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Near the end of Nabokov's Lolita, Humbert makes an honest admission: "[A]nd it struck me…that I simply did not know a thing about my darling's mind." That line sums up the isolate game of memorializing a deceased loved one, which is the basic tension in Nina's Memento Mori, an elegy to Mathias Freese's lost wife. The profound responsibility of answering the question "Who was Nina?" is left to the lone memoirist: I can say or write anything I want about her…There is much writerly power in that. I am the executor of her probate in all things now. She is mine now in ways she could not be when alive. I am the steward of her memory. Freese ends up analyzing himself, putting the "me" in "memento" and the "i" in "mori," thanks to ever-giving Nina posthumously providing a therapeutic mirror or "Rosebud," which Freese appropriates from Citizen Kane. But Freese mourns more over the burden of existence than over its loss. Appropriately, for Kane is not about the symbolic sled as much as it's about the cumulative snow that buries it.
A teenage runaway is killed by a sadistic vampire with the pathology of a serial killer, who has stalked her family for over a decade. Brought back to life to feed on her child, she's killed again -- but not before reviving her first victim, her firstborn. The undead infant escapes, triggering a citywide search for a vampire baby whose existence threatens to expose the entire vampire society. And they will stop at nothing to make sure that doesn't happen. In the downtown art world/club scene of New York City, Steven and Lori, an artist and a writer, are in the middle of a bad break up. Instead of being able to simply move on, they are stuck with each other, bound by a contract to do a book on vampires. When they stumble across the real thing, will their feelings for each other intensify as they're reunited to battle monsters they scarcely believe exist?
* INSTANT NEW YORK TIMES BESTSELLER * “Stunning…heartrending…this year’s When Breath Becomes Air.” —Nora Krug, The Washington Post “Beautiful and haunting.” —Matt McCarthy, MD, USA TODAY “Deeply affecting…simultaneously heartbreaking and funny.” —People (Book of the Week) “Vivid, immediate.” —Laura Collins-Hughes, The Boston Globe Starred reviews from * Kirkus Reviews * Publishers Weekly * Library Journal * Best Books of 2017 Selection by * The Washington Post * Most Anticipated Summer Reading Selection by * The Washington Post * Entertainment Weekly * Glamour * The Seattle Times * Vulture * InStyle * Bookpage * Bookriot * Real Simple * The Atlanta Journal-Constitution * The New York Times bestseller by poet Nina Riggs, mother of two young sons and the direct descendant of Ralph Waldo Emerson, is “a stunning…heart-rending meditation on life…It is this year’s When Breath Becomes Air” (The Washington Post). We are breathless but we love the days. They are promises. They are the only way to walk from one night to the other. Poet and essayist Nina Riggs was just thirty-seven years old when initially diagnosed with breast cancer—one small spot. Within a year, she received the devastating news that her cancer was terminal. How does a dying person learn to live each day “unattached to outcome”? How does one approach the moments, big and small, with both love and honesty? How does a young mother and wife prepare her two young children and adored husband for a loss that will shape the rest of their lives? How do we want to be remembered? Exploring motherhood, marriage, friendship, and memory, Nina asks: What makes a meaningful life when one has limited time? “Profound and poignant” (O, The Oprah Magazine), The Bright Hour is about how to make the most of all the days, even the painful ones. It’s about the way literature, especially Nina’s direct ancestor, Ralph Waldo Emerson, and her other muse, Montaigne, can be a balm and a form of prayer. Brilliantly written and exceptionally moving, it’s a “deeply affecting memoir, a simultaneously heartbreaking and funny account of living with loss and the specter of death. As Riggs lyrically, unflinchingly details her reality, she finds beauty and truth that comfort even amid the crushing sadness” (People, Book of the Week). Tender and heartwarming, The Bright Hour “is a gentle reminder to cherish each day” (Entertainment Weekly, Best New Books) and offers us this important perspective: “You can read a multitude books about how to die, but Riggs, a dying woman, will show you how to live” (The New York Times Book Review, Editor’s Choice).
Having once been a psychotherapist who's never hesitated to turn the therapeutical gun barrel toward himself, Mathias B. Freese ramps up his radical reflexivity in this latest work, from confessional first-person narration to third-person "stories" starring "characters" named Matt. (This genre could be called meta-Matt.) "I write to know perhaps something about who I am," Freese writes. "I write to arrive at some awareness, however dim, about self or other, for when I have that fleeting moment of awareness, I feel at one -- true." Truly, Again. Again and Again. is a song of himself. Rocker Billy Idol proves to be an unlikely but apt echoer here: "When there's nothing to lose and there's nothing to prove, well, I'm dancing with myself." As a one-man show, Freese puts the "dance" in "abundance," stressing an author's singularity, the innerness of writing, the sharing -- rather than the proselytizing -- purpose of artistic expression. In other words, as Freese says, "a book is one person's awareness as he or she sees it." More than a few times, Freese had implied that Again. Again and Again. would probably be his swan song, his "final stirrings," his ultimate testament. How laughable, considering both his prolificacy and "urge and urge and urge" (as Whitman would gush). Sure enough, the author is no longer so sure that he's expressed enough, and it seems that yet another stirring idea spurs him to create again. Again and…
In the Throes explores the awakening of intelligence and the coming into awareness of an evolutionary mishap on a forbidding apocalyptic planet. The story follows eponymic Gruff, the first linguistic/metaphysical awakener of his species, as he navigates identity, mentation, and ontology in relation to the Gruff's natural prey: humankind. Combining the writings of Freud and the spiritual truths of Krishnamurti, author Mathias B. Freese depicts the Gruff as an evolutionary dark creature—disfigured, maimed, instinct-driven, and grotesque—until he attains self-awareness and transforms into a self of artistic expression and wisdom. As the title suggests, the reader identifies with self-struggle as it surges toward awakening and is moved by the apotheosis that closes the book. The nuanced theme: each one of us is an artist if only we take our selves in hand and construct a life of artistic expression. The closing chapters sing to us of Isak Dinesen's observation that an artist is never poor. A metaphor of the evolutionary self, In the Throes is a time-processed journey into awareness—our destiny as a species.
