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Author : Ann Charters
Publisher : Da Capo Press, Incorporated
Page : 166 pages
File Size : 44,9 Mb
Release : 1983-07-21
Category : Biography & Autobiography
ISBN : UOM:39015024183561
Biography of Bert Williams, an African American entertainer and comedian from the early twentieth century.
Author : Camille F. Forbes
Publisher : Civitas Books
Page : 416 pages
File Size : 44,7 Mb
Release : 2008-08-01
Category : Performing Arts
ISBN : 9780786722358
It is not hard to argue that every black performer in show business owes something to Bert Williams. Discovered in California in 1890 by a minstrel troupe manager, Williams swiftly became a regular player in the troupe. Traveling on from the rough-and-ready "medicine shows" that then dotted the West, he rose through the ranks of big-time vaudeville in New York City, and finally ascended to the previously all-white pinnacle of live-stage success: the fabled Ziegfeld Follies on Broadway. Inspite of his triumphs-he brought the first musical with an all-black cast to Broadway in 1903-he was often viewed by the black community with more critical suspicion than admiration because of his controversial decision to perform in blackface. Modest, private, and conservative in his personal life, Williams left political activism and soapbox thumping to others. More than the simple narration of a remarkable life, Introducing Bert Williams offers a fascinating window into the fraught issues surrounding race and artistic expression in American culture. The story of Williams's long and varied career is a whirlwind of inner turmoil, racial tension, glamour, and striving-nothing less than the birth of American show business.
Author : Tim Brooks
Publisher : University of Illinois Press
Page : 656 pages
File Size : 46,8 Mb
Release : 2010-10-01
Category : Music
ISBN : 9780252090639
A groundbreaking history of African Americans in the early recording industry, Lost Sounds examines the first three decades of sound recording in the United States, charting the surprising roles black artists played in the period leading up to the Jazz Age and the remarkably wide range of black music and culture they preserved. Drawing on more than thirty years of scholarship, Tim Brooks identifies key black recording artists and profiles forty audio pioneers. Brooks assesses the careers and recordings of George W. Johnson, Bert Williams, George Walker, Noble Sissle, Eubie Blake, the Fisk Jubilee Singers, W. C. Handy, James Reese Europe, Wilbur Sweatman, Harry T. Burleigh, Roland Hayes, Booker T. Washington, and boxing champion Jack Johnson, plus a host of lesser-known voices. Many of these pioneers struggled to be heard in an era of rampant discrimination. Their stories detail the forces––black and white––that gradually allowed African Americans to enter the mainstream entertainment industry. Lost Sounds includes Brooks's selected discography of CD reissues and an appendix by Dick Spottswood describing early recordings by black artists in the Caribbean and South America.
Author : Rachel Kranz
Publisher : Infobase Holdings, Inc
Page : 472 pages
File Size : 49,5 Mb
Release : 2021-01-01
Category : History
ISBN : 9781438198774
For centuries, African Americans have made important contributions to American culture. From Crispus Attucks, whose death marked the start of the Revolutionary War, to Oprah Winfrey, perhaps the most recognizable and influential TV personality today, black men and women have played an integral part in American history. This greatly expanded and updated edition of our best-selling volume, The Biographical Dictionary of Black Americans, Revised Edition profiles more than 250 of America's important, influential, and fascinating black figures, past and present—in all fields, including the arts, entertainment, politics, science, sports, the military, literature, education, the media, religion, and many more.
Author : Yuval Taylor,Jake Austen
Publisher : W. W. Norton & Company
Page : 368 pages
File Size : 47,7 Mb
Release : 2012-08-27
Category : Social Science
ISBN : 9780393083903
An exploration and celebration of a controversial tradition that, contrary to popular opinion, is alive and active after more than 150 years. Yuval Taylor and Jake Austen investigate the complex history of black minstrelsy, adopted in the mid-nineteenth century by African American performers who played the grinning blackface fool to entertain black and white audiences. We now consider minstrelsy an embarrassing relic, but once blacks and whites alike saw it as a black art form—and embraced it as such. And, as the authors reveal, black minstrelsy remains deeply relevant to popular black entertainment, particularly in the work of contemporary artists like Dave Chappelle, Flavor Flav, Spike Lee, and Lil Wayne. Darkest America explores the origins, heyday, and present-day manifestations of this tradition, exploding the myth that it was a form of entertainment that whites foisted on blacks, and shining a sure-to-be controversial light on how these incendiary performances can be not only demeaning but also, paradoxically, liberating.
