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Navajo and Hopi Art in Arizona by Rory O'Neill Schmitt PhD Pdf
Arizona's Navajo and Hopi cultures span multiple generations, and their descendants continue to honor customs from thousands of years ago. Contemporary artists like Hopi katsina doll carver Manuel Chavarria and Navajo weaver Barbara Teller Ornelas use traditional crafts and techniques to preserve the stories of their ancestors. Meanwhile, emerging mixed-media artists like Melanie Yazzie expand the boundaries of tradition by combining Navajo influences with contemporary culture and styles. Local author Rory Schmitt presents the region's outstanding native artists and their work, studios and inspirations.
Navajo and Hopi Art in Arizona: Continuing Traditions by Rory O'Neill Schmitt, PhD Pdf
Arizona's Navajo and Hopi cultures span multiple generations, and their descendants continue to honor customs from thousands of years ago. Contemporary artists like Hopi katsina doll carver Manuel Chavarria and Navajo weaver Barbara Teller Ornelas use traditional crafts and techniques to preserve the stories of their ancestors. Meanwhile, emerging mixed-media artists like Melanie Yazzie expand the boundaries of tradition by combining Navajo influences with contemporary culture and styles. Local author Rory Schmitt presents the region's outstanding native artists and their work, studios and inspirations.
A New Deal for Native Art by Jennifer McLerran Pdf
As the Great Depression touched every corner of America, the New Deal promoted indigenous arts and crafts as a means of bootstrapping Native American peoples. But New Deal administrators' romanticization of indigenous artists predisposed them to favor pre-industrial forms rather than art that responded to contemporary markets. In A New Deal for Native Art, Jennifer McLerran reveals how positioning the native artist as a pre-modern Other served the goals of New Deal programs—and how this sometimes worked at cross-purposes with promoting native self-sufficiency. She describes federal policies of the 1930s and early 1940s that sought to generate an upscale market for Native American arts and crafts. And by unraveling the complex ways in which commodification was negotiated and the roles that producers, consumers, and New Deal administrators played in that process, she sheds new light on native art’s commodity status and the artist’s position as colonial subject. In this first book to address the ways in which New Deal Indian policy specifically advanced commodification and colonization, McLerran reviews its multi-pronged effort to improve the market for Indian art through the Indian Arts and Crafts Board, arts and crafts cooperatives, murals, museum exhibits, and Civilian Conservation Corps projects. Presenting nationwide case studies that demonstrate transcultural dynamics of production and reception, she argues for viewing Indian art as a commodity, as part of the national economy, and as part of national political trends and reform efforts. McLerran marks the contributions of key individuals, from John Collier and Rene d’Harnoncourt to Navajo artist Gerald Nailor, whose mural in the Navajo Nation Council House conveyed distinctly different messages to outsiders and tribal members. Featuring dozens of illustrations, A New Deal for Native Art offers a new look at the complexities of folk art “revivals” as it opens a new window on the Indian New Deal.
When the Rainbow Touches Down by Tryntje Van Ness Seymour Pdf
This book has been composed from words and ideas of Native Americans: Native Americans who were willing to share personal thoughts and beliefs with the author and through the author, a larger public, during the course of dozens of interviews in homes on the Indian reservations of the Southwestern United States. Like the paintings, the words are a record of personal impressions of an extraordinarily complex heritage. They represent the thoughts, beliefs, and insights of individuals about their own way of life, a way that has survived enemy raids, drought, automobiles and television. Some of the words come from the creators of the paintings, some from younger artists currently working in the Southwest's creative tradition.
