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New Essays in Japanese Aesthetics by A. Minh Nguyen Pdf
This collection begins with an engaging historical overview of Japanese aesthetics and offers contemporary multidisciplinary and interdisciplinary perspectives on the artistic and aesthetic traditions of Japan and the central themes in Japanese art and aesthetics.
New Essays in Japanese Aesthetics by Minh Nguyen Pdf
This collection begins with an engaging historical overview of Japanese aesthetics and offers contemporary multidisciplinary and interdisciplinary perspectives on the artistic and aesthetic traditions of Japan and the central themes in Japanese art and aesthetics.
Essays on Japan is a compilation of Professor Michael F. Marra’s essays written in the past ten years on the topics of Japanese literature, Japanese aesthetics, and the space between the two subjects.
Author : Michael F. Marra Publisher : University of Hawaii Press Page : 424 pages File Size : 43,8 Mb Release : 2001-02-01 Category : Philosophy ISBN : 0824823990
A History of Modern Japanese Aesthetics by Michael F. Marra Pdf
This collection of essays constitutes the first history of modern Japanese aesthetics in any language. It introduces readers through lucid and readable translations to works on the philosophy of art written by major Japanese thinkers from the late nineteenth century to the present. Selected from a variety of sources (monographs, journals, catalogues), the essays cover topics related to the study of beauty in art and nature. The translations are organized into four parts. The first, "The Introduction of Aesthetics," traces the formation of notions of "beauty," "culture," and "art" in Japan. It includes discussion of the creation of the museum in Japan and the frenetic efforts of Nishi Amane, Okakura Tenshin, Ernest Fenollosa, and Mori Ogai to introduce German, British, and French aesthetic thought to the Japanese. This is followed by three sections that examine the transformation of the aesthetic field into an academic discipline that flourished at three major Japanese universities. "Aesthetics at Waseda University" begins with an essay on the spiritualism and idealism of Onishi Hajime and continues with essays on the impact of German Lebensphilosophie ("philosophy of life") on Shimamura Hogetsu and Takayama Chogyu, and work by the major Waseda aesthetician of the twentieth century, Aizu Yaichi. Thinkers of the Tokyo School adopted a "scientific" method in the study of art theory. Part 3, "Aesthetics at the University of Tokyo," focuses on the ideas of Otsuka Yasuji (holder of the world’s first Chair of Aesthetics), Onishi Yoshinori, Watsuji Tetsuro, Abe Jiro, Takeuchi Toshio, and Imamichi Tomonobu. The section concludes with a look at the contemporary philosopher Sakabe Megumi. The last section, "Aesthetics at the University of Kyoto," includes essays on Nakagawa Shigeki and Fukada Yasukazu, pioneers in the field of aesthetics, and on the philosophy of art of the "Kyoto School," which was deeply inspired by the thought of Nishida Kitaro. Finally the work of Kuki Shuzo, an influential teacher of Western philosophy at the University of Kyoto, is examined. A History of Modern Japanese Aesthetics is a companion volume to Modern Japanese Aesthetics: A Reader (UH Press, 1999).
Japanese Aesthetics and Culture by Nancy G. Hume Pdf
"Some of the essays provide a general introduction to the basic theories of Japanese aesthetics, others deal with poetry and theater, and a third group discusses cultural phenomena directly related to classic Japanese literature.
In Praise of Shadows by Jun'ichirō Tanizaki,Junichiro Tanizaki Pdf
"In Praise of Shadows" (陰翳礼讃, "In'ei Raisan" in Japanese) is an essay written by the renowned Japanese author Jun'ichirō Tanizaki. It was first published in 1933. The essay explores Tanizaki's aesthetic philosophy, particularly his appreciation for traditional Japanese culture and the beauty of shadows, darkness, and subtlety. Tanizaki reflects on the contrast between Western and Japanese aesthetics, emphasizing the preference for darkness and shadows in traditional Japanese architecture, interior design, and cultural practices. He celebrates the aesthetic qualities of dimly lit spaces, muted colors, and natural materials, arguing that they evoke a sense of mystery, depth, and tranquility that is lacking in the bright, artificial illumination favored in the West. Throughout the essay, Tanizaki discusses various aspects of Japanese culture, such as the tea ceremony, lacquerware, architecture, and literature, to illustrate his points about the beauty of shadows and the importance of preserving traditional craftsmanship and sensibilities in the face of modernization. "In Praise of Shadows" is not only a meditation on aesthetics but also a reflection on the cultural identity and values of Japan. It has been widely praised for its eloquent prose, thought-provoking ideas, and insightful observations about the interplay between light and shadow in shaping human perception and experience. The essay continues to be studied and admired for its enduring relevance and its exploration of the timeless qualities of beauty and elegance.
