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Ngugi's Novels And African History by James Ogude Pdf
Ngugi wa Thiong’o is one of Africa’s most controversial and renowned literary figures. This comprehensive study explores the relationship between history and narrative in his novels.
Something Torn and New by Ngugi wa Thiong'o,Ngugi Thiong'o Pdf
Novelist Ngugi wa Thiong’o has been a force in African literature for decades: Since the 1970s, when he gave up the English language to commit himself to writing in African languages, his foremost concern has been the critical importance of language to culture. In Something Torn and New, Ngugi explores Africa’s historical, economic, and cultural fragmentation by slavery, colonialism, and globalization. Throughout this tragic history, a constant and irrepressible force was Europhonism: the replacement of native names, languages, and identities with European ones. The result was the dismemberment of African memory. Seeking to remember language in order to revitalize it, Ngugi’s quest is for wholeness. Wide-ranging, erudite, and hopeful, Something Torn and New is a cri de coeur to save Africa’s cultural future.
The World of Ngūgī Wa Thiong'o by Charles Cantalupo Pdf
Inspired by the work of Ngugi wa Thiong'o, this collection of twelve essays and two interviews surveys the wide variety of Ngugi's work from his earliest writings to his most recent - including essays, all his novels, and his writings for children. Also included are extensive discussions of Ngugi's writings in English and Gikuyu, his use of oral literary techniques, his tragic exile, and his revolutionary politics.
Weep Not, Child by Ngugi wa Thiong'o,Ngũgĩ wa Thiongʼo Pdf
"Two small boys stand on a rubbish heap and look into the future. One boy is excited, he is beginning school; the other, his brother, is an apprentice carpetner. Together, they will serve their country--the teacher and the craftsman. But this is Kenya and times are against them. In the forests, the Mau Mau are waging war against the white government, and two brothers, Njoroge and Kamau, and the rest of their family, need to decide where their loyalties lie. For the practical man, the choice is simple, but for Njoroge, the scholar, the dream of progress through learning is a hard one to give up"--P. [4] of cover.
“The definitive African book of the twentieth century” (Moses Isegawa, from the Introduction) by the Nobel Prize–nominated Kenyan writer The puzzling murder of three African directors of a foreign-owned brewery sets the scene for this fervent, hard-hitting novel about disillusionment in independent Kenya. A deceptively simple tale, Petals of Blood is on the surface a suspenseful investigation of a spectacular triple murder in upcountry Kenya. Yet as the intertwined stories of the four suspects unfold, a devastating picture emerges of a modern third-world nation whose frustrated people feel their leaders have failed them time after time. First published in 1977, this novel was so explosive that its author was imprisoned without charges by the Kenyan government. His incarceration was so shocking that newspapers around the world called attention to the case, and protests were raised by human-rights groups, scholars, and writers, including James Baldwin, Toni Morrison, Donald Barthelme, Harold Pinter, and Margaret Drabble.
In this collection of essays on African and Caribbean literature, culture, and politics, Ngugi wa Thiong'o delivers a groundbreaking critique of colonialism and capitalism in postcolonial Africa. In these essays, Ngugi wa Thiong'o eloquently interweaves a range of issues including religious oppression, consumerism, and independence with the powerful intellect and passion that has come to characterise his writing. These pieces are essential for readers wishing to uncover a critical perspective on African society and culture. Homecoming is a groundbreaking collection intended to provoke and encourage thoughtful debate on how best to 'restore the creative glory of Africa and of all Africans' in the wake of postcolonialism. 'One of the greatest writers of our time.' Chimamanda Ngozi Adichie 'A tremendous writer... It's hard to doubt the power of the written word when you hear the story of Ngugi wa Thiong'o.' Guardian 'One of Africa's greatest writers.' New York Times
Born in 1938 in rural Kenya, Ngũgĩ wa Thiong’o came of age in the shadow of World War II, amidst the terrible bloodshed in the war between the Mau Mau and the British. The son of a man whose four wives bore him more than a score of children, young Ngũgĩ displayed what was then considered a bizarre thirst for learning, yet it was unimaginable that he would grow up to become a world-renowned novelist, playwright, and critic. In Dreams in a Time of War, Ngũgĩ deftly etches a bygone era, bearing witness to the social and political vicissitudes of life under colonialism and war. Speaking to the human right to dream even in the worst of times, this rich memoir of an African childhood abounds in delicate and powerful subtleties and complexities that are movingly told.