Author : Joseph Dorinson
Publisher : McFarland
Page : 249 pages
File Size : 42,6 Mb
Release : 2015-10-03
Category : Social Science
ISBN : 9781476620565
Jewish humor, with its rational skepticism and cutting social criticism, permeates American popular culture. Scholars of humor--from Sigmund Freud to Woody Allen--have studied the essence of the Jewish joke, at once a defense mechanism against a hostile world and a means of cultural affirmation. Where did this wit originate? Why do Jewish humorists work at the margins of so many diverse cultures? What accounts for the longevity of the Jewish joke? Do oppressed people, as African American author Ralph Ellison suggested, slip their yoke when they change the joke? Citing examples from prominent humorists and stand-up comics, this book examines the phenomenon of Jewish humor from its biblical origins to its prevalence in the modern diaspora, revealing a mother lode of wit in language, literature, folklore, music and history.
Author : Errol G. Hill,James V. Hatch
Publisher : Cambridge University Press
Page : 652 pages
File Size : 43,8 Mb
Release : 2003-07-17
Category : Drama
ISBN : 0521624436
Table of contents
Author : Anthony Slide
Publisher : Univ. Press of Mississippi
Page : 649 pages
File Size : 41,9 Mb
Release : 2012-03-12
Category : Performing Arts
ISBN : 9781617032509
The Encyclopedia of Vaudeville provides a unique record of what was once America's preeminent form of popular entertainment from the late 1800s through the early 1930s. It includes entries not only on the entertainers themselves, but also on those who worked behind the scenes, the theatres, genres, and historical terms. Entries on individual vaudevillians include biographical information, samplings of routines and, often, commentary by the performers. Many former vaudevillians were interviewed for the book, including Milton Berle, Block and Sully, Kitty Doner, Fifi D'Orsay, Nick Lucas, Ken Murray, Fayard Nicholas, Olga Petrova, Rose Marie, Arthur Tracy, and Rudy Vallee. Where appropriate, entries also include bibliographies. The volume concludes with a guide to vaudeville resources and a general bibliography. Aside from its reference value, with its more than five hundred entries, The Encyclopedia of Vaudeville discusses the careers of the famous and the forgotten. Many of the vaudevillians here, including Jack Benny, George Burns and Gracie Allen, Jimmy Durante, W. C. Fields, Bert Lahr, and Mae West, are familiar names today, thanks to their continuing careers on screen. At the same time, and given equal coverage, are forgotten acts: legendary female impersonators Bert Savoy and Jay Brennan, the vulgar Eva Tanguay with her billing as “The I Don't Care Girl,” male impersonator Kitty Doner, and a host of “freak” acts.
Author : Nicholas Gebhardt
Publisher : University of Chicago Press
Page : 192 pages
File Size : 41,9 Mb
Release : 2017-03-22
Category : Music
ISBN : 9780226448725
If you enjoy popular music and culture today, you have vaudeville to thank. From the 1870s until the 1920s, vaudeville was the dominant context for popular entertainment in the United States, laying the groundwork for the music industry we know today. In Vaudeville Melodies, Nicholas Gebhardt introduces us to the performers, managers, and audiences who turned disjointed variety show acts into a phenomenally successful business. First introduced in the late nineteenth century, by 1915 vaudeville was being performed across the globe, incorporating thousands of performers from every branch of show business. Its astronomical success relied on a huge network of theatres, each part of a circuit and administered from centralized booking offices. Gebhardt shows us how vaudeville transformed relationships among performers, managers, and audiences, and argues that these changes affected popular music culture in ways we are still seeing today. Drawing on firsthand accounts, Gebhardt explores the practices by which vaudeville performers came to understand what it meant to entertain an audience, the conditions in which they worked, the institutions they relied upon, and the values they imagined were essential to their success.
