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* A fantastic collection of three of Henry James' best-known novels in one superb edition.* Contents: - Washington Square- The Portrait of a Lady- The Bostonians* Just as accessible and enjoyable for today's readers as they would have been when first published, the novels are some of the great works of American literature and continue to be widely read throughout the world.* This meticulous edition from Heritage Publishing is a faithful reproduction of the original text
Catherine Sloper, a plain and unassuming young woman in mid-19th century New Work, becomes entangled in a battle of wills with her overbearing father, Dr. Austin Sloper. When Catherine falls in love with the charming but penniless Morris Townsend, her father is convinced that Townsend is only after her inheritance. As tensions rise and loyalties are tested, Catherine must navigate the complexities of love, betrayal, and familial duty. Set against the backdrop of the genteel society of Washington Square, James' masterful prose captures the nuances of human relationships with precision and depth. Washington Square is a timeless exploration of the clash between duty and desire, innocence and manipulation, making it a captivating read that continues to resonate with readers today. HENRY JAMES [1843 -1916] was born in New York but emigrated to Europe early in life. He is one of the most important figures in Anglo-Saxon turn-of-the-century literature, with novels such as The American [1877] and the horror novel The Turn of the Screw [1898].
Moving beyond established ideas of haunted Henry James, this book argues that death is as important a concept for understanding James's fiction as gender, sexuality and modernity, which have come to dominate James studies. Combining formal analysis and close reading with theoretical and historical approaches and focusing on key novels and tales from across James's career, Andrew Cutting explores five instances of Jamesian death: sacrifice, the corpse, morbidity, afterlife and demography. This is the first full-length study of this subject.
Henry James and the Second Empire by Angus James Wrenn Pdf
"Three years spent in France, during the 'Second Empire' of Napoleon III, gave Henry James an early mastery of the French language and its literature. When he settled in Europe, as an adult, it was not in Britain but, briefly yet crucially, in Paris. This study identifies the 'missing link' in the history of James's literary engagement with France, between Balzac, revered throughout his career, and later French writers. It was Second Empire writers who spurred James's own contribution to the novel. While realism courted official displeasure, culminating in the prosecution of Flaubert's Madame Bovary, and closure of the radical Revue de Paris which serialized it, the conservative Revue des Deux Mondes (to which James subscribed) enjoyed imperial approval. James remained indebted to the authors published in its pages - Edmond About, Victor Cherbuliez, and Octave Feuillet - to his close friend Paul Bourget, and to the era's greatest playwright, Alexandre Dumas fils." --Book Jacket.
Henry James: Novels 1896-1899 (LOA #139) by Henry James Pdf
This Library of America volume collects four novels written by Henry James in the period immediately following his unsuccessful five-year-long attempt to establish himself as a playwright on the London stage. Hoping to convert his “infinite little loss” into “infinite little gain,” James returned to the novelistic examination of English society with a new appreciation for what he called the “divine principle of the Scenario,” “a key that, working in the same general way fits the complicated chambers of both the dramatic and the narrative lock.” His continued interest in dramatic form is demonstrated in The Other House (1896), which was derived from the scenario for a three-act play. Set in two neighboring houses and told mostly through dialogue, the novel explores the violent and tragic consequences of jealousy and frustrated passion. In The Spoils of Poynton (1897), one of the most tightly constructed of James’s late novels, a house and its exquisite antique furnishings and artwork become the source of a protracted struggle involving the proud and imperious Mrs. Gereth, her amiable son, Owen, his philistine fiancée, Mona Brigstock, and the sensitive Fleda Vetch, whose moral judgment is tested by her conflicting allegiances. What Maisie Knew (1897) explores with perception and sensitivity the effect upon a young girl of her parents’ bitter divorce and their subsequent remarriages. In writing the novel James chose as his point of view what he described as “the consciousness, the dim, sweet, scared, wondering, clinging perception of the child.” The Awkward Age (1899) examines the complicated relations among the members of a sophisticated London social circle almost entirely through dialogue as it depicts the shifting marital prospects of a young woman poised on the verge of adult life. Both of these novels insightfully explore the ambiguity of childhood “innocence” amid adult struggles over money, power, and love. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
Henry James: Novels 1901-1902 (LOA #162) by Henry James Pdf
This Library of America volume brings together one of Henry James’s most unusual experiments and one of his most beloved masterpieces Writing to his friend William Dean Howells, Henry James characterized his experimental novel, The Sacred Fount, as the only one of his novels to be told in the first person, as “a fine flight into the high fantastic.” While traveling to the country house of Newmarch for a weekend party, the nameless narrator becomes obsessed with the idea that a person may become younger or cleverer by tapping the “sacred fount” of another person. Convinced that Grace Brissenden has become younger by drawing upon her husband, Guy, the narrator seeks to discover the source of the newfound wit of Gilbert Long, previously “a fine piece of human furniture.” His perplexing and ambiguous quest, and the varying reactions it provokes from the other guests, calls into question the imaginative inquiry central to James’s art of the novel. James described the essential idea of The Wings of the Dove as “a young person conscious of a great capacity for life, but early stricken and doomed, condemned to die under short respite, while also enamoured of the world.” The heroine, a wealthy young American heiress, Milly Theale (inspired by James’s beloved cousin Minny Temple), is slowly drawn into a trap set for her by the English adventuress Kate Croy and her lover, the journalist Morton Densher. The unexpected outcome of their mercenary scheme provides the resolution to a tragic story of love and betrayal, innocence and experience that has long been acknowledged as one of James’s supreme achievements as a novelist. This volume prints the New York Edition text of The Wings of the Dove, and includes the illuminating preface James wrote for that edition. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
Henry James and the Promise of Fiction by Stuart Burrows Pdf
What is the relation between the novel and ethical thought? Henry James and the Promise of Fiction argues that the answer to this question lies not in the content of a work of fiction but in its form. Stuart Burrows explores the relationship between James's ethical vision and his densely metaphorical style, his experiments with narrative time, and his radical reimagining of perspective. Each chapter takes as its starting point a different aspect of an issue at the heart of moral philosophy: the act of promising. Engaging with a range of moral philosophers and literary theorists, most notably David Hume, Friedrich Nietzsche, Paul Ricoeur, and Jacques Derrida, Henry James and the Promise of Fiction argues that James's formal experimentation represents a significant contribution to ethical thought in its own right.