Kenyan dramatist and novelist Ngugi wa Thiong'o is a hugely influential African writer respected not only for his creative work but also for his criticism of wider cultural issues - issues such as nation and narration, power and performance, language and identity, empire and postcoloniality. Simon Gikandi's study, first published in 2000, offers a comprehensive analysis of all Ngugi's published work and explores the development of the major novels and plays against a background of colonialism and decolonisation in Kenya. Gikandi places the works in a context that examines the way they engage with the changing history of Africa. Tracing Ngugi's career from the 1960s through to his role in shaping a radical culture in East Africa in the 1970s and his imprisonment and exile in the 1980s, this book provides fresh insight into the author's life and the historic events that produced his work.
Author : Oliver Lovesey Publisher : Modern Language Association Page : 128 pages File Size : 51,6 Mb Release : 2012-12-01 Category : Language Arts & Disciplines ISBN : 9781603291835
Approaches to Teaching the Works of Ngũgĩ wa Thiong’o by Oliver Lovesey Pdf
Ngũgĩ wa Thiong'o is one of the most important and celebrated authors of postindependence Africa as well as a groundbreaking postcolonial theorist. His work, written first in English, then in Gĩkũyũ, engages with the transformations of his native Kenya after what is often termed the Mau Mau rebellion. It also gives voice to the struggles of all Africans against economic injustice and political oppression. His writing and activism continue despite imprisonment, the threat of assassination, and exile. Part 1 of this volume, "Materials," provides resources and background for the teaching of Ngũgĩ's novels, plays, memoirs, and criticism. The essays of part 2, "Approaches," consider the influence of Frantz Fanon, Karl Marx, and Joseph Conrad on Ngũgĩ; the role of women in and influence of feminism on his fiction; his interpretation and political use of African history; his experimentation with orality and allegory in narrative; and the different challenges of teaching Ngũgĩ in classrooms in the United States, Europe, and Africa."
Female characters in Ngugi wa Thiong'o’s "A Grain of Wheat" and Tsitsi Dangarembga`s "Nervous Conditions" by Stefanie Dalvai Pdf
Academic Paper from the year 2018 in the subject Literature - Africa, grade: 1, University of Malta (English Culture), course: The Postcolonial Novel 1: African, language: English, abstract: The three questions this paper tries to answer are to what degree the African women in both novels are or are not being dominated, what plays a role in this power-play and whether there is a significant difference between the depiction of women in the two novels, as they are set in two different African regions, Kenya and Zimbabwe. In the first section, the historical background of both plots is outlined, followed by an analysis of selected female characters of both novels. In the last section, conclusions will be drawn comparing both novels, its characters, its authors and the respective history. Men used to, and still do to some extent, dominate the literary sphere in Africa; therefore, the depiction of women was mostly that of a dutiful wife and mother. When this one-sided standard wasn’t met, the rebellious protagonist was shown to ‘suffer the tragic fate of the non-conformist’ , which comprehended dying or being outcasted. It might seem harmless at first, as it is ‘just’ literature, but it is important to consider the influential power it has on people’s perception of the world. For this reason, it became more and more important to analyze the representation of women in books and change it to a more positive picture. As the canon of female African writers started to grow, so did the multiplicity of different depictions of female characters. This change of view was not only to be found in female authors, but in male as well. Both Ngugi wa Thiong'o’s A "Grain of Wheat" and Tsitsi Dangarembga’s "Nervous Conditions" depict different types of women and their dual struggle in finding their own female identity against both patriarchy and the colonizer.