Hopi & Pueblo Tiles by Kim Messier,Pat Messier Pdf
The appealing, affordable, Native American art of "flat pots." The Hopi people of northern Arizona and their Pueblo relatives in New Mexico are famous for their fine pottery jars, bowls, and figures. But they also have a less well-known tradition: the making of unique, handcrafted clay tiles, beginning with ancient altarpieces and progressing to one-of-a-kind contemporary art tiles prized by collectors. Recently a few Navajo potters have also started to experiment with this special form—an attractive, affordable, and highly collectible Native American art. Profusely illustrated, with a foreword by the noted anthropologist and artist Barton Wright,Hopi and Pueblo Tilesis the first full-length study of these charming "flat pots." 80 color & b/w photos.
Award-winning historical fiction set in 16th-century Venice -Benjamin Franklin Digital Award -IPPY Award for Best Adult Fiction E-book -National Indie Excellence Award Finalist -Eric Hoffer Award Finalist -Shortlisted for the da Vinci Eye Prize From the author of Made in Italy comes a tale of artisanal tradition and family bonds set in one of the world's most magnificent settings: Renaissance Venice. Venetian gondola-maker Luca Vianello considers his whole life arranged. His father charted a course for his eldest son from the day he was born, and Luca is positioned to inherit one of the city’s most esteemed boatyards. Soon he will marry the daughter of an artisan prow-maker, securing a key business alliance for the family. But when Luca experiences an unexpected tragedy in the boatyard, he believes that his destiny lies elsewhere. Soon he finds himself drawn to restore an antique gondola with the dream of taking a girl for a ride. The Gondola Maker brings the centuries-old art of gondola-making to life in the tale of a young man's complicated relationship with his master-craftsman father. Lovers of historical fiction will appreciate the authentic details of gondola craftsmanship, along with an intimate first-person narrative set against the richly textured backdrop of 16th-century Venice. "I'm a big fan of Venice, so I appreciate Laura Morelli's special knowledge of the city, the period, and the process of gondola-making. An especially compelling story." --Frances Mayes, author of Under the Tuscan Sun "Laura Morelli has done her research, or perhaps she was an Italian carpenter in another life. One can literally smell and feel the grain of finely turned wood in her hands." --Pamela Sheldon Johns, author of Italian Food Artisans "Romance, intrigue, family loyalty, pride, and redemption set against the backdrop of Renaissance Italy." --Library of Clean Reads "Beautiful, powerful evocation of the characters, the place, and the time. An elegant and thoroughly engaging narrative voice." --Mark Spencer, author of Fiction Club: A Concise Guide to Writing Good Fiction
The WPA Guide to Arizona by Federal Writers' Project Pdf
During the 1930s in the United States, the Works Progress Administration developed the Federal Writers’ Project to support writers and artists while making a national effort to document the country’s shared history and culture. The American Guide series consists of individual guides to each of the states. Little-known authors—many of whom would later become celebrated literary figures—were commissioned to write these important books. John Steinbeck, Saul Bellow, Zora Neale Hurston, and Ralph Ellison are among the more than 6,000 writers, editors, historians, and researchers who documented this celebration of local histories. Photographs, drawings, driving tours, detailed descriptions of towns, and rich cultural details exhibit each state’s unique flavor. At the time of the publication of the WPA Guide to Arizona in 1940, the Grand Canyon State was the newest addition to the union. The guide presents a state of contrasts, both geographically and culturally. The photographs show many facets of the state—from the mesas and desert lands to the Spanish missions and Native American art.
New Orleans Voodoo: A Cultural History by Rory O'Neill Schmitt, PhD, and Rosary Hartel O'Neill, PhD Pdf
There is no more compelling nor more spiritual city than New Orleans. The city's Roman Catholic roots and its blended French, Spanish, Creole and American Indian populations heavily influenced the rites and rituals that West Africans brought to Louisiana as enslaved laborers. The resulting unique Voodoo tradition is now deeply rooted in the area. Enslaved practitioners in the nineteenth century held Voodoo dances in designated public areas like Congo Square but conducted their secret rituals away from the prying eyes of the city. By 1874, some twelve thousand New Orleanians attended Voodoo queen Marie Laveau's St. John's Eve rites on the shores of Lake Pontchartrain. The Voodoo tradition continues in the Crescent City even today. Rory Schmitt and Rosary O'Neill study the altars, art, history and ceremonies that anchor Voodoo in New Orleans culture.
