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Author : Rey Morgan Longyear
Publisher : Unknown
Page : 396 pages
File Size : 50,6 Mb
Release : 1988
Category : Music
ISBN : STANFORD:36105042616917
Author : Anonim
Publisher : Unknown
Page : 128 pages
File Size : 52,8 Mb
Release : 2000
Category : Electronic
ISBN : OCLC:899144054
Author : Rey Morgan Longyear
Publisher : Unknown
Page : 289 pages
File Size : 55,9 Mb
Release : 1973
Category : Electronic
ISBN : OCLC:251336525
Author : Carl Dahlhaus
Publisher : Univ of California Press
Page : 432 pages
File Size : 41,8 Mb
Release : 1989
Category : Biography & Autobiography
ISBN : 0520076443
This magnificent survey of the most popular period in music history is an extended essay embracing music, aesthetics, social history, and politics, by one of the keenest minds writing on music in the world today. Dahlhaus organizes his book around "watershed" years--for example, 1830, the year of the July Revolution in France, and around which coalesce the "demise of the age of art" proclaimed by Heine, the musical consequences of the deaths of Beethoven and Schubert, the simultaneous and dramatic appearance of Chopin and Liszt, Berlioz and Meyerbeer, and Schumann and Mendelssohn. But he keeps us constantly on guard against generalization and clich . Cherished concepts like Romanticism, tradition, nationalism vs. universality, the musical culture of the bourgeoisie, are put to pointed reevaluation. Always demonstrating the interest in socio-historical influences that is the hallmark of his work, Dahlhaus reminds us of the contradictions, interrelationships, psychological nuances, and riches of musical character and musical life. Nineteenth-Century Music contains 90 illustrations, the collected captions of which come close to providing a summary of the work and the author's methods. Technical language is kept to a minimum, but while remaining accessible, Dahlhaus challenges, braces, and excites. This is a landmark study that no one seriously interested in music and nineteenth-century European culture will be able to ignore.
Author : Leon Plantinga
Publisher : W W Norton & Company Incorporated
Page : 523 pages
File Size : 44,8 Mb
Release : 1984
Category : Music
ISBN : 0393951960
A survey of the development of romantic music includes analyses of the careers of composers such as Beethoven, Schubert, Schumann, Wagner, and Liszt
Author : Carl Dahlhaus
Publisher : Univ of California Press
Page : 135 pages
File Size : 46,9 Mb
Release : 2023-11-10
Category : Biography & Autobiography
ISBN : 9780520341883
Carl Dahlhaus here treats Nietzsche's youthful analysis of the contradictions in Wagner's doctrine (and, more generally, in romantic musical aesthetics); the question of periodicization in romantic and neo-romantic music; the underlying kinship between Brahms's and Wagner's responses to the central musical problems of their time; and the true significance of musical nationalism. Included in this volume is Walter Kauffman's translation of the previously unpublished fragment, "On Music and Words," by the young Nietzsche.
Author : Benedict Taylor
Publisher : Cambridge University Press
Page : 403 pages
File Size : 53,6 Mb
Release : 2021-08-26
Category : History
ISBN : 9781108475433
A stimulating new approach to understanding the relationship between music and culture in the long nineteenth century.
Author : John Daverio
Publisher : MacMillan Publishing Company
Page : 298 pages
File Size : 47,9 Mb
Release : 1993
Category : Music
ISBN : UCAL:B4328610
Author : Stephen Hefling
Publisher : Routledge
Page : 404 pages
File Size : 55,8 Mb
Release : 2004-03-01
Category : Music
ISBN : 9781135887629
Nineteenth Century Chamber Music proceeds chronologically by composer, beginning with the majestic works of Beethoven, and continuing through Schubert, Spohr and Weber, Mendelssohn, Schumann, Brahms, the French composers, Smetana and Dvorák, and the end-of-the-century pre-modernists. Each chapter is written by a noted authority in the field. The book serves as a general introduction to Romantic chamber music, and would be ideal for a seminar course on the subject or as an adjunct text for Introduction to Romantic Music courses. Plus, musicologists and students of 19th century music will find this to be an invaluable resource.