This collection of essays reflects on the life and work of Ngugi wa Thiong'o, who celebrated his 80th birthday in 2018. Drawing from a wide range of contributors, including writers, critics, publishers and activists, the volume traces the emergence of Ngugi as a novelist in the early 1960s, his contribution to the African culture of letters at its moment of inception, and his global artistic life in the twenty-first century. Here we have both personal andcritical reflections on the different phases of the writer's life: there are poems from friends and admirers, commentaries from his co-workers in public theatre in Kenya in the 1970s and 1980s, and from his political associates in the fight for democracy, and contributions on his role as an intellectual of decolonization, as well as his experiences in the global art world. Included also are essays on Ngugi's role outside the academy, in the world of education, community theatre, and activism. In addition to tributes from other authors who were influenced by Ngugi, the collection contains hitherto unknown materials that are appearing in English for the first time. Both a celebration of the writer, and a rethinking of his legacy, this book brings together three generations of Ngugi readers. We have memories and recollections from the people he worked with closely in the 1960s, the students that he taught atthe University of Nairobi in the 1970s, his political associates during his exile in the 1980s, and the people who worked with him as he embarked on a new life and career in the United States in the 1990s. First-hand accounts reveal how Ngugi's life and work have intersected, and the multiple forces that have converged to make him one of the greatest writers to come out of Africa in the twentieth century. Simon Gikandi is Robert Schirmer Professor of English, Princeton University. He is President of the MLA and was editor of its journal PMLA, from 2011-2016. Ndirangu Wachanga is Professor of Media Studies and Information Science at the University of Wisconsin. He is also the authorized documentary biographer of Professors Ali A. Mazrui, Ngugi wa Thiong'o and Micere Mugo.
A dazzling, genre-defying novel in verse from the author Delia Owens says “tackles the absurdities, injustices, and corruption of a continent” Ngũgĩ wa Thiong’o’s novels and memoirs have received glowing praise from the likes of President Barack Obama, the New Yorker, the New York Times Book Review, The Guardian, and NPR; he has been a finalist for the Man International Booker Prize and is annually tipped to win the Nobel Prize for Literature; and his books have sold tens of thousands of copies around the world. In his first attempt at the epic form, Ngũgĩ tells the story of the founding of the Gĩkũyũ people of Kenya, from a strongly feminist perspective. A verse narrative, blending folklore, mythology, adventure, and allegory, The Perfect Nine chronicles the efforts the Gĩkũyũ founders make to find partners for their ten beautiful daughters—called “The Perfect Nine” —and the challenges they set for the 99 suitors who seek their hands in marriage. The epic has all the elements of adventure, with suspense, danger, humor, and sacrifice. Ngũgĩ’s epic is a quest for the beautiful as an ideal of living, as the motive force behind migrations of African peoples. He notes, “The epic came to me one night as a revelation of ideals of quest, courage, perseverance, unity, family; and the sense of the divine, in human struggles with nature and nurture.”
Ngugi wa Thiong’o, Gender, and the Ethics of Postcolonial Reading by Brendon Nicholls Pdf
This is the first comprehensive book-length study of gender politics in Ngugi wa Thiong'o's fiction. Brendon Nicholls argues that mechanisms of gender subordination are strategically crucial to Ngugi's ideological project from his first novel to his most recent one. Nicholls describes the historical pressures that lead Ngugi to represent women as he does, and shows that the novels themselves are symptomatic of the cultural conditions that they address. Reading Ngugi's fiction in terms of its Gikuyu allusions and references, a gendered narrative of history emerges that creates transgressive spaces for women. Nicholls bases his discussion on moments during the Mau Mau rebellion when women's contributions to the anticolonial struggle could not be reduced to a patriarchal narrative of Kenyan history, and this interpretive maneuver permits a reading of Ngugi's fiction that accommodates female political and sexual agency. Nicholls contributes to postcolonial theory by proposing a methodology for reading cultural difference. This methodology critiques cultural practices like clitoridectomy in an ethical manner that seeks to avoid both cultural imperialism and cultural relativisim. His strategy of 'performative reading,' that is, making the conditions of one text (such as folklore, history, or translation) active in another (for example, fiction, literary narrative, or nationalism), makes possible an ethical reading of gender and of the conditions of reading in translation.