Day Trips® from Phoenix, Tucson & Flagstaff by Pam Hait Pdf
Rediscover the simple pleasures of a day trip with Day Trips from Phoenix, Tucson, and Flagstaff. This guide is packed with hundreds of exciting things for locals and vacationers to do, see, and discover within a two- to four- hour drive of these popular Arizona cities. With full trip-planning information, Day Trips from Phoenix, Tucson, and Flagstaff helps makes the most of a brief getaway.
The untold story of Navajo and Hopi resistance and solidarity in the face of forced removal by the US government, as documented by tribal editorial cartoons. For generations, US politicians and energy companies attempted to gain access to the coal and uranium in the Four Corners region, where Arizona, New Mexico, Colorado, and Utah meet. The land on which they found billions of tons of high-grade coal in 1909, however, was reserved for the Navajo (Diné) and Hopi peoples and not accessible to extractive enterprise. Despite Diné and Hopi protests, US officials gained access to the coal-rich land on Black Mesa in Arizona by purposely fabricating and fueling conflict between the Diné and the Hopi. In Comics and Conquest, historian Rhiannon Koehler documents the story of this conflict through an engaging analysis of historical Navajo and Hopi editorial cartoons. Despite the false narrative that the conflict was driven by inter-tribal animosity and that the subsequent forced removals of thousands of Indigenous peoples were part of a plan to keep the peace, the cartoons that Koehler shares reveal a rich history of artistic activism and Hopi-Diné solidarity against this land grab. The content and claims featured in political cartoons published in the tribal newspapers Qua'Toqti and the Navajo Times in the late 1960s and early 1970s were some of the most critical tools for both coping with the threats of industry and exposing the history of exploitation as it carries on into the present. The conflict, popularly known as the Navajo-Hopi Land Dispute, was presented in mainstream media as an egregious threat to US interests. Acutely aware of their land's value and the minerals and other resources on it, Diné and Hopi political cartoonists used their medium to assert their protest and agency, identify the true instigators of the dispute, and expose and counter the myth that the conflict had intertribal origins. Koehler shows how tribal activism and media ultimately resulted in international recognition of the harms perpetrated by the federal government on Diné and Hopi soil.
Pueblo and Navajo Contemporary Pottery by Guy Berger,Nancy N. Schiffer Pdf
This special pottery combines the traditions of Pueblo and Navajo artists from Arizona and New Mexico with daring new interpretaions by the modern generation. Bowls, plates ollas, pitchers, and vases by potters in Acoma, Hopi, Jemez, Navajo, San Felipe, San Ildefonso, San Juan, Santa Ana, Zia, and Zuni families are featured along with storytellers and charming animal figures. The Directory of Artists includes kachina carvers, jewelry makers, sculptors, and potters.
Visitor's Guide to Arizona's Indian Reservations by Boye De Mente Pdf
ARIZONA'S INDIAN COUNTRY!--Twenty-eight percent of Arizona, the 6th largest of the American states, is INDIAN COUNTRY. Arizona was Indian Country thousands of years before the first Europeans set foot on the North and South American continents, and it is still Indian Country today! Seventeen tribes live on 23 Reservations that encompass a total of over 20 million acres that include some of the most diverse and spectacular scenery on planet Earth. Many of Arizona's most amazing attractions-cultural, geographic, historical and recreational-are in its Indian Country! In fact, Arizona owes much of its fame to several serendipitous circumstances: the great Grand Canyon, its spectacular desert and mountain scenery, its climate, and its Indian nations. This is a historical, economic, social, cultural and recreational guide to the state's Native American people...an amazing story of their survival in the face of incredible odds and their growing importance in Arizona.