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Author : Mzilikazi wa Afrika Publisher : Penguin Random House South Africa Page : 267 pages File Size : 52,5 Mb Release : 2014-08-20 Category : Biography & Autobiography ISBN : 9780143531401
This tell-all memoir reveals the details behind Sunday Times journalist Mzilikazi wa Afrika's exposure of the R1.7 billion lease scandal between police commissioner Bheki Cele and property tycoon Roux Shabangu, for which he was infamously arrested in 2010. It is also the riveting account of how a neglected boy in an unknown village became one of South Africa's most awarded investigative reporters and found himself at the receiving end of the corruption that had defeated those he helped put in power. Fearless in the face of corrupt authorities with sinister political motives, and fervent about justice, Wa Afrika's life was characterised by resistance to oppression and inequality from an early age. Destined to defend and uphold the principles of democracy, his story is the inspiring tale of an ordinary man, armed with a pen, who challenged the proverbial giant.
With Ashton at her side, Anna begins to feel more like her old self again. Together, they're rebuilding her life and attempting to heal old wounds. The more time they spend together, the closer they become, but unfortunately this only serves to complicate matters further. The undercover pretence of being boyfriend and girlfriend slowly ceases to be a game as both find themselves increasingly blurring the lines between the act and the reality.With her father now President-Elect, Anna and Ashton are finding it increasingly difficult to maintain some semblance of privacy. With the world's press obsessing over the future First Daughter, Ashton's job of protecting her has just become a whole lot harder.All the while the trial grows ever closer, looming over them both, taunting them, reminding them that it isn't over yet. After all, Carter Thomas will stop at nothing to be reunited with his 'Princess'.
#1 NEW YORK TIMES BESTSELLER • ONE OF TIME MAGAZINE’S 100 BEST YA BOOKS OF ALL TIME The extraordinary, beloved novel about the ability of books to feed the soul even in the darkest of times. When Death has a story to tell, you listen. It is 1939. Nazi Germany. The country is holding its breath. Death has never been busier, and will become busier still. Liesel Meminger is a foster girl living outside of Munich, who scratches out a meager existence for herself by stealing when she encounters something she can’t resist–books. With the help of her accordion-playing foster father, she learns to read and shares her stolen books with her neighbors during bombing raids as well as with the Jewish man hidden in her basement. In superbly crafted writing that burns with intensity, award-winning author Markus Zusak, author of I Am the Messenger, has given us one of the most enduring stories of our time. “The kind of book that can be life-changing.” —The New York Times “Deserves a place on the same shelf with The Diary of a Young Girl by Anne Frank.” —USA Today DON’T MISS BRIDGE OF CLAY, MARKUS ZUSAK’S FIRST NOVEL SINCE THE BOOK THIEF.
A novel of love in all its forms: for the land, for family, and the once-in-a-lifetime kind that catches two people when they least expect it Emmy is a shy, sheltered sixteen-year-old when her mom, Kate, sends her to eastern Washington to an aunt and uncle she never knew she had. Fifteen years earlier, Kate had abandoned her sister, Beth, when she fled her painful past and their fundamentalist church. And now, Beth believes Emmy’s participation in a faith healing is her last hope for having a child. Emmy goes reluctantly, but before long she knows she has come home. She feels tied to the rugged landscape of coulees and scablands. And she meets Reuben, the Native American boy next door. In a part of the country where the age-old tensions of cowboys versus Indians still play out, theirs is the kind of magical, fraught love that can only survive with the passion and resilience of youth. Their story is mirrored by the generation before them, who fears that their mistakes are doomed to repeat themselves in Emmy and Reuben. With Louise Erdrich’s sense of place and a love story in the tradition of Water for Elephants, this is an atmospheric family drama in which the question of home is a spiritual one, in which getting over the past is the only hope for the future.
Utopia is a work of fiction and socio-political satire by Thomas More published in 1516 in Latin. The book is a frame narrative primarily depicting a fictional island society and its religious, social and political customs. Many aspects of More's description of Utopia are reminiscent of life in monasteries.
Blurring the Lines is a direct continuation of Guarding the Broken. To enjoy this novel, you need to have read the FREE Part 1. With Ashton at her side, Anna begins to feel more like her old self again. Together, they’re rebuilding her life and attempting to heal old wounds. The more time they spend together, the closer they become, but unfortunately this only serves to complicate matters further. The undercover pretence of being boyfriend and girlfriend slowly ceases to be a game as both find themselves increasingly blurring the lines between the act and the reality. With her father now President-Elect, Anna and Ashton are finding it increasingly difficult to maintain some semblance of privacy. With the world’s press obsessing over the future First Daughter, Ashton’s job of protecting her has just become a whole lot harder. All the while the trial grows ever closer, looming over them both, taunting them, reminding them that it isn’t over yet. After all, Carter Thomas will stop at nothing to be reunited with his ‘Princess’… Author's note: Part 1 (Guarding the Broken) and part 2 (Blurring the Lines) were previously published in 2013 as one novel of epic proportion. Nothing Left to Lose was a runaway bestseller that has people all over the world falling in love with Agent Ashton Taylor.
