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Native Poetry in Canada by Jeannette Armstrong,Lally Grauer Pdf
Native Poetry in Canada: A Contemporary Anthology is the only collection of its kind. It brings together the poetry of many authors whose work has not previously been published in book form alongside that of critically-acclaimed poets, thus offering a record of Native cultural revival as it emerged through poetry from the 1960s to the present. The poets included here adapt English oratory and, above all, a sense of play. Native Poetry in Canada suggests both a history of struggle to be heard and the wealth of Native cultures in Canada today.
In his follow-up to This Wound is a World, Billy-Ray Belcourt’s Griffin Poetry Prize–winning collection, NDN Coping Mechanisms: Notes from the Field is a provocative, powerful, and genre-bending new work that uses the modes of accusation and interrogation. He aims an anthropological eye at the realities of everyday life to show how they house the violence that continues to reverberate from the long twentieth century. In a genre-bending constellation of poetry, photography, redaction, and poetics, Belcourt ultimately argues that if signifiers of Indigenous suffering are everywhere, so too is evidence of Indigenous peoples’ rogue possibility, their utopian drive. In NDN Coping Mechanisms: Notes from the Field, the poet takes on the political demands of queerness, mainstream portrayals of Indigenous life, love and its discontents, and the limits and uses of poetry as a vehicle for Indigenous liberation. In the process, Belcourt once again demonstrates his extraordinary craft, guile, and audacity, and the sheer dexterity of his imagination.
Indigenous Poetics in Canada broadens the way in which Indigenous poetry is examined, studied, and discussed in Canada. Breaking from the parameters of traditional English literature studies, this volume embraces a wider sense of poetics, including Indigenous oralities, languages, and understandings of place. Featuring work by academics and poets, the book examines four elements of Indigenous poetics. First, it explores the poetics of memory: collective memory, the persistence of Indigenous poetic consciousness, and the relationships that enable the Indigenous storytelling process. The book then explores the poetics of performance: Indigenous poetics exist both in written form and in relation to an audience. Third, in an examination of the poetics of place and space, the book considers contemporary Indigenous poetry and classical Indigenous narratives. Finally, in a section on the poetics of medicine, contributors articulate the healing and restorative power of Indigenous poetry and narratives.
An Anthology of Canadian Native Literature in English by Daniel David Moses,Terry Goldie Pdf
The second edition of this wide-ranging survey of writing in English by Canadian Native people brings together in one volume some of the best work from a literature that has formed a solid part of Canadian literature. Beginning with traditional songs of the Inuit and traditional orature of the Southern First Nations, the anthology goes on to include prose passages from such early figures as Joseph Brant and John Brant-Sero, works by such well-known writers as George Copway and Pauline Johnson, and a broad selection of short stories, plays, poems, and essays by twentieth century Canadian Native writers. While all writers from the first edition have been retained, several writers are represented by new works. These include Maria Campbell, Beth Brant, Annharte, Jeanette Armstrong, Lenore Keeshig-Tobias, Daniel David Moses, and Jordan Wheeler. Recently established Native writers new to this anthology include Beth Cuthand, Duncan Mercredi, Sky Dancer louise bernice halfe, Richard Wagameese, Marilyn Dumont, Connie Fife, Paul Seesequasis, Kateri Damm, Joseph Dandurand, Richard Van Camp, Lorne Joseph Simon, Gregory Scofield, Eden Robinson, and Kevin Paul. This volume will be of interest to anyone concerned with the wealth and complexity of Native writing in Canada. Among issues coverered in this anthology are aboriginal rights, family relations, and the environment. The anthology includes work from both women and men of many tribal affiliations and from various geographic regions of Canada. It also presents a diversity of opinions and voices from among the writers themselves.
Best Canadian Poetry 2021 by Souvankham Thammavongsa Pdf
“This is a book,” writes guest editor Souvankham Thammavongsa, “about what I saw and read and loved, and want you to see and read and love.” Selected from work published by Canadian poets in magazines and journals in 2020, Best Canadian Poetry 2021 gathers the poems Thammavongsa loved most over a year’s worth of reading, and draws together voices that “got in and out quickly, that said unusual things, that were clear, spare, and plain, that made [her] laugh out loud … the voices that barely ever survive to make it onto the page.” From new work by Canadian icons to thrilling emerging talents, this year’s anthology offers fifty poems for you to fall in love with as well. Featuring: Margaret Atwood Ken Babstock Manahil Bandukwala Courtney Bates-Hardy Roxanna Bennett Ronna Bloom Louise Carson Kate Cayley Kitty Cheung Dani Couture Kayla Czaga Šari Dale Unnati Desai Tina Do Andrew DuBois Paola Ferrante Beth Goobie Nina Philomena Honorat Liz Howard Maureen Hynes George K Ilsley Eve Joseph Ian Keteku Judith Krause M Travis Lane Mary Dean Lee Canisia Lubrin Randy Lundy David Ly Yohani Mendis Pamela Mosher Susan Musgrave Téa Mutonji Barbara Nickel Ottavia Paluch Kirsten Pendreigh Emily Pohl-Weary David Romanda Matthew Rooney Zoe Imani Sharpe Sue Sinclair John Steffler Sarah Yi-Mei Tsiang Arielle Twist David Ezra Wang Phoebe Wang Hayden Ward Elana Wolff Eugenia Zuroski Jan Zwicky
"A curated selection from hundreds of poems written over two years of a near-daily haiku practice. Sections of selected poems such as 'recovery,' 'courting,' and 'ceremony,' tell a story of what 2016-2018 was like in the life of a two-spirit, transmasculine, Ktunaxa PhD Candidate in their late 20s, living in Peterborough Ontario."--
In her powerful debut collection of poetry, Arielle Twist unravels the complexities of human relationships after death and metamorphosis. In these spare yet powerful poems, she explores, with both rage and tenderness, the parameters of grief, trauma, displacement, and identity. Weaving together a past made murky by uncertainty and a present which exists in multitudes, Arielle Twist poetically navigates through what it means to be an Indigenous trans woman, discovering the possibilities of a hopeful future and a transcendent, beautiful path to regaining softness. This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A Simple book with few images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.
