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Nobody Here But Us Chickens is a virtuoso display of literary and hiNobody Here But Us Chickens is a virtuoso display of literary and historical portraiture by Marvin Mudrick, whom the Washington Post called a “literary curmudgeon, randy iconoclast, and a delight.” Mudrick believed that in books, as in life, people matter, and that it matters in books, as it does in life, whether people are decent or not. Sticking to this plain common sense, Mudrick assembles an eye-opening hall of fame and rogues gallery that includes devastating, satirical attacks on Shakespeare, Jesus, and Flaubert, as well as a wide-ranging meditation on heroism. Mudrick devotees will know that he favors Chaucer, Jane Austen, and D. H. Lawrence, all of whom appear here, but we also get to know what he thinks about Coriolanus, Van Gogh, and Solzhenitsyn. Readers unfamiliar with the daring of Mudrick’s opinions and the special texture of his prose will come away from Nobody Here But Us Chickens wishing that critical biography was always this much fun.storical portraiture by Marvin Mudrick, whom the Washington Post called a "literary curmudgeon, randy iconoclast, and a delight."
Rainbow at Midnight details the origins and evolution of working-class strategies for independence during and after World War II. Arguing that the 1940s may well have been the most revolutionary decade in U.S. history, George Lipsitz combines popular culture, politics, economics, and history to show how war mobilization transformed the working class and how that transformation brought issues of race, gender, and democracy to the forefront of American political culture. This book is a substantially revised and expanded work developed from the author's heralded 1981 Class and Culture in Cold War America.
Revolutionary Witness and Nobody Here But Us Chickens by Peter Barnes Pdf
"Revolutionary Witness" was written to mark the anniversary of Bastille Day and is a set of four monologues by characters whose lives were changed. "Nobody Here" is a collection of three short plays about being handicapped, which try through farce to turn the tables on common preconceptions.
Author : Joel Whitburn Publisher : Record Research Page : 613 pages File Size : 40,5 Mb Release : 1988 Category : Rhythm and blues music ISBN : 0898200687
Beginning in 1945, America rocketed through a quarter-century of extraordinary economic growth, experiencing an amazing boom that soared to unimaginable heights in the 1960s. At one point, in the late 1940s, American workers produced 57 percent of the planet's steel, 62 percent of the oil, 80 percent of the automobiles. The U.S. then had three-fourths of the world's gold supplies. English Prime Minister Edward Heath later said that the United States in the post-War era enjoyed "the greatest prosperity the world has ever known." It was a boom that produced a national euphoria, a buoyant time of grand expectations and an unprecedented faith in our government, in our leaders, and in the American dream--an optimistic spirit which would be shaken by events in the '60s and '70s, and particularly by the Vietnam War. Now, in Grand Expectations, James T. Patterson has written a highly readable and balanced work that weaves the major political, cultural, and economic events of the period into a superb portrait of America from 1945 through Watergate. Here is an era teeming with memorable events--from the bloody campaigns in Korea and the bitterness surrounding McCarthyism to the assassinations of the Kennedys and Martin Luther King, to the Vietnam War, Watergate, and Nixon's resignation. Patterson excels at portraying the amazing growth after World War II--the great building boom epitomized by Levittown (the largest such development in history) and the baby boom (which exploded literally nine months after V-J Day)--as well as the resultant buoyancy of spirit reflected in everything from streamlined toasters, to big, flashy cars, to the soaring, butterfly roof of TWA's airline terminal in New York. And he shows how this upbeat, can-do mood spurred grander and grander expectations as the era progressed. Of course, not all Americans shared in this economic growth, and an important thread running through the book is an informed and gripping depiction of the civil rights movement--from the electrifying Brown v. Board of Education decision, to the violent confrontations in Little Rock, Birmingham, and Selma, to the landmark civil rights acts of 1964 and 1965. Patterson also shows how the Vietnam War--which provoked LBJ's growing credibility gap, vast defense spending that dangerously unsettled the economy, and increasingly angry protests--and a growing rights revolution (including demands by women, Hispanics, the poor, Native Americans, and gays) triggered a backlash that widened hidden rifts in our society, rifts that divided along racial, class, and generational lines. And by Nixon's resignation, we find a national mood in stark contrast to the grand expectations of ten years earlier, one in which faith in our leaders and in the attainability of the American dream was greatly shaken. The Oxford History of the United States The Oxford History of the United States is the most respected multi-volume history of our nation. The series includes three Pulitzer Prize winners, a New York Times bestseller, and winners of the Bancroft and Parkman Prizes. The Atlantic Monthly has praised it as "the most distinguished series in American historical scholarship," a series that "synthesizes a generation's worth of historical inquiry and knowledge into one literally state-of-the-art book." Conceived under the general editorship of C. Vann Woodward and Richard Hofstadter, and now under the editorship of David M. Kennedy, this renowned series blends social, political, economic, cultural, diplomatic, and military history into coherent and vividly written narrative.
Though you may not know the man, you probably know his music. Arkansas-born Louis Jordan's songs like "Baby, It's Cold Outside," "Caldonia" and "Ain't Nobody Here But Us Chickens" can still be heard today, decades since Jordan ruled the charts. In his five-decade career, Jordan influenced American popular music, film and more and inspired the likes of James Brown, B.B. King, Chuck Berry and Ray Charles. Known as the "King of the Jukeboxes," he and his combo played a hybrid of jazz, swing, blues and comedy music during the big band era that became the start of R&B. In a stunning narrative portrait of Louis Jordan, author Stephen Koch contextualizes the great, forgotten musician among his musical peers, those he influenced and the musical present.
