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Huerta, a leading exponent of contemporary Chicano theater, has assembled six short, representative plays that not only share the common theme of survival but also have received successful staging. The playsÍ stylistic variety, from the Brechtian Guadalupe and La victima through the realistically domestic Soldierboy to the modern morality play Money, combined with useful introductions both to the collection as a whole and to each of the scripts, enhances the anthologyÍs value. Readers should be informed that some scenes are bilingual and some written entirely in Spanish. Recommended especially for libraries serving Hispanic communities.
An Introduction to Theater Strategy and Regional Security by Clarence J. Bouchat Pdf
Theater strategy and theater security cooperation are two of the most important tools available in attaining national security. They offer an effective means for geographic Combatant Commanders to engage other countries, deter aggression, or resolve crises. However, there is little current, concise, and comprehensive guidance on how they are planned and implemented. This paper explains what theater strategy is, its basis, how it is formulated, and how it is executed with emphasis on theater security cooperation. The author illustrates the role in national affairs of theater strategy and security cooperation through examples from a case study leading up to and during Operation Enduring Freedom in Afghanistan.
The World Theatre in Kearney, Nebraska, opened in 1927 and was welcomed by an excited public. Much more than just a movie house, it soon proved to be a social center, where people of all professions, ages, and income levels would frequently gather, because it was modern and new and there were considered few equally attractive alternatives. Some went because it was a sanctuary or where they earned a living, while others nurtured the seeds of attachments there or sought out temporary distractions such as bits of humor, drama, mystery, or adventure. For still more, it was an important venue for staying informed or even escaping the heat of the day. Slowly over time, the entertainment and economic landscapes in the country changed, affecting The World's profitability as well as others like it.
In the summer of 1960, director C. Douglas Ramey took his Carriage House Players theater company down the street from their Old Louisville venue to Central Park, where the actors performed scenes from the Shakespeare classic Much Ado about Nothing. Buoyed by the enthusiastic audience response, Ramey's company returned to the park the next year for the first full season of the Kentucky Shakespeare Festival. More than sixty years later, Kentucky Shakespeare is now the oldest free, non-ticketed Shakespeare in the Park festival in the country. To commemorate the sixtieth anniversary of the festival, in spring 2020 Kentucky Shakespeare cooperated with students in the University of Louisville's Department of History to record twenty entertaining and enlightening oral interviews with longtime members of the company. In Under the Greenwood Tree, author Tracy K'Meyer captures the history of Kentucky Shakespeare in a series of carefully selected and edited transcripts of these interviews. In these pages, past and present cast and crew share their memories of the company's history, performances in the park, and the positive impact of its many outreach programs, from its inception in the 1960s, to its slump in the early 2000s, and on to its recent renaissance. An illuminating record of the collaborative artistry that brings Shakespeare's works to life, Under the Greenwood Tree offers readers a peek behind the curtain at the group's steadfast stewardship of the most important literature in the English language.
Contemporary Latina/o Theater by Jon D. Rossini Pdf
In Contemporary Latina/o Theater, Jon D. Rossini explores the complex relationship between theater and the creation of ethnicity in an unprecedented examination of six Latina/o playwrights and their works: Miguel Piñero, Luis Valdez, Guillermo Reyes, Octavio Solis, José Rivera, and Cherríe Moraga. Rossini exposes how these writers use the genre as a tool to reveal and transform existing preconceptions about their culture. Through “wrighting”—the triplicate process of writing plays, righting misconceptions about ethnic identity, and creating an entirely new way of understanding Latina/o culture—these playwrights directly intervene in current conversations regarding ethnic identity, providing the tools for audiences to reexplore their previously held perspectives outside the theater. Examining these writers and their works in both cultural and historical contexts, Rossini reveals how playwrights use the liminal space of the stage—an area on the thresholds of both theory and reality—to “wright” new insights into Latina/o identity. They use the limits of the theater itself to offer practical explorations of issues that could otherwise be discussed only in highly theoretical terms. Rossini traces playwrights’ methods as they address some of the most challenging issues facing contemporary Latinas/os in America: from the struggles for ethnic solidarity and the dangers of a community based in fear, to stereotypes of Latino masculinity and the problematic fusion of ethnicity and politics. Rossini discusses the looming specter of the border in theater, both as a conceptual device and as a literal reality—a crucial subject for modern Latinas/os, given recent legislation and other actions. Throughout, the author draws intriguing comparisons to the cultural limbo in which many Latinas/os find themselves today. An indispensable volume for anyone interested in drama and ethnic studies, Contemporary Latina/o Theater underscores the power of theatricality in exploring and rethinking ethnicity. Rossini provides the most in-depth analysis of these plays to date, offering a groundbreaking look at the ability of playwrights to correct misconceptions and create fresh perspectives on diversity, culture, and identity in Latina/o America.