Presents a theory of art which is at once universal in its general conception and historically-grounded in its attention to aesthetic practices in diverse cultures. Argues that art, especially today, enjoys a special kind of autonomy but that it has, nevertheless, important social and political responsibilities.
This book might as well have been entitled in a more general way "Semantics of the Qur'an" but for the fact the main part of the present study is almost extensively concerned with the problem of the personal relation between God and man in the Qur'anic worldview. Coming from the pen of the first serious Asian scholar and a Japanese, this book is now available in a new improved edition.
The Buddhist priest Kenko clung to tradition, Buddhism, and the pleasures of solitude, and the themes he treats in his "Essays, " written sometime between 1330 and 1332, are all suffused with an unspoken acceptance of Buddhist beliefs.
The Aesthetics of Japanese Fascism by Alan Tansman Pdf
In this wide-ranging study of Japanese cultural expression, Alan Tansman reveals how a particular, often seemingly innocent aesthetic sensibility—present in novels, essays, popular songs, film, and political writings—helped create an "aesthetic of fascism" in the years leading up to World War II. Evoking beautiful moments of violence, both real and imagined, these works did not lead to fascism in any instrumental sense. Yet, Tansman suggests, they expressed and inspired spiritual longings quenchable only through acts in the real world. Tansman traces this lineage of aesthetic fascism from its beginnings in the 1920s through its flowering in the 1930s to its afterlife in postwar Japan.
John T. Carpenter,Metropolitan Museum of Art (New York, N.Y.)
Author : John T. Carpenter,Metropolitan Museum of Art (New York, N.Y.) Publisher : Metropolitan Museum of Art Page : 218 pages File Size : 43,6 Mb Release : 2012 Category : Art, Japanese ISBN : 9781588394712
Author : Michael F. Marra Publisher : University of Hawaii Press Page : 266 pages File Size : 44,5 Mb Release : 2002-02-28 Category : Philosophy ISBN : 9780824863104
Japanese Hermeneutics provides a forum for the most current international debates on the role played by interpretative models in the articulation of cultural discourses on Japan. It presents the thinking of esteemed Western philosophers, aestheticians, and art and literary historians, and introduces to English-reading audiences some of Japan's most distinguished scholars, whose work has received limited or no exposure in the United States. In the first part, "Hermeneutics and Japan," contributors examine the difficulties inherent in articulating "otherness" without falling into the trap of essentialization and while relying on Western epistemology for explanation and interpretation. In the second part, "Japan's Aesthetic Hermeneutics," they explore the role of aesthetics in shaping discourses on art and nature in Japan. The essays in the final section of the book, "Japan's Literary Hermeneutics," rethink the notion of "Japanese literature" in light of recent findings on the ideological implications of canon formations and transformations within Japan's prominent literary circles. Contributors: Amagasaki Akira, Haga Toru, Hamashita Masahiro, Inaga Shigemi, Kambayashi Tsunemichi, Thomas LaMarre, John C. Maraldo, Michael F. Marra, Mark Meli, Ohashi Ryosuke, Otabe Tanehisa, Graham Parkes, J. Thomas Rimer, Sasaki Ken'ichi, Haruo Shirane, Suzuki Sadami, Stefan Tanaka, Gianni Vattimo.
Author : Melissa M. Rinne,Laura W. Allen,Emily J. Sano Publisher : Asian Art Museum Page : 0 pages File Size : 40,6 Mb Release : 2013-07-09 Category : Art ISBN : 0939117614
In the Moment by Melissa M. Rinne,Laura W. Allen,Emily J. Sano Pdf
Filled with over 100 vivid works of art and insightful essays, In the Moment is an extensive work, featuring several Japanese art forms and crafts. Inspired by an early love of Japanese aesthetics, tech entrepreneur and avid art collector Larry Ellison has assembled an impressive collection of Japanese art spanning some eleven hundred years of history. The current selection, which introduces the collection to the public for the first time, is organized into four areas: sculpture, painting, lacquer, and metalwork. Highlights include a remarkable wood figure of Shotoku Taishi at age two, dating to the late 1200s or early 1300s; painted screens showcasing the use of classical Japanese and Chinese themes by Kano school artists in the late 1500s and early 1600s; and whimsical paintings of animals by innovative masters active in Kyoto in the 1700s. The catalogue also features lacquers representing the Rinpa and Ritsuo traditions of craftsmanship and design; examples of the Japanese armor maker's art; and bronze vases and objects from the Meiji (1868–1912) and Taisho periods (1912–1926).