Author : Cary D. Wintz,Paul Finkelman
Publisher : Routledge
Page : 708 pages
File Size : 41,8 Mb
Release : 2012-12-06
Category : Social Science
ISBN : 9781135455361
From the music of Louis Armstrong to the portraits by Beauford Delaney, the writings of Langston Hughes to the debut of the musical Show Boat, the Harlem Renaissance is one of the most significant developments in African-American history in the twentieth century. The Encyclopedia of the Harlem Renaissance, in two-volumes and over 635 entries, is the first comprehensive compilation of information on all aspects of this creative, dynamic period. For a full list of entries, contributors, and more, visit the Encyclopedi a of Harlem Renaissance website.
Author : Kevin James Byrne
Publisher : Routledge
Page : 275 pages
File Size : 53,9 Mb
Release : 2020-05-06
Category : Performing Arts
ISBN : 9781000172577
Minstrel Traditions: Mediated Blackface in the Jazz Age explores the place and influence of black racial impersonation in US society during a crucial and transitional time period. Minstrelsy was absorbed into mass-culture media that was either invented or reached widespread national prominence during this era: advertising campaigns, audio recordings, radio broadcasts, and film. Minstrel Traditions examines the methods through which minstrelsy's elements connected with the public and how these conventions reified the racism of the time. This book explores blackface and minstrelsy through a series of overlapping case studies which illustrate the extent to which blackface thrived in the early twentieth century. It contextualizes and analyzes the last musical of black entertainer Bert Williams, the surprising live career of pancake icon Aunt Jemima, a flourishing amateur minstrel industry, blackface acts of African American vaudeville, and the black Broadway shows which brought new musical styles and dances to the American consciousness. All reflect, and sometimes incorporate, the mass-culture technologies of the time, either in their subject matter or method of distribution. Retrograde blackface seamlessly transitioned from live to mediated iterations of these cultural products, further pushing black stereotypes into the national consciousness. The book project oscillates between two different types of performances: the live and the mediated. By focusing on how minstrelsy in the Jazz Age moved from live performance into mediatized technologies, the book adds to the intellectual and historical conversation regarding this pernicious, racist entertainment form. Jazz Age blackface helped normalize new media technologies and that technology extended minstrelsy's influence within US culture. Minstrel Traditions tracks minstrelsy's social impact over the course of two decades to examine how ideas of national identity employ racial nostalgias and fantasias. This book will be of great interest to scholars and researchers in theatre studies, communication studies, race and media, and musical scholarship
Author : Marva Carter
Publisher : Oxford University Press
Page : 208 pages
File Size : 47,8 Mb
Release : 2008-09-11
Category : Music
ISBN : 0198026854
Renowned today as a prominent African-American in Music Theater and the Arts community, composer, conductor, and violinist Will Marion Cook was a key figure in the development of American music from the 1890s to the 1920s. In this insightful biography, Marva Griffin Carter offers the first definitive look at this pivotal life's story, drawing on both Cook's unfinished autobiography and his wife Abbie's memoir. A violin virtuoso, Cook studied at Oberlin College (his parents' alma mater), Berlin's Hochschule f?r Musik with Joseph Joachim, and New York's national Conservatory of Music with Antonin Dvorak. Cook wrote music for a now-lost production of Uncle Tom's Cabin for the Chicago World's Fair of 1893, and then devoted the majority of his career to black musical comedies due to limited opportunities available to him as a black composer. He was instrumental in showcasing his Southern Syncopated Orchestra in the prominent concert halls of the Unites States and Europe, even featuring New Orleans clarinetist Sidney Bechet, who later introduced European audiences to authentic blues. Once mentored by Frederick Douglas, Will Marion Cook went on to mentor Duke Ellington, paving the path for orchestral concert jazz. Through interpretive and musical analyses, Carter traces Cook's successful evolution from minstrelsy to musical theater. Written with his collaborator, the distinguished poet Paul Lawrence Dunbar, Cook's musicals infused American Musical Theater with African-American music, consequently altering the direction of American popular music. Cook's In Dahomey, hailed by Gerald Bordman as "one of the most important events in American Musical Theater history," was the first full-length Broadway musical to be written and performed by blacks. Alongside his accomplishments, Carter reveals Cook's contentious side- a man known for his aggressiveness, pride, and constant quarrels, who became his own worst enemy in regards to his career. Carter further sets Cook's life against the backdrop of the changing cultural and social milieu: the black theatrical tradition, white audiences' reaction to black performers, and the growing consciousness and sophistication of blacks in the arts, especially music.
