and Anita Allen will introduce you to harrowing deserts and vengeful waters, to quantum mythology and edible religion, to slipstream explorations of love and identity. Publisher and editor Mike Allen writers in his introduction, “If you’re on a quest for the weird, lowercase, here is a book where you can find it. And likely The Weird as well.” This international anthology of beautiful prose and strange verse features Saira Ali, Michele Bannister, Alicia Cole, Jeannine Hall Gailey, Gwynne Garfinkle, Brady Golden, Adam Howe, John Philip Johnson, Jamie Killen, Swapna Kishore, Margo Lanagan, Geoffrey A. Landis, Nathaniel Lee, Rose Lemberg, Livia Llewellyn, Valya Dudycz Lupescu, C.S. MacCath, Alex Dally MacFarlane, Lynette Mejía, Virginia M. Mohlere, Sunny Moraine, Kristine Ong Muslim, Dominik Parisien, Jessy Randall, Wendy Rathbone, Sonya Taaffe, Shveta Thakrar, Natalia Theodoridou, Sheree Renée Thomas and Jane Yolen. Cover art by Hugo Award winner Galen Dara.
Clockwork Phoenix 4 by Yves Meynard,Ian McHugh,Nicole Kornher-Stace, Richard Parks,Gemma Files,Yukimi Ogawa,A.C. Wise,Marie Brennan,Alisa Alering,Tanith Lee,Cat Rambo,Shira Lipkin,Corinne Duyvis,Kenneth Schneyer,Camille Alexa,Benjanun Sriduangkaew,Patricia Russo,Barbara Krasnoff Pdf
The ground-breaking, boundary-pushing, award-nominated series of fantasy anthologies series returns for a fourth installment through the miracle of Kickstarter, bringing you eighteen brand new tales of beauty and strangeness. You'll find the light-hearted and the bleak, the surreal become familiar and the familiar turned inside-out. Each story leads you into unmapped territory, there to find shock and delight. With stories by Yves Meynard, Ian McHugh, Nicole Kornher-Stace, Richard Parks, Gemma Files, Yukimi Ogawa, A.C. Wise, Marie Brennan, Alisa Alering, Tanith Lee, Cat Rambo, Shira Lipkin, Corinne Duyvis, Kenneth Schneyer, Camille Alexa, Benjanun Sriduangkaew, Patricia Russo and Barbara Krasnoff. Table of Contents “Our Lady of the Thylacines” by Yves Meynard “The Canal Barge Magician’s Number Nine Daughter” by Ian McHugh “On the Leitmotif of the Trickster Constellation in Northern Hemispheric Star Charts, Post-Apocalypse” by Nicole Kornher-Stace “Beach Bum and the Drowned Girl” by Richard Parks “Trap-Weed” by Gemma Files “Icicle” by Yukimi Ogawa “Lesser Creek: A Love Story, A Ghost Story” by A.C. Wise “What Still Abides” by Marie Brennan “The Wanderer King” by Alisa Alering “A Little of the Night” by Tanith Lee “I Come from the Dark Universe” by Cat Rambo “Happy Hour at the Tooth and Claw” by Shira Lipkin “Lilo Is” by Corinne Duyvis “Selected Program Notes from the Retrospective Exhibition of Theresa Rosenberg Latimer” by Kenneth Schneyer “Three Times” by Camille Alexa “The Bees Her Heart, the Hive Her Belly” by Benjanun Sriduangkaew “The Old Woman With No Teeth” by Patricia Russo “The History of Soul 2065″ by Barbara Krasnoff Praise for Clockwork Phoenix 4 This book is in several distinct ways a look into the future: the future of fantasy and science fiction, diverse, strange, and wonderful; the future of these individual writers, many of whom are at or near the beginning of careers which promise to be interesting; and, additionally, the future of publishing, in which a crowd-sourced publication from a very small press can produce, and can present professionally and beautifully, work which is at the height of what is being written in genre. This particular phoenix has risen from its ashes triumphant. — Strange Horizons Clockwork Phoenix 4, much like its predecessors, is a high quality, well-organized, engaging anthology. — Tor.com A first rate series of anthologies … The book is stylistically of a piece with its predecessors — a set of well-written stories occupying multiple subgenres, usually in the same story, often ambiguously. — Locus The tone ranges from dark to heartwarming and simple. The overall quality is high … Several of the pieces are quite challenging. Readers will do well to pick up a copy. — Locus Online What makes this fourth