Nowhere In The Middle Ages Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Nowhere In The Middle Ages book. This book definitely worth reading, it is an incredibly well-written.
In Nowhere in the Middle Ages, Lochrie reveals how utopian thinking was, in fact, "somewhere" in the Middle Ages. In the process, she transforms conventional readings of More's Utopia and challenges the very practice of literary history today.
Author : Albrecht Classen Publisher : Walter de Gruyter GmbH & Co KG Page : 764 pages File Size : 51,9 Mb Release : 2019-08-05 Category : History ISBN : 9783110623079
Pleasure and Leisure in the Middle Ages and Early Modern Age by Albrecht Classen Pdf
Jan Huizinga and Roger Caillois have already taught us to realize how important games and play have been for pre-modern civilization. Recent research has begun to acknowledge the fundamental importance of these aspects in cultural, religious, philosophical, and literary terms. This volume expands on the traditional approach still very much focused on the materiality of game (toys, cards, dice, falcons, dolls, etc.) and acknowledges that game constituted also a form of coming to terms with human existence in an unstable and volatile world determined by universal randomness and fortune. Whether considering blessings or horse fighting, falconry or card games, playing with dice or dolls, we can gain a much deeper understanding of medieval and early modern society when we consider how people pursued pleasure and how they structured their leisure time. The contributions examine a wide gamut of approaches to pleasure, considering health issues, eroticism, tournaments, playing music, reading and listening, drinking alcohol, gambling and throwing dice. This large issue was also relevant, of course, in non-Christian societies, and constitutes a critical concern both for the past and the present because we are all homines ludentes.
Misconceptions About the Middle Ages by Stephen Harris,Bryon L. Grigsby Pdf
Brought together by an impressive, international array of contributors this book presents a representative study of some of the many misinterpretations that have evolved concerning the medieval period.
Author : Albrecht Classen Publisher : Walter de Gruyter GmbH & Co KG Page : 706 pages File Size : 52,8 Mb Release : 2020-08-24 Category : History ISBN : 9783110693782
Imagination and Fantasy in the Middle Ages and Early Modern Time by Albrecht Classen Pdf
The notions of other peoples, cultures, and natural conditions have always been determined by the epistemology of imagination and fantasy, providing much freedom and creativity, and yet have also created much fear, anxiety, and horror. In this regard, the pre-modern world demonstrates striking parallels with our own insofar as the projections of alterity might be different by degrees, but they are fundamentally the same by content. Dreams, illusions, projections, concepts, hopes, utopias/dystopias, desires, and emotional attachments are as specific and impactful as the physical environment. This volume thus sheds important light on the various lenses used by people in the Middle Ages and the early modern age as to how they came to terms with their perceptions, images, and notions. Previous scholarship focused heavily on the history of mentality and history of emotions, whereas here the history of pre-modern imagination, and fantasy assumes center position. Imaginary things are taken seriously because medieval and early modern writers and artists clearly reveal their great significance in their works and their daily lives. This approach facilitates a new deep-structure analysis of pre-modern culture.
Author : Albrecht Classen Publisher : Walter de Gruyter GmbH & Co KG Page : 642 pages File Size : 50,8 Mb Release : 2022-08-22 Category : History ISBN : 9783110776874
Communication, Translation, and Community in the Middle Ages and Early Modern Period by Albrecht Classen Pdf
Die neue englischsprachige Reihe zur Mediävistik strebt eine methodisch reflektierte, anspruchsvolle Verbindung von Text- und Kulturwissenschaft an. Sie widmet sich den kulturellen Grundthemen der mittelalterlichen Welt aus der Perspektive der Literatur- und Geschichtswissenschaft. ‚Grundthemen' sind die kulturprägenden Denkbilder, Weltanschauungen, Sozialstrukturen und Alltagsbedingungen des mittelalterlichen Lebens, also z. B. Kindheit und Alter, Sexualität, Religion, Medizin, Rituale, Arbeit, Armut und Reichtum, Aberglauben, Erde und Kosmos, Stadt und Land, Krieg, Emotionen, Kommunikation, Reisen usw. Die Reihe greift wichtige aktuelle Fachdiskussionen auf und stellt ein Forum der interdisziplinären Mittelalter-Forschung dar. Fundamentals of Medieval and Early Modern Culture steht Sammelbänden ebenso offen wie Monographien. Intention ist immer, kompendienhafte Werke zu zentralen Fragen der mittelalterlichen Kulturgeschichte vorzulegen, die einen soliden Überblick über einen geschlossenen Themenkreis aus der Perspektive verschiedener Fachdisziplinen vermitteln. Im Ganzen bietet die Reihe so eine Enzyklopädie der mittelalterlichen Literatur- und Kulturgeschichte und ihrer Hauptthemen. Es werden ca. zwei Bände pro Jahr erscheinen.