When dealing with demons, the devil’s in the details… Stealing mystical and arcane artifacts is a dangerous business, especially for a human, but Zoey Wharton is an exceptional thief. The trick to staying alive is having friends in all the wrong places. While having a witch and a werewolf on the payroll helps, being partners with a vampire really opens doors. Zoey and Daniel were childhood sweethearts until a violent car crash took his life and left her shattered. When Daniel returned from the grave as a vampire, his only interest in Zoey was in keeping her safely apart from the secrets of his dark world. He has vowed to protect her, but his heart seems as cold as the night he calls home. Five years later, a mysterious new client named Lucas Halfer offers Zoey a fortune to steal the Light of Alhorra. The search for the Light leads Zoey into the arms of an earthbound faery prince. Devinshea Quinn sweeps her off her feet, showing her everything the supernatural world has to offer, but Daniel still calls to her heart. As the true nature of the Light is revealed, Zoey discovers Halfer is a demon and much more than money is at stake. Per her contract, she must give him the Light or spend an eternity in Hell. What’s a girl to do except fight for her soul…and her heart. A Thieves Novel by Lexi Blake
Stockbroker to young trainee: "Remember, when clients send in that money, it's not theirs anymore. It's ours...We're never giving it back to them." Welcome to Wall Street. The longest bull market in history has driven more people to invest in stocks than ever before--and has given rise to unprecedented levels of greed within the brokerage industry that "serves" those investors. In License to Steal, Timothy Harper and his Anonymous coauthor have succeeded in piercing the financial industry's code of silence. In a gripping and fast-paced narrative, they show readers how successful brokers on the "Street Without Shame" peddle worthless stocks, take questionable companies public, manipulate share prices, generate bogus commissions, and raid clients' accounts for their own use. Anonymous and Harper tell a wild, raucous, true story of outrageous acts committed by a handful of rogue brokers--as well as the off-hand, everyday deceptions that are routine in the securities business--and the high life as it is lived by the young and rich in the canyons of Wall Street. The book recounts the rise of a young, successful stockbroker, first as a smart, eager operator willing to do whatever it takes to make it. Always keeping just within the law, he watches his colleagues in the brokerage business cross over daily into unscrupulous conduct, lining their own pockets at the expense of their clients. Unwilling to join them, unable to endure the pressure of their corrupting influence, he eventually quits Wall Street. A mesmerizing story of personal redemption, License to Steal is also a searing indictment of a corrupt and brutalizing system and a warning to the millions of American investors who trust and rely on stockbrokers for guidance on their own investments.
"It was late at night when I finally arrived at a small home in mainland China. Many Chinese Christians had gathered to pray and worship in this secret house church. I was excited to preach and encourage them, but also exhausted from the long travel. Suddenly, I heard a voice cry out, "Teacher Barnabas, we have to run!" I looked toward the front door as three secret police officers forced it open and stormed in, just a few meters away from me.We ran. No time to grab anything. Not even shoes. I ran barefoot. I raced into total darkness. I didn't know where I was, and I couldn't see anything around me. I could hear the footsteps of the secret police behind me, so I ran even faster. But I wasn't scared. When I decided to serve the house churches in China, I knew someday this would happen. I just didn't expect it so soon." How does faith flourish in the midst of persecution? How does hope and joy overcome the darkness of oppression? What compels someone to risk their freedom and life to reach the lost and serve God and His Church? Leave Nothing Left is the story of Barnabas Young. Raised an orphan in a small fishing village on the coast of Hong Kong. Forced to work and steal at six-years-old and endure constant beatings. Determined never to become a Christian. Called and transformed by God as a teenager. Barnabas Young has served God and the Chinese House Church for over twenty years. He has ministered and taught across China to thousands of persecuted Christians in homes, caves, and fields; in heat and freezing cold; in suffering and trials. He founded the House Church Ministry in 2010 to expand support for the Chinese House Church movement.
George Pelecanos calls Thomas Kaufman "a welcome new voice in Washington, D.C., crime fiction." Willis Gidney needs money because he's found a girl. No, no, not that kind of girl. This is an abandoned baby girl. Gidney found her on a case. So he hands the girl to the cops, right? Wrong, because Gidney started life the same way---abandoned. He knows all about D.C.'s juvenile-justice system, having barely survived it himself. That makes it hard to give up the girl. Too bad that unmarried private eyes aren't usually thought of as ideal parents. So now Gidney needs a lawyer, and that means money. Enter Rush Gemelli, a code-writing hacker who pays Gidney to commit a felony. Just a small one. Nothing serious, really, but you know how these things can snowball. Gidney thinks this is a onetime venture, but Gemelli has other ideas. He blackmails Gidney into joining up with his father, Chuck, the head of the motion picture lobby in D.C. And when Chuck's former partner is murdered, it looks like someone may be playing Gidney. Add to that the unwanted attentions of a crazed actress, the D.C. case worker from hell, and the Vietnamese and Salvadoran gangs out to kill him, and it's all Gidney can do to keep from getting his movie ticket punched--permanently. A unique hero, a quirky cast, and a riveting mystery make Steal the Show a winner.
