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Author : Joshua Charles Taylor
Publisher : Unknown
Page : 563 pages
File Size : 41,5 Mb
Release : 1987
Category : Art criticism
ISBN : OCLC:1150984515
Author : Joshua C. Taylor
Publisher : Univ of California Press
Page : 580 pages
File Size : 49,9 Mb
Release : 1987
Category : Art
ISBN : 0520048881
This unique and extraordinarily rich collection of writings offers a thematic approach to understanding the various theories of art that illumined the direction of nineteenth-century artists as diverse as Tommaso Minardi and Georges Seurat. It is significant that during the nineteenth century most artists felt compelled to found their artistic practice on a consciously established premise.
Author : Joshua C. Taylor
Publisher : Univ of California Press
Page : 576 pages
File Size : 54,9 Mb
Release : 1987
Category : Art
ISBN : 9780520048881
This unique and extraordinarily rich collection of writings offers a thematic approach to understanding the various theories of art that illumined the direction of nineteenth-century artists as diverse as Tommaso Minardi and Georges Seurat. It is significant that during the nineteenth century most artists felt compelled to found their artistic practice on a consciously established premise.
Author : Clive Edwards
Publisher : Routledge
Page : 399 pages
File Size : 48,8 Mb
Release : 2021-03-30
Category : History
ISBN : 9781000350845
This is volume one in a four-volume edition of primary source materials that document the histories of design across the long nineteenth century. Each volume is arranged by appropriate sub-themes and it is the first set of primary sources to be gathered together in this comprehensive and accessible format. Design refers to more than simply products and personalities or even cultural ideas, it involves consideration of ways of design thinking and applications as well as the philosophies and the other disciplines that impinge upon it. Here, the first volume discusses the theories and discourses that underpinned nineteenth-century design, ranging from design reform to aesthetics, and from the question of ornament to design education. The volumes will be of interest to a range of scholars and students, including those in art and design history, visual culture, and nineteenth-century material culture. They will also be of interest to a broad range of scholars working in areas including aesthetics, gender, politics and philosophy.
Author : James Matheson Thompson
Publisher : McGill-Queen's Press - MQUP
Page : 572 pages
File Size : 44,6 Mb
Release : 1990
Category : Art
ISBN : 0886291119
Includes selections from major writers on various approaches to art theory, for example Freud, Jung, Marx, Heidegger.
Author : ?stein Sj?ad
Publisher : Routledge
Page : 190 pages
File Size : 55,9 Mb
Release : 2017-07-05
Category : Art
ISBN : 9781351577939
Without question, the tache (blot, patch, stain) is a central and recurring motif in nineteenth-century modernist painting. Manet's and the Impressionists? rejection of academic finish produced a surface where the strokes of paint were presented directly, as patches or blots, then indirectly as legible signs. C?nne, Seurat, and Signac painted exclusively with patches or dots. Through a series of close readings, this book looks at the tache as one of the most important features in nineteenth-century modernism. The tache is a potential meeting point between text and image and a pure trace of the artist?s body. Even though each manifestation of tacheism generates its own specific cultural effects, this book represents the first time a scholar has looked at tacheism as a hidden continuum within modern art. With a methodological framework drawn from the semiotics of text and image, the author introduces a much-needed fine-tuning to the classic terms index, symbol, and icon. The concept of the tache as a ?crossing? of sign-types enables finer distinctions and observations than have been available thus far within the Peircean tradition. The ?sign-crossing? theory opens onto the whole terrain of interaction between visual art, art criticism, literature, philosophy, and psychology.
Author : Anonim
Publisher : Unknown
Page : 128 pages
File Size : 48,8 Mb
Release : 2005
Category : Electronic
ISBN : OCLC:679747290
Author : Chris Murray
Publisher : Routledge
Page : 267 pages
File Size : 48,7 Mb
Release : 2005-08-18
Category : Art
ISBN : 9781134545896
Key Writers on Art: From Antiquity to the Nineteenth Century offers a unique and authoritative guide to theories of art from Ancient Greece to the end of the Victorian era, written by an international panel of expert contributors. Arranged chronologically to provide an historical framework, the 43 entries analyze the ideas of key philosophers, historians, art historians, art critics, artists and social scientists, including Plato, Aquinas, Alberti, Michelangelo, de Piles, Burke, Schiller, Winckelmann, Kant, Hegel, Burckhardt, Marx, Tolstoy, Taine, Baudelaire, Nietzsche, Ruskin, Pater, Wölfflin and Riegl. Each entry includes: * a critical essay * a short biography * a bibliography listing both primary and secondary texts Unique in its range and accessibly written, this book, together with its companion volume Key Writers on Art: The Twentieth Century, provides an invaluable guide for students as well as general readers with an interest in art history, aesthetics and visual culture.
