Nazism And Neo Nazism In Film And Media

Author : Charles Jason Peter Lee,Jason Lee
Publisher : Unknown
Page : 0 pages
File Size : 46,8 Mb
Release : 2018
Category : National socialism
ISBN : 9089649360

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Nazism and Neo-nazism in Film and Media by Charles Jason Peter Lee,Jason Lee Pdf

This timely book takes an original transnational approach to the theme of Nazism and neo-Nazism in film, media, and popular culture, with examples drawn from mainland Europe, the UK, North and Latin America, Asia, and beyond. This approach fits with the established dominance of global multimedia formats, and will be useful for students, scholars, and researchers in all forms of film and media. Along with the essential need to examine current trends in Nazism and neo-Nazism in contemporary media globally, what makes this book even more necessary is that it engages with debates that go to the very heart of our understanding of knowledge: history, memory, meaning, and truth.

Author : Eric Rentschler
Publisher : Harvard University Press
Page : 480 pages
File Size : 46,9 Mb
Release : 1996-10-01
Category : Performing Arts
ISBN : 9780674266629

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Ministry of Illusion by Eric Rentschler Pdf

German cinema of the Third Reich, even a half-century after Hitler's demise, still provokes extreme reactions. "Never before and in no other country," observes director Wim Wenders, "have images and language been abused so unscrupulously as here, never before and nowhere else have they been debased so deeply as vehicles to transmit lies." More than a thousand German feature films that premiered during the reign of National Socialism survive as mementoes of what many regard as film history's darkest hour. As Eric Rentschler argues, however, cinema in the Third Reich emanated from a Ministry of Illusion and not from a Ministry of Fear. Party vehicles such as Hitler Youth Quex and anti-Semitic hate films such as Jew Süss may warrant the epithet "Nazi propaganda," but they amount to a mere fraction of the productions from this era. The vast majority of the epoch's films seemed to be "unpolitical"--melodramas, biopix, and frothy entertainments set in cozy urbane surroundings, places where one rarely sees a swastika or hears a "Sieg Heil." Minister of propaganda Joseph Goebbels, Rentschler shows, endeavored to maximize film's seductive potential, to cloak party priorities in alluring cinematic shapes. Hitler and Goebbels were master showmen enamored of their media images, the Third Reich was a grand production, the Second World War a continuing movie of the week. The Nazis were movie mad, and the Third Reich was movie made. Rentschler's analysis of the sophisticated media culture of this period demonstrates in an unprecedented way the potent and destructive powers of fascination and fantasy. Nazi feature films--both as entities that unreeled in moviehouses during the regime and as productions that continue to enjoy wide attention today--show that entertainment is often much more than innocent pleasure.

Author : Sabine Hake
Publisher : University of Wisconsin Pres
Page : 325 pages
File Size : 46,7 Mb
Release : 2012-08-31
Category : Performing Arts
ISBN : 9780299287139

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Screen Nazis by Sabine Hake Pdf

From the late 1930s to the early twenty-first century, European and American filmmakers have displayed an enduring fascination with Nazi leaders, rituals, and symbols, making scores of films from Confessions of a Nazi Spy (1939) and Watch on the Rhine (1943) through Des Teufels General (The Devil’s General, 1955) and Pasqualino settebellezze (Seven Beauties, 1975), up to Der Untergang (Downfall, 2004), Inglourious Basterds (2009), and beyond. Probing the emotional sources and effects of this fascination, Sabine Hake looks at the historical relationship between film and fascism and its far-reaching implications for mass culture, media society, and political life. In confronting the specter and spectacle of fascist power, these films not only depict historical figures and events but also demand emotional responses from their audiences, infusing the abstract ideals of democracy, liberalism, and pluralism with new meaning and relevance. Hake underscores her argument with a comprehensive discussion of films, including perspectives on production history, film authorship, reception history, and questions of performance, spectatorship, and intertextuality. Chapters focus on the Hollywood anti-Nazi films of the 1940s, the West German anti-Nazi films of the 1950s, the East German anti-fascist films of the 1960s, the Italian “Naziploitation” films of the 1970s, and issues related to fascist aesthetics, the ethics of resistance, and questions of historicization in films of the 1980s–2000s from the United States and numerous European countries.