edition so special is that it belongs to an impassioned community of writers and readers who went above and beyond to make it happen. … All eighteen [stories] have the power to pull the reader out of his own reality and transport or transform them entirely. — Cabinet des Fées This 4th volume of Clockwork Phoenix contains an excellent diversity of speculative fiction ranging from cold and hopeless to harsh but victorious and warm and fulfilling. It was a pleasure to read. — Tangent Online What kind of stories will you find in Clockwork Phoenix 4? Only those that are magical, imaginative, heart-wrenching, just plain bizarre, forward-looking, backward-looking, biological, romantic, hopeful, darkly funny and openly frightening. All the words that describe the best speculative fiction you’ve ever read apply. In fact, if this isn’t the epitome of speculative fiction, I don’t know what is. — Little Red Reviewer
World Fantasy Award finalist for Best Story Collection Locus Award finalist for Best Story Collection “Welcome to a Gilded Era like you’ve never before known and will never be able to forget …If Titania herself were to commission a book, it would be this one.” —Fran Wilde, two-time Nebula Award-winning author of Updraft and Riverland "Cooney’s lush follow-up to Desdemona and the Deep offers five stories linked by an intricate shared world … Throughout, Cooney’s descriptions are extravagant and gorgeous, and the musical cadence of her prose makes it exceptionally easy to be drawn into the worlds she weaves … Romantic fantasy readers will find a lot to love." —Publishers Weekly A young human painter and an ageless gentry queen fall in love over spilled wine-at the risk of his life and her immortality. Pulled into the Veil Between Worlds, two feuding neighbors (and a living statue) get swept up in a brutal war of succession. An investigative reporter infiltrates the Seafall City Laundries to write the exposé of a lifetime, and uncovers secrets she never believed possible. Returning to an oak grove to scatter her husband's ashes, an elderly widow meets an otherworldly friend, who offers her a momentous choice. Two gentry queens of the Valwode plot to hijack a human rocketship and steal the moon out of the sky. Dark Breakers gathers three new and two previously uncollected tales from World Fantasy Award-winning writer C. S. E. Cooney that expand on the thrice-enfolded worlds first introduced in her Locus and World Fantasy award-nominated novella Desdemona and the Deep. In her introduction to Dark Breakers, Crawford Award-winning author Sharon Shinn advises those who pick up this book to "settle in for a fantastical read" full of "vivid world-building, with layer upon layer of detail; prose so dense and gorgeous you can scoop up the words like handfuls of jewels; a mischievous sense of humor; and a warm and hopeful heart." “C. S. E. Cooney’s prose is like a cake baked by the fairies—beautifully layered, rich and precise, so delicious that it should be devoured with a silver fork.” —Theodora Goss, World Fantasy and Mythopoeic Award-winning author of The Extraordinary Adventures of the Athena Club series “Dark Breakers is compounded of voluptuous invention and ferocious structural loves—for new romances and old friends, for the works of hands, for mortality and its gifts, and all the possibilities of worlds bleeding, weeping, wandering into each other’s arms.” —Kathleen Jennings, World Fantasy Award-winning author of Flyaway “Few people create worlds as lavish and sensual as those to spring from Cooney’s effervescent imagination. Her writing isn’t so much inspirational, but inspiration itself: gentry-magic spun into pages and paragraphs of glittering, fizzing, jaw-dropping beauty.” —Cassandra Khaw, British Fantasy Award-nominated author of The All-Consuming World MORE PRAISE FOR C. S. E. COONEY "C. S. E. Cooney is one of the most moving, daring, and plainly beautiful voices to come out of recent fantasy. She's a powerhouse with a wink in her eye and a song in each pocket." —Catherynne