Native Performers In Wild West Shows

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Native Performers in Wild West Shows

Author : Linda Scarangella McNenly
Publisher : University of Oklahoma Press
Page : 199 pages
File Size : 52,8 Mb
Release : 2015-04-23
Category : Social Science
ISBN : 9780806149806

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Native Performers in Wild West Shows by Linda Scarangella McNenly Pdf

Now that the West is no longer so wild, it’s easy to dismiss Buffalo Bill Cody’s world-famous Wild West shows as promoters of stereotypes and clichés. But looking at this unique American genre from the Native American point of view provides thought-provoking new perspectives. Focusing on the experiences of Native performers and performances, Linda Scarangella McNenly begins her examination of these spectacles with Buffalo Bill’s 1880s pageants. She then traces the continuing performance of these acts, still a feature of regional celebrations in both Canada and the United States—and even at Euro Disney. Drawing on interviews with contemporary performers and descendants of twentieth-century performers, McNenly elicits insider perspectives to suggest new interpretations of their performances and experiences; she also uses these insights to analyze archival materials, especially photographs. Some Native performers saw Wild West shows not necessarily as demeaning, but rather as opportunities—for travel, for employment, for recognition, and for the preservation and expression of important cultural traditions. Other Native families were able to guide their own careers and even create their own Wild West shows. Today, Native performers at Buffalo Bill Days in Sheridan, Wyoming, wear their own regalia and choreograph their own performances. Through dancing and music, they express their own vision of a contemporary Native identity based on powwow cultures. Proud of their skills and successes, Native performers at Euro Disney are establishing promising careers. The effects of colonialism are undeniable, yet McNenly’s study reveals how these Native peoples have adapted and re-created Wild West shows to express their own identities and to advance their own goals.

Wild West Shows and the Images of American Indians, 1883-1933

Author : L. G. Moses
Publisher : UNM Press
Page : 388 pages
File Size : 44,5 Mb
Release : 1999
Category : History
ISBN : 0826320899

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Wild West Shows and the Images of American Indians, 1883-1933 by L. G. Moses Pdf

Examines the lives and experiences of Show Indians from their own point of view.

Wild West Shows

Author : Paul Reddin
Publisher : University of Illinois Press
Page : 356 pages
File Size : 41,9 Mb
Release : 1999
Category : History
ISBN : 0252067878

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Wild West Shows by Paul Reddin Pdf

The Wild West: a term that conjures up pictures of wagon trains, unspoiled prairies, Indians, rough 'n' ready cowboys, roundups, and buffalo herds. Where did this collection of images come from? Paul Reddin exposes the mythology of the American frontier as a carefully crafted product of the Wild West show. Focusing on such pivotal figures as George Catlin, Buffalo Bill Cody, and Tom Mix, Reddin traces the rise and fall of a popular entertainment shaped out of the "raw material of America." Buffalo Bill and other entertainers capitalized on public fascination with the danger, heroism, and courage associated with the frontier by continually modifying their presentation of the West to suit their audiences. Thus the Wild West show, contrary to its own claims of accuracy and authenticity, was highly selective in its representations of the West as well as widely influential in shaping the public image of life on the Great Plains. A uniquely American entertainment--colorful, energetic, unabashed, and, as Reddin demonstrates, self-made--the Wild West show exerted an appeal that was all but irresistible to a public hovering uncertainly between industrial progress and nostalgia for a romanticized past.

Presenting Buffalo Bill

Author : Candace Fleming
Publisher : Roaring Brook Press
Page : 272 pages
File Size : 44,8 Mb
Release : 2016-09-20
Category : Juvenile Nonfiction
ISBN : 9781626727472

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Presenting Buffalo Bill by Candace Fleming Pdf

Everyone knows the name Buffalo Bill, but few these days know what he did or, in some cases, didn't do. Was he a Pony Express rider? Did he serve Custer at the Battle of Little Big Horn? Did he scalp countless Native Americans, or did he defend their rights? This, the first significant biography of Buffalo Bill Cody for younger readers in many years, explains it all. With copious archival illustrations and a handsome design, Presenting Buffalo Bill makes the great showman come alive for new generations. Extensive back matter, bibliography, and source notes complete the package.

