Mythologies Without End Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Mythologies Without End book. This book definitely worth reading, it is an incredibly well-written.
In Mythologies Without End, Jerome Slater takes stock of the conflict over time and argues that US policies in the region are largely a product of mythologies that are often flatly wrong. Because of their widespread acceptance, there have been devastating consequences to the true interests of both countries. He argues that a critical examination and refutation of the many mythologies is a necessary first step toward solving the Arab-Israeliconflict.
The myths and reality behind the state of Israel and the Israeli-Palestinian conflict—from “the most eloquent writer on Palestinian history” (New Statesman) The outspoken and radical Israeli historian Ilan Pappe examines the most contested ideas concerning the origins and identity of the contemporary state of Israel. The “ten myths”—repeated endlessly in the media, enforced by the military, and accepted without question by the world’s governments—reinforce the regional status quo and include: • Palestine was an empty land at the time of the Balfour Declaration. • The Jews were a people without a land. • There is no difference between Zionism and Judaism. • Zionism is not a colonial project of occupation. • The Palestinians left their Homeland voluntarily in 1948. • The June 1967 War was a war of ‘No Choice’. • Israel is the only Democracy in the Middle East. • The Oslo Mythologies • The Gaza Mythologies • The Two-State Solution For students, activists, and anyone interested in better understanding the news, Ten Myths About Israel is another groundbreaking study of the Israel-Palestine conflict from the author of The Ethnic Cleansing of Palestine.
The history of modern Israel is a fiercely contested subject. From the Balfour declaration to the Six-Day War to the recent assault on Gaza, ideologically-charged narratives and counter-narratives battle for dominance not just in Israel itself but throughout the world. In the United States and Israel, the Israeli cause is treated as the more righteous one, albeit with important qualifiers and caveats. In Mythologies Without End, Jerome Slater takes stock of the conflict from its origins to the present day and argues that US policies in the region are largely a product of mythologies that are often flatly wrong. For example, the Israelis' treatment of Palestinians after 1948 undermined its claim that it was a true democracy, and the argument that Arab states refused to negotiate with Israel for decades is simply untrue. Because of widespread acceptance of these myths in both the US and Israel, the consequences have been devastating to all of the involved parties. In fact, the actual history is very nearly the converse of the mythology: it is Israel and the US that have repeatedly lost, discarded, or even deliberately sabotaged many opportunities to reach fair compromise settlements of the Arab-Israeli and Israeli-Palestinian conflicts. As Slater reexamines the entire history of the conflict from its onset at the end of WWI through the Netanyahu era, he argues that a refutation of the many mythologies that is a necessary first step toward solving the Arab-Israeli conflict. Focusing on both the US role in the conflict and Israel's actions, this book exposes the self-defeating policies of both nations DL policies which have only served to prolong the conflict far beyond when it should have been resolved.
The author, a professor of classics and visiting scholar at the Harvard Divinity school presents modern interpretations of traditional Greek and Roman myths that render classic themes accessible to a new generation of readers. Here he retells some of the most popular myths and tales of errant gods, fantastic creatures, and human heroes, including powerful Zeus, his wife Hera, Apollo, beautiful Aphrodite, fierce Athena, the dauntless heroes Theseus and Hercules, the doomed lovers Orpheus and Eurydice, as well as the tales of the Argonauts, and the narrative of the Battle of Troy. These Greek and Roman myths are as relevant today as ever in their sharp observations about human nature; they still inspire awe, give us courage, and break our hearts. They have inspired plays, operas, and paintings, and live on today in movies and video games. -- From back cover.
