Nazi Cinema S New Women

Author : Jana F. Bruns
Publisher : Cambridge University Press
Page : 273 pages
File Size : 46,6 Mb
Release : 2009-04-27
Category : Biography & Autobiography
ISBN : 9780521856850

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Nazi Cinema's New Women by Jana F. Bruns Pdf

This book examines the careers of three of Nazi cinema's preeminent movie actresses, painting a unique portrait of mass entertainment and stardom under Nazi rule. Bruns uses undiscovered sources and a new approach, which integrates visual analysis within a thorough political and social context, to trace how the Nazis tried to use films and stars to build National Socialism. This analysis focuses on female stars - an important but largely unexplored area - because they were mostly responsible for Nazi cinema's spectacular commercial success and political failure. Challenging earlier studies, which view Nazi cinema as an effective propaganda instrument that helped turn Germans into devoted "Aryan" mothers and tough warriors, the book shows that the Nazi regime's liaison with the cinema was ambivalent. Films failed to disseminate a coherent political message and to Nazify German society. However, they helped the regime maintain power by diverting people's attention from the brutality of Hitler's rule and, eventually, from impending defeat.

Author : Jana Francesca Bruns
Publisher : Unknown
Page : 652 pages
File Size : 49,9 Mb
Release : 2002
Category : Actresses
ISBN : STANFORD:36105112181669

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Nazi Cinema's New Women by Jana Francesca Bruns Pdf

Author : Laura Heins
Publisher : University of Illinois Press
Page : 257 pages
File Size : 52,5 Mb
Release : 2013-09-16
Category : Performing Arts
ISBN : 9780252095023

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Nazi Film Melodrama by Laura Heins Pdf

Cultural productions in the Third Reich often served explicit propaganda functions of legitimating racism and glorifying war and militarism. Likewise, the proliferation of domestic and romance films in Nazi Germany also represented an ideological stance. Rather than reinforcing traditional gender role divisions and the status quo of the nuclear family, these films were much more permissive about desire and sexuality than previously assumed. Focusing on German romance films, domestic melodramas, and home front films from 1933 to 1945, Nazi Film Melodrama shows how melodramatic elements in Nazi cinema functioned as part of a project to move affect, body, and desire beyond the confines of bourgeois culture and participate in a curious modernization of sexuality engineered to advance the imperialist goals of the Third Reich. Offering a comparative analysis of Nazi productions with classical Hollywood films of the same era, Laura Heins argues that German fascist melodramas differed from their American counterparts in their negative views of domesticity and in their use of a more explicit antibourgeois rhetoric. Nazi melodramas, film writing, and popular media appealed to viewers by promoting liberation from conventional sexual morality and familial structures, presenting the Nazi state and the individual as dynamic and revolutionary. Some spectators objected to the eroticization and modernization of the public sphere under Nazism, however, pitting Joseph Goebbels' Ministry of Propaganda against more conservative film audiences in a war over the very status of domesticity and the shape of the family. Drawing on extensive archival research, this perceptive study highlights the seemingly contradictory aspects of gender representation and sexual morality in Nazi-era cinema.

Author : Jackson J. Spielvogel
Publisher : Routledge
Page : 424 pages
File Size : 44,8 Mb
Release : 2016-09-16
Category : History
ISBN : 9781315509150

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Hitler and Nazi Germany by Jackson J. Spielvogel Pdf

This text is based on current research findings and is written for students and general readers who want a deeper understanding of this period in German history. It provides a balanced approach in examining Hitler's role in the history of the Third Reich and includes coverage of the economic, social, and political forces that made the rise and growth of Nazism possible; the institutional, cultural, and social life of the Third Reich; the Second World War; and the Holocaust.