M. Valente, New York Times-bestselling author of Space Opera "C. S. E. Cooney's imagination is wild and varied, her stories bawdy, horrific, comic, and moving-frequently all at the same time." —Delia Sherman, author of The Evil Wizard Smallbone "C. S. E. Cooney is a master piper, playing songs within songs. Her stories are wild, theatrical, full of music and murder and magic." —James Enge, author of Blood of Ambrose "Newcomers will find Cooney's glittering narrative skills and vivid worldbuilding addictive, her diverse characters intriguing, and her message of justice and freedom stirring." —Publishers Weekly
Aftermath of an Industrial Accident by Mike Allen Pdf
2020 Shirley Jackson Award finalist, Best Collection 2020 Locus Recommended Reading List, Best Story Collection INCLUDES BONUS STORIES AND EXCERPTS "From heartbreaking character studies to exercises in Grand Guignol excess, from scalpel-sharp poetry to sledgehammers of blood-soaked prose, Mike Allen displays not only his own considerable range, but the range of the horror genre as well. Aftermath of an Industrial Accident will surprise and delight you at every turn." —Nathan Ballingrud, author of Monsterland, now streaming on Hulu "Allen overflows the tank with nightmare fuel in this collection of 23 stories and poems that showcase his ability to find the monstrous in almost any setting . . . the collection dances through hauntings, carnage, body horror, and psychological chills . . . Readers will be impressed by the variety, intensity, and skilled craftsmanship Allen brings to this collection. These horror shorts are sure to linger in the dark corners of readers' minds." — Publishers Weekly, starred review “An incredible read. This collection of horror and dark fantasy poetry and short fiction needs to be on the shelf of any horror reader.” — Cemetery Dance "Allen weds the brute visceral punch of early Clive Barker with the demented whimsy of darker Neil Gaiman." —Craig Laurance Gidney, author of A Spectral Hue A Korean War veteran must rely on wits, improvised weapons, and words from the dread Necronomicon to escape the lair of a deranged cult. A ghost cannot communicate how she died, no matter how desperately she tries, while an unconventional ghost hunter incurs the venomous wrath of the Queen of Night. Murderous conspiracies reveal themselves in online video clips, a saint blasphemes as a serial killer prays for mercy, and corrupt families in ancient kingdoms trade blood and souls for leverage over foes. Enduring nightmares for a living can lead to a fate worse than burnout. A gruesome invasion from outside space and time tests courage—and corporate loyalty—past all rational limits. In these twenty-three stories and poems, two-time World Fantasy Award nominee Mike Allen spins twisted narratives, some wound through the fabric of our world, some set in imagined pasts or futures, all plumbing the depths of human darkness. "The consistency, here, is simply excellence," writes Bram Stoker Award finalist and Punktown creator Jeffrey Thomas in his introduction. "You are holding in your hands an overflowing cornucopia of monstrous goodness." "Each tale in Aftermath of an Industrial Accident packs a punch that will keep you willingly pinned to the wall." —Christina Sng, author of A Collection of Nightmares "Mike Allen habitually upends Lovecraftian tropes with his own brand of cosmic horror." —Laird Barron, author of Swift to Chase "Allen demonstrates again and again his masterful ability to infuse cosmic, existential terror into the most intimate, and mundane aspects of our lives, while never failing to point out the self-made horror already there: from his introductory piece that credits Poe as a conjurer of inescapable, psychic horror and a muse-sinister for Allen, to the title story that force-marches the reader through rising terror, like a tea kettle screaming, for which there is no escape, no sanctuary, even within your own mind." —R. S. Belcher, author of The Brotherhood of the Wheel "Allen deftly imbues each world visited with its own own special kind of dread." —A .C. Wise, author of Catfish Lullaby