The story of Atlas and Heracles Atlas knows how it feels to carry the weight of the world; but why, he asks himself, does it have to be carried at all? In Weight — visionary and inventive, yet completely believable and relevant to the questions we ask ourselves every day — Winterson’s skill in turning the familiar on its head to show us a different truth is put to stunning effect. When I was asked to choose a myth to write about, I realized I had chosen already. The story of Atlas holding up the world was in my mind before the telephone call had ended. If the call had not come, perhaps I would never have written the story, but when the call did come, that story was waiting to be written. Rewritten. The recurring language motif of Weight is “I want to tell the story again.” My work is full of Cover Versions. I like to take stories we think we know and record them differently. In the retelling comes a new emphasis or bias, and the new arrangement of the key elements demands that fresh material be injected into the existing text. Weight moves far away from the simple story of Atlas’s punishment and his temporary relief when Hercules takes the world off his shoulders. I wanted to explore loneliness, isolation, responsibility, burden, and freedom too, because my version has a very particular end not found elsewhere. —from Jeanette Winterson’s Foreword to Weight
**NOW A MAJOR MOTION PICTURE STARRING JODIE COMER, EXECUTIVE PRODUCED BY BENEDICT CUMBERBATCH, AND WRITTEN BY ALICE BIRCH (NORMAL PEOPLE)** “The End We Start From by Megan Hunter is a short, concentrated book—a shot of distilled story, like the pulp of a tale boiled to a thick spiced paste. . . . With passages from mythology interspersed with its imagined future, the book is engrossing, compelling and finally hopeful.” —Naomi Alderman, author of The Power “The End We Start From is a beautifully spare, haunting meditation on the persistence of life after catastrophe. I loved it.” —Emily St. John Mandel, author of Station Eleven Longlisted for the 2018 Aspen Words Literary Prize Finalist for the Barnes & Noble 2017 Discover Great New Writers Award An indelible and elemental debut—a lyrical vision of the strangeness and beauty of new motherhood, and a tale of endurance in the face of unimaginable change. In the midst of a mysterious environmental crisis, as London is submerged below flood waters, a woman gives birth to her first child, Z. Days later, the family is forced to leave their home in search of safety. As they move from place to place, shelter to shelter, their journey traces both fear and wonder as Z's small fists grasp at the things he sees, as he grows and stretches, thriving and content against all the odds. This is a story of new motherhood in a terrifying setting: a familiar world made dangerous and unstable, its people forced to become refugees. Startlingly beautiful, Megan Hunter's The End We Start From is a gripping novel that paints an imagined future as realistic as it is frightening. And yet, though the country is falling apart around them, this family's world—of new life and new hope—sings with love.
The daughter of King Zeus of Olympus lived a small life. The least of his sons and daughters, hers was not the moon, or love, or battle...so low that she should have more rightly been numbered among his demigod children. Kore lingered at the edge of the feast hall, watching the great gods and goddesses revel. Too useless to sprout the grain with the nymphs, she followed her mother, Demeter, through the fields and made the flowers bloom, and she wasn't even too good at that. But what she liked best was when she was allowed to wander the woodlands and towns of the mortal world alone. It was there she found her destiny, one that would shake the world from the top of Olympus to the depths of Hades. Kore does not belong in the shadows, and she is not the Goddess of Flowers, spring or otherwise. But things never start out that way. It started, as many stories do, with a boy and a girl in a meadow. This is not the story passed down from Demeter's priests and priestesses. It is not the song sung for Demeter by her nymphs as her tears make the seasons turn. But it was never Demeter's story to tell at all. Grab your copy today to hear Persephone's side of the tale!
Percy Jackson is a good kid, but he can't seem to focus on his schoolwork or control his temper. And lately, being away at boarding school is only getting worse-Percy could have sworn his pre-algebra teacher turned into a monster and tried to kill him.
“Unusually accessible and useful . . . An eye-opener to readers into the universality and importance of myth in human history and culture.”—William E. Paden, Chair, Department of Religion, University of Vermont For as long as human beings have had language, they have had myths. Mythology is our earliest form of literary expression and the foundation of all history and morality. Now, in Parallel Myths, classical scholar J. F. Bierlein gathers the key myths from all of the world's major traditions and reveals their common themes, images, and meanings. Parallel Myths introduces us to the star players in the world's great myths—not only the twelve Olympians of Greek mythology, but the stern Norse Pantheon, the mysterious gods of India, the Egyptian Ennead, and the powerful deities of Native Americans, the Chinese, and the various cultures of Africa and Oceania. Juxtaposing the most potent stories and symbols from each tradition, Bierlein explores the parallels in such key topics as creation myths, flood myths, tales of love, morality myths, underworld myths, and visions of the Apocalypse. Drawing on the work of Joseph Campbell, Mircea Eliade, Carl Jung, Karl Jaspers, Claude Lévi-Strauss, and others, Bierlein also contemplates what myths mean, how to identify and interpret the parallels in myths, and how mythology has influenced twentieth-century psychology, philosophy, anthropology, and literary studies. “A first-class introduction to mythology . . . Written with great clarity and sensitivity.”—John G. Selby, Associate Professor, Roanoke College
Not the Israel My Parents Promised Me by Harvey Pekar Pdf
In Not the Israel My Parents Promised Me, one of the final graphic memoirs from the man who defined the genre, Harvey Pekar explores what it means to be Jewish and what Israel means to the Jews. Pekar’s mother was a Zionist by way of politics, his father by way of faith, and he inevitably grew up a staunch supporter of Israel. But as he became attuned to the wider world, Pekar began to question his parents’ most fundamental beliefs. This book is the full account of that questioning. Over the course of a single day in his hometown of Cleveland, Ohio, Pekar and the illustrator JT Waldman wrestle with the mythologies passed down to them, weaving a personal and historical odyssey of uncommon wit and power. With an epilogue written by Joyce Brabner, Not the Israel My Parents Promised Me is an es- sential book for fans of Harvey Pekar and anyone interested in the past and future of the Jewish state.
