Narrative Structure In Wilhelm Raabe S Die Chronik Der Sperlingsgasse
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Narrative Structure in Wilhelm Raabe's Die Chronik Der Sperlingsgasse by Charlotte L. Goedsche Pdf
This investigation is the first book devoted exclusively to Die Chronik der Sperlingsgasse (1854-55). Raabe's first work is widely recognized as a precursor to his later masterpieces and anticipates developments in the modern novel, but misreadings and contradictions abound in the secondary literature. The present study seeks to clarify and interpret. It focuses on four elements of narrative structure: time, space, narrators and readers, and discusses the function of these elements and their implications for the reading process.
"Wilhelm Raabe (1831-1910) is one of the major figures of 19th-century German Realist writing, acknowledged as an innovator both stylistically and thematically. But until now there has been little concentration on the international and postcolonial dimensions of Raabe's work - his literary critique of colonialism, his engagement with modernization and globalization, his involvement in 19th century German discourses about America, Africa and Asia, and the links between international and national issues in his writing. In Raabe International, contributions from many eminent critics address Raabe both as a writer on world affairs and as a subject himself for translation and comment outside of Germany."
Anke Gleber examines one of the most intriguing and characteristic figures of European urban modernity: the observing city stroller, or flaneur. In an age transformed by industrialism, the flaneur drifted through city streets, inspired and repelled by the surrounding scenes of splendor and squalor. Gleber examines this often elusive figure in the particular contexts of Weimar Germany and the intellectual sphere of Walter Benjamin, with whom the concept of flanerie is often associated. She sketches the European influences that produced the German flaneur and establishes the figure as a pervasive presence in Weimar culture, as well as a profound influence on modern perceptions of public space. The book begins by exploring the theory of literary flanerie and the technological changes--street lighting, public transportation, and the emergence of film--that gave a new status to the activities of seeing and walking in the modern city. Gleber then assesses the place of flanerie in works by Benjamin, Siegfried Kracauer, and other representatives of Weimar literature, arts, and theory. She draws particular attention to the works of Franz Hessel, a Berlin flaneur who argued that flanerie is a "reading" of the city that perceives passersby, streets, and fleeting impressions as the transitory signs of modernity. Gleber also examines connections between flanerie and Weimar film, and discusses female flanerie as a means of asserting female subjectivity in the public realm. The book is a deeply original and searching reassessment of the complex intersections among modernity, vision, and public space.
The Multiple Perspective by Irene Stocksieker Di Maio Pdf
In this study the works of Wilhelm Raabe (1831 1910) are being discussed, taking into account the emerge of the perspectival narration, culminating in the Braunschweig period (1870-1920). The book starts with a survey of the point of view theory, including the concept of multiple perspective, and then focusses on the works of Raabe in which these various techniques will be demonstrated. Special attention is paid to three works of the Braunschweig period; "Der Draumling, Das Horn von Wanza" and "Kloster Lugau."
Nineteenth-century German Writers, 1841-1900 by Siegfried Mews,James N. Hardin Pdf
Contains alphabetically arranged entries that provide career biographies of forty-two German writers active between 1841 and 1900; each with a list of principal works and a bibliography. Includes a cumulative index.
Critical Survey of Long Fiction by Frank Northen Magill Pdf
A comprehensive study of long fiction authors writing in languages other than English and of the development of the genre in various geographic regions.
Social Integration and Narrative Structure by Nancy A. Kaiser Pdf
Defining realism as a category of literary communication, this study delineates three distinct patterns of reader experience within 19th-century German Realism. In considering the interaction of text and reader as constructing the world which a «realistic» novel is often said to reflect or describe, the author coordinates an analysis of the social systems constituted within the texts with a consideration of the narrative structure. The first pattern connects village tales by Auerbach with Freytag's Soll und Haben. A second pattern of reader experience, demonstrated in three novels by Fontane, exposes and manipulates the mechanisms of social integration. The final pattern, two works from Raabe's Braunschweig Trilogy, undermines the middle-class reality it evokes.
In late nineteenth-century Germany, the onset of modernity transformed how people experienced place. In response to increased industrialization and urbanization, the expansion of international capitalism, and the extension of railway and other travel networks, the sense of being connected to a specific place gave way to an unsettling sense of displacement. Out of Place analyzes the works of three major representatives of German Realism-Wilhelm Raabe, Theodor Fontane, and Gottfried Keller-within this historical context. It situates the perceived loss of place evident in their texts within the contemporary discourse of housing and urban reform, but also views such discourse through the lens of twentienth-century theories of place. Informed by both phenomenological (Heidegger and Casey) as well as Marxist (Deleuze, Guattari, and Benjamin) approaches to place, John B. Lyon highlights the struggle to address issues of place and space that reappear today in debates about environmentalism, transnationalism, globalization, and regionalism.
