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New Directions for Clarinet by Phillip Rehfeldt Pdf
The purpose of this work has been to deal with clarinet performance as it has evolved in the literature since approximately 1950: to identify or "catalogue" the practices now prevalent which differ from those formerly standardized; to provide some perspective on specific performance capabilities and limitations; and, whenever appropriate, to include suggestions for performance based on the author's own experience. It is intended as a guidebook for composers as well as a manual to which clarinettists might refer in working out various problems associated with new music performance. --pref.
Making and Adjusting Single Reeds by Phillip Rehfeldt Pdf
Subjects include breaking-in cutting reeds from tubes, cane equipment, miscellaneous "ideas and suggestions," sources for cane and equipment, bibliography.
"...Fifth edition...contains a new chapter, Automated and cybernetic music, to cover very recent advances in computer-centered artificial intelligence and music. Another new chapter, The new conservatism, recounts attempts at returning to tonality and suggests a cyclic nature to the past thirty to fifty years in contemporary music..."--preface.
New Directions in Reference by Bryon D. Anderson Pdf
Design and deliver traditional reference services in new and innovative ways Librarians work in an environment of constant change created by new technology, budget restraints, inflationary costs, and rising user expectations. New Directions in Reference examines how they can use new and innovative methods to design and deliver traditional reference services in a wide range of settings. The book’s contributors relate first-hand experiences in libraries large and small, public and academic, and urban and rural dealing with a variety of changes, including virtual reference, music reference, self-service interlibrary loan, e-mail reference, and copyright law. Change isn’t new to libraries but the accelerated pace of change is. Traditional lines that have existed between library departments have been erased and traditional notions about general and specialized reference services have been reconsidered. New Directions in Reference documents how librarians are re-thinking their roles and responsibilities to keep pace with the ongoing process of evolution that borders on revolution. New Directions in Reference examines: the skills needed to manage and evaluate virtual reference services the basics of modern copyright law and the Digital Millennium Copyright Act (DMCA) the changes in users, sources, and modes of access in music reference services the use of interlibrary loan management software that allows patrons to request, track, and renew borrowed materials online the “Ask-A-Librarian” e-mail reference service the Government Printing Office and government information online and much more! New Directions in Reference also includes case studies involving the new Martin Luther King Jr. Library in San Jose, California, and the impact of Personal Digital Assistants (PDAs) in providing references services for medical libraries. This important book is an essential professional resource for public, academic, and special librarians, especially those providing reference services.
The full eBook version of Paul Harris: The Clarinet in fixed-layout format. Paul Harris: The Clarinet is the seminal guide to every facet of clarinet playing. In this comprehensive companion, acclaimed author Paul Harris shares his unique insights towards gaining mastery of the instrument, inspiring both students (from intermediate level) and professionals alike to develop an individual clarinet personality. In-depth, clear and universally relevant, The Clarinet is Paul Harris's complete philosophy of playing, equipping clarinettists with innovative ways to overcome the instrument's technical, musical and practical challenges and ultimately, enhance the enjoyment of their art. Chapter by chapter Harris reveals how each aspect of playing is interdependent, from posture and preparing to play to the science of sound production. Practical exercises target each area, covering breathing, embouchure, articulation and finger-work, and sit alongside a plethora of excerpts from the clarinet canon. An all-encompassing approach, Harris discloses his expert advice on stylistic performance through to instrument maintenance, supported by diagrams and illustrations. Including a unique map of clarinet dynasties, recordings and repertoire timings, The Clarinet leads the player on a path of limitless learning, from practice to performance. "This book is nothing short of essential reading for anyone learning the clarinet... when reading, you can easily imagine being in a lesson with a great teacher... This is the 'ultimate companion', and the level of detail matches this description." Paul Saunders, Music Teacher Magazine, July 2022
Guide to Playing Woodwind Instruments by Phillip Rehfeldt Pdf
Volumes 1 and 2 provide information sufficient for getting players to the "beginning professional level": embouchures, concepts of blowing, tone, fingerings reeds, practicing, performing; beginning methods for each instrument; samples from the orchestral repertory; college woodwind-class materials; Bach's complete Clavier Buchlein for woodwinds with analysis; and a means, for those who wish it, for certification.
