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A first-person account by a founding member of Blondie recounts his witness to the birth of punk music, chronicling the transition of musical styles between the 1960s and 1980s while describing the contributions of such figures as Lou Reed, Iggy Pop, and David Bowie. Original.
Author : Tim Lawrence Publisher : Duke University Press Page : 600 pages File Size : 45,6 Mb Release : 2016-09-09 Category : Music ISBN : 9780822373926
Life and Death on the New York Dance Floor, 1980–1983 by Tim Lawrence Pdf
As the 1970s gave way to the 80s, New York's party scene entered a ferociously inventive period characterized by its creativity, intensity, and hybridity. Life and Death on the New York Dance Floor chronicles this tumultuous time, charting the sonic and social eruptions that took place in the city’s subterranean party venues as well as the way they cultivated breakthrough movements in art, performance, video, and film. Interviewing DJs, party hosts, producers, musicians, artists, and dancers, Tim Lawrence illustrates how the relatively discrete post-disco, post-punk, and hip hop scenes became marked by their level of plurality, interaction, and convergence. He also explains how the shifting urban landscape of New York supported the cultural renaissance before gentrification, Reaganomics, corporate intrusion, and the spread of AIDS brought this gritty and protean time and place in American culture to a troubled denouement.
Author : Bernard Gendron Publisher : University of Chicago Press Page : 408 pages File Size : 49,6 Mb Release : 2002-04-08 Category : Music ISBN : 0226287351
Between Montmartre and the Mudd Club by Bernard Gendron Pdf
When and how did pop music earn so much cultural capital? This text investigates five key moments when popular music and avant-garde art transgressed the rigid boundaries separating high and low culture to form friendly alliances.
As a city that represents endless possibilities, New York has been the setting for the dawning of new movements, styles, and genres. In the 20th century, the birth of Rock represented a connection between art forms and the city’s socioeconomic, racial, and sexual variants. New York Rock breaks down the rock scene’s half-century connection to New York and analyzes its distinct subculture through the prism of influences, crosscurrents and psychoactive distractions. Over 1,500 musicians, clubs, and labels, from Madonna to the Ramones, held roles in the making of New York Rock, and it’s their contributions that created this iconic art form. A compilation of firsthand narratives about each genre of rock, from Punk New Wave and Glitter Rock to New York Hardcore and Indie rock, New York Rock is the ultimate illustrated account of Rock’s role in New York City.
In the summer of 1978, the B-52's conquered the New York underground. A year later, the band's self-titled debut album burst onto the Billboard charts, capturing the imagination of fans and music critics worldwide. The fact that the group had formed in the sleepy southern college town of Athens, Georgia, only increased the fascination. Soon, more Athens bands followed the B-52's into the vanguard of the new American music that would come to be known as "alternative," including R.E.M., who catapulted over the course of the 1980s to the top of the musical mainstream. As acts like the B-52's, R.E.M., and Pylon drew the eyes of New York tastemakers southward, they discovered in Athens an unexpected mecca of music, experimental art, DIY spirit, and progressive politics--a creative underground as vibrant as any to be found in the country's major cities. In Athens in the eighties, if you were young and willing to live without much money, anything seemed possible. Cool Town reveals the passion, vitality, and enduring significance of a bohemian scene that became a model for others to follow. Grace Elizabeth Hale experienced the Athens scene as a student, small-business owner, and band member. Blending personal recollection with a historian's eye, she reconstructs the networks of bands, artists, and friends that drew on the things at hand to make a new art of the possible, transforming American culture along the way. In a story full of music and brimming with hope, Hale shows how an unlikely cast of characters in an unlikely place made a surprising and beautiful new world.
During the 1990s, as New York was transformed from a crumbling city into a vibrant metropolis, the New York Mets were anything but vibrant. Beginning in 1999, the team waged a battle to recapture the hearts of New York baseball fans from their crosstown rivals, and they came closer to succeeding than anyone dared dream. At the same time, mayor Rudy Giuliani—architect of this new New York and those rivals’ biggest cheerleader—was engaged in his own battles to win a Senate seat and to save his sagging legacy as savior of the city. Yells For Ourselves chronicles the 1999 and 2000 seasons of the New York Mets, and explores how local and national politics were interwoven with the obsessions of a baseball-mad city. It paints a picture of this forgotten time in the history of baseball and New York, when new ballparks, rapid expansion, and “enhanced training methods” caused a home run explosion; when rising free agent salaries separated teams into the Haves and Have Nots; and when a politico’s answer to the question Mets or Yankees? could make global headlines. Above all, Yells For Ourselves captures what happened when an underdog struggled to find an identity in a city with no room left for lovable losers.