What does science have to do with science fiction? What does science fiction have to do with scientists? What does religion have to do with science and science fiction? In the spiritual vacuum of our post-Christian West, new mythologies continually arise. The sources of much religious speculation, however, may be surprising. Author James Herrick directs our attention to a wide range of scientists, filmmakers, science fiction writers and religious philosophers and discovers there the role that science and science fiction have played in such mythmaking. From scientists such as Francis Bacon, Francis Crick, Carl Sagan and Freeman Dyson, to filmmakers such as George Lucas and Steven Spielberg, to science fiction writers such as Olaf Stapledon, Sir Arthur C. Clarke, Robert Heinlein and Isaac Asimov, Herrick finds a curious collusion of science with science fiction for promoting and justifying alternative spiritualities. The rise of these new mythologies, he argues, is no longer a curiosity at the edge of Western culture. This alchemy is catalyzing a religious vision of new gods, a new humanity, and alien races with superior intelligence and secret knowledge. This new mythology overshadows the realms of politics, science and religion. Should we follow such visions? Does science endorse these mythologies? Are we being offered a spirituality superior to the Judeo-Christian tradition? This book will help you decide.
In this modern-day "lively re-imagining of classical mythology" (Deborah Harkness), when a string of women are murdered in an ancient pagan ritual, Selene DiSilvia -- known by some as the goddess Artemis -- hears their cries for help and takes up her bow once more. Manhattan has many secrets. Some are older than the city itself. The city sleeps. In the predawn calm, Selene DiSilva finds the body of a young woman washed ashore, gruesomely mutilated and wreathed in laurel. Her ancient rage returns, along with the memory of a promise she made long ago -- when her name was Artemis. Jordanna Max Brodsky's acclaimed debut sets Greek Gods against a modern Manhattan backdrop, creating an unputdownable blend of myth and mystery. The Olympus Bound series:The ImmortalsWinter of the GodsOlympus Bound For more from Jordanna Max Brodsky, check out:The Wolf in the Whale
In myth, author Puhvel argues, a human group expresses the thought patterns by which it formulates self-cognition and self-realization, attains self-knowledge and self-confidence, explains its own sources and sometimes tries to chart its destinies. Here, Puhvel unravels the prehistoric origins of the traditions of India and Iran, Greece and Rome, of the Celts, Germans, Balts, and Slavs. Utilizing the methodologies of historical linguistics and archaeology, he reconstructs a shared prehistorical religious, mythological, and cultural heritage. Separate chapters on individual traditions as well as on recurrent themes give life to the book as both a general introduction and a detailed reference.--From publisher description.
Rifqa is Mohammed El-Kurd’s debut collection of poetry, written in the tradition of Ghassan Kanafani’s Palestinian Resistance Literature. The book narrates the author’s own experience of dispossession in Sheikh Jarrah--an infamous neighborhood in Jerusalem, Palestine, whose population of refugees continues to live on the brink of homelessness at the hands of the Israeli government and US-based settler organizations. The book, named after the author’s late grandmother who was forced to flee from Haifa upon the genocidal establishment of Israel, makes the observation that home takeovers and demolitions across historical Palestine are not reminiscent of 1948 Nakba, but are in fact a continuation of it: a legalized, ideologically-driven practice of ethnic cleansing.