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The tradition of British realism has changed dramatically over the last 20 years, where films by directors such as Duane Hopkins, Joanna Hogg, Andrea Arnold, Shane Meadows and Clio Barnard have suggested a markedly poetic turn. This new realism rejects the instrumentalism and didacticism of filmmakers like Ken Loach in favour of lyrical and often ambiguous encounters with place, where the physical processes of lived experience interacts with the rhythms of everyday life. Taking these 5 filmmakers as case studies, this book seeks to explore in depth this new tradition of British cinema - and in the process, it reignites debates over realism that have concerned scholars for decades.
United States. Congress. House. Committee on International Relations. Subcommittee on Asian and Pacific Affairs,United States. Congress. House. Committee on International Relations
Author : United States. Congress. House. Committee on International Relations. Subcommittee on Asian and Pacific Affairs,United States. Congress. House. Committee on International Relations Publisher : Unknown Page : 150 pages File Size : 55,7 Mb Release : 1978 Category : China ISBN : STANFORD:36105043636138
A New Realism by United States. Congress. House. Committee on International Relations. Subcommittee on Asian and Pacific Affairs,United States. Congress. House. Committee on International Relations Pdf
Introduction to New Realism by Maurizio Ferraris Pdf
Introduction to New Realism provides an overview of the movement of contemporary thought named New Realism, by its creator and most celebrated practitioner, Maurizio Ferraris. Sharing significant concerns and features with Speculative Realism and Object Oriented Ontology, New Realism can be said to be one of the most prescient philosophical positions today. Its desire to overcome the postmodern antirealism of Kantian origin, and to reassert the importance of truth and objectivity in the name of a new Enlightenment, has had an enormous resonance both in Europe and in the US. Introduction to New Realism is the first volume dedicated to exposing this continental movement to an anglophone audience. Featuring a foreword by the eminent contemporary philosopher and leading exponent of Speculative Realism, Iain Hamilton Grant, the book begins by tracing the genesis of New Realism, and outlining its central theoretical tenets, before opening onto three distinct sections. The first, 'Negativity', is a critique of the postmodern idea that the world is constructed by our conceptual schemas, all the more so as we have entered the age of digitality and virtuality. The second thesis, 'positivity', proposes the fundamental ontological assertion of New Realism, namely that not only are there parts of reality that are independent of thought, but these parts are also able to act causally over thought and the human world. The third thesis, 'normativity,' applies New Realism to the sphere of the social world. Finally, an afterword written by two young scholars explains in more detail the relationship between New Realism and other forms of contemporary realism.
Author : David Ernest Apter,Carl Gustav Rosberg Publisher : University of Virginia Press Page : 356 pages File Size : 46,9 Mb Release : 1994 Category : Political Science ISBN : 0813914795
Political Development and the New Realism in Sub-Saharan Africa by David Ernest Apter,Carl Gustav Rosberg Pdf
Since the 1950s David Apter and Carl Rosenberg have been among the leading American scholars in African Studies. In this volume they, along with other major specialists in the field, explore the new configurations of African politics. With tentative efforts at a revival of democracy now taking place, it seems appropriate to reasses the theoretical debates ad empirical themes that have characterized postwar Sub-Saharan African politics. Focusing on "new realism" that has emerged among Africanists since the dismantling of colonial rule, the essays are presented as a corrective both to the initial euphoria informing African studies and to the later tendency to place blame for all Africa's political and economic difficulties on the receding specter of colonial oppression.
New Realism in Alice Munro’s Fiction by Li-Ping Geng Pdf
The book studies Alice Munro’s inheritance of and contribution to realism in fiction. Nobel Prize winner Munro follows the empirical tradition of the Enlightenment and draws on her life as a daughter, wife, mother, and professional writer while composing her fiction to reflect Canadian reality. She infuses her intellectual, moral, and aesthetic vision into her stories. This study analyzes her innovative realism in three respects: Her views on feminism and women’s issues, her firm yet sympathetic moral stance, and her reconstitution of traditional and modernist (post-modernist) methods of portraying character in time and space. Munro’s brand of realism is underpinned by her philosophical perception, her level-headed morality, her dialectical mind, and her versatile narrative style. This monograph, a voice from China, offers a deep philosophical reading of Munro. Students of the Canadian author, graduate or undergraduate, may find this book useful.
