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Narratives, Politics, and the Public Sphere by Agnes S.M. Ku Pdf
Published in 1999, the book invites readers to rethink about the contemporary form of politics in terms of the cultural and narrative logics of public discourse. The author proposes that the notions of 'public' and 'narrative' are central to understanding the discursive formation of public opinion. Incorporating a reformulated conception of the public into a theory of narrative progression, Dr. Ku explains (1) the interaction between narrative construction and political conflicts in politics of public credibility and (2) the progressive or narrative formation of the force of the ’public’ out of the struggle as well as its power over the positioning and re-positioning of the actors. Using the method of textual interpretation of newspaper discourses, she analyzes the interplay between politics and the 'public' by delving into the continuously changing narrative contexts wherein the controversy over governor Patten’s reform proposals unfolded in Hong Kong between 1992 and 1994.
Narratives, Politics, and the Public Sphere by Agnes S. M. Ku Pdf
Published in 1999, the book invites readers to rethink about the contemporary form of politics in terms of the cultural and narrative logics of public discourse. The author proposes that the notions of 'public' and 'narrative' are central to understanding the discursive formation of public opinion. Incorporating a reformulated conception of the public into a theory of narrative progression, Dr. Ku explains (1) the interaction between narrative construction and political conflicts in politics of public credibility and (2) the progressive or narrative formation of the force of the 'public' out of the struggle as well as its power over the positioning and re-positioning of the actors. Using the method of textual interpretation of newspaper discourses, she analyzes the interplay between politics and the 'public' by delving into the continuously changing narrative contexts wherein the controversy over governor Patten's reform proposals unfolded in Hong Kong between 1992 and 1994.
In this original work, Maria Pia Lara develops a new approach to public sphere theory and a novel understanding of the history of the feminist struggle.
The Authoritarian Public Sphere by Alexander Dukalskis Pdf
Authoritarian regimes craft and disseminate reasons, stories, and explanations for why they are entitled to rule. To shield those legitimating messages from criticism, authoritarian regimes also censor information that they find threatening. While committed opponents of the regime may be violently repressed, this book is about how the authoritarian state keeps the majority of its people quiescent by manipulating the ways in which they talk and think about political processes, the authorities, and political alternatives. Using North Korea, Burma (Myanmar) and China as case studies, this book explains how the authoritarian public sphere shapes political discourse in each context. It also examines three domains of potential subversion of legitimating messages: the shadow markets of North Korea, networks of independent journalists in Burma, and the online sphere in China. In addition to making a theoretical contribution to the study of authoritarianism, the book draws upon unique empirical data from fieldwork conducted in the region, including interviews with North Korean defectors in South Korea, Burmese exiles in Thailand, and Burmese in Myanmar who stayed in the country during the military government. When analyzed alongside state-produced media, speeches, and legislation, the material provides a rich understanding of how autocratic legitimation influences everyday discussions about politics in the authoritarian public sphere. Explaining how autocracies manipulate the ways in which their citizens talk and think about politics, this book will be of interest to students and scholars of Asian politics, comparative politics and authoritarian regimes.
In the context of ongoing or historical violence, people tell stories about what happened, who did what to whom and why. Yet frequently, the speaking of violence reproduces the social fractures and delegitimizes, again, those that struggle against their own marginalization. This speaking of violence deepens conflict and all too often perpetuates cycles of violence. Alternatively, sometimes people do not speak of the violence and it is erased, buried with the bodies that bear it witness. This reduces the capacity of the public to address issues emerging in the aftermath of violence and repression. This book takes the notion of "narrative" as foundational to conflict analysis and resolution. Distinct from conflict theories that rely on accounts of attitudes or perceptions in the heads of individuals, this narrative perspective presumes that meaning, structured and organized as narrative processes, is the location for both analysis of conflict, as well as intervention. But meaning is political, in that not all stories can be told, or the way they are told delegitimizes and erases others. Thus, the critical narrative theory outlined in this book offers a normative approach to narrative assessment and intervention. It provides a way of evaluating narrative and designing "better-formed" stories: "better" in that they are generative of sustainable relations, creating legitimacy for all parties. In so doing, they function aesthetically and ethically to support the emergence of new histories and new futures. Indeed, critical narrative theory offers a new lens for enabling people to speak of violence in ways that undermine the intractability of conflict
Television and the Public Sphere by Peter Dahlgren Pdf
In this broad-ranging text, Peter Dahlgren clarifies the underlying theoretical concepts of civil society and the public sphere, and relates these to a critical analysis of the practice of television as journalism, as information and as entertainment. He demonstrates the limits and the possibilities of the television medium and the formats of popular journalism. These issues are linked to the potential of the audience to interpret or resist messages, and to construct its own meanings. What does a realistic understanding of the functioning and the capabilities of television imply for citizenship and democracy in a mediated age?