Author : Ian Bent
Publisher : Cambridge University Press
Page : 260 pages
File Size : 44,6 Mb
Release : 1996-08-28
Category : Music
ISBN : 0521551021
Twelve brilliant historians of theory probe the mind of the Romantic era in its thinking about music.
Author : Richard Taruskin
Publisher : Oxford University Press
Page : 840 pages
File Size : 46,8 Mb
Release : 2006-08-14
Category : Music
ISBN : 9780199796021
The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks-the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. In Music in the Nineteenth Century , Richard Taruskin offers a panoramic tour of this magnificent century in the history music. Major themes addressed in this book include the romantic transformation of opera, Franz Schubert and the German lied, the rise of virtuosos such as Paganini and Liszt, the twin giants of nineteenth-century opera, Richard Wagner and Giuseppe Verdi, the lyric dramas of Bizet and Puccini, and the revival of the symphony by Brahms. Laced with brilliant observations, memorable musical analysis, and a panoramic sense of the interactions between history, culture, politics, art, literature, religion, and music, this book will be essential reading for anyone who wishes to understand this rich and diverse period.
Author : N. Alan Clark,Thomas Heflin,Jeffrey Kluball
Publisher : Unknown
Page : 316 pages
File Size : 52,9 Mb
Release : 2015-12-21
Category : Education
ISBN : 1940771331
Music moves through time; it is not static. In order to appreciate music wemust remember what sounds happened, and anticipate what sounds might comenext. This book takes you on a journey of music from past to present, from the Middle Ages to the Baroque Period to the 20th century and beyond!
Author : Carl Dahlhaus
Publisher : Univ of California Press
Page : 135 pages
File Size : 44,6 Mb
Release : 1980
Category : Biography & Autobiography
ISBN : 9780520067486
This text covers Nietzsche's youthful analysis of the contradictions in Wagner's doctrine, the question of periodicization in romantic and neo-romantic music, and the true significance of musical nationalism.
Author : Carl Dahlhaus
Publisher : CUP Archive
Page : 152 pages
File Size : 46,6 Mb
Release : 1985-06-13
Category : Music
ISBN : 0521261155
The music of the nineteenth century was - and still is - thought of as a 'romantic' art, whereas the main current of the literature and fine arts of the age was 'realist' from about 1830. Yet some works are consistently described as 'realistic': Nusorgsky's Boris and Bizet's Carmen are only the most frequently cited examples. Professor Dahlhaus sets out the criteria of realism, with particular reference to French and German theorists and examines the extent to which they apply to music too. While his findings do not reverse the verdict that the music of the age was in general romantic, he demonstrates that musical realism consists in much more than imitation of natural sounds or tone-painting. The notes are revised here for the English-speaking reader.
Author : Richard Cohn
Publisher : Oxford University Press
Page : 288 pages
File Size : 40,5 Mb
Release : 2012-01-01
Category : Music
ISBN : 9780199773213
Music theorists have long believed that 19th-century triadic progressions idiomatically extend the diatonic syntax of 18th-century classical tonality, and have accordingly unified the two repertories under a single mode of representation. Post-structuralist musicologists have challenged this belief, advancing the view that many romantic triadic progressions exceed the reach of classical syntax and are mobilized as the result of a transgressive, anti-syntactic impulse. In Audacious Euphony, author Richard Cohn takes both of these views to task, arguing that romantic harmony operates under syntactic principles distinct from those that underlie classical tonality, but no less susceptible to systematic definition. Charting this alternative triadic syntax, Cohn reconceives what consonant triads are, and how they relate to one another. In doing so, he shows that major and minor triads have two distinct natures: one based on their acoustic properties, and the other on their ability to voice-lead smoothly to each other in the chromatic universe. Whereas their acoustic nature underlies the diatonic tonality of the classical tradition, their voice-leading properties are optimized by the pan-triadic progressions characteristic of the 19th century. Audacious Euphony develops a set of inter-related maps that organize intuitions about triadic proximity as seen through the lens of voice-leading proximity, using various geometries related to the 19th-century Tonnetz. This model leads to cogent analyses both of particular compositions and of historical trends across the long nineteenth century. Essential reading for music theorists, Audacious Euphony is also a valuable resource for music historians, performers and composers.