Author : Antje Ascheid
Publisher : Temple University Press
Page : 287 pages
File Size : 48,5 Mb
Release : 2003-01-22
Category : Performing Arts
ISBN : 9781566399845

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Hitler's Heroines by Antje Ascheid Pdf

German film-goers flocked to see musicals and melodramas during the Nazi era. Although the Nazis seemed to require that every aspect of ordinary life advance the fascist project, even the most popular films depicted characters and desires that deviated from the politically correct ideal. Probing into the contradictory images of womanhood that surfaced in these films, Antje Ascheid shows how Nazi heroines negotiated the gender conflicts that confronted contemporary women.The careers of Kristina Soderbaum, Lilian Harvey, and Zarah Leander speak to the Nazis' need to address and contain the "woman question," to redirect female subjectivity and desires to self sacrifice for the common good (i.e., national socialism). Hollywood's new women and glamorous dames were out; the German wife and mother were in. The roles and star personas assigned to these actresses, though intended to entertain the public in a politically conformist way, point to the difficulty of yoking popular culture to ideology.

Author : Ingrid Lewis
Publisher : Springer
Page : 278 pages
File Size : 51,7 Mb
Release : 2018-01-19
Category : Social Science
ISBN : 9783319650616

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Women in European Holocaust Films by Ingrid Lewis Pdf

This book considers how women’s experiences have been treated in films dealing with Nazi persecution. Focusing on fiction films made in Europe between 1945 and the present, this study explores dominant discourses on and cinematic representation of women as perpetrators, victims and resisters. Ingrid Lewis contends that European Holocaust Cinema underwent a rich and complex trajectory of change with regard to the representation of women. This change both reflects and responds to key socio-cultural developments in the intervening decades as well as to new directions in cinema, historical research and politics of remembrance. The book will appeal to international scholars, students and educators within the fields of Holocaust Studies, Film Studies, European Cinema and Women’s Studies.

Author : Mary-Elizabeth O'Brien
Publisher : Boydell & Brewer
Page : 308 pages
File Size : 40,9 Mb
Release : 2006
Category : History
ISBN : 1571133348

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Nazi Cinema as Enchantment by Mary-Elizabeth O'Brien Pdf

The Nazi regime did not merely terrorize its citizens into submission; it also seduced them by offering stability, a traditional value system, a sense of belonging, and hope of a better standard of living. Nazi cinema's popularity rested on its ability to express positive social fantasies and promote the enchantment of reality, so that one would want to share in the dream at any price. This is an interdisciplinary study, written for scholars and students in the fields of film studies, German studies, history, critical studies, and political science, that explores how cinema participated in the larger framework of everyday fascism. The book examines how five film genres - the historical musical, the foreign adventure film, the home-front film, the melodrama, and the problem film - enchanted audiences and enacted shared stories that can tell us much about how family, community, history, the nation, and the war were imagined in Nazi Germany. The book analyzes thirteen motion pictures, many of which are not well known to English-speaking audiences: Wunschkonzert, Die große Liebe, Tanz auf dem Vulkan, Damals, Die Degenhardts, Opfergang, Kautschuk, Robert und Bertram, Verklungene Melodie, Frauen für Golden Hill, Das Leben kann so schön sein, Der verzauberte Tag, and Via Mala. Based on exhaustive research in German archives, the book examines, in addition to the films themselves, articles from the propaganda ministry's official organ, Der deutsche Film, daily trade sheets, fan magazines, and even studio press packages for individual stars and films. Mary-Elizabeth O'Brien is Professor of German at Skidmore College, Saratoga Springs, New York.

Author : Antje Ascheid
Publisher : Temple University Press
Page : 240 pages
File Size : 48,7 Mb
Release : 2003
Category : Performing Arts
ISBN : 1566399831

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Hitler's Heroines by Antje Ascheid Pdf

German film-goers flocked to see musicals and melodramas during the Nazi era. Although the Nazis seemed to require that every aspect of ordinary life advance the fascist project, even the most popular films depicted characters and desires that deviated from the politically correct ideal. Probing into the contradictory images of womanhood that surfaced in these films, Antje Ascheid shows how Nazi heroines negotiated the gender conflicts that confronted contemporary women.The careers of Kristina Soderbaum, Lilian Harvey, and Zarah Leander speak to the Nazis' need to address and contain the "woman question," to redirect female subjectivity and desires to self sacrifice for the common good (i.e., national socialism). Hollywood's new women and glamorous dames were out; the German wife and mother were in. The roles and star personas assigned to these actresses, though intended to entertain the public in a politically conformist way, point to the difficulty of yoking popular culture to ideology.