Author : Vegas Tenold
Publisher : Bold Type Books
Page : 345 pages
File Size : 45,6 Mb
Release : 2018-02-20
Category : Political Science
ISBN : 9781568589954

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Everything You Love Will Burn by Vegas Tenold Pdf

The dark story of the shocking resurgence of white supremacist and nationalist groups, and their path to political power Six years ago, Vegas Tenold embedded himself among the members of three of America's most ideologically extreme white nationalist groups-the KKK, the National Socialist Movement, and the Traditionalist Workers Party. At the time, these groups were part of a disorganized counterculture that felt far from the mainstream. But since then, all that has changed. Racially-motivated violence has been on open display at rallies in Charlottesville, Berkeley, Pikesville, Phoenix, and Boston. Membership in white nationalist organizations is rising, and national politicians, including the president, are validating their perceived grievances. Everything You Love Will Burn offers a terrifying, sobering inside look at these newly empowered movements, from their conventions to backroom meetings with Republican operatives. Tenold introduces us to neo-Nazis in Brooklyn; a millennial Klanswoman in Tennessee; and a rising star in the movement, nicknamed the "Little Fü by the Southern Poverty Law Center, who understands political power and is organizing a grand coalition of far-right groups to bring them into the mainstream. Everything You Love Will Burn takes readers to the dark, paranoid underbelly of America, a world in which the white race is under threat and the enemy is everywhere.

Author : Ulrike Weckel
Publisher : Berghahn Books
Page : 302 pages
File Size : 46,8 Mb
Release : 2023-10-13
Category : History
ISBN : 9781805391005

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Audiences of Nazism by Ulrike Weckel Pdf

Traces of audience responses to propaganda in the Third Reich are particularly sparse given that the public sphere was so highly regulated. By taking an interdisciplinary and innovative approach to found historical sources of audiences’ responses, the contributions to Audiences of Nazism critically approach the effectiveness of the Nazi media. The volume presents a comprehensive array of case studies including, but not limited to, Jewish responses to anti-Semitic media, personal reports from Nazi party rallies, responses to “degenerate art” exhibitions, and the afterlife of visual documentations of Nazi crimes. It uncovers the target groups of certain Nazi media products; how effective these products were in disseminating propaganda; and their chances to win over readers, listeners, and spectators not yet convinced of Nazism.

Author : Axel Bangert
Publisher : Boydell & Brewer
Page : 216 pages
File Size : 45,7 Mb
Release : 2014
Category : History
ISBN : 9781571139054

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The Nazi Past in Contemporary German Film by Axel Bangert Pdf

From intimate portrayals of ordinary Germans and Nazi leaders to immersive spectacles of war and defeat, this study argues that, since 1990, German film has focused on portraying the Nazi past from within.

Author : Eric Rentschler
Publisher : Unknown
Page : 0 pages
File Size : 44,8 Mb
Release : 2018
Category : Motion pictures
ISBN : OCLC:1388520988

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The Ministry of Illusion by Eric Rentschler Pdf

German cinema of the Third Reich, even a half-century after Hitler's demise, still provokes extreme reactions. More than a thousand German feature films that premiered during the reign of National Socialism survive as mementoes of what many regard as film history's darkest hour. As Eric Rentschler argues, however, cinema in the Third Reich emanated from a Ministry of Illusion and not from a Ministry of Fear. Party vehicles such as Hitler Youth Quex and anti-Semitic hate films such as Jew Suss may warrant the epithet "Nazi propaganda," but they amount to a mere fraction of the productions from this era. The vast majority of the epoch's films seemed to be "unpolitical"--Melodramas, biopics, and frothy entertainments set in cozy urbane surroundings, places where one rarely sees a swastika or hears a "Sieg Heil." Minister of Propaganda Joseph Goebbels, Rentschler shows, endeavored to maximize film's seductive potential, to cloak party priorities in alluring cinematic shapes. Hitler and Goebbels were master showmen enamored of their media images, the Third Reich was a grand production. The Nazis were movie mad, and the Third Reich was movie made. Rentschler's analysis of the sophisticated media culture of this period demonstrates in an unprecedented way the potent and destructive powers of fascination and fantasy. Nazi feature films--both as entities that unreeled in moviehouses during the regime and as productions that continue to enjoy wide attention today--show that entertainment is often much more than innocent pleasure.