Realism, Form, and Representation in the Edwardian Novel by Charlotte Jones Pdf
The real represents to my perception the things that we cannot possibly not know, sooner or later, in one way or another', wrote Henry James in 1907. This description, riven with double negatives, hesitation, and uncertainty, encapsulates the epistemological difficulties of realism, for underlying its narrative and descriptive apparatus as an aesthetic mode lies a philosophical quandary. What grounds the 'real' of the realist novel? What kind of perception is required to validate the experience of reality? How does the realist novel represent the difficulty of knowing? What comes to the fore in James's account, as in so many, is how the forms of realism are constituted by a relation to unknowing, absence, and ineffability. Realism, Form, and Representation in the Edwardian Novel recovers a neglected literary history centred on the intricate relationship between fictional representation and philosophical commitment. It asks how—or if—we can conceptualize realist novels when the objects of their representational intentions are realities that might exist beyond what is empirically verifiable by sense data or analytically verifiable by logic, and are thus irreducible to conceptual schemes or linguistic practices—a formulation Charlotte Jones refers to as 'synthetic realism'. In new readings of Edwardian novels including Conrad's Nostromo and The Secret Agent, Wells's Tono-Bungay, and Ford's The Good Soldier, this volume revises and reconsiders key elements of realist novel theory—metaphor and metonymy; character interiority; the insignificant detail; omniscient narration and free indirect discourse; causal linearity—to uncover the representational strategies by which realist writers grapple with the recalcitrance of reality as a referential anchor, and seek to give form to the force, opacity, and uncertain scope of realities that may lie beyond the material. In restoring a metaphysical dimension to the realist novel's imaginary, Realism, Form, and Representation in the Edwardian Novel offers a new conceptualization of realism both within early twentieth-century literary culture and as a transhistorical mode of representation.
Realism in Political Theory by Rahul Sagar,Andrew Sabl Pdf
Over the past decade, an intellectual movement known as "realism" has challenged the reigning orthodoxy in political theory and political philosophy. Realists take issue with what they see as the excessive moralism and utopianism associated with prominent philosophers like John Rawls, Ronald Dworkin, and G.A. Cohen; but what they would put in its place has not always been clear. The contributors to this volume seek to bring realism into a new phase, constructive rather than merely combative. To this end they examine three distinct kinds of realism. The first seeks to place questions of feasibility at the center of political theory and philosophy; the second seeks to reorient our interpretations of key works in the canon; the third seeks new interpretations or specifications of prominent ideologies such as liberalism, radicalism, and republicanism such that they no longer rely on abstract or systematic philosophic systems. Contributors include: David Estlund, Edward Hall, Alison McQueen, Terry Nardin, Philip Pettit, Janosch Prinz, Enzo Rossi, Andrew Sabl, Rahul Sagar, and Matt Sleat. The chapters originally published as a special issue of Critical Review of International Social and Political Philosophy.
Verbatim theatre, a type of performance based on actual words spoken by ''real people'', has been at the heart of a remarkable and unexpected renaissance of the genre in Great Britain since the mid-nineties. The central aim of the book is to critically explore and account for the relationship between contemporary British verbatim theatre and realism whilst questioning the much-debated mediation of the real in theses theatre practices.
Combining conceptual rigour and clarity of prose with historical erudition, this book shows how one of the standard issues of analytic philosophy, realism and anti-realism, has also been at the heart of continental philosophy.
Author : John Alexander Gunn Publisher : London : G. Allen & Unwin Page : 478 pages File Size : 52,6 Mb Release : 1929 Category : Space and time ISBN : UOM:39015011300053
British Social Realism in the Arts since 1940 by D. Tucker Pdf
This is the first book of its kind to look across disciplines at this vital aspect of British art, literature and culture. It brings the various intertwined histories of social realism into historical perspective, and argues that this sometimes marginalized genre is still an important reference point for creativity in Britain.
