Oburoni And Other Stories Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Oburoni And Other Stories book. This book definitely worth reading, it is an incredibly well-written.
Oburoni symbolises the sense of individuality, of being different, and yet warmly accepted. So it is for John in a land far away from home. This sense of change pervades Brian and Pats new home, Trishs search for a job, and Toms purchase, while Johns reflections on his life are echoed by Sonia on her long journey and the students first assignment. Life involves family, whether watching a favourite TV program, welcoming long-lost relatives, or seeking a beloved son. All of which form the ingredients of these tales, with their different themes and backgrounds, peaking in the joy of New Year celebrations.
Oburoni symbolises the sense of individuality, of being different, and yet warmly accepted. So it is for John in a land far away from home. This sense of change pervades Brian and Pat's new home, Trish's search for a job, and Tom's purchase, while John's reflections on his life are echoed by Sonia on her long journey and the students? first assignment. Life involves family, whether watching a favourite TV program, welcoming long-lost relatives, or seeking a beloved son. All of which form the ingredients of these tales, with their different themes and backgrounds, peaking in the joy of New Year celebrations.
Mondo and Other Stories by Jean-Marie Gustave Le Clézio Pdf
A collection of eight short stories in which Nobel Prize-winning author J. M. G. Le Clézio examines a longing for life outside of the confines of modern existence.
Shortlisted for the Desmond Elliott Prize • Longlisted for the Dylan Thomas Prize • Nominated for the Edinburgh First Book Award • One of The Observer's "New Faces of Fiction" • One of The Millions' "Most Anticipated Books of the Year" • One of The Guardian's "Best Summer Books" (Selected by Kayo Chingonyi and Joe Dunthorne) • One of Library Journal's "Most Anticipated Fall Debuts" • One of The Observer's Best Books of the Year • An NPR "Staff Pick" and One of the NPR Book Concierge's "Best Books of the Year" A Go On Girl! Book Club Selection "Immensely readable...A refreshing story about coming of age in spite of conflicting ideas of what 'growing up' means."—Buzzfeed (The Best Books of Fall) A moving and unexpectedly funny exploration of friendship and family, shame and forgiveness, Michael Donkor's debut novel follows three adolescent girls grappling with a shared experience: the joys and sorrows of growing up. Belinda knows how to follow the rules. As a housegirl, she has learned the right way to polish water glasses, to wash and fold a hundred handkerchiefs, and to keep a tight lid on memories of the village she left behind when she came to Kumasi. Mary is still learning the rules. Eleven-years-old and irrepressible, the young housegirl-in-training is the little sister Belinda never had. Amma has had enough of the rules. A straight-A student at her exclusive London school, she has always been the pride of her Ghanaian parents—until now. Watching their once-confident teenager grow sullen and wayward, they decide that sensible Belinda is the shining example Amma needs. So Belinda must leave Mary behind as she is summoned from Ghana to London, where she tries to impose order on her unsettling new world. As summer turns to autumn, Belinda and Amma are surprised to discover common ground. But when the cracks in their defenses open up, the secrets they have both been holding tightly threaten to seep out.
Author : John M. Chernoff Publisher : University of Chicago Press Page : 442 pages File Size : 40,7 Mb Release : 2013-02-11 Category : Social Science ISBN : 9780226074795
While living in West Africa in the 1970s, John Chernoff recorded the stories of "Hawa," a spirited and brilliant but uneducated woman whose insistence on being respected and treated fairly propelled her, ironically, into a life of marginality and luck as an "ashawo," or bar girl. Rejecting traditional marriage options and cut off from family support, she is like many women in Africa who come to depend on the help they receive from one another, from boyfriends, and from the men they meet in bars and nightclubs. Refusing to see herself as a victim, Hawa embraces the freedom her lifestyle permits and seeks the broadest experience available to her. In Exchange Is Not Robbery and its predecessor, Hustling Is Not Stealing, a chronicle of exploitation is transformed by verbal art into an ebullient comedy. In Hustling Is Not Stealing, Hawa is a playful warrior struggling against circumstances in Ghana and Togo. In Exchange Is Not Robbery, Hawa returns to her native Burkina Faso, where she achieves greater control over her life but faces new difficulties. As a woman making sacrifices to live independently, Hawa sees her own situation become more complex as she confronts an atmosphere in Burkina Faso that is in some ways more challenging than the one she left behind, and the moral ambiguities of her life begin to intensify. Combining elements of folklore and memoir, Hawa's stories portray the diverse social landscape of West Africa. Individually the anecdotes can be funny, shocking, or poignant; assembled together they offer a sweeping critical and satirical vision.