Author : Daniel H. Magilow,Elizabeth Bridges,Kristin T. Vander Lugt
Publisher : A&C Black
Page : 337 pages
File Size : 49,6 Mb
Release : 2012-01-01
Category : Performing Arts
ISBN : 9781441183590

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Nazisploitation! by Daniel H. Magilow,Elizabeth Bridges,Kristin T. Vander Lugt Pdf

A brilliant line-up of international contributors examine the implications of the portrayals of Nazis in low-brow culture and that culture's re-emergence today

Author : Eric Lichtblau
Publisher : HMH
Page : 299 pages
File Size : 54,6 Mb
Release : 2014-10-28
Category : History
ISBN : 9780547669229

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The Nazis Next Door by Eric Lichtblau Pdf

A Newsweek Best Book of the Year: “Captivating . . . rooted in first-rate research” (The New York Times Book Review). In this New York Times bestseller, once-secret government records and interviews tell the full story of the thousands of Nazis—from concentration camp guards to high-level officers in the Third Reich—who came to the United States after World War II and quietly settled into new lives. Many gained entry on their own as self-styled war “refugees.” But some had help from the US government. The CIA, the FBI, and the military all put Hitler’s minions to work as spies, intelligence assets, and leading scientists and engineers, whitewashing their histories. Only years after their arrival did private sleuths and government prosecutors begin trying to identify the hidden Nazis. Now, relying on a trove of newly disclosed documents and scores of interviews, Pulitzer Prize–winning investigative reporter Eric Lichtblau reveals this little-known and “disturbing” chapter of postwar history (Salon).

Author : Kirsten Dyck
Publisher : Rutgers University Press
Page : 213 pages
File Size : 53,8 Mb
Release : 2016-10-03
Category : Music
ISBN : 9780813574738

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Reichsrock by Kirsten Dyck Pdf

From rap to folk to punk, music has often sought to shape its listeners’ political views, uniting them as a global community and inspiring them to take action. Yet the rallying potential of music can also be harnessed for sinister ends. As this groundbreaking new book reveals, white-power music has served as a key recruiting tool for neo-Nazi and racist hate groups worldwide. Reichsrock shines a light on the international white-power music industry, the fandoms it has spawned, and the virulently racist beliefs it perpetuates. Kirsten Dyck not only investigates how white-power bands and their fans have used the internet to spread their message globally, but also considers how distinctly local white-power scenes have emerged in Western Europe, Eastern Europe, Latin America, the United States, and many other sites. While exploring how white-power bands draw from a common well of nationalist, racist, and neo-Nazi ideologies, the book thus also illuminates how white-power musicians adapt their music to different locations, many of which have their own terms for defining whiteness and racial otherness. Closely tracking the online presence of white-power musicians and their fans, Dyck analyzes the virtual forums and media they use to articulate their hateful rhetoric. This book also demonstrates how this fandom has sparked spectacular violence in the real world, from bombings to mass shootings. Reichsrock thus sounds an urgent message about a global menace.

Author : David Stewart Hull
Publisher : Touchstone
Page : 314 pages
File Size : 48,5 Mb
Release : 1973
Category : Motion pictures
ISBN : STANFORD:36105034842281

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Film in the Third Reich by David Stewart Hull Pdf

Author : Jerry Bornstein
Publisher : Julian Messner
Page : 168 pages
File Size : 53,6 Mb
Release : 1986
Category : History
ISBN : 0671502387

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The Neo-Nazis by Jerry Bornstein Pdf

Observes the development of nazism in the United States from Hitler's time to today, the current status of Nazi followers, the psychology of the movement, civil liberties issues, and possible solutions.