A Sinister Quartet by Mike Allen,C. S. E. Cooney,Amanda J. McGee,Jessica P. Wick Pdf
2020 Locus Recommended Reading List, Best Anthology Contains “The Twice-Drowned Saint” by C.S.E. Cooney, 2020 Locus Recommended Reading List, Best First Novel “With fiction from C.S.E Cooney, Jessica P. Wick, Amanda J. McGee, and Mike Allen, Mythic Delirium’s excellent new anthology, A Sinister Quartet, provides further evidence that long-form genre fiction is not just alive and well but thriving.” —Locus, Ian Mond “Mythic Delirium is one of the smaller presses which sustains our field . . . This is lovely and fascinating . . . Really fine work.” —Locus, Rich Horton "Easily one of the best things I've read this year . . . 'The Twice Drowned Saint' alone is worth five times the cost of the collection." —The Little Red Reviewer INCLUDES BONUS STORIES AND EXCERPTS AND NEW FULL COLOR ILLUSTRATIONS Behind the walls of an invulnerable city ruled by angels, old movies provide balm for the soul and a plan to escape risks grisly retribution. A princess discovers a passage to a nightmarish world of deception and blood-sealed enchantment. A woman who has lost everything meets a man of great wealth and ominous secrets. In a town haunted by tragedy, malevolent supernatural entities converge, and the conflict that ensues unleashes chaos. A Sinister Quartet gathers original long-form wonders and horrors composed in unusual keys, with a short novel by World Fantasy Award winner C. S. E. Cooney and a new novella from two-time World Fantasy Award finalist Mike Allen joined by debut novellas from rising talents Amanda J. McGee and Jessica P. Wick. All four offer immersions into strange, beautiful and frightening milieus.
Alistair Jones is a ex-Pinkerton agent roaming the West in search of work. Amy Dunston is an angry widow searching for answers. Who knows what those men with matching mustaches and bowler hats are searching for, but Alistair and Amy would both like to know why there are so many of them, why they all look alike, and why they're impervious to bullets -- at least until they met the business end of Alistair's .52-caliber 1874-pattern Sharps rifle. It could take down a buffalo with one shot, and it worked on those Bowlers, too. But Alistair's gun and Amy's quick thinking might not be enough. Scientist Hiram Wilson's newfangled solar-and-steam-powered airship has brought an army of those bowler-wearing varmints out of the woodwork, and destroying Hiram's invention is just the beginning of their terrifying plan for our planet. A vintage Western meets an alien invasion straight out of the golden age of science fiction and adds a chaser of steampunk in The Sky-Riders, a new novelette from Southwest Virginia authors Paul Dellinger (Mr. Lazarus) and Mike Allen (Unseaming). Paul's stories have appeared in Fantastic Stories, The Magazine of Fantasy & Science Fiction and numerous DAW anthologies. Mike is a Nebula, Shirley Jackson and World Fantasy award finalist. The two have been friends for decades, but this is their first collaboration. You can learn more about Mike at http://descentintolight.com. Find Paul's stories at http://tinyurl.com/MrLazarus. Cover by Orion Zangara and Derek L. Chase.
The world's greatest sorcerer is losing his mind, and all the nations wait in fear for his next move. The faces of the future gaze forward and back, and sirens don't always sing the songs you expect. Deserts speak with the voices of girls, mothers and stepmothers are two pages of the same book, and churches house things stranger than angels. But in the afterlife, you never know when an absinthe spoon will come in handy . . . . The second volume in the critically acclaimed fantasy anthology series from Mythic Delirium Books, edited by Rhysling Award-winning poet Mike Allen, with new writings by Leah Bobet, Richard Parks, Cherie Priest, Catherynne M. Valente, Lawrence Schimel, Sonya Taaffe, Steve Rasnic Tem, Jo Walton and more.