Music in Films on the Middle Ages by John Haines Pdf
This book explores the role of music in the some five hundred feature-length films on the Middle Ages produced between the late 1890s and the present day. Haines focuses on the tension in these films between the surviving evidence for medieval music and the idiomatic tradition of cinematic music. The latter is taken broadly as any musical sound occurring in a film, from the clang of a bell off-screen to a minstrel singing his song. Medieval film music must be considered in the broader historical context of pre-cinematic medievalisms and of medievalist cinema’s main development in the course of the twentieth century as an American appropriation of European culture. The book treats six pervasive moments that define the genre of medieval film: the church-tower bell, the trumpet fanfare or horn call, the music of banquets and courts, the singing minstrel, performances of Gregorian chant, and the music that accompanies horse-riding knights, with each chapter visiting representative films as case studies. These six signal musical moments, that create a fundamental visual-aural core central to making a film feel medieval to modern audiences, originate in medievalist works predating cinema by some three centuries.
"The High Middle Ages" covers a period of recovery between two of the darkest periods in European history. Farming innovations, the growth of monarchical rule, the dramatic rebirth of towns and cities, and the formation of the world's first universities are among the topics vividly documented in this richly illustrated text. You will also find informational texts about the Crusades. Challenging review questions encourage meaningful reflection and historical analysis. A unit test and answer key are included.
The Middle Ages (ENHANCED eBook) by Tim McNeese Pdf
"The Middle Ages" (A.D. 500—1300) covers one of the darkest periods in European history—from the collapse of the Roman Empire through centuries of chaos, destruction, and barbarian rule. The civilizing power of the church, the rise of feudalism, the growth of monarchical rule, the dramatic rebirth of towns and cities, and the formation of the world's first universities are among the events vividly documented in this richly illustrated text. Challenging map exercises and provocative review questions encourage meaningful reflection and historical analysis. Tests and answer keys are included.
Moritz Steinschneider. The Hebrew Translations of the Middle Ages and the Jews as Transmitters by Charles H. Manekin,Hans Hinrich Biesterfeldt Pdf
This book surveys Hebrew manuscripts of Aristotelian philosophy and logic. It presents a translation and revision of part of Moritz Steinschneider’s monumental Die Hebraeischen Übersetzungen des Mittelalters und die Juden als Dolmetscher (The Hebrew Translations of the Middle Ages and the Jews as Interpreters). This resource was first published in 1893. It remains to this day the authoritative account of the transmission and development of Arabic and Latin, and, by way of those languages, Greek culture to medieval and renaissance Jews. The editors have updated Steinschneider’s bibliography. They have also judiciously revised some of his scholarly judgments. In addition, the volume provides an exhaustive listing of pertinent Hebrew manuscripts and their whereabouts. The section on logic, including texts hitherto unknown, represents the latest research in the history of medieval logic in Hebrew. This publication is the second in a series of volumes that translates, updates, and, where necessary, revises parts of Steinschneider’s bio-bibliographical classic work on Hebrew manuscripts of philosophical encyclopedias, manuals, and logical writings. Historians of medieval culture and philosophy, and also scholars of the transmission of classical culture to Muslims, Christians, and Jews, will find this volume indispensable.
Whose Middle Ages? by Andrew Albin,Mary C. Erler,Thomas O'Donnell,Nicholas L. Paul,Nina Rowe Pdf
“An ethical and accessible introduction to a historical period often implicated in racist narratives of nationalism and imperialism.” —Sierra Lomuto, Assistant Professor of Global Medieval Literature, Rowan University A collection of twenty-two essays, Whose Middle Ages? gives nonspecialists access to the richness of our historical knowledge while debunking damaging misconceptions about the medieval past. Myths about the medieval period are especially beloved among the globally resurgent far right, from crusading emblems on the shields borne by alt-right demonstrators to the on-screen image of a purely white European populace defended from actors of color by Internet trolls. This collection attacks these myths directly by insisting that readers encounter the relics of the Middle Ages on their own terms. Each essay uses its author’s academic research as a point of entry and takes care to explain how the author knows what she or he knows and what kinds of tools, bodies of evidence, and theoretical lenses allow scholars to write with certainty about elements of the past to a level of detail that might seem unattainable. By demystifying the methods of scholarly inquiry, Whose Middle Ages? serves as an antidote not only to the far right’s errors of fact and interpretation but also to its assault on scholarship and expertise as valid means for the acquisition of knowledge. “In example after example, the authors show how people shape the Middle Ages to reflect their fears and dreams for themselves and for society. The results range from the amusing to the horrifying, from video games to genocide. Whose Middle Ages? Everyone’s, but not everyone’s in the same way.” —Michelle R. Warren, author of Creole Medievalism
Author : Albrecht Classen Publisher : Walter de Gruyter GmbH & Co KG Page : 652 pages File Size : 47,5 Mb Release : 2023-09-04 Category : History ISBN : 9783111190228
Globalism in the Middle Ages and the Early Modern Age by Albrecht Classen Pdf
Although it is fashionable among modernists to claim that globalism emerged only since ca. 1800, the opposite can well be documented through careful comparative and transdisciplinary studies, as this volume demonstrates, offering a wide range of innovative perspectives on often neglected literary, philosophical, historical, or medical documents. Texts, images, ideas, knowledge, and objects migrated throughout the world already in the pre-modern world, even if the quantitative level compared to the modern world might have been different. In fact, by means of translations and trade, for instance, global connections were established and maintained over the centuries. Archetypal motifs developed in many literatures indicate how much pre-modern people actually shared. But we also discover hard-core facts of global economic exchange, import of exotic medicine, and, on another level, intensive intellectual debates on religious issues. Literary evidence serves best to expose the extent to which contacts with people in foreign countries were imaginable, often desirable, and at times feared, of course. The pre-modern world was much more on the move and reached out to distant lands out of curiosity, economic interests, and political and military concerns. Diplomats crisscrossed the continents, and artists, poets, and craftsmen traveled widely. We can identify, for instance, both the Vikings and the Arabs as global players long before the rise of modern globalism, so this volume promises to rewrite many of our traditional notions about pre-modern worldviews, economic conditions, and the literary sharing on a global level, as perhaps best expressed by the genre of the fable.