Modern Anglophone Drama by Women by Alan P. Barr Pdf
Alan P. Barr has brought together eleven world-class modern plays by women that show not only their artistry but also their variety and their passion. Drawn from nine different countries (other than the United States and England) that use English as their literary language, the plays reflect the concerns of women across the globe. The imagery and dramatic conventions may shift and the tones vary, but the need to be strong (and its difficulty), the sense of a world that is anything but nurturing or ideal, and the suspect nature of family life and relations are constant themes. The struggle over language, in countries that are very often ex-colonies, conveys the frequent overlap between feminist and postcolonial focuses. The diversity of Englishes on stages from Singapore to South Africa is a lovely curtain call to this theater festival.
Author : Adam Green Publisher : University of Chicago Press Page : 323 pages File Size : 54,6 Mb Release : 2007 Category : History ISBN : 9780226306414
Black Chicagoans were at the centre of a national movement in the 1940s and '50s, when African Americans across the country first started to see themselves as part of a single culture. Green argues that this period engendered a unique cultural and commercial consciousness, fostering ideas of racial identity that remain influential.
A selection of plays by "one of the most original and biting comic writers working in Britain" (The Times) The Spirit of Man is "an ingenious triple-bill exploring Man's need for faith through three short satires based in medieval France, Protectorate England and nineteenth-century Eastern Europe" (Independent); Nobody Here But Us Chickens is a linked trilogy of satires on New Age, corporate and bedroom politics. Red Noses is a political satire about the plague and takes place in 1348. Set in medieval Italy during a crisis in the Church, Sunsets and Glories is "a work of the highest and most thrilling theatrical energy" (Independent on Sunday), whilst Bye Bye Columbus is a "highly entertaining" (Guardian) television play. "Peter Barnes is one of the unrecognised geniuses of the English theatre" (Plays and Players)
When Julia Hollander agreed to buy her small daughter a rabbit, she had no idea that she would end up with two hens as well. Finding herself at the wrong end of a very steep learning curve, she then had to master the many skills of hen husbandry in short order, from what to feed them to how best to fox-proof a small urban garden. Chicken Coops for the Soul is a record of the five years of trial and error that ensued, in which Julia charts the joys, challenges and inevitable moments of disappointment of allowing your life to become dominated by poultry. Fascinating and entertaining by turns, this is a book that will prove invaluable to the aspiring keeper and remind chicken aficionados why they became hooked in the first place.
No other nonhuman source has served as the basis for more metaphors than animals. Speaking of Animals is a dictionary of animal metaphors that are current in American English. It is comprehensive, historical, and metaphor-based. Each entry refers to the other dictionaries that catalog that same metaphor, and the dates of first appearance in writing are supplied, where possible, for both the metaphor and the name of the source. The main text is organized alphabetically by metaphor rather than by animal or animal behavior; all the metaphors are classified according to their animal source in a list at the end of the book. An animal metaphor is a word, phrase, or sentence that expresses a resemblance or similarity between someone or something and a particular animal or animal class. True metaphors are single words, such as the noun tiger, the verb hog, and the adjective chicken. Phrasal metaphors combine true metaphors with other words, such as blind tiger, hog the road, and chicken colonel. Other animal metaphors take the form of similes, such as like rats leaving a sinking ship and prickly as a hedgehog. Still others take the form of proverbs, such as Don't count your chickens before they hatch and Let sleeping dogs lie. The horse is the animal most frequently referred to in metaphors, followed closely by the dog. The Bible is the most prolific literary source of animal metaphors, followed closely by Shakespeare.
Author : Stanley Aronowitz,Michael J. Roberts Publisher : John Wiley & Sons Page : 564 pages File Size : 44,5 Mb Release : 2017-09-25 Category : Social Science ISBN : 9780631224983
Using an innovative framework, this reader examines the most important and influential writings on modern class relations. Uses an interdisciplinary approach that combines scholarship from political economy, social history, and cultural studies Brings together more than 50 selections rich in theory and empirical detail that span the working, middle, and capitalist classes Analyzes class within the larger context of labor, particularly as it relates to conflicts over and about work Provides insight into the current crisis in the global capitalist system, including the Occupy Wall Street Movement, the explosion of Arab Spring, and the emergence of class conflict in China
Author : Michael James Roberts Publisher : Duke University Press Page : 277 pages File Size : 49,7 Mb Release : 2014-02-05 Category : Social Science ISBN : 9780822378839
Tell Tchaikovsky the News by Michael James Roberts Pdf
For two decades after rock music emerged in the 1940s, the American Federation of Musicians (AFM), the oldest and largest labor union representing professional musicians in the United States and Canada, refused to recognize rock 'n' roll as legitimate music or its performers as skilled musicians. The AFM never actively organized rock 'n' roll musicians, although recruiting them would have been in the union's economic interest. In Tell Tchaikovsky the News, Michael James Roberts argues that the reasons that the union failed to act in its own interest lay in its culture, in the opinions of its leadership and elite rank-and-file members. Explaining the bias of union members—most of whom were classical or jazz music performers—against rock music and musicians, Roberts addresses issues of race and class, questions of what qualified someone as a skilled or professional musician, and the threat that records, central to rock 'n' roll, posed to AFM members, who had long privileged live performances. Roberts contends that by rejecting rock 'n' rollers for two decades, the once formidable American Federation of Musicians lost their clout within the music industry.