Author : Rafael Cardoso Denis,Colin Trodd
Publisher : Manchester University Press
Page : 228 pages
File Size : 55,6 Mb
Release : 2000
Category : Academic art
ISBN : 0719054966
Throughout the nineteenth century, academies functioned as the main venues for the teaching, promotion, and display of art. Contemporary scholars have, for the most part, denigrated academic art, calling it formulaic, unoriginal, and repetitious. The contributors to Art and the Academy in the Nineteenth Century challenge this entrenched notion and consider how academies worldwide have represented an important system of artistic preservation and transmission. Their essays eschew easy binaries that have reigned in academia for more than half a century and that simply oppose the avant-garde to academicism.
Author : Moshe Barasch
Publisher : Routledge
Page : 404 pages
File Size : 42,6 Mb
Release : 2013-10-18
Category : Art
ISBN : 9781135199654
In this volume, the third in his classic series on art theory, Moshe Barasch traces the hidden patterns and interlocking themes in the study of art, from impressionism to abstract art. Barasch details the immense social changes in the creation, presentation, and reception of art which have set the history of art theory on a vertiginous new course: the decreased relevance of workshops and art schools; the replacement of the treatise by the critical review; and the emerging interrelationship between scientific inquiry and artistic theory. The consequent changes in the ways in which critics as well as artists conceptualized paintings and sculptures were radical, marked by an obsession with intense sensory experiences, psychological reflection on the effects of art, and an attraction to the exotic and alien--making for the most exciting and fertile period in the history of art criticism.
Author : Moshe Barasch
Publisher : Psychology Press
Page : 404 pages
File Size : 48,8 Mb
Release : 2000
Category : Aesthetics
ISBN : 0415926270
Author : Moshe Barasch
Publisher : NYU Press
Page : 401 pages
File Size : 42,7 Mb
Release : 1998-03-01
Category : Art
ISBN : 9780814739488
In this volume, the third in his classic series of texts surveying the history of art theory, Moshe Barasch traces the hidden patterns and interlocking themes in the study of art, from Impressionism to Abstract Art. Barasch details the immense social changes in the creation, presentation, and reception of art which have set the history of art theory on a vertiginous new course: the decreased relevance of workshops and art schools; the replacement of the treatise by the critical review; and the interrelation of new modes of scientific inquiry with artistic theory and praxis. The consequent changes in the ways in which critics as well as artists conceptualized paintings and sculptures were radical, marked by an obsession with intense, immediate sensory experiences, psychological reflection on the effects of art, and a magnetic pull to the exotic and alien, making for the most exciting and fertile period in the history of art criticism.
Author : Moshe Barasch
Publisher : NYU Press
Page : 400 pages
File Size : 46,8 Mb
Release : 1998-03
Category : Art
ISBN : 9780814712733
In this volume, the third in his classic series of texts surveying the history of art theory, Moshe Barasch traces the hidden patterns and interlocking themes in the study of art, from Impressionism to Abstract Art. Barasch details the immense social changes in the creation, presentation, and reception of art which have set the history of art theory on a vertiginous new course: the decreased relevance of workshops and art schools; the replacement of the treatise by the critical review; and the interrelation of new modes of scientific inquiry with artistic theory and praxis. The consequent changes in the ways in which critics as well as artists conceptualized paintings and sculptures were radical, marked by an obsession with intense, immediate sensory experiences, psychological reflection on the effects of art, and a magnetic pull to the exotic and alien, making for the most exciting and fertile period in the history of art criticism.
Author : Kristine Stiles
Publisher : Univ of California Press
Page : 1262 pages
File Size : 43,7 Mb
Release : 1996
Category : Art
ISBN : 0520202511
Enth. u. a.: S. 74: Concrete art (1936-49) / Max Bill. - S. 74-77: The mathematical approach in contemporary art (1949) / Max Bill. - S. 301-304: Dieter Roth.
Author : James M. Thompson
Publisher : Unknown
Page : 564 pages
File Size : 43,5 Mb
Release : 1990-01-01
Category : Electronic
ISBN : 0886297621