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Academy Award-winning actress, director, producer, and activist Natalie Portman retells three classic fables and imbues them with wit and wisdom in this New York Times bestselling book. From realizing that there is no “right” way to live to respecting our planet and learning what really makes someone a winner, the messages at the heart of Natalie Portman’s Fables are modern takes on timeless life lessons. Told with a playful, kid-friendly voice and perfectly paired with Janna Mattia’s charming artwork, Portman’s insightful retellings of The Tortoise and the Hare, The Three Little Pigs, and Country Mouse and City Mouse are ideal for reading aloud and are sure to become beloved additions to family libraries. An instant New York Times bestseller!
Natalie Portman is only 20 years old, but already she has co-starred in nine films with everyone from Woody Allen to Al Pacino and is considered the best young actress in Hollywood. In the first biography of this dynamic star, Dickerson examines the charm and wit of her professional persona, while revealing the emotional life of the real Portman. From her relationship with her parents, her long friendship with Britney Spears, her life at Harvard, and her involvement in Star Wars, this book delves into a story never before told. Illustrated with 8 colour and 15 b/w photos.
*Featured in The Times' 'Best Books of the Year So Far' 2019*'Somehow this chronicle of a long, dark night of the soul also involves funny stories involving Trump, Putin, and a truly baffling array of degenerates.' Stephen Colbert***What do you do when you realise you have everything you think you've ever wanted but still feel completely empty?What do you do when it all starts to fall apart? The second volume of Moby's extraordinary life story is a journey into the dark heart of fame and the demons that lurk just beneath the bling and bluster of the celebrity lifestyle. In summer 1999, Moby released the album that defined the millennium, PLAY. Like generation-defining albums before it, PLAY was ubiquitous, and catapulted Moby to superstardom. Suddenly he was hanging out with David Bowie and Lou Reed, Christina Ricci and Madonna, taking ecstasy for breakfast (most days), drinking litres of vodka (every day), and sleeping with super models (infrequently). It was a diet that couldn't last. And then it fell apart. The second volume of Moby's memoir is a classic about the banality of fame. It is shocking, riotously entertaining, extreme, and unforgiving. It is unedifying, but you can never tear your eyes away from the page.
ABOUT THE BOOK Born in Jerusalem, Israel on June 9, 1981, Natalie Hershlag grew up to be Oscar-winning actress Natalie Portman. An only child, she moved to the United States with her parents, Avner Hershlag and Shelley Stevens in 1984. Her father, an Israeli fertility doctor, and mother, an artist from Ohio, gave their only child a strong upbringing in Long Island, New York where they stressed education and travel. Natalie’s first language is Hebrew, but she has spoken English since she was a toddler. Natalie visited Israel twice a year as a child, and thanks to her father she still has dual citizenship. She attended Conservative Jewish day school through the seventh grade “to preserve my Hebrew and my sense of Israel more than anything religious,” Natalie told the Jewish News of Greater Phoenix. As a child growing up on Long Island, she found her classmates treating her differently after she began getting work as an actress. It started as early as her first film role in Leon: The Professional in 1994. “In seventh grade, I cried every day when I came back from shooting The Professional,” she told the Jewish News agency in 2002. Years later, she would find the same isolation due to her fame while attending college. Because of her parents, Natalie chose to attend the Ivy-League Harvard University when most of her counterparts were finding themselves in the tabloids by getting in trouble. Natalie drew upon her Israeli background when she penned an op-ed piece in her college newspaper objecting to a law student’s essay condemning Israel. She objected to his assertion that the Middle Eastern country is a “racist colonial occupation ... (in which) white Israeli soldiers destroy refugee camps of the brown people they have dispossessed.” EXCERPT FROM THE BOOK Family is important to Natalie. When she won her Golden Globe for Black Swan, she made a point to thank her grandmother Bernice, who lives in Cincinnati. In fact, it is this branch of Natalie’s family that could be responsible for Natalie’s foray into acting. Bernice’s husband Art, who changed his last name from Edelstein to Stevens, started the family showbiz tradition by starring in his own ads for his windows company, according to an article in The American Israelite. Natalie’s parents, Avner and Shelley, who met at a Jewish Center at Ohio State University, strived to maintain a strong extended family for their only child even after their move to New York. Bernice told the Cincinnati Enquirer in a quote that was included in the American Israelite that she visited her daughter’s family in New York several times a year and, “even though Natalie and I have never lived in the same city — we bonded when she was a baby.” The family had settled in the New York area after moving from Israel and Natalie experienced a serene upbringing. As a youth she attended exclusive and competitive theater camps like Stagedoor Manor and Usden Camp in the Catskills. She was discovered by a Revlon agent when she was 10 at a Long Island pizza parlor and acting in movies like Heat and Mars Attacks! early in her career. Natalie starred as Anne Frank on Broadway in 1998, a role she found extremely personal. “I grew up with the Holocaust, because my grandparents lost their entire families,” Natalie told the Jewish News. She even found a similar story to Anne’s in her own family. “My grandfather's 14-year-old brother was also hidden, but one day he couldn't take it anymore and he ran outside and was shot.” She found the role so emotional that she often found herself crying offstage. She told the Jewish News that “It's a stunning realization when you come to see how much historical memory affects you,” she says... ...buy the book to read more!