Rock and Roll Explorer Guide to New York City by Mike Katz,Crispin Kott Pdf
From the churches and street corners of Harlem and The Bronx to the underground clubs of the East Village, New York City has been a musical mecca for generations, and Rock & Roll Explorer Guide to New York City is the definitive story of its development throughout the five boroughs. Plug in and walk the same streets a young Bob Dylan walked. See where Patti Smith, the Ramones, Beastie Boys, and Jeff Buckley played. Visit on foot the places Lou Reed mentions in his songs or where Paul Simon grew up; where the Strokes drowned their sorrows, Grizzly Bear cut their teeth and Jimi Hendrix found his vision. Rock and Roll Explorer Guide gives fans a behind-the-scenes look at how bands came together, scenes developed, and classic songs were written. Artists come and go, neighborhoods change, venues open and close, but the music lives on. Contents Upper Manhattan and Harlem Upper West Side The Velvet Underground Upper East Side The Beatles John & Yoko Central Park Patti Smith Midtown West Beastie Boys Midtown East Madonna Chelsea & Hudson Yards Jimi Hendrix & Electric Lady Union Square & Madison Square New York Dolls West Village Bob Dylan East Village Blondie Soho & TriBeCa Sonic Youth Lower East Side The Strokes Brooklyn Talking Heads Queens Ramones Simon & Garfunkel The Bronx Kiss Staten Island Rock & roll may not have been born in New York, but this is one of the places it grew up and blew up and presented itself to the world. From the churches and street corners of Harlem and the Bronx to the underground clubs of the East Village, New York City has been a musical Mecca for generations, and The Rock & Roll Explorer Guide to New York City is an historical journey through its development across all five boroughs. The Rock & Roll Explorer Guide to New York City restores a sense of time and place to music history by identifying and documenting critical points of interest spanning genres and eras, and delineating the places in New York City critical to its musical development and ultimate triumphs and tragedies. Through this lens, we can see and understand how bands came together, scenes developed, and classic songs were written. In some cases, the buildings are still there, in others only the address remains, but you still get a sense of the history that happened there. Among the many locations in this book are addresses musicians and other key rock & roll figures once called home. In a very few instances we’ve included current addresses, but only when the location is historically significant and widely known; otherwise, we consciously left current residences out. The Rock & Roll Explorer Guide to New York City is intended as a fun travel guide through music history rather than a means of locating famous musicians. Most New Yorkers understand that everyone has a right to privacy. That’s one of the reasons many of these artists live here. Because of the city’s rich history, this book cannot be a comprehensive encyclopedia of music, rock venues, or the music industry; nor do we present the definitive biographies of the musicians included. The artists and locations chosen represent a sometimes broad look at the history of rock & roll in the city, with an eye on those who either grew up or spent their formative years here. But there’s so much more we couldn’t include, and we hope readers will be inspired to go even further, whether they’re hitting the streets themselves or experiencing the city vicariously from afar. Artists come and go, neighborhoods change, venues open and close, but the music lives on.
From the award-winning author of Waiting and War Trash: an urgent, timely novel that follows an aspiring author, an outrageous book idea, and a lone journalist's dogged quest for truth in the Internet age. New York, 2005. Chinese expatriate Feng Danlin is a fiercely principled reporter at a small news agency that produces a website read by the Chinese diaspora around the world. Danlin's explosive exposés have made him legendary among readers--and feared by Communist officials. But his newest assignment may be his undoing: investigating his ex-wife, Yan Haili, an unscrupulous novelist who has willingly become a pawn of the Chinese government in order to realize her dreams of literary stardom. Haili's scheme infuriates Danlin both morally and personally--he will do whatever it takes to expose her as a fraud. But in outing Haili, he is also provoking her powerful political allies, and he will need to draw on all of his journalistic cunning to emerge from this investigation with his career--and his life--still intact. A brilliant, darkly funny story of corruption, integrity, and the power of the pen, The Boat Rocker is a tour de force of modern fiction.