Notes for Clarinetists: A Guide to the Repertoire offers important historical and analytical information about thirty-five of the best-known pieces written for the instrument. Numerous contextual and theoretical insights make it an essential resource for professional, amateur, and student clarinetists. With engaging prose supported by fact-filled analytical charts, the book offers rich biographical information and informative analyses to help clarinetists gain a more complete understanding of Three Pieces for Clarinet Solo by Igor Stravinsky, Aaron Copland's Concerto for Clarinet, String Orchestra, Harp, and Piano, Robert Schumann's Fantasy Pieces for Clarinet and Piano, Op. 73. and Time Pieces for Clarinet and Piano, Op. 43. by Robert Muczynski, among many others. With close attention to matters of context, style, and harmonic and formal analysis, Albert Rice explores a significant portion of the repertoire, and offers a faithful and comprehensive guide that includes works by Boulez, Brahms, and Mozart to Hindemith, Poulenc, and Stamitz. Rice includes biographical information on each composer and highlights history's impact on the creation and performance of important works for clarinet. Intended as a starting point for connecting performance studies with scholarship, Rice's analysis will help clarinetists gain a more complete picture of a given work. Its valuable insights make it essential to musicians preparing and presenting programs, and its detailed historical information about the work and composer will encourage readers to explore other works in a similarly analytical way. Covering concertos, chamber pieces, and works for solo clarinet, Rice presents Notes for Clarinetists as an indispensable handbook for students and professionals alike.
The Bohlen-Pierce Clarinet by Nora-Louise Müller Pdf
Abstract Repertoire in Bohlen-Pierce (BP) tuning has grown significantly since the debut of BP clarinets in 2008. Literature specifically dedicated to the BP clarinet, on the other hand, is still rare. Practice-led research conducted by the author provides useful materials about the BP soprano and tenor clarinets, such as contemporary playing techniques or acoustical conditions. The current state of repertoire is shown; exemplary analyses of compositions featuring one or more BP clarinets are given. A new BP specific notation is introduced; it has been developed from a practical point of view and has gained great acceptance among musicians performing in BP. Beside using BP as the (only) tuning system in compositions, it is also possible to combine BP with other scales to achieve effects of extended tonalities or rich microtonal structures. Multiphonics as a very popular phenomenon in contemporary woodwind music are highlighted, providing fingering charts and notational suggestions for both BP soprano and BP tenor clarinets. The theoretical idea of a BP third-tone scale (39div3) is transferred into practice by providing fingering charts and practical advice to performers and composers. I hope that this thesis can give inspiration and advice to those motivated to compose for and perform on BP clarinets, and that BP clarinets will gain the popularity they deserve in contemporary music performance. The BP clarinet and its growing repertoire may widen the range of expression of dedicated clarinet players.
Author : Mark C. Ely,Amy E. Van Deuren Publisher : Oxford University Press Page : 752 pages File Size : 50,5 Mb Release : 2009-08-20 Category : Music ISBN : 0199716323
Wind Talk for Woodwinds by Mark C. Ely,Amy E. Van Deuren Pdf
Wind Talk for Woodwinds provides instrumental music teachers, practitioners, and students with a handy, easy-to-use pedagogical resource for woodwind instruments found in school instrumental programs. With thorough coverage of the most common woodwind instruments - flute, oboe, clarinet, saxophone, and bassoon - the book offers the most topical and information necessary for effective teaching. This includes terminology, topics, and concepts associated with each specific instrument, along with teaching suggestions that can be applied in the classroom. Be sure to look to the back of the book for a "Practical Tips" section, which discusses common technical faults and corrections, common problems with sound (as well as their causes and solutions to them), fingering charts, literature lists (study materials, method books, and solos), as well as a list of additional resources relevant to teaching woodwind instruments (articles, websites, audio recordings). Without question, Wind Talk for Woodwinds stands alone as an invaluable resource for woodwinds!