SOON TO BE A SERIES FROM APPLE TV! A New York Times Bestseller The revered New York Times bestselling author returns with a novel set in 1960s Baltimore that combines modern psychological insights with elements of classic noir, about a middle-aged housewife turned aspiring reporter who pursues the murder of a forgotten young woman. In 1966, Baltimore is a city of secrets that everyone seems to know—everyone, that is, except Madeline “Maddie” Schwartz. Last year, she was a happy, even pampered housewife. This year, she’s bolted from her marriage of almost twenty years, determined to make good on her youthful ambitions to live a passionate, meaningful life. Maddie wants to matter, to leave her mark on a swiftly changing world. Drawing on her own secrets, she helps Baltimore police find a murdered girl—assistance that leads to a job at the city’s afternoon newspaper, the Star. Working at the newspaper offers Maddie the opportunity to make her name, and she has found just the story to do it: Cleo Sherwood, a missing woman whose body was discovered in the fountain of a city park lake. If Cleo were white, every reporter in Baltimore would be clamoring to tell her story. Instead, her mysterious death receives only cursory mention in the daily newspapers, and no one cares when Maddie starts poking around in a young Black woman's life—except for Cleo's ghost, who is determined to keep her secrets and her dignity. Cleo scolds the ambitious Maddie: You're interested in my death, not my life. They're not the same thing. Maddie’s investigation brings her into contact with people that used to be on the periphery of her life—a jewelry store clerk, a waitress, a rising star on the Baltimore Orioles, a patrol cop, a hardened female reporter, a lonely man in a movie theater. But for all her ambition and drive, Maddie often fails to see the people right in front of her. Her inability to look beyond her own needs will lead to tragedy and turmoil for all sorts of people—including Ferdie, the man who shares her bed, a police officer who is risking far more than Maddie can understand.
From the New York Times–bestselling author of My Brilliant Friend, this novel of a deserted wife’s descent into despair—and rage—is “a masterpiece” (The Philadelphia Inquirer). The Days of Abandonment is the gripping story of an Italian woman’s experiences after being suddenly left by her husband after fifteen years of marriage. With two young children to care for, Olga finds it more and more difficult to do the things she used to: keep a spotless house, cook meals with creativity and passion, refrain from using obscenities. After running into her husband with his much-younger new lover in public, she cannot even refrain from assaulting him physically. In a “raging, torrential voice” (The New York Times), Olga conveys her journey from denial to devastating emptiness—and when she finds herself literally trapped within the four walls of their high-rise apartment, she is forced to confront her ghosts, the potential loss of her own identity, and the possibility that life may never return to normal. “Quick, furious, simultaneously steely and unhinged, and completely mesmerizing.” —The New York Times “Intelligent and darkly comic.” —Publishers Weekly “Remarkable, lucid, austerely honest.” —The New Yorker
“One night when she was four and sleeping in the bottom bunk of her bunk bed, Ruth Cole woke to the sound of lovemaking—it was coming from her parents’ bedroom.” This sentence opens John Irving’s ninth novel, A Widow for One Year, a story of a family marked by tragedy. Ruth Cole is a complex, often self-contradictory character—a “difficult” woman. By no means is she conventionally “nice,” but she will never be forgotten. Ruth’s story is told in three parts, each focusing on a critical time in her life. When we first meet her—on Long Island, in the summer of 1958—Ruth is only four. The second window into Ruth’s life opens on the fall of 1990, when she is an unmarried woman whose personal life is not nearly as successful as her literary career. She distrusts her judgment in men, for good reason. A Widow for One Year closes in the autumn of 1995, when Ruth Cole is a forty-one-year-old widow and mother. She’s about to fall in love for the first time. Richly comic, as well as deeply disturbing, A Widow for One Year is a multilayered love story of astonishing emotional force. Both ribald and erotic, it is also a brilliant novel about the passage of time and the relentlessness of grief.
