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Aho Mutunga Kore by Miriama Evans,Ranui Ngarimu Pdf
This is a beautifully presented book featuring some stunning images and concise accounts of the concepts and values of traditional and contemporary Maori weaving. Featuring some of New Zealand's foremost Maori expert weavers, The Eternal Thread: The Art of Maori Weaving celebrates innovation and development of weaving and plaiting as art forms in modern times while acknowledging the technology developed by weavers through the past centuries.
This book describes the materials used by the Mori for weaving, the centuries-old rituals, and how to make some simple objects such as headbands, flax mats, baskets and through to tukutuku panel weaving. Colour illustrations of varieties of flax and line drawings of weaving instructions.
Māori Weaving by Vanessa Bidois,Cherie Taylor,Robyn Bargh Pdf
The weaving book centres on flax. Maori soon discovered the properties of harakeke ¿the wonder fibre¿, and have used it to create a huge range of useful and decorative objects, including baskets, mats, housing materials, clothing, ropes, and fishing nets. The construction of these articles records histories and stories, and acts as a cultural record.
This book is a much-loved text for students of Maori Weaving and those interested in the art of weaving. Written by renowned Maori weaver and artist, Erenora Puketapu-Hetet, the book gives a unique perspective into the art of Maori weaving from both a technical and cultural point of view.
This book is a much-loved text for students of Maori Weaving and those interested in the art of weaving. Written by renowned Maori weaver and artist, Erenora Puketapu-Hetet, the book gives a unique perspective into the art of Maori weaving from both a technical and cultural point of view.
Tikanga Māori by Sidney M. Mead,Hirini Moko Mead Pdf
'Relationships between and among people need to be managed and guarded by some rules'. Professor Hirini Moko Mead's comprehensive survey of tikanga Maori (Maori custom) is the most substantial of its kind every published. Ranging over topics from the everyday to the esoteric, it provides a breadth of perspectives and authoritative commentary on the principles and practice of tikanga Maori past and present.
Te Whatu Taniko by MEAD Hirini Moko,Sidney M. Mead Pdf
Tāniko represents a high point in Māori weaving, yet is a point that anyone with time and application can reach. That is the message of Sir Hirini Moko Meads accessible, inspiring work, which has been in print in various forms since 1958. This redesigned and updated edition takes the reader from the history and theory of tāniko into the practice, with numerous patterns and instructions for weaving at home or in class.
The Politics of Interweaving Performance Cultures by Erika Fischer-Lichte,Torsten Jost,Saskya Iris Jain Pdf
This book provides a timely intervention in the fields of performance studies and theatre history, and to larger issues of global cultural exchange. The authors offer a provocative argument for rethinking the scholarly assessment of how diverse performative cultures interact, how they are interwoven, and how they are dependent upon each other. While the term ‘intercultural theatre’ as a concept points back to postcolonialism and its contradictions, The Politics of Interweaving Performance Cultures explores global developments in the performing arts that cannot adequately be explained and understood using postcolonial theory. The authors challenge the dichotomy ‘the West and the rest’ – where Western cultures are ‘universal’ and non-Western cultures are ‘particular’ – as well as ideas of national culture and cultural ownership. This volume uses international case studies to explore the politics of globalization, looking at new paternalistic forms of exchange and the new inequalities emerging from it. These case studies are guided by the principle that processes of interweaving performance cultures are, in fact, political processes. The authors explore the inextricability of the aesthetic and the political, whereby aesthetics cannot be perceived as opposite to the political; rather, the aesthetic is the political. Helen Gilbert’s essay ‘Let the Games Begin: Pageants, Protests, Indigeneity (1968–2010)’won the 2015 Marlis Thiersch Prize for best essay from the Australasian Drama, Theatre and Performance Studies Association.
This book describes the materials used by the M'ori for weaving, the centuries-old rituals, and how to make some simple objects such as headbands, flax mats, baskets and through to tukutuku panel weaving. Colour illustrations of varieties of flax and line drawings of weaving instructions.