Twitter, the Public Sphere, and the Chaos of Online Deliberation by Gwen Bouvier,Judith E. Rosenbaum Pdf
This volume provides a critical view of the nature and quality of political and civic communication on Twitter. The introduction lays out the current state of research, showing the continuum of views, from the more optimistic to more pessimistic, regarding the platform’s potential to facilitate civic conversations. The eleven empirical case studies in the book provide new insights, addressing a variety of topics through a diverse array of methodological approaches. Together, the chapters provide a counter position to recent studies that offer more celebratory assessments of Twitter’s potential. The book draws attention to the chaotic, insular, uncivil, and emotionally charged nature of debate and communication on Twitter.
Fredrik Engelstad,Håkon Larsen,Jon Rogstad,Kari Steen-Johnsen
Author : Fredrik Engelstad,Håkon Larsen,Jon Rogstad,Kari Steen-Johnsen Publisher : Walter de Gruyter GmbH & Co KG Page : 280 pages File Size : 47,5 Mb Release : 2017-04-24 Category : Political Science ISBN : 9783110546330
Institutional Change in the Public Sphere by Fredrik Engelstad,Håkon Larsen,Jon Rogstad,Kari Steen-Johnsen Pdf
The main focus of the book is institutional change in the Scandinavian model, with special emphasis on Norway. There are many reasons to pay closer attention to the Norwegian case when it comes to analyses of changes in the public sphere. In the country’s political history, the arts and the media played a particular role in the processes towards sovereignty at the beginning of the 20th century. On a par with the other Scandinavian countries, Norway is in the forefront in the world in the distribution and uses of Internet technology. As an extreme case, the most corporatist society within the family of the “Nordic Model”, it offers an opportunity both for intriguing case studies and for challenging and refining existing theory on processes of institutional change in media policy and cultural policy. It supplements two recent, important books on political economy in Scandinavia: Varieties of Liberalization and the New Politics of Social Solidarity (Kathleen Thelen, 2014), and The Political Construction of Business Interests (Cathie Jo Martin and Duane Swank, 2013). There are further reasons to pay particular attention to the Scandinavian, and more specifically the Norwegian cases: (i) They are to varying degrees neo-corporatist societies, characterized by ongoing bargaining over social and political reform processes. From a theoretical perspective this invites reflections which, to some extent, are at odds with the dominant conceptions of institutional change. Neither models of path dependency nor models of aggregate, incremental change focus on the continuous social bargaining over institutional change. (ii) Despite recent processes of liberalization, common to the Western world as a whole, corporatism implies a close connection between state, public sphere, cultural life, and religion. This also means that institutions are closely bundled, in an even stronger way than assumed for example in the Varieties of Capitalism literature. Furthermore, we only have scarce insight in the way the different spheres of corporatism are connected and interact. In the proposed edited volume we have collected historical-institutional case studies from a broad set of social fields (a detailed outline of contents and contributors is attached): • Critical assessments of Jürgen Habermas’ theory of the public sphere • Can the public sphere be considered an institution? • The central position of the public sphere in social and political change in Norway • Digital transformations and effects of the growing PR industry on the public sphere • Institutionalization of social media in local politics and voluntary organizations • Legitimation work in the public sphere • freedom of expression and warning in the workplace • “Return of religion” to the public sphere, and its effects
Discursive Governance in Politics, Policy, and the Public Sphere by Umut Korkut,Gregg Bucken-Knapp,Robert Henry Cox,Kesi Mahendran Pdf
This book studies the dynamics of political discourse in governance processes. It demonstrates the process in which political discourses become normative mechanisms, first marking socially constructed realities in politics, second playing a role in delineating the subsequent policy frames, and third influencing the public sphere.
Participating Audiences, Imagined Public Spheres by Sebastian M. Herrmann,Carolin Alice Hofmann,Katja Kanzler,Frank Usbeck Pdf
This is a book about contemporary American narratives and the audiences they call into being. It brings together eight very diverse case studies covering and investigating a wide range of media, genres, and modes to ask how contemporary ‘texts’ encourage ‘imagined communities’ of readers/viewers that operate as ‘public spheres’ of social and political deliberation, self-fashioning, and debate. The narratives circulating in contemporary culture tend to perform several functions at once. They entertain, inform, educate, and invite readers/viewers to remake them. And when readers/viewers interpret and appropriate the stories circulating in our culture, they tend to act simultaneously as consumers and as citizens. Storytelling is fundamental to social organization. Communities on all levels are constituted by shared narratives and communal storytelling, as through sharing, exchanging, conarrating, and ritually renarrating stories, they negotiate their identities, worldviews, and values. The contributions collected in this volume shift perspectives in a number of ways: They question the boundary between the audiences of narratives on the one side and national public spheres on the other; they thus encourage rereading the transnational mobility of American(ized) narratives not simply as a phenomenon of popular culture but as an indicator of emerging transnational public spheres; and they encourage us to look closely at the narrative dynamics with which these texts operate their audiences as public spheres.