Author : Thomas Doherty
Publisher : Columbia University Press
Page : 449 pages
File Size : 50,9 Mb
Release : 2013-04-02
Category : History
ISBN : 9780231535144

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Hollywood and Hitler, 1933-1939 by Thomas Doherty Pdf

Between 1933 and 1939, representations of the Nazis and the full meaning of Nazism came slowly to Hollywood, growing more ominous and distinct only as the decade wore on. Recapturing what ordinary Americans saw on the screen during the emerging Nazi threat, Thomas Doherty reclaims forgotten films, such as Hitler's Reign of Terror (1934), a pioneering anti-Nazi docudrama by Cornelius Vanderbilt Jr.; I Was a Captive of Nazi Germany (1936), a sensational true tale of "a Hollywood girl in Naziland!"; and Professor Mamlock (1938), an anti-Nazi film made by German refugees living in the Soviet Union. Doherty also recounts how the disproportionately Jewish backgrounds of the executives of the studios and the workers on the payroll shaded reactions to what was never simply a business decision. As Europe hurtled toward war, a proxy battle waged in Hollywood over how to conduct business with the Nazis, how to cover Hitler and his victims in the newsreels, and whether to address or ignore Nazism in Hollywood feature films. Should Hollywood lie low, or stand tall and sound the alarm? Doherty's history features a cast of charismatic personalities: Carl Laemmle, the German Jewish founder of Universal Pictures, whose production of All Quiet on the Western Front (1930) enraged the nascent Nazi movement; Georg Gyssling, the Nazi consul in Los Angeles, who read the Hollywood trade press as avidly as any studio mogul; Vittorio Mussolini, son of the fascist dictator and aspiring motion picture impresario; Leni Riefenstahl, the Valkyrie goddess of the Third Reich who came to America to peddle distribution rights for Olympia (1938); screenwriters Donald Ogden Stewart and Dorothy Parker, founders of the Hollywood Anti-Nazi League; and Harry and Jack Warner of Warner Bros., who yoked anti-Nazism to patriotic Americanism and finally broke the embargo against anti-Nazi cinema with Confessions of a Nazi Spy (1939).

Author : Jason Lee
Publisher : Springer Nature
Page : 293 pages
File Size : 55,5 Mb
Release : 2024-01-13
Category : Social Science
ISBN : 9783031375309

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Culture, Madness and Wellbeing by Jason Lee Pdf

This book is a unique study of the historical, theoretical, and cultural interpretations of ‘madness’ including interviews with those who have experiences of ‘madness’. It takes a transdisciplinary approach, employing historical, psychological, and sociological perspectives through an intersectional lens. This work explains how the prioritization of thinking over feeling in Western thought means the transrational imagination has frequently been negated in tackling mental health with detrimental results. This book, therefore, examines creative media, especially film, as a transrational form of human expression for healing and wellbeing, along with television, theatre, social media, music, and computer games. ‘Madness’ with regards to gender, sexuality, adolescence, and class in media and film is interrogated, as well as ‘madness’ and race through a focus on colonialism, post-colonialism, and psychiatry. It analyses group psychosis, including celebrity culture, and the ‘madness’ of leaders and gurus. This book challenges the lasting influence of the Age of Reason by furthering our understanding of the value of transrationality and the diverse ways of being human.

Author : Malynnda Johnson,Christopher J. Olson
Publisher : Taylor & Francis
Page : 216 pages
File Size : 40,5 Mb
Release : 2021-04-20
Category : Social Science
ISBN : 9781000377354

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Normalizing Mental Illness and Neurodiversity in Entertainment Media by Malynnda Johnson,Christopher J. Olson Pdf

This volume examines the shift toward positive and more accurate portrayals of mental illness in entertainment media, asking where these succeed and considering where more needs to be done. With studies that identify and analyze the characters, viewpoints, and experiences of mental illness across film and television, it considers the messages conveyed about mental illness and reflects on how the different texts reflect, reinforce, or challenge sociocultural notions regarding mental illness. Presenting chapters that explore a range of texts from film and television, covering a variety of mental health conditions, including autism, post-traumatic stress disorder (PTSD), depression, and more, this book will appeal to scholars of sociology, cultural and media studies, and mental health.