Medievalism and the Quest for the Real Middle Ages by Clare A. Simmons Pdf
Medievalism, the later reception of the Middle Ages, has been used by many writers, not just during the Victorian period but from the Renaissance to the present, as a means of commenting on their own societies and systems of values. Until recently, this self-interest was used to distinguish between Medievalism, a selective, often romanticised, view of the past, and medieval studies, with its quest for an authentic Middle Ages. The essays in this collection suggest that the search for knowledge of a "real" Middle Ages has always been a problematic one, and that the vitality of the vision of Medievalism is demonstrated by its constant adaption to current concerns.
English in the Middle Ages by Tim William Machan Pdf
"Professor Machan explores for the first time fully a new dimension in the understanding of the role of the English language in medieval England. He is rigorous and sceptical in his examination of assumptions that have come to be too easily accepted - about the rise of 'standard' English, about 'linguistic nationalism', about the role of Lollardy in fostering the vernacular, about the intrinsic funniness of regional dialects. He uses literary texts well, and offers, from his particular linguistic vantage-point, new and compelling interpretations of the dialect northernisms in Chaucer's Reeve's Tale and of the subtleties of the 'sociolect' of courtly love-conversation in Sir Gawain and the Green Knight.. Derek Pearsall , Harvard University What did people in England in the Middle Ages think about language? What was their view of English, French, and Latin, and how did this influence the way they communicated? This book uses these questions as a basis for a ground-breaking investigation into the use and status of the English language in medieval England. Professor Machan suggests that many linguistic, literary, and historical considerations of medieval statements on language have significantly failed to take into account the social and linguistic contexts of their production. In this volume he explores not only medieval ideas about language but also the discursive traditions which generated them. English in the Middle Ages draws upon a wide range of documentary evidence, including most notably the royal letters issued in 1258 prior to the Barons' War. The author also analyses the language spoken by Chaucer's pilgrims, the conversations in 'Sir Gawain and the Green Knight', and many other chronicles, poems, and commentaries. The book concludes with a consideration of the post-medieval history of the status of English in law, literature, and education. The book will interest scholars from a range of disciplines - particularly linguistics, literature, and history - and is written in clear, non-technical language.
A Cultural History of Theatre in the Middle Ages by Jody Enders Pdf
Historically and broadly defined as the period between the fall of the Roman Empire and the rise of the Renaissance, the Middle Ages encompass a millennium of cultural conflicts and developments. A large body of mystery, passion, miracle and morality plays cohabited with song, dance, farces and other public spectacles, frequently sharing ecclesiastical and secular inspiration. A Cultural History of Theatre in the Middle Ages provides a comprehensive and interdisciplinary overview of the cultural history of theatre between 500 and 1500, and imaginatively pieces together the puzzle of medieval theatre by foregrounding the study of performance. Each of the ten chapters of this richly illustrated volume takes a different theme as its focus: institutional frameworks; social functions; sexuality and gender; the environment of theatre; circulation; interpretations; communities of production; repertoire and genres; technologies of performance; and knowledge transmission.
Following Chaucer: Offices of the Active Life explores three representative figures—the royal woman, the poet, and the merchant—in relation to the concept of “office,” which Cicero linked to the health of the republic, but Chaucer to that of the common good. Not usually conjoined to the term “office,” these three figures, situated in the active life, were not firmly mapped onto the body politic, which was used to figure a relational and ordered social body ruled by the king, the head. These figures are points of entry into a set of questions rooted in Chaucer’s understanding of his cultural and historical past and in his keen appraisal of the social dynamics of his own time that also reverberate in the centuries after Chaucer’s death. Following Chaucer does not trace influence but uses Chaucer’s likely reading, circumstances, and literary and social affiliations as guides to understanding his poetry, within the context of late medieval English culture and the reshaping of the concept of these particular offices that suited the needs of a future whose dynamics he anticipated. His understanding of the importance of the Ciceronian concept of office within the active life, his profound cultural awareness, and his probing of the foundations of social change provide him with a keen sense of the persistent tensions and inconsistencies that are fundamental to his poetry.