Online technologies excite the public imagination with narratives of democratization. The Internet is a political medium, borne of democracy, but is it democratizing? Late modern democracies are characterized by civic apathy, public skepticism, disillusionment with politics, and general disinterest in conventional political process. And yet, public interest in blogging, online news, net-based activism, collaborative news filtering, and online networking reveal an electorate that is not disinterested, but rather, fatigued with political conventions of the mainstream. This book examines how online digital media shape and are shaped by contemporary democracies, by addressing the following issues: How do online technologies remake how we function as citizens in contemporary democracies? What happens to our understanding of public and private as digitalized democracies converge technologies, spaces and practices? How do citizens of today understand and practice their civic responsibilities, and how do they compare to citizens of the past? How do discourses of globalization, commercialization and convergence inform audience/producer, citizen/consumer, personal/political, public/private roles individuals must take on? Are resulting political behaviors atomized or collective? Is there a public sphere anymore, and if not, what model of civic engagement expresses current tendencies and tensions best? Students and scholars of media studies, political science, and critical theory will find this to be a fresh engagement with some of the most important questions facing democracies today.
Through his work as a fiction writer, critic and activist, Fred Pfeil has sought to extend the progressive possibilities within contemporary American culture. Idiosyncratic and provocative, Another Tale to Tell moves from evaluations of politically engaged texts and practices—such as Hans Haacke’s deconstructive artwork, Chester Himes’ Harlem police thrillers, ‘cyberpunk’ and the feminist science fiction of Octavia Butler—to considerations of the history, dynamics and potential of postmodern culture. Pfeil’s work on postmodernity is distinct from the spate of their works on the subject in its insistence on the social base of postmodern practices within today’s professional managerial class, and in his endeavour both to use and to criticize Marxist, feminist, psychoanalytic and poststructuralist thought in order to illuminate our present political impasses and openings. From his audacious reading of the film River’s Edge as the terminus of the vexed history of bourgeois narrative, and his analysis of Reaganite oedipality in Back to the Future, to his unsettling meditation on the ‘poststructuralist paradise’ embodied in contemporary SF, Pfeil sorts through a welter of contemporary cultural texts and practices for the glimmerings of a postmodern narrative and politics that may truly be ‘another tale to tell’.
In the routine spectrum of our lives, we inhabit the public sphere. Whether in the street, the shopping center, or on the bus, we engage with the empowered, the disempowered, the omitted, and the powerful. Within the public sphere, the notion of public involves a complexity of approaches to aspects of everyday practices of power, performance, and place. Through these approaches, that which is public can be visualized, experienced, and contested in the construction, ceremony, and design of buildings, institutions, and daily activities. In a variety of ways, the conceptualization and contextualization of the public contributes to identity formations, narratives of community, and manifestations of the political that materially and discursively transpire within the public sphere in the perceptions of inequality, metaphors for knowledge, and critiques of consciousness. For this volume focused on interpretive methods and methodologies that address the concept of public, we present a lively engagement with methodological insight into the political digestion of the public sphere. We delve into models of and approaches to conducting research, the analysis of findings, and the reaffirmation of enhanced techniques of related inquiry in public spaces. We seek to explore the following questions: What is the public? How do we visualize/understand/experience the public? What are the ways in which these insights connect to articulations of citizenship and democracy? How is the public implicated in the political? The chapters originally published as a special issue in Space and Polity.
The Space of Opinion: Media Intellectuals and the Public Sphere by Ronald N. Jacobs,Eleanor Townsley Pdf
While the newspaper op-ed page, the Sunday morning political talk shows on television, and the evening cable-news television lineup have an obvious and growing influence in American politics and political communication, social scientists and media scholars tend to be broadly critical of the rise of organized punditry during the 20th century without ever providing a close empirical analysis. What is the nature of the contemporary space of opinion? How has it developed historically? What kinds of people speak in this space? What styles of writing and speech do they use? What types of authority and expertise do they draw on? And what impact do their commentaries have on public debate? To describe and analyze this complex space of news media, Ronald Jacobs and Eleanor Townsley rely on enormous samples of opinion collected from newspapers and television shows during the first years of the last two Presidential administrations. They also employ biographical data on authors of opinion to connect specific argument styles to specific types of authors, and examine the distribution of authors and argument types across different formats. The result is a close mapping that reveals a massive expansion and differentiation of the opinion space. It tells a complex story of shifting intersections between journalism, politics, the academy, and the new sector of think tanks. It also reveals a proliferation of genres and forms of opinion; not only have the people who speak within the space of opinion become more diverse over time, but the formats of opinion-claims to authority, styles of speech, and modes of addressing publics-have also become more varied. Though Jacobs and Townsley find many changes, they also find continuities. Despite public anxieties, the project of objective journalism is alive and well, thriving in the older, more traditional formats, and if anything, the proliferation of newer formats has resulted in an intensified commitment (by some) to core journalistic values as clear points of difference that offer competing logics of distinction and professional justification. But the current moment does represent a real challenge as more and different shows compete to narrate politics in the most compelling, authoritative, and influential manner. By providing the first systematic study of media opinion and news commentary, The Space of Opinion will fill an important gap on research about media, politics, and the civil society and will attract readers in a number of disciplines, including sociology, communication, media studies, and political science.