Author : Mark Whalan
Publisher : Edinburgh University Press
Page : 256 pages
File Size : 40,8 Mb
Release : 2010-03-31
Category : Social Science
ISBN : 9780748634255
This book provides a fresh account of the major cultural and intellectual trends of the United State in the 1910s, a decade characterised by war, the flowering of modernism, the birth of Hollywood, and Progressive interpretations of culture and society. Chapters on fiction and poetry, art and photography, film and vaudeville, and music, theatre, and dance explore these developments, linking detailed commentary with focused case studies of influential texts and events. These range from Tarzan of the Apes to The Birth of a Nation, from the radical modernism of Gertrude Stein and the Provincetown Players to the earliest jazz recordings. A final chapter explores the huge impact of the First World War on cultural understandings of nationalism, citizenship, and propaganda.Key Features*three case studies per chapter featuring key texts, genres, writers and artists*Detailed chronology of 1910s American Culture*Bibliographies for each chapter*Fifteen black and white illustrations
Author : Arthur Frank Wertheim
Publisher : Springer
Page : 270 pages
File Size : 50,9 Mb
Release : 2017-01-16
Category : Performing Arts
ISBN : 9781349949861
This book reveals how Fields became a character comedian while performing in Broadway’s most illustrious revue, the Ziegfeld Follies. As the first biography to use the recently opened Fields Papers at the Motion Picture Academy, the book explores how Fields years as a Follies entertainer portraying a beleaguered husband and a captivating conman became a landmark turning point in his career, leading to his fame as a masterful film comedian. The book also untangles a web of mysteries about Fields’s turbulent private life, from the heartrending stories about the tragic relationship with his calculating wife who refused to divorce him, to his estranged son controlled by his mother, to the seven-year extra-marital affair with a chorus girl that led to the birth of an unwanted child. This electrifying saga illuminates a complex dual personality, whirling from tenderness to brusqueness, who endured so much anguish in order to bring the gift of laughter to millions. Although vilified by Ziegfeld and assailed by demons, Fields survived the cutthroat rigors of Broadway show biz to become a legendary American iconoclast and cultural icon.
Author : Jeffrey A. Johnson
Publisher : Bloomsbury Publishing USA
Page : 853 pages
File Size : 45,6 Mb
Release : 2017-03-20
Category : History
ISBN : 9781440837210
Presenting a detailed look at the individuals, themes, and moments that shaped this important Progressive Era in American history, this valuable reference spans 25 years of reform and provides multidisciplinary insights into the period. During the Progressive Era, influential thinkers and activists made efforts to improve U.S. society through reforms, both legislative and social, on issues of the day such as working conditions of laborers, business monopolies, political corruption, and vast concentrations of wealth in the hands of a few. Many Progressives hoped for and tirelessly worked toward a day when all Americans could take full advantage of the economic and social opportunities promised by U.S. society. This two-volume work traces the issues, events, and individuals of the Progressive Era from approximately 1893 to 1920. The entries and primary sources in this set are grouped thematically and cover a broad range of topics regarding reform and innovation across the period, with special attention paid to important topics of race, class, and gender reform and reformers. The volumes are helpfully organized under five categories: work and economic life; social and political life; cultural and religious life; science, literature, and the arts; and sports and popular culture.