Spectacular Native Performances

Author : Linda Scarangella McNenly
Publisher : Unknown
Page : 338 pages
File Size : 49,9 Mb
Release : 2008
Category : Circus performers
ISBN : OCLC:875483462

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Spectacular Native Performances by Linda Scarangella McNenly Pdf

This dissertation engages with anthropological debates of the representation of Native peoples in performance through a series of comparative case studies that examine Native North American participation in wild West shows. Using multi-sited ethnographic and ethnohistorical approaches, it investigates the experience of some Native performers with the top wild West shows historically (1885-1930), of three Mohawk families who performed in a variety of spectacles (early 1900s), and of contemporary performers in wild West show re-creations at EuroDisney (France) and Buffalo Bill Days (Sheridan, Wyoming, U.S.A.). This research focuses on Native performers' perspectives and experiences in order to complicate the picture of exploitation and commercialization in this context. In this dissertation, rather than focusing solely on the production of stereotypes, I trace the extent and various forms of Native agency and expressions of identity through a series of encounters that occur in a wild West show "contact zone." Drawing on the concept of transculturation, I argue that Native performers adopted and used contact zone encounters as a space to express their opinions or to maintain, express, and/or contest Native identity. I thus elucidate the various forms of agency that Native performers wielded, whether expressive, communicative, performative, or agency of cultural projects. A "cultural projects" approach to agency considers Native performers' own goals and social relationships in addition to the socio-political constraints and power relations that structure their lives. Native performers had their own cultural projects; they actively pursued the opportunities and benefits of working in wild West shows. I argue that narratives of opportunity, success, and pride found in the employment encounter, in oral histories of Mohawk performers' experiences, and in interviews with contemporary performers, represent agency of cultural projects. Oral histories from Mohawk performers' descendants and their interpretations of the archival record were crucial for revealing and substantiating these alternative perspectives of Native experiences in wild West shows and spectacles.

Life in a Wild West Show

Author : Stephen Currie
Publisher : Unknown
Page : 100 pages
File Size : 45,7 Mb
Release : 1999
Category : History
ISBN : 1560063521

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Life in a Wild West Show by Stephen Currie Pdf

Discusses life in a Wild West show, including its origins, the show content, the performers, its relation to Native Americans, moving the show, daily life, and the death of the Wild West.

Lakota Performers in Europe

Author : Steve Friesen,François Chladiuk
Publisher : University of Oklahoma Press
Page : 275 pages
File Size : 44,5 Mb
Release : 2017-06-08
Category : History
ISBN : 9780806158273

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Lakota Performers in Europe by Steve Friesen,François Chladiuk Pdf

From April to November 1935 in Belgium, fifteen Lakotas enacted their culture on a world stage. Wearing beaded moccasins and eagle-feather headdresses, they set up tepees, danced, and demonstrated marksmanship and horse taming for the twenty million visitors to the Brussels International Exposition, a grand event similar to a world’s fair. The performers then turned homeward, leaving behind 157 pieces of Lakota culture that they had used in the exposition, ranging from costumery to weaponry. In Lakota Performers in Europe, author Steve Friesen tells the story of these artifacts, forgotten until recently, and of the Lakota performers who used them. The 1935 exposition marked a culmination of more than a century of European travel by American Indian performers, and of Europeans’ fascination with Native culture, fanned in part by William F. “Buffalo Bill” Cody’s Wild West from the late 1800s through 1913. Although European newspaper reports often stereotyped Native performers as “savages,” American Indians were drawn to participate by the opportunity to practice traditional aspects of their culture, earn better wages, and see the world. When the organizers of the 1935 exposition wanted to include an American Indian village, Sam Lone Bear, Thomas and Sallie Stabber, Joe Little Moon, and other Lakotas were eager to participate. By doing this, they were able to preserve their culture and influence European attitudes toward it. Friesen narrates these Lakotas' experiences abroad. In the process, he also tells the tale of collector François Chladiuk, who acquired the Lakotas’ artifacts in 2004. More than 300 color and black-and-white photographs document the collection of items used by the performers during the exposition. Friesen portrays a time when American Indians—who would not long after return to Europe as allies and liberators in military garb—appeared on the international stage as ambassadors of the American West. Lakota Performers in Europe offers a complex view of a vibrant culture practiced and preserved against tremendous odds.