When his father dies, it falls to Larry—the secular son in a family of Orthodox Brooklyn Jews—to recite the Kaddish, the Jewish prayer for the dead, every day for eleven months. But to the horror and dismay of his sister, Larry refuses, imperiling the fate of his father’s soul. To appease her, he hires a stranger through a website called kaddish.com to say the prayer instead—a decision that will have profound, and very personal, repercussions. Irreverent, hilarious, and wholly irresistible, Nathan Englander’s tale of a son who makes a diabolical compromise brilliantly captures the tensions between tradition and modernity.
Life isn't everything by Ash Carter,Sam Kashner Pdf
An up close and personal portrait of a legendary filmmaker, theater director, and comedian, drawing on candid conversations with his closest friends in show business and the arts—from Dustin Hoffman and Meryl Streep to Natalie Portman and Lorne Michaels. The work of Mike Nichols pervades American cultural consciousness—from The Graduate and Who's Afraid of Virginia Woolf? to Angels in America, The Birdcage, Working Girl, and Primary Colors, not to mention his string of hit plays, including Barefoot in the Park and The Odd Couple. If that weren’t enough, he was also one half of the timelessly funny duo Nichols & May, as well as a founding member of the original improv troupe. Over a career that spanned half a century, Mike Nichols changed Hollywood, Broadway, and comedy forever. Most fans, however, know very little of the person behind it all. Since he never wrote his memoirs, and seldom appeared on television, they have very little sense of his searching intellect or his devastating wit. They don't know that Nichols, the great American director, was born Mikail Igor Peschkowsky, in Berlin, and came to this country, speaking no English, to escape the Nazis. They don't know that Nichols was at one time a solitary psychology student, or that a childhood illness caused permanent, life-altering side effects. They don't know that he withdrew into a debilitating depression before he "finally got it right," in his words, by marrying Diane Sawyer. Here, for the first time, Ash Carter and Sam Kashner offer an intimate look behind the scenes of Nichols' life, as told by the stars, moguls, playwrights, producers, comics and crewmembers who stayed loyal to Nichols for years. Life Isn't Everything is a mosaic portrait of a brilliant and original director known for his uncommon charm, wit, vitality, and genius for friendship, this volume is also a snapshot of what it meant to be living, loving, and making art in the 20th century.
The Case for Israel is an ardent defense of Israel's rights, supported by indisputable evidence. Presents a passionate look at what Israel's accusers and detractors are saying about this war-torn country. Dershowitz accuses those who attack Israel of international bigotry and backs up his argument with hard facts. Widely respected as a civil libertarian, legal educator, and defense attorney extraordinaire, Alan Dershowitz has also been a passionate though not uncritical supporter of Israel.