A powerful and provocative exploration of how war has changed our society—for the better. "War! . . . . / What is it good for? / Absolutely nothing," says the famous song—but archaeology, history, and biology show that war in fact has been good for something. Surprising as it sounds, war has made humanity safer and richer. In War! What Is It Good For?, the renowned historian and archaeologist Ian Morris tells the gruesome, gripping story of fifteen thousand years of war, going beyond the battles and brutality to reveal what war has really done to and for the world. Stone Age people lived in small, feuding societies and stood a one-in-ten or even one-in-five chance of dying violently. In the twentieth century, by contrast—despite two world wars, Hiroshima, and the Holocaust—fewer than one person in a hundred died violently. The explanation: War, and war alone, has created bigger, more complex societies, ruled by governments that have stamped out internal violence. Strangely enough, killing has made the world safer, and the safety it has produced has allowed people to make the world richer too. War has been history's greatest paradox, but this searching study of fifteen thousand years of violence suggests that the next half century is going to be the most dangerous of all time. If we can survive it, the age-old dream of ending war may yet come to pass. But, Morris argues, only if we understand what war has been good for can we know where it will take us next.
The world--famous former con artist and bestselling author of Catch Me if You Can now reveals the mind--boggling tricks of the scam trade--with advice that has made him one of America's most sought--after fraud--prevention experts. "I had as much knowledge as any man alive concerning the mechanics of forgery, check swindling, counterfeiting, and other similar crimes. Ever since I'd been released from prison, I'd often felt that if I directed this knowledge into the right channels, I could help people a great deal. Every time I went to the store and wrote a check, I would see two or three mistakes made on the part of the clerk or cashier, mistakes that a flimflam artist would take advantage of. . . . In a certain sense, I'm still a con artist. I'm just putting down a positive con these days, as opposed to the negative con I used in the past. I've merely redirected the talents I've always possessed. I've applied the same relentless attention to working on stopping fraud that I once applied to perpetuating fraud." In Catch Me if You Can, Frank W. Abagnale recounted his youthful career as a master imposter and forger. In The Art of the Steal, Abagnale tells the remarkable story of how he parlayed his knowledge of cons and scams into a successful career as a consultant on preventing financial foul play--while showing you how to identify and outsmart perpetrators of fraud. Technology may have made it easier to track down criminals, but cyberspace has spawned a skyrocketing number of ways to commit crime--much of it untraceable. Businesses are estimated to lose an unprecedented $400 billion a year from fraud of one sort or another. If we were able to do away with fraud for just two years, we'd erase the national debt and pay Social Security for the next one hundred years. However, Abagnale has discovered that punishment for committing fraud, much less recovery of stolen funds, seldom happens: Once you're a victim, you won't get your money back. Prevention is the best form of protection. Drawn from his twenty-five years of experience as an ingenious con artist (whose check scams alone mounted to more than $2 million in stolen funds), Abagnale's The Art of the Steal provides eye-opening stories of true scams, with tips on how they can be prevented. Abagnale takes you deep inside the world and mind of the con artist, showing you just how he pulled off his scams and what you can do to avoid becoming the next victim. You'll hear the stories of notorious swindles, like the mustard squirter trick and the "rock in the box" ploy, and meet the criminals like the famous Vickers Gang who perpetrated them. You'll find out why crooks wash checks and iron credit cards and why a thief brings glue with him to the ATM. And finally, you'll learn how to recognize a bogus check or a counterfeit bill, and why you shouldn't write your grocery list on a deposit slip. A revealing look inside the predatory criminal mind from a former master of the con, The Art of the Steal is the ultimate defense against even the craftiest crook.
Moral Maturity by John C. Gibbs,Karen S. Basinger,Dick Fuller,Richard L. Fuller Pdf
The traditional production measure of moral judgment has been the Moral Judgment Interview (MJI), which uses hypothetical moral dilemmas to elicit moral judgment. However, the MJI dilemmas have been criticized as artificial and may not be entirely appropriate for children, certain cultures, and practical moral situations. This unique volume utilizes and evaluates a new production measure of moral judgment, the Sociomoral Reflection Measure -- Short Form (SRM-SF), which substitutes brief stimulus materials and evaluative questions for the moral dilemma technique. The authors report that the SRM-SF exhibits an impressive degree of reliability and validity and is quicker to administer and score than other available measures. To illustrate these findings, this book offers the resources needed for the assessment of the Kohlbergian stage of moral judgment using the SRM-SF. These resources include: an up-to-date review of research and theory, a group-administrable questionnaire, an efficient scoring manual, and self-training exercises in assessment. Psychometrically sound and practical, the SRM-SF has the potential to become the leading moral judgment measure of the 90s.