Indians on Display

Author : Norman K Denzin
Publisher : Routledge
Page : 226 pages
File Size : 49,6 Mb
Release : 2016-06-16
Category : Social Science
ISBN : 9781315426792

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Indians on Display by Norman K Denzin Pdf

Even as their nations and cultures were being destroyed by colonial expansion across the continent, American Indians became a form of entertainment, sometimes dangerous and violent, sometimes primitive and noble. Creating a fictional wild west, entrepreneurs then exported it around the world. Exhibitions by George Catlin, paintings by Charles King, and Wild West shows by Buffalo Bill Cody were viewed by millions worldwide. Norman Denzin uses a series of performance pieces with historical, contemporary, and fictitious characters to provide a cultural critique of how this version of Indians, one that existed only in the western imagination, was commodified and sold to a global audience. He then calls for a rewriting of the history of the American west, one devoid of minstrelsy and racist pageantry, and honoring the contemporary cultural and artistic visions of people whose ancestors were shattered by American expansionism.

Seven Myths of Native American History

Author : Paul Jentz
Publisher : Hackett Publishing
Page : 238 pages
File Size : 49,5 Mb
Release : 2018-03-02
Category : History
ISBN : 9781624666803

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Seven Myths of Native American History by Paul Jentz Pdf

"Seven Myths of Native American History will provide undergraduates and general readers with a very useful introduction to Native America past and present. Jentz identifies the origins and remarkable staying power of these myths at the same time he exposes and dismantles them." —Colin G. Calloway, Dartmouth College

Staging Indigeneity

Author : Katrina Phillips
Publisher : UNC Press Books
Page : 263 pages
File Size : 41,5 Mb
Release : 2021-01-29
Category : Social Science
ISBN : 9781469662329

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Staging Indigeneity by Katrina Phillips Pdf

As tourists increasingly moved across the United States in the late nineteenth and early twentieth centuries, a surprising number of communities looked to capitalize on the histories of Native American people to create tourist attractions. From the Happy Canyon Indian Pageant and Wild West Show in Pendleton, Oregon, to outdoor dramas like Tecumseh! in Chillicothe, Ohio, and Unto These Hills in Cherokee, North Carolina, locals staged performances that claimed to honor an Indigenous past while depicting that past on white settlers' terms. Linking the origins of these performances to their present-day incarnations, this incisive book reveals how they constituted what Katrina Phillips calls "salvage tourism"—a set of practices paralleling so-called salvage ethnography, which documented the histories, languages, and cultures of Indigenous people while reinforcing a belief that Native American societies were inevitably disappearing. Across time, Phillips argues, tourism, nostalgia, and authenticity converge in the creation of salvage tourism, which blends tourism and history, contestations over citizenship, identity, belonging, and the continued use of Indians and Indianness as a means of escape, entertainment, and economic development.

Critical Companion to Native American and First Nations Theatre and Performance

Author : Jaye T. Darby,Courtney Elkin Mohler,Christy Stanlake
Publisher : Bloomsbury Publishing
Page : 281 pages
File Size : 52,5 Mb
Release : 2020-02-06
Category : Performing Arts
ISBN : 9781350035065

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Critical Companion to Native American and First Nations Theatre and Performance by Jaye T. Darby,Courtney Elkin Mohler,Christy Stanlake Pdf

This foundational study offers an accessible introduction to Native American and First Nations theatre by drawing on critical Indigenous and dramaturgical frameworks. It is the first major survey book to introduce Native artists, plays, and theatres within their cultural, aesthetic, spiritual, and socio-political contexts. Native American and First Nations theatre weaves the spiritual and aesthetic traditions of Native cultures into diverse, dynamic, contemporary plays that enact Indigenous human rights through the plays' visionary styles of dramaturgy and performance. The book begins by introducing readers to historical and cultural contexts helpful for reading Native American and First Nations drama, followed by an overview of Indigenous plays and theatre artists from across the century. Finally, it points forward to the ways in which Native American and First Nations theatre artists are continuing to create works that advocate for human rights through transformative Native performance practices. Addressing the complexities of this dynamic field, this volume offers critical grounding in the historical development of Indigenous theatre in North America, while analysing key Native plays and performance traditions from the mainland United States and Canada. In surveying Native theatre from the late 19th century until today, the authors explore the cultural, aesthetic, and spiritual concerns, as well as the political and revitalization efforts of Indigenous peoples. This book frames the major themes of the genre and identifies how such themes are present in the dramaturgy, rehearsal practices, and performance histories of key Native scripts.