NOW WITH NEW BONUS CONTENT! 2014 Shirley Jackson Award finalist for best collection 2014 This Is Horror Award finalist for best collection 2015 Chesley Award finalist for best cover Mike Allen has put together a first class collection of horror and dark fantasy. Unseaming burns bright as hell among its peers. --Laird Barron, author of The Beautiful Thing That Awaits Us All Allen's stories deliver solid shivering terror tinged with melancholy sorrow over the fragility of humankind. --Publishers Weekly, starred review The stories ... range from the sly to the splatteringly horrific, with every nuance of dread and menace in between. --Library Journal, starred review Everyone in the world awakens covered in blood-and no one knows where the blood came from. A childhood doll arrives to tear its owner's reality limb from limb. A portal to the spirit realm stretches wide on the Appalachian Trail, and something more than human crawls through on eight legs. Words of comfort change to terrifying sounds as a force from outside time speaks through them. The buttons in the bin will unseam your flesh to bare your nastiest secrets. Opening with "The Button Bin," a finalist for the Nebula Award for Best Short Story, and culminating with its sequel, "The Quiltmaker," which Bram Stoker Award and Shirley Jackson Award winner Laird Barron has hailed as Mike Allen's masterpiece, this debut collection gathers fourteen horror tales that, in the words of Barron's introduction, "rival anything committed to paper by the likes of contemporary masters such as Clive Barker, Ramsey Campbell, or Caitlín Kiernan. This is raw, visceral, and sometimes bloody stuff. Primal stuff." More praise for Unseaming: Throughout Unseaming, reality is usually in bad shape right from the start-and from there things proceed to go downhill. Such is the general background and trajectory of life in Mike Allen's fictional world. More could be said, of course, but there's one thing that I feel especially urged to say: these stories are fun. Not "good" fun, and certainly not "good clean" fun. They are too unnerving for those modifiers, too serious, like laughter in the dark-unnerving, serious laughter that leads you through Mr. Allen's funhouse. The reality in there is also in bad shape, deliberately so, just for the seriously unnerving fun of it. The prose is poetic, except it's nonsense poetry, the poetry of deteriorating realities, intermingling realities, realities without Reality. And all the while that unnerving, serious laughter keeps getting louder and louder. Are we having fun yet? --Thomas Ligotti, author of Teatro Grottesco and The Spectral Link Allen can write as lyrically and as viscerally as the best of them ... an exceptional debut collection. --Locus Mike Allen's Unseaming confirms his status as a poet who writes in dread and awe rather than ink. His most recurrent themes are those of wrenching loss and transformative retribution, with a liberal helping of the literal fear of God(s); sowing out a hundred different apocalypses, personal and otherwise, these stories reap an unforgettable crop of nightmares, sketching a chimeric universe in which shape-changing is less a rumour or an option than a sad, simple inevitability. Not to be missed. --Gemma Files, author of We Will All Go Down Together Mike Allen blends a poet's attention to language with a crime reporter's instinct for the darker precincts of human behavior...These stories glow with demonic energy, and what they illuminate are the faces of our secret selves, screaming back at us from the mirror's depths. --John Langan, author of The Wide, Carnivorous Sky and Other Monstrous Geographies Offbeat, gruesome conceits and expert delivery. --Asimov's Science Fiction One of the most original practitioners of the body horror subgenre since Clive Barker's Books of Blood. --Rue Morgue
Winner of the 2016 World Fantasy Award for Best Collection Contains "The Bone Swans of Amandale," 2015 Nebula Award finalist for Best Novella "C. S. E. Cooney is one of the most moving, daring, and plainly beautiful voices to come out of recent fantasy. She's a powerhouse with a wink in her eye and a song in each pocket." —Catherynne M. Valente, New York Times-bestselling author of the Fairyland novels "These stories are a pure joy. C. S. E. Cooney's imagination is wild and varied, her stories bawdy, horrific, comic, and moving-frequently all at the same time. Her characters are wickedly appealing, and her language—O! her language. Lush, playful, poetic, but never obscure or stilted, it makes her magic more magic, her comedy more