Author : Laura Heins
Publisher : University of Illinois Press
Page : 257 pages
File Size : 53,9 Mb
Release : 2013-09-16
Category : Performing Arts
ISBN : 9780252095023

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Nazi Film Melodrama by Laura Heins Pdf

Cultural productions in the Third Reich often served explicit propaganda functions of legitimating racism and glorifying war and militarism. Likewise, the proliferation of domestic and romance films in Nazi Germany also represented an ideological stance. Rather than reinforcing traditional gender role divisions and the status quo of the nuclear family, these films were much more permissive about desire and sexuality than previously assumed. Focusing on German romance films, domestic melodramas, and home front films from 1933 to 1945, Nazi Film Melodrama shows how melodramatic elements in Nazi cinema functioned as part of a project to move affect, body, and desire beyond the confines of bourgeois culture and participate in a curious modernization of sexuality engineered to advance the imperialist goals of the Third Reich. Offering a comparative analysis of Nazi productions with classical Hollywood films of the same era, Laura Heins argues that German fascist melodramas differed from their American counterparts in their negative views of domesticity and in their use of a more explicit antibourgeois rhetoric. Nazi melodramas, film writing, and popular media appealed to viewers by promoting liberation from conventional sexual morality and familial structures, presenting the Nazi state and the individual as dynamic and revolutionary. Some spectators objected to the eroticization and modernization of the public sphere under Nazism, however, pitting Joseph Goebbels' Ministry of Propaganda against more conservative film audiences in a war over the very status of domesticity and the shape of the family. Drawing on extensive archival research, this perceptive study highlights the seemingly contradictory aspects of gender representation and sexual morality in Nazi-era cinema.

Author : James Wyllie
Publisher : The History Press
Page : 317 pages
File Size : 54,6 Mb
Release : 2019-11-01
Category : History
ISBN : 9780750993623

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Nazi Wives by James Wyllie Pdf

Goering, Goebbels, Himmler, Heydrich, Bormann, Hess – names synonymous with power and influence in the Third Reich. Perhaps less familiar are Carin, Emmy, Magda, Margaret, Lina, Gerda and Ilse ... These are the women behind the infamous men – complex individuals with distinctive personalities who were captivated by Hitler and whose everyday lives were governed by Nazi ideology. Throughout the rise and fall of Nazism these women loved and lost, raised families and quarrelled with their husbands and each other, all the while jostling for position with the mighty Führer himself. And yet they have been treated as minor characters, their significance ignored, as if they were unaware of their husband's murderous acts, despite the evidence that was all around them: the stolen art on their walls, the slave labour in their homes, and the produce grown in concentration camps on their tables. Nazi Wives explores these women in detail for the first time, skilfully interweaving their stories through years of struggle, power, decline and destruction into the post-war twilight of denial and delusion.

Author : Sabine Hake
Publisher : University of Texas Press
Page : 292 pages
File Size : 42,6 Mb
Release : 2001
Category : Performing Arts
ISBN : 0292734581

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Popular Cinema of the Third Reich by Sabine Hake Pdf

Too often dismissed as escapist entertainment or vilified as mass manipulation, popular cinema in the Third Reich was in fact sustained by well-established generic conventions, cultural traditions, aesthetic sensibilities, social practices, and a highly developed star system—not unlike its Hollywood counterpart in the 1930s. This pathfinding study contributes to the ongoing reassessment of Third Reich cinema by examining it as a social, cultural, economic, and political practice that often conflicted with, contradicted, and compromised the intentions of the Propaganda Ministry. Nevertheless, by providing the illusion of a public sphere presumably free of politics, popular cinema helped to sustain the Nazi regime, especially during the war years. Rather than examining Third Reich cinema through overdetermined categories such as propaganda, ideology, or fascist aesthetics, Sabine Hake concentrates on the constituent elements shared by most popular cinemas: famous stars, directors, and studios; movie audiences and exhibition practices; popular genres and new trends in set design; the reception of foreign films; the role of film criticism; and the representation of women. She pays special attention to the forced coordination of the industry in 1933, the changing demands on cinema during the war years, and the various ways of coming to terms with these filmic legacies after the war. Throughout, Hake's findings underscore the continuities among Weimar, Third Reich, and post-1945 West German cinema. They also emphasize the codevelopment of German and other national cinemas, especially the dominant Hollywood model.