Performing the American Frontier, 1870-1906

Author : Roger A. Hall
Publisher : Cambridge University Press
Page : 304 pages
File Size : 42,9 Mb
Release : 2001-08-16
Category : Drama
ISBN : 0521793203

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Performing the American Frontier, 1870-1906 by Roger A. Hall Pdf

This book examines how the American frontier was presented in theatrical productions.

We Had a Little Real Estate Problem

Author : Kliph Nesteroff
Publisher : Simon and Schuster
Page : 336 pages
File Size : 41,6 Mb
Release : 2021-02-16
Category : Humor
ISBN : 9781982103064

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We Had a Little Real Estate Problem by Kliph Nesteroff Pdf

A Best Book of 2021 by NPR and Esquire From Kliph Nesteroff, “the human encyclopedia of comedy” (VICE), comes the important and underappreciated story of Native Americans and comedy. It was one of the most reliable jokes in Charlie Hill’s stand-up routine: “My people are from Wisconsin. We used to be from New York. We had a little real estate problem.” In We Had a Little Real Estate Problem, acclaimed comedy historian Kliph Nesteroff focuses on one of comedy’s most significant and little-known stories: how, despite having been denied representation in the entertainment industry, Native Americans have influenced and advanced the art form. The account begins in the late 1880s, when Native Americans were forced to tour in wild west shows as an alternative to prison. (One modern comedian said it was as “if a Guantanamo detainee suddenly had to appear on X-Factor.”) This is followed by a detailed look at the life and work of seminal figures such as Cherokee humorist Will Rogers and Hill, who in the 1970s was the first Native American comedian to appear The Tonight Show. Also profiled are several contemporary comedians, including Jonny Roberts, a social worker from the Red Lake Nation who drives five hours to the closest comedy club to pursue his stand-up dreams; Kiowa-Apache comic Adrianne Chalepah, who formed the touring group the Native Ladies of Comedy; and the 1491s, a sketch troupe whose satire is smashing stereotypes to critical acclaim. As Ryan Red Corn, the Osage member of the 1491s, says: “The American narrative dictates that Indians are supposed to be sad. It’s not really true and it’s not indicative of the community experience itself…Laughter and joy is very much a part of Native culture.” Featuring dozens of original interviews and the exhaustive research that is Nesteroff’s trademark, We Had a Little Real Estate Problem is a powerful tribute to a neglected legacy.

Hostiles?

Author : Sam Maddra
Publisher : University of Oklahoma Press
Page : 284 pages
File Size : 45,7 Mb
Release : 2006
Category : History
ISBN : 0806137436

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Hostiles? by Sam Maddra Pdf

"In Hostiles? Sam A. Maddra relates an ironic tale of Indian accommodation - and preservation of what the Lakota continued to believe was a principled, restorative religion. Their alleged crime was their participation in the Ghost Dance. To the U.S. Army, their religion was a rebellion to be suppressed. To the Indians, is offered hope in a time of great transition. To Cody, it became a means to attract British audiences. With these "hostile indians," the showman could offer dramatic reenactments of the army's conquest, starring none other than the very "hostiles" who had staged what British audiences knew from their newspapers to have been an uprising.".

Buffalo Bill's Wild West

Author : Joy S. Kasson
Publisher : Hill and Wang
Page : 336 pages
File Size : 53,8 Mb
Release : 2015-12-22
Category : History
ISBN : 9781466895379

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Buffalo Bill's Wild West by Joy S. Kasson Pdf

A fascinating analysis of the first famous American to erase the boundary between real history and entertainment Canada, and Europe. Crowds cheered as cowboys and Indians--and Annie Oakley!--galloped past on spirited horses, sharpshooters exploded glass balls tossed high in the air, and cavalry troops arrived just in time to save a stagecoach from Indian attack. Vivid posters on billboards everywhere made William Cody, the show's originator and star, a world-renowned figure. Joy S. Kasson's important new book traces Cody's rise from scout to international celebrity, and shows how his image was shaped. Publicity stressed his show's "authenticity" yet audiences thrilled to its melodrama; fact and fiction converged in a performance that instantly became part of the American tradition. But how, precisely, did that come about? How, for example, did Cody use his audience's memories of the Civil War and the Indian wars? He boasted that his show included participants in the recent conflicts it presented theatrically, yet he also claimed it evoked "memories" of America's bygone greatness. Kasson's shrewd, engaging study--richly illustrated--in exploring the disappearing boundary between entertainment and public events in American culture, shows us just how we came to imagine our memories.