comic, and her tragic moments almost unbearable." —Delia Sherman, author of Young Woman in a Garden: Stories "Bone Swans is a joy of feathery bones & ghoulish clowns. I adored every word. Like an eyas cries for meat, I cry for more. C.S.E. Cooney's a major talent and these are major talent stories. Who can resist hero rats, pouting swans, feral children, flying carpets and the Flabberghast? So tongue-tied am I with delight I fall back on the usual cliches: gripping, delightful, insightful, rollicking & lyrical—and yet not one cliche is to be found in Bone Swans, only stories of surpassing delicacy and wit, told by a lady of rare talent. Please, ma'am, might I have some more?" —Ysabeau S. Wilce, Andre Norton Award wining author of Flora's Dare A swan princess hunted for her bones, a broken musician and his silver pipe, and a rat named Maurice bring justice to a town under fell enchantment. A gang of courageous kids confronts both a plague-destroyed world and an afterlife infested with clowns but robbed of laughter. In an island city, the murder of a child unites two lovers, but vengeance will part them. Only human sacrifice will save a city trapped in ice and darkness. Gold spun out of straw has a price, but not the one you expect. World Fantasy Award winner Ellen Kushner has called Cooney's writing "stunningly delicious! Cruel, beautiful and irresistible." Bone Swans, the infernally whimsical debut collection from C. S. E. Cooney, gathers five novellas that in the words of Andre Norton Award winner Delia Sherman are "bawdy, horrific, comic, and moving-frequently all at the same time." Cooney's mentor, Science Fiction and Fantasy Writers of America Grand Master Gene Wolfe, proclaims in his introduction that her style is so original it can only be described as "pure Cooney," and he offers readers a challenge: "Try to define that when you've finished the stories in this book." More praise for Bone Swans "Cooney's brilliantly executed collection of five stories is a delicious stew of science fiction, horror, and fantasy, marked by unforgettable characters who plumb the depths of pathos and triumph. ... All of these stories could easily serve as the foundation for novels while also working beautifully at their current length. These well-crafted narratives defiantly refuse to fade from memory long after the last word has been read." —Publishers Weekly, starred review "In five beautifully crafted stories, Cooney builds imaginary worlds full of flying carpets, fairy-tale characters, and children confronted with a postapocalyptic Earth ... Each tale packs in enough plot for a novel, with adventurous characters who brim with wit." —Library Journal, starred review "Writing without ostentation and featuring characters who may be flippant, terse, or even tongue-tied, Cooney produces memorable prose propelled by extraordinary ideas ... Faced with such twisted genius, I'll say no more!" —Locus "A fascinating mashup between the tropes and resonances of the mythic tale with the sensibilities of contemporary action-oriented fantasy: simultaneously lighthearted and serious, full of consequences but also ubiquitous happy endings." —Tor.com
A missing scientist and deep pockets pull Colonel Carl Butler out of retirement, investigating another mystery that puts him and his team--and the future of relations with alien species--in danger in COLONYSIDE, the exciting follow-up to Planetside and Spaceside. A military hero is coming out of disgrace—straight into the line of fire… Carl Butler was once a decorated colonel. Now he’s a disgraced recluse, hoping to live out the rest of his life on a backwater planet where no one cares about his “crimes” and everyone leaves him alone. It’s never that easy. A CEO’s daughter has gone missing and he thinks Butler is the only one who can find her. The government is only too happy to appease him. Butler isn’t so sure, but he knows the pain of losing a daughter, so he reluctantly signs on. Soon he’s on a military ship heading for a newly-formed colony where the dangerous jungle lurks just outside the domes where settlers live. Paired with Mac, Ganos, and a government-assigned aide named Fader, Butler dives head-first into what should be an open and shut case. Then someone tries to blow him up. Faced with an incompetent local governor, a hamstrung military, and corporations playing fast and loose with the laws, Butler finds himself in familiar territory. He’s got nobody to trust but himself, but that’s where he works best. He’ll fight to get to the bottom of the mystery, but this time, he might not live to solve it.