The Nature of Grief is a provocative new study on the evolution of grief. Most literature on the topic regards grief either as a psychiatric disorder or illness to be cured. In contrast to this, John Archer shows that grief is a natural reaction to losses of many sorts, even to the death of a pet, and he proves this by bringing together material from evolutionary psychology, ethology and experimental psychology. This innovative new work will be required reading for developmental and clinical psychologists and all those in the caring professions.
Letters to Colleagues and Friends by Edvard Grieg Pdf
Edvard Grieg (1843-1907) is known and loved throughout the world as one of the most important composers of the late nineteenth century. His music seems to embody the spectacular beauty of the mountains and fjords of his beloved Norway as well as the undercurrent of melancholy in the soul of its people. Scholars have long been aware that Grieg was a prolific and skillful letter-writer, but only recently have his letters been gathered from libraries and archives all over the world and made available in published form. Over 500 of the most important of these letters are presented in English in the present volume. Make no mistake about it: The author of this book is Edvard Grieg himself. This book constitutes a kind of autobiography. Not least, it provides a fascinating insight into what he was thinking, how he was feeling when he wrote this or that piece of music. The recipients of Grieg's letters included some of the most renowned people of his day -- Johannes Brahms, Henrik Ibsen, Clara Schumann, Peter Tchaikovsky -- as well as many unheralded colleagues and friends whose lives touched his in one way or another. To different correspondents, at different times, in different moods, he revealed various sides of his personality.
You're Doing it Wrong! by Bethany L. Johnson,Margaret M. Quinlan Pdf
New mothers face a barrage of confounding decisions during the life-cycle of early motherhood which includes... Should they change their diet or mindset to conceive? Exercise while pregnant? Should they opt for a home birth or head for a hospital? Whatever they “choose,” they will be sure to find plenty of medical expertise from health practitioners to social media “influencers” telling them that they’re making a series of mistakes. As intersectional feminists with two small children each, Bethany L. Johnson and Margaret M. Quinlan draw from their own experiences as well as stories from a range of caretakers throughout. You’re Doing it Wrong! investigates the storied history of mothering advice in the media, from the newspapers, magazines, doctors’ records and personal papers of the nineteenth-century to today’s websites, Facebook groups, and Instagram feeds. Johnson and Quinlan find surprising parallels between today’s mothering experts and their Victorian counterparts, but they also explore how social media has placed unprecedented pressures on new mothers, even while it may function as social support for some. They further examine the contentious construction of prenatal and baby care expertise itself, as individuals such as everyone from medical professionals to experienced moms have competed to have their expertise acknowledged in the public sphere. Exploring potential health crises from infertility treatments to “better babies” milestones, You’re Doing it Wrong! provides a provocative look at historical and contemporary medical expertise during conception, pregnancy, childbirth, postpartum, and infant care stages.
Contemporary Drag Practices and Performers by Mark Edward,Stephen Farrier Pdf
In recent years drag performance has moved from the fringes to emerge as a mainstream phenomenon, showcased on TV shows in the US and the UK. This collection offers a diverse range of critical engagements by drag performers, makers, scholars and writers reflecting on work from the UK, USA, Israel, Germany and Australia. Moving beyond discussions of gender theory, the essays consider contemporary drag performance practices, connecting them to the histories, communities and politics that produced them. Chapters range across discussions of drag kings in the US, UK and drag and activism; the influence of RuPaul on the generation of new forms of work in New York; transfeminist critiques of drag; 'bio'/faux queens; engagements with race and ethnicity through drag performance; drag andragogy; audience concerns; drag intersections with animal personas, and how drag performance relates to personal narratives of history and identity. Collectively the contributions focus on drag as a mode of performance that is diverse and that uncorsets the easy thought that drag is simply a cross dressing man in a dress or a woman in a suit.
Chekhov the Immigrant by Michael C. Finke,Julie W. De Sherbinin Pdf
"Comprising the proceedings of a 2004 NEH-funded symposium marking the hundredth anniversary of Chekhov's death, Chekhov the Immigrant takes a multi-disciplinary approach to Chekhov's impact on American culture with: articles by literary scholars, contemporary authors of fiction and criticism, theater directors, and translators; transcripts of forums on translating Chekhov and Chekhov and medicine; and a DVD recording of a conversation about Chekhov with the eminent American physician and author Robert Coles"--Publisher's summary.
Mrs Hawkins, a comfortably large young widow, is often called upon to administer advice to colleagues and neighbours. But she follows her own advice, too, and turns from Mrs Hawkins into Nancy: quite a different proposition.