George C. Izenour,Professor George C Izenour,Vern Oliver Knudsen,Robert Bradford Newman
Author : George C. Izenour,Professor George C Izenour,Vern Oliver Knudsen,Robert Bradford Newman Publisher : Yale University Press Page : 697 pages File Size : 46,9 Mb Release : 1996-01-01 Category : Architecture ISBN : 9780300067750
Theater Design by George C. Izenour,Professor George C Izenour,Vern Oliver Knudsen,Robert Bradford Newman Pdf
This text is a comprehensive reference to all aspects of theatre planning and construction and a history of theatre design from ancient times to the present. Drawing on examples from Greek and Roman models to Renaissance and baroque theatres to contemporary buildings around the world, it discusses such requirements as structural systems, seating, acoustics and visual volume in detail, considering the optimum conditions for both musical and dramatic performance. This edition includes, as an appendix, a new set of drawings, in addition to the original 900 illustrations.
Author : United States. Department of the Army Publisher : Unknown Page : 154 pages File Size : 51,6 Mb Release : 1981 Category : Ammunition ISBN : SRLF:D0002376184
Brazilian Theater, 1970-2010 by Eva Paulino Bueno,Robson Corrêa de Camargo Pdf
How did Brazilian theater survive under the military dictatorship of 1964-1985? How did it change once the regime was over? This collection of new essays is the first to cover Brazilian theater during this period. Brazilian scholars and artists discuss the history of a theater community that not only resisted the regime but reinvented itself and continued to develop more sophisticated forms of expression even in the face of competition from television and other media. The contributors recount the struggle to stage meaningful plays at a time when some artists and intellectuals were exiled, others imprisoned, tortured or killed. With the return of democracy other important issues arose: how to ensure space for different practices and for regional theater, and how to continue producing international plays that could be meaningful for a Brazilian audience.
United States. Congress. House. Committee on Appropriations. Subcommittee on Department of the Interior and Related Agencies
Author : United States. Congress. House. Committee on Appropriations. Subcommittee on Department of the Interior and Related Agencies Publisher : Unknown Page : 1608 pages File Size : 50,8 Mb Release : 1990 Category : United States ISBN : UCAL:B4682267
Department of the Interior and Related Agencies Appropriations for 1991: Fish and Wildlife Service by United States. Congress. House. Committee on Appropriations. Subcommittee on Department of the Interior and Related Agencies Pdf
Hailed by the Times Literary Supplement as "daring and inspiring," Paul Woodruff's brilliant The Necessity of Theater makes the case for theater as a unique form of expression connected to our most human instincts. What is unique and essential about theater? What separates it from other arts? The art of theater, Woodruff argues, is as necessary--and as powerful--as language itself. Defining theater broadly, including sporting events and social rituals, he treats traditional theater as only one possibility in an art that--at its most powerful--can change lives and (as some peoples believe) bring a divine presence to earth. Woodruff sheds light on the unique power of theater by separating it into the twin arts of watching and being watched, practiced together in harmony by watchers and the watched. Whereas performers practice the art of being watched, audiences practice the art of watching: paying close attention. A good audience is emotionally engaged as spectators; their engagement takes a form of empathy that can lead to a special kind of human wisdom.
Author : James R. Hamilton Publisher : John Wiley & Sons Page : 243 pages File Size : 42,8 Mb Release : 2007-07-30 Category : Philosophy ISBN : 9781405113533
The Art of Theater argues for the recognition of theatrical performance as an art form independent of dramatic writing. Identifies the elements that make a performance a work of art Looks at the competing views of the text-performance relationships An important and original contribution to the aesthetics and philosophy of theater
All Theater Is Revolutionary Theater by Benjamin Bennett Pdf
All Theater Is Revolutionary Theater is the first book to consider why, in the Western tradition (and only in the Western tradition), theatrical drama is regarded as its own literary or poetic type, when the criteria needed to differentiate drama from other forms of writing do not resemble the criteria by which types of prose or verse are ordinarily distinguished. Through close readings of such playwrights as Beckett, Brecht, Büchner, Eliot, Shaw, Wedekind, and Robert Wilson, Benjamin Bennett looks at the relationship between literature and drama, identifying typical problems in the development of dramatic literature and exploring how the uncomfortable association with theatrical performance affects the operation of drama in literary history.Bennett's historical investigations into theoretical works ranging from Aristotle to Artaud, Brecht, and Diderot suggest that the attempt to include drama in the system of Western literature causes certain specific incongruities that, in his view, have the salutary effect of preserving the otherwise endangered possibility of a truly liberal, progressive, or revolutionary literature.