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Radio made its debut in the early twentieth century, and the world was never the same. The mysterious magic box brought people together as no other communication medium had ever done. In Nothing On but the Radio, author Gil Murray tells how the new household toy put voices and music into millions of homes. In the 1920s, families gathered around the crystal set; in the 1930s, radio comedians helped offset the Depression; in the wartime 1940s, radio kept up morale; in the 1950s and 1960s, its music, news, and information spread knowledge and entertainment. This book spotlights a popular revolution that was never quiet.
"Radio made its debut in the early twentieth century, and the world was never the same again. The mysterious magic box brought people together as no communication medium had ever done. In Nothing On but the Radio, author Gil Murray tells how the new household toy put voices and music into millions of Canadian homes. ... This book spotlights a popular revolution that was never quiet."--Back cover.
Nothing on But the Radio by Jodi Lynn Copeland Pdf
To hell with her critics; Taryn James "is" going to make it in the songwriting industry. If only Brian Macovney weren't standing in her way. Gorgeous he may be, but he's also nasty, trampling on her dreams by insulting her lyrics and all because he once failed to deliver in bed. It's been five years since Brian had his ego cut off at the knees when he failed to perform sexually with Taryn. Now he's forced to see her again, at the Sugarfoot Island songwriting conference, which he attends as a sponsor and she an aspiring songwriter. From nearly the moment of their reunion, Brian recognizes two truths: Taryn is a highly talented songwriter. And Brian's eager to regale her with talents of his own...in his bed, on his balcony, bent over the edge of his Jacuzzi tub... Taryn can't decipher what's hotter, her need for revenge, or the feel of sexy-hot Brian in her arms, their bodies joined together and slick with passion. Temptation this good is damned hard to pass up. The rules are firm...no relations between the conference staff and songwriters...but then the conference hasn't actually started, and weren't rules made to be broken? "Publisher's Note: This book contains explicit sexual content, graphic language, and situations that some readers may find objectionable: anal play/intercourse."
George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times
A Rolling Stone-Kirkus Best Music Book of 2020 The definitive account of pop music in the mid-eighties, from Prince and Madonna to the underground hip-hop, indie rock, and club scenes Everybody knows the hits of 1984 - pop music's greatest year. From "Thriller" to "Purple Rain," "Hello" to "Against All Odds," "What's Love Got to Do with It" to "Wake Me Up Before You Go-Go," these iconic songs continue to dominate advertising, karaoke nights, and the soundtracks for film classics (Boogie Nights) and TV hits (Stranger Things). But the story of that thrilling, turbulent time, an era when Top 40 radio was both the leading edge of popular culture and a moral battleground, has never been told with the full detail it deserves - until now. Can't Slow Down is the definitive portrait of the exploding world of mid-eighties pop and the time it defined, from Cold War anxiety to the home-computer revolution. Big acts like Michael Jackson (Thriller), Prince (Purple Rain), Madonna (Like a Virgin), Bruce Springsteen (Born in the U.S.A.), and George Michael (Wham!'s Make It Big) rubbed shoulders with the stars of the fermenting scenes of hip-hop, indie rock, and club music. Rigorously researched, mapping the entire terrain of American pop, with crucial side trips to the UK and Jamaica, from the biz to the stars to the upstarts and beyond, Can't Slow Down is a vivid journey to the very moment when pop was remaking itself, and the culture at large - one hit at a time.
NEW YORK TIMES BESTSELLER • Soon to be an FX limited series streaming on HULU • From the author of Empire of Pain—a stunning, intricate narrative about a notorious killing in Northern Ireland and its devastating repercussions. "Masked intruders dragged Jean McConville, a 38-year-old widow and mother of 10, from her Belfast home in 1972. In this meticulously reported book—as finely paced as a novel—Keefe uses McConville's murder as a prism to tell the history of the Troubles in Northern Ireland. Interviewing people on both sides of the conflict, he transforms the tragic damage and waste of the era into a searing, utterly gripping saga." —New York Times Book Review Jean McConville's abduction was one of the most notorious episodes of the vicious conflict known as The Troubles. Everyone in the neighborhood knew the I.R.A. was responsible. But in a climate of fear and paranoia, no one would speak of it. In 2003, five years after an accord brought an uneasy peace to Northern Ireland, a set of human bones was discovered on a beach. McConville's children knew it was their mother when they were told a blue safety pin was attached to the dress--with so many kids, she had always kept it handy for diapers or ripped clothes. Patrick Radden Keefe's mesmerizing book on the bitter conflict in Northern Ireland and its aftermath uses the McConville case as a starting point for the tale of a society wracked by a violent guerrilla war, a war whose consequences have never been reckoned with. The brutal violence seared not only people like the McConville children, but also I.R.A. members embittered by a peace that fell far short of the goal of a united Ireland, and left them wondering whether the killings they committed were not justified acts of war, but simple murders. From radical and impetuous I.R.A. terrorists such as Dolours Price, who, when she was barely out of her teens, was already planting bombs in London and targeting informers for execution, to the ferocious I.R.A. mastermind known as The Dark, to the spy games and dirty schemes of the British Army, to Gerry Adams, who negotiated the peace but betrayed his hardcore comrades by denying his I.R.A. past--Say Nothing conjures a world of passion, betrayal, vengeance, and anguish.
Some issues, 1943-July 1948, include separately paged and numbered section called Radio-electronic engineering edition (called Radionics edition in 1943).
In The Radio, Leontia Flynn exercises her signature wit, formal inventiveness, bitter irony, and unique blend of vernacular speech and literary allusion. In the title poem, the radio is a portal from the outside world, piping "explosive news" of the Northern Irish Troubles into the poet's childhood home, her mother constantly turning to "field the blow" from her children's ears.
Bestselling author and acclaimed physicist Lawrence Krauss offers a paradigm-shifting view of how everything that exists came to be in the first place. “Where did the universe come from? What was there before it? What will the future bring? And finally, why is there something rather than nothing?” One of the few prominent scientists today to have crossed the chasm between science and popular culture, Krauss describes the staggeringly beautiful experimental observations and mind-bending new theories that demonstrate not only can something arise from nothing, something will always arise from nothing. With a new preface about the significance of the discovery of the Higgs particle, A Universe from Nothing uses Krauss’s characteristic wry humor and wonderfully clear explanations to take us back to the beginning of the beginning, presenting the most recent evidence for how our universe evolved—and the implications for how it’s going to end. Provocative, challenging, and delightfully readable, this is a game-changing look at the most basic underpinning of existence and a powerful antidote to outmoded philosophical, religious, and scientific thinking.
Covering nearly 40 years of his career as arguably the UK's leading music writer this collection pulls together the best pieces about the music he's loved the most - the singers and players whose records have shaped him, and who he's returned to, time and again, never tiring of their greatest tracks.