Tekahionwake: E. Pauline Johnson's Writings on Native North America by E. Pauline Johnson Pdf
E. Pauline Johnson, also known as Tekahionwake, is remarkable as one of a very few early North American Indigenous poets and fiction writers. Most Indigenous writers of her time were men educated for the ministry who published religious, anthropological, autobiographical, political, and historical works, rather than poetry and fiction. More extraordinary still, Johnson became both a canonical poet and a literary celebrity, performing on stage for fifteen years across Canada, in the United States, and in London. Johnson is now seen as a central figure in the intellectual history of Canada and the US, and an important historical example of Indigenous feminism. This edition collects a diverse range of Johnson’s writings on what was then called “the Indian question” and on the question of her own complex Indigenous identity. Six thematic sections gather Johnson’s poetry, fiction, and nonfiction, and a rich selection of historical appendices provides context for her public life and her work as a feminist and activist for Indigenous people.
Canadian Poems and Lays by Josephine Preston Peabody,William Douw Lighthall Pdf
Josephine Preston Peabody and William Douw Lighthall compile a selection of Canadian poetry that reflects the themes of nature, mythology, and everyday life. From the Arctic Circle to the St. Lawrence River, this anthology celebrates the diversity of Canadian culture and landscape. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
“David Groulx is an important poetic voice. Intellectually and emotionally generous, his poetry both gives and demands presence, and a willingness to acknowledge reality and engage at a deeper level.” —Joanne Arnott, author of A Night for the Lady “Powerful . . . triumphant and heartfelt.” —Lee Maracle With a sure voice, Groulx, an Anishinaabe writer, artistically weaves together the experiences of Indigenous peoples in settler Canada with those of the people of Palestine, revealing a shared understanding of colonial pasts and presents.
Introduction to Indigenous Literary Criticism in Canada by Heather Macfarlane,Armand Garnet Ruffo Pdf
Introduction to Indigenous Literary Criticism in Canada collects 26 seminal critical essays indispensable to our understanding of the rapidly growing field of Indigenous literatures. The texts gathered in this collection, selected after extensive consultation with experts in the field, trace the development of Indigenous literatures while highlighting major trends and themes, including appropriation, stereotyping, language, land, spirituality, orality, colonialism, residential schools, reconciliation, gender, resistance, and ethical scholarship.
From Griffin Poetry Prize winner Jordan Abel comes a groundbreaking, deeply personal, and devastating autobiographical meditation that attempts to address the complicated legacies of Canada's residential school system and contemporary Indigenous existence. As a Nisga'a writer, Jordan Abel often finds himself in a position where he is asked to explain his relationship to Nisga'a language, Nisga'a community, and Nisga'a cultural knowledge. However, as an intergenerational survivor of residential school--both of his grandparents attended the same residential school--his relationship to his own Indigenous identity is complicated to say the least. NISHGA explores those complications and is invested in understanding how the colonial violence originating at the Coqualeetza Indian Residential School impacted his grandparents' generation, then his father's generation, and ultimately his own. The project is rooted in a desire to illuminate the realities of intergenerational survivors of residential school, but sheds light on Indigenous experiences that may not seem to be immediately (or inherently) Indigenous. Drawing on autobiography and a series of interconnected documents (including pieces of memoir, transcriptions of talks, and photography), NISHGA is a book about confronting difficult truths and it is about how both Indigenous and non-Indigenous peoples engage with a history of colonial violence that is quite often rendered invisible.
This first critical study of the literature of Indian and Metis peoples in Canada includes the oral tradition, orations, sermons, petitions, letters, journals, autobiographies, historical and travel writings, short stories, novels, poetry, drama, traditional tales and essays from the seventeenth century to the present.
Fireweed is a collection of poetry that explores the rawness, trauma, and realities of adolescence compounded with the experience of being a young, Indigenous, and two-spirit intergenerational residential school survivor. Rooted in the symbolism and growth of fireweed, a flower native to the northwest of Canada, this collection takes readers through the hurt, healing, love, and spreading that encompassed the first 23 years of the author's attempt to find truth, safety and connection. Grounded in the simplicity of words and the illustration of the north, this book is a powerful window into the process of finding oneself while reclaiming culture and identity.