The Teaching of Instrumental Music by Richard Colwell,Michael Hewitt,Mark Fonder Pdf
The Teaching of Instrumental Music, Fifth Edition introduces music education majors to basic instrumental pedagogy for the instruments and ensembles commonly found in the elementary and secondary curricula. It focuses on the core competencies required for teacher certification in instrumental music, with the pervasive philosophy to assist teachers as they develop an instrumental music program based on understanding and respecting all types of music. Parts I and II focus on essential issues for a successful instrumental program, presenting first the history and foundations, followed by effective strategies in administrative tasks and classroom teaching. Parts III, IV, and V are devoted to the skills and techniques of woodwind, brass and percussion, and string instruments. In all, The Teaching of Instrumental Music is the complete reference for the beginning instrumental teacher, commonly retained in a student’s professional library for its unique and comprehensive coverage. NEW TO THIS EDITION: Revision and updating of curriculum developments, such as coordinating State Department of Education student learning objectives with the recent Every Student Succeeds Act (ESSA) New discussion of the NAfME National Standards as they relate to the teaching of instrumental music Revamping of rehearsing instrumental ensembles chapters, including new or expanded sections on programming, choosing quality music, and applying successful rehearsal techniques Updates on references, plus new discussion questions, and websites and internet links A chapter devoted to classroom guitar Updates on the use of technology for teaching and learning music More on healthy performance practice, marching band, and jazz band Online materials located in the eResources section on the Routledge website.
The clarinet has a long and rich history as a solo, orchestral, and chamber musical instrument. In this broad-ranging account Eric Hoeprich, a performer, teacher, and expert on historical clarinets, explores its development, repertoire, and performance history. Looking at the antecedents of the clarinet, as well as such related instruments as the chalumeau, basset horn, alto clarinet, and bass clarinet, Hoeprich explains the use and development of the instrument in the Baroque age. The period from the late 1700s to Beethoven's early years is shown to have fostered ever wider distribution and use of the instrument, and a repertoire of increasing richness. The first half of the nineteenth century, a golden age for the clarinet, brought innovation in construction and great virtuosity in performance, while the following century and a half produced a surge in new works from many composers. The author also devotes a chapter to the role of the clarinet in bands, folk music, and jazz.
A Dictionary for the Modern Clarinetist by Jane Ellsworth Pdf
Titles in Dictionaries for the Modern Musician series offer both the novice and the advanced artist key information designed to convey the field of study and performance for a major instrument or instrument class, as well as the workings of musicians in areas from conducting to composing. Unlike other encyclopedic works, contributions to this series focus primarily on the knowledge required by the contemporary musical student or performer. Each dictionary covers topics from instrument parts to playing technique and major works to key figures. A must-have for any musician’s personal library! The clarinet has played an important role in all kinds of music, ranging from classical to jazz to the traditional music of varying ethnicities and traditions. A beloved band instrument to thousands of school children, the clarinet is also capable of capturing some of the most sublime musical moments in the hands of professional artists. It has found a home in any number of venues, from the great symphonic concert halls to local jazz clubs, from the streets of New Orleans to the film studios of Hollywood. In A Dictionary for the Modern Clarinet, scholar and musician Jane Ellsworth offers lovers of the clarinet the premiere reference book for information about this remarkable instrument. Containing over 400 terms, Ellsworth covers the clarinet's history (including both modern and historical instruments, common and rare), acoustics, construction, fingering systems and mechanisms, and techniques, as well as its more important performers, makers, and scholars. A Dictionary for the Modern Clarinetist will delight clarinet aficionados at all levels. For knowledgeable professionals it will serve as a quick and handy reference guide, useful in the high school or college library and the home teaching studio alike; students and amateurs will find it accessible and full of fascinating information about the world of the clarinet.
Materials and Techniques of Post Tonal Music by Stefan Kostka Pdf
This text provides the most comprehensive analytical approach to post-tonal music available, from Impressionism to recent trends. It covers music from the early 1900s through the present day, with discussion of such movements as Minimalism and the Neoromanticism, and includes chapters on rhythm, form, electronic and computer music, and the roles of chance and choice in post-tonal music. Chapter-end exercises involve drills, analysis, composition, as well as several listening assignments.