Author : Roel Vande Winkel,D. Welch
Publisher : Springer
Page : 342 pages
File Size : 47,8 Mb
Release : 2007-02-07
Category : History
ISBN : 9780230289321

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Cinema and the Swastika by Roel Vande Winkel,D. Welch Pdf

This is the first publication to bring together comparative research on the international expansion of Third Reich cinema. This volume investigates various attempts to infiltrate - economically, politically and culturally - the film industries of 20 countries and regions either occupied by, friendly with or neutral towards Nazi Germany.

Author : Jo Fox
Publisher : Berg Publishers
Page : 286 pages
File Size : 45,7 Mb
Release : 2000-07
Category : History
ISBN : UOM:39015049530283

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Filming Women in the Third Reich by Jo Fox Pdf

In 1936, Goebbels stated that 'a government that controls art will remain forever', and the German film industry became inextricably linked with National Socialist propaganda. This book is an historical evaluation of the role and image of women in the feature films of the Third Reich. The author challenges current perceptions of the National Socialist position with regards to women and examines the creation of a female film culture, as well as the 'blurring' of gender distinctions as a result of the war. Goebbels and his wife personally selected young movie actresses at their home to portray mothers, vamps, girls-next-door and exotic love interests. His interest in film opens up an array of important issues central to this book: Were women compliant with Nazism or were they the victims of a regime imposing policies ultimately detrimental to their condition? Is it true that the war helped to emancipate women who were not only romantic and patriotic heroines on screen but employed as drivers, technicians and even managers of government affiliated film departments? Did all films produced under the auspices of the Third Reich serve as propaganda and if so, how successful were they? And finally, what can the study of cinema contribute to the historical debate surrounding National Socialism? This book fills a considerable gap in the research of the Nazi star system and makes a crucial contribution not only to cinema history, but also to our view of the perceived role of women in the Third Reich.

Author : Bill Niven,William John Niven
Publisher : Yale University Press
Page : 321 pages
File Size : 50,7 Mb
Release : 2018-01-01
Category : Biography & Autobiography
ISBN : 9780300200362

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Hitler and Film by Bill Niven,William John Niven Pdf

An exposé of Hitler's relationship with film and his influence on the film industry A presence in Third Reich cinema, Adolf Hitler also personally financed, ordered, and censored films and newsreels and engaged in complex relationships with their stars and directors. Here, Bill Niven offers a powerful argument for reconsidering Hitler's fascination with film as a means to further the Nazi agenda. In this first English-language work to fully explore Hitler's influence on and relationship with film in Nazi Germany, the author calls on a broad array of archival sources. Arguing that Hitler was as central to the Nazi film industry as Goebbels, Niven also explores Hitler's representation in Third Reich cinema, personally and through films focusing on historical figures with whom he was associated, and how Hitler's vision for the medium went far beyond "straight propaganda." He aimed to raise documentary film to a powerful art form rivaling architecture in its ability to reach the masses.

Author : Westerstahl Stenport Anna Westerstahl Stenport
Publisher : Edinburgh University Press
Page : 584 pages
File Size : 46,9 Mb
Release : 2019-09-27
Category : Motion pictures
ISBN : 9781474438087

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Nordic Film Cultures and Cinemas of Elsewhere by Westerstahl Stenport Anna Westerstahl Stenport Pdf

Nordic Film Cultures and Cinemas of Elsewhere introduces a new concept to Nordic film studies as well as to other small national, transnational and world cinema traditions. Examining overlooked 'elsewheres', the book presents Nordic cinemas as international, cosmopolitan, diasporic and geographically dispersed, from their beginnings in the early silent period to their present 21st-century dynamics. Exploring both canonical works by directors like Ingmar Bergman and Lars von Trier, as well as a wide range of unknown or overlooked narratives of movement, synthesis and resistance, the book offers a new model of inquiry into a multi-varied Scandinavian cultural lineage, and into small nation and pan-regional world cinemas.