The Bohemian South by Shawn Chandler Bingham,Lindsey A. Freeman Pdf
From the southern influence on nineteenth-century New York to the musical legacy of late-twentieth-century Athens, Georgia, to the cutting-edge cuisines of twenty-first-century Asheville, North Carolina, the bohemian South has long contested traditional views of the region. Yet, even as the fruits of this creative South have famously been celebrated, exported, and expropriated, the region long was labeled a cultural backwater. This timely and illuminating collection uses bohemia as a novel lens for reconsidering more traditional views of the South. Exploring wide-ranging locales, such as Athens, Austin, Black Mountain College, Knoxville, Memphis, New Orleans, and North Carolina's Research Triangle, each essay challenges popular interpretations of the South, while highlighting important bohemian sub- and countercultures. The Bohemian South provides an important perspective in the New South as an epicenter for progress, innovation, and experimentation. Contributors include Scott Barretta, Shawn Chandler Bingham, Jaime Cantrell, Jon Horne Carter, Alex Sayf Cummings, Lindsey A. Freeman, Grace E. Hale, Joanna Levin, Joshua Long, Daniel S. Margolies, Chris Offutt, Zandria F. Robinson, Allen Shelton, Daniel Cross Turner, Zackary Vernon, and Edward Whitley.
(Book). Here is the story of an often overlooked, one-of-a-kind rock 'n' roll musician and the historic times he lived in. In spite of numerous opportunities for success, he became a tragedy. Jerry Nolan came out of New York in the 1970s as part of two of the most influential and infamous bands of the time, the proto-punk New York Dolls and Johnny Thunders' Heartbreakers. Jerry had what it took to be a star, but his battles with heroin continually stymied his career and ultimately ended his life. Despite this, he is remembered as a cross between a Martin Scorsese film character and jazz legend Gene Krupa: a stylish, urban, wisecracking, trendsetting raconteur, who was also a powerhouse drummer. Stranded in the Jungle: Jerry Nolan's Wild Ride A Tale of Drugs, Fashion, the New York Dolls, and Punk Rock tells Jerry's story through extensive research and interviews with those closest to him: bandmates, friends, lovers, and family members, including new interviews with members of Rock and Roll Hall of Fame bands the Sex Pistols, the Ramones, Talking Heads, and Blondie. It gives firsthand accounts of not only Jerry's life and struggles but the earliest history of punk rock in both New York and London, highlighting his notorious and incendiary musical partner, Johnny Thunders.
Iconic and never-before-seen images of punk and post-punk’s quintessential bands In the late 70s, punk rock music began to evolve into the post-punk and new wave movements that dominated until the early 90s. During this time, prolific photographer and filmmaker Michael Grecco was in the thick of things, documenting the club scene in places like Boston and New York, and getting shots on- and backstage with bands such as The Cramps, Dead Kennedys, Talking Heads, Human Sexual Response, Elvis Costello, Joan Jett, the Ramones, and many others. Grecco captured in black and white and color the raw energy, sweat, and antics that characterized the alternative music of the time. Punk, Post Punk, New Wave: Onstage, Backstage, In Your Face, 1978–1991 features stunning, never-before-seen photography from this iconic period in music. In addition to concert photography, he also shot album covers and promotional pieces that round out this impressively extensive photo collection. Featuring a foreword from Fred Schneider of the B-52’s, Punk, Post Punk, New Wave is a quintessential piece of music history for anyone looking for backstage access into the careers of punk and post punk’s most beloved bands.
Music of the bars and clubs of Austin, Texas has long been recognized as defining one of a dozen or more musical "scenes" across the country. In Dissonant Identities, Barry Shank, himself a musician who played and lived in the Texas capital, studies the history of its popular music, its cultural and economic context, and also the broader ramifications of that music as a signifying practice capable of transforming identities. While his focus is primarily on progressive country and rock, Shank also writes about traditional country, blues, rock, disco, ethnic, and folk musics. Using empirical detail and an expansive theoretical framework, he shows how Austin became the site for "a productive contestation between two forces: the fierce desire to remake oneself through musical practice, and the equally powerful struggle to affirm the value of that practice in the complexly structured late-capitalist marketplace."
A vivid, dramatic account of how half a dozen kinds of modern music--punk rock, art rock, disco, salsa, rap, minimalist classical--emerged in new forms and cross-pollinated all at once in the middle seventies in NYC. Punk rock and hip-hop. Disco and salsa. The loft jazz scene and the downtown composers known as Minimalists. In the mid-1970s, New York City was a laboratory where all the major styles of modern music were reinvented—block by block, by musicians who knew, admired, and borrowed from one another. Crime was everywhere, the government was broke, and the infrastructure was collapsing. But rent was cheap, and the possibilities for musical exploration were limitless. Will Hermes's Love Goes to Buildings on Fire is the first book to tell the full story of the era's music scenes and the phenomenal and surprising ways they intersected. From New Year's Day 1973 to New Year's Eve 1977, the book moves panoramically from post-Dylan Greenwich Village, to the arson-scarred South Bronx barrios where salsa and hip-hop were created, to the lower Manhattan lofts where jazz and classical music were reimagined, to ramshackle clubs like CBGB and the Gallery, where rock and dance music were hot-wired for a new generation.