"New Liberty City, 2134. Two corporations have replaced the US, splitting the country's remaining forty-five states (five have been submerged under the ocean) between them: Stellaxis Innovations and Greenleaf. There are nine supercities within the continental US, and New Liberty City is the only amalgamated city split between the two megacorps, and thus at a perpetual state of civil war as the feeds broadcast the atrocities committed by each side. Here, Mallory streams Stellaxis's wargame SecOps on BestLife, spending more time jacked in than in the world just to eke out a hardscrabble living from tips. When a chance encounter with one of the game's rare super-soldiers leads to a side job for Mal - looking to link an actual missing girl to one of the SecOps characters. Mal's sudden burst in online fame rivals her deepening fear of what she is uncovering about BestLife's developer, and puts her in the kind of danger she's only experienced through her avatar."--Publisher's description
A fragmentary catalogue of poetic derangements that reveals the ways in which mania communicates with an extreme will to annihilation What kind of circumstances provoke an obsessive focus on the most minute object or activity? And what causes such mania to blossom into the lethal conviction that everything must be annihilated? There is no turning away from the imperative to study this riddle in all its mystifying complexity and its disturbing contemporary resonance—to trace the obscure passage between a lone state of delirium and the will to world-erasure.. A fragmentary catalogue of the thousand-and-one varieties of manic disposition (augomania, dromomania, catoptromania, colossomania…), Omnicide enters the chaotic imaginations of the most significant poetic talents of the Middle East in order to instigate a new discourse on obsession, entrancement, excess, and delirium. Placing these voices into direct conversation, Jason Bahbak Mohaghegh excavates an elaborate network of subterranean ideas and interpretive chambers, byways, and burrows by which mania communicates with fatality. Like secret passages leading from one of the multitudinous details of a bustling Persian miniature to the blank burning immanence of the desert, each is a contorted yet effective channel connecting some attractive universe (of adoration, worship, or astonishment) to the instinct for all-engulfing oblivion (through hatred, envy, indifference, rage, or forgetting). A captivating fractal of conceptual prisms in half-storytelling, half-theoretical prose, a rhythmic, poetic, insidious work that commands submission, Omnicide absorbs the reader into unfamiliar and estranging landscapes whose every subtle euphoric aspect threatens to become an irresistible invitation to the end of all things.
Bonus content 2024! Read an excerpt from Theodora Goss's new book, The Collected Enchantments! 2020 Mythopoeic Fantasy Award Winner for Adult Literature! 2020 Locus Award finalist for Best Collection Contains "A Country Called Winter," 2020 Locus Award finalist for Best Novelette “I was expecting this to be good, but it’s wonderful. Seeing these pieces together makes me realize what a vivid, authentic and important voice Goss is. These are real fairytales, magical, unsettling, touching, and brilliant. I loved every word.” —Jo Walton, World Fantasy, Nebula, and Hugo award–winning author of Among Others “Fairy tales are clothing, and to retell them is fashion. The fashion of these particular stories and poems is an abundance of lace, roses and porcelain contrasting with fur, snow and blood.” —Amal El-Mohtar, The New York Times “As a Hungarian-American raised on Hans Christen Andersen and the Brothers Grimm, Goss takes obvious delight in reweaving classic European folk tales to reveal new, often deeply feminist, perspectives . . . This toothsome collection is best read in one go.” —Publishers Weekly, starred review A young woman hunts for her wayward shadow at the school where she first learned magic—while another faces a test she never studied for as ice envelopes the world. The tasks assigned a bookish boy lead him to fateful encounters with lizards, owls, trolls and a feisty, sarcastic cat. A bear wedding is cause for celebration, the spinning wheel and the tower in the briar hedge get to tell their own stories, and a kitchenmaid finds out that a lost princess is more than she seems. The sea witch reveals what she hoped to gain when she took the mermaid’s voice. A wiser Snow White sets out to craft herself