A National Book Critics Circle finalist • One of People's top 10 books of 2021 • An instant New York Times bestseller • Named a best book of the year by NPR and Time A magnificent biography of one of the most protean creative forces in American entertainment history, a life of dazzling highs and vertiginous plunges—some of the worst largely unknown until now—by the acclaimed author of Pictures at a Revolution and Five Came Back Mike Nichols burst onto the scene as a wunderkind: while still in his twenties, he was half of a hit improv duo with Elaine May that was the talk of the country. Next he directed four consecutive hit plays, won back-to-back Tonys, ushered in a new era of Hollywood moviemaking with Who's Afraid of Virginia Woolf?, and followed it with The Graduate, which won him an Oscar and became the third-highest-grossing movie ever. At thirty-five, he lived in a three-story Central Park West penthouse, drove a Rolls-Royce, collected Arabian horses, and counted Jacqueline Kennedy, Elizabeth Taylor, Leonard Bernstein, and Richard Avedon as friends. Where he arrived is even more astonishing given where he had begun: born Igor Peschkowsky to a Jewish couple in Berlin in 1931, he was sent along with his younger brother to America on a ship in 1939. The young immigrant boy caught very few breaks. He was bullied and ostracized--an allergic reaction had rendered him permanently hairless--and his father died when he was just twelve, leaving his mother alone and overwhelmed. The gulf between these two sets of facts explains a great deal about Nichols's transformation from lonely outsider to the center of more than one cultural universe--the acute powers of observation that first made him famous; the nourishment he drew from his creative partnerships, most enduringly with May; his unquenchable drive; his hunger for security and status; and the depressions and self-medications that brought him to terrible lows. It would take decades for him to come to grips with his demons. In an incomparable portrait that follows Nichols from Berlin to New York to Chicago to Hollywood, Mark Harris explores, with brilliantly vivid detail and insight, the life, work, struggle, and passion of an artist and man in constant motion. Among the 250 people Harris interviewed: Elaine May, Meryl Streep, Stephen Sondheim, Robert Redford, Glenn Close, Tom Hanks, Candice Bergen, Emma Thompson, Annette Bening, Natalie Portman, Julia Roberts, Lorne Michaels, and Gloria Steinem. Mark Harris gives an intimate and evenhanded accounting of success and failure alike; the portrait is not always flattering, but its ultimate impact is to present the full story of one of the most richly interesting, complicated, and consequential figures the worlds of theater and motion pictures have ever seen. It is a triumph of the biographer's art.
FROM THE INTERNATIONALLY ACCLAIMED AUTHOR OF A GIRL RETURNED, COMES A MOVING NEW NOVEL ABOUT SISTERHOOD, THE PAST AND ITS INDELIBLE MARKS * NATALIE PORTMAN'S BOOK CLUB PICK FOR JULY 2022* *A Strega Prize 2021 finalist * It's the darkest time of night. Adriana, a baby in her arms, hammers on her sister's door. Who is she running from? What uncomfortable truth will she deliver? Like a whirlwind, Adriana breaks into her sister's life bringing chaos and cataclysmic revelations. Years later, the narrator gets an unexpected, urgent summons back to Pescara. She embarks on a long journey through the night, and through the folds and twists of her memory, from her and her sister's youth, their loves and losses, their secrets and regrets. Back in Borgo Sud, the town's fishermen's quarter, in that impenetrable yet welcoming microcosm, she will discover what really happened, and perhaps make peace with the past. Donatella Di Pietrantonio, expert chronicler of the bonds between mothers and daughters, revisits the places and characters of A Girl Returned with a novel focussed on the ambivalent, ambiguous, wavering but steadfast relationship between sisters.
A band of intrepid chickens leave behind the boredom of farm life, joining the crew of the pirate ship Pitiless to seek fortune and glory on the high seas. Led by a grizzled captain into the territory of the Dog Knights, they soon learn what it means to be courageous, merciful, and not seasick quite so much of the time. A whimsical and unexpected adventure tale, Chicken of the Sea originated in the five-year-old mind of Ellison Nguyen, son of Pulitzer Prize-winning novelist Viet Thanh Nguyen; father and son committed the story to the page, then enlisted the artistic talents of Caldecott Honor winner Thi Bui and her thirteen-year-old son, Hien Bui-Stafford, to illustrate it. This unique collaboration between two generations of artists and storytellers invites you aboard for adventure, even if you're chicken. Maybe especially if you're chicken.