a new tale. In these eight stories and twenty-three poems, World Fantasy Award winner Theodora Goss retells and recasts fairy tales by Charles Perrault, the Brothers Grimm, Hans Christian Andersen, and Oscar Wilde. Sometimes harrowing, sometimes hilarious, always lyrical, the works gathered in Snow White Learns Witchcraft re-center and empower the women at the heart of these timeless narratives. Science Fiction and Fantasy Writers of America Grand Master Jane Yolen, in her introduction, proclaims that Goss “transposes, transforms, and transcends times, eras, and old tales with ease. But also there is a core of tough magic that runs through all her pieces like a river through Faerie . . . I am ready to reread some of my new favorites.” More praise for Snow White Learns Witchcraft “Theodora Goss re-fleshes and re-clothes old tales in multifarious ways. Sometimes the stories’ new garments are classic and mythic, sometimes they’re up-to-the-minute, twenty-first-century creations, fresh cuts and colors that bring new truths from the underlying structures. Through prose and poetry, Goss shines her unique light into the fairytale forest—and many bright eyes gleam back.” —Margo Lanagan, New York Times–bestselling and World Fantasy Award–winning author of Tender Morsels “Theodora Goss’s Snow White Learns Witchcraft is a gorgeous, lyric collection of fairy tale retellings. Goss has the ability—the witchcraft—to be able to see the heart of the tale, and show it, polished and reflected and new, to the reader. I loved these stories and poems, their wildness, their beauty, their truth.” —Kat Howard, Alex Award–winning author of An Unkindness of Magicians “With each story, Theodora Goss weaves new myths from the threads of childhood and legend. This collection does what the best songs and poems and spells do: slips gently into your consciousness, then slowly changes the way you see the world. A wonderful addition to Goss’s works.” —Fran Wilde, World Fantasy, Nebula, and Hugo finalist and author of the award-winning Bone Universe trilogy “The elegance of Goss’s work has never ceased to amaze me. It feels effortless, but endlessly evocative and suggestive, flowing with the rhythms of both the natural world and the intimate socio-familial cosmos. Goss’s language fits together like gems in a complex crown, a diadem of images and motifs, resting gently on the head, but with a deceptive weight.” —Catherynne M. Valente, New York Times-bestselling author of Space Opera “In Snow White Learns Witchcraft, Theodora Goss weaves words that look disturbingly like snow and feathers into new stories that are familiar but uniquely remade. A Goss heroine breathes life into silent castles, imprints her own image in darkling mirrors, and plucks enchanted apples from the hands of peddlers; she is a bear’s bride, a newly minted queen, a thunderstorm of a woman and so much more. Dr. Goss cements her position as one of our foremost re-interpreters of fairy tales.” —Angela Slatter, World Fantasy Award-winning author of The Bitterwood Bible “What will you find in these pages, dear reader? Why, the encyclopedia of everything (as written by an owl), what the mirror really knows, rubies red with wolf’s blood-and, surprise!—the secret of who actually spun that straw into gold. Ice, iron, apples, birds, bones, subversion: Theodora Goss’s new collection of stories and poems Snow White Learns Witchcraft is woven of the finest spider silk, a funnel-web of faerie tales that will catch you fast and not let you go.” —C. S. E. Cooney, World Fantasy Award-winning author of Bone Swans Cover art by Ruth Sanderson
“The collection you hold in your hands is otherworldly, it is elegant, it is delicate. It is graceful, it is exquisite and ethereal. It is full of flowers and fairies and a piercing, thorny longing.” —from the introduction by Catherynne M. Valente A Mythopoeic Award finalist Songs for Ophelia gathers together eighty of Theodora Goss's otherworldly poems which lead the reader, as though under a spell, through the unfolding of the seasons and into the realm of pure magic. "Willows, dancing maidens, gypsies, mothers, lovers, daughters, magic animals, living waters, and transformations of all kinds abound in these gorgeous poems. With her formal prosody, her fairytale subjects, and her insights on love and loss and longing, Goss manages, Janus-like, to look back to the Victorians and inward at the heart of a modern woman with intelligence and grace." —Delia Sherman Cover art by Virginia Lee