'Engrossing and memorable' Ben Okri 'Meditative, gestural, philosophic: a brave reinvention of the immigrant narrative ... Unprecedented' Taiye Selasi 'I read this novel very slowly. I didn't want to miss anything ... It is a rich, beautiful book and when I got to the end, I wanted to start again' Chibundu Onuzo Maya grows up in Germany knowing that her parents are different: from one another, and from the rest of the world. Her reserved, studious father is distant; and her beautiful, volatile mother is a whirlwind, with a penchant for lavish shopping sprees and a mesmerising power for spinning stories of the family's former glory – of what was had, and what was lost. And then Kojo arrives one Christmas, like an annunciation: Maya's cousin, and her mother's godson. Kojo has a way with words – a way of talking about Ghana, and empire, and what happens when a country's treasures are spirited away by colonialists. For the first time, Maya has someone who can help her understand why exile has made her parents the way they are. But then Maya and Kojo are separated, shuttled off to school in England, where they come face to face with the maddening rituals of Empire. Returning to Ghana as a young woman, Maya is reunited with her powerful but increasingly troubled cousin. Her homecoming will set off an exorcism of their family and country's strangest, darkest demons. It is in this destruction's wake that Maya realises her own purpose: to tell the story of her mother, her cousin, their land and their loss, on her own terms, in her own voice.
'Touchpoints' refers to the spark of familiarity generated when we read a story that rings true of our own experience. It covers feelings about the weather, holidays, childhood memories, captivity, setbacks, farewells, grief and devastation. Some carry the warmth of pleasant memories, others the mental pain of harshness and finality in life. Each story has its own set of experiences and associated emotions that confirm our empathy with life's serious and light hearted sides.
In this epochal historical novel, Professor Modey takes another look at both the European slave trade to Africa and plantation slavery in the New World, both are old subjects. He dramatizes an imaginary journey of apology and shows how a delegation from fundamentalist groups from the former Old South traveled to Africa to show genuine remorse, make atonement and ask for reconciliation from the chiefs. He points out how the Europeans and Americans, who had the lions share of the trade and made tons of wealth from it, must go past the sugar coated words of apology---make atonement for the profane past and ask for final reconciliation. He points out in the book that regardless of what people think, Africans did not invite the Europeans to their shores to buy their blood brothers and sisters. The Oburonis just showed up in Africa, but claimed that they just stumbled upon the continent. They imposed the slave trade on the African people using their guns and cannons to force the chiefs to exchange prisoners of war for guns, broadcloth and rum. So he said Africans are the victims and should not be going around doing all the apologizing and performing atonement rituals. The opposition to the slave trade from the African chiefs and kings is well-dramatized in the historical novel. He discusses the physical and demographic effects of the mfecane in detail. He demonstrated that the most lasting impacts are the psychological scars---inferiority complex in Africans everywhere and institutionalized racism across the globe. Hence the struggles to overcome the forces---betrayal, disunity, distrust and, unlike the recent economic success of Asian nations, the African leaders inability to experience similar success in the modern global economy effectively, he blames on the Americans and Europeans because of the stigma. He discusses efforts to apologize for the slave trade---the Archbishop of Canterbury, the Southern Baptists, the USA Congress and Senate, several American states such as Virginia, North Carolina and New Jersey. But Professor Modey points out that, instead of sweet sugar-coated words of apologies, the African leaders need atonement---help for Africa to heal from the lingering effects of the notorious slave trade. But he wants the Europeans and Americans to put Africa back where it once was before their ancestors came and decimated the continent with the wicked trade and destroyed the continent at iconoclastic proportions. Though the setting of the book is the Panfest festival at Cape Coast, Ghana, highlighting the dungeons, the Palaver Hall, the Portuguese chapels, the cannons, the lighthouse and the Shrine of Music, the author uses Memphis, Tennessee to demonstrate the lingering impact of plantation slavery on the Africans in the Diaspora. The author dramatizes how time is running out for atonement and present scenarios of remarkable disastrous consequences if the descendants of the former slave trades and plantation slave owners refuse to atone for the profane past. In spite of his drama of disasters and turmoil emanating from the restless souls of the dearly departed, the book, however, ends on a note of optimism about the future---Africa shall rise and the world would eventual emerge from the ashes of the greatest calamity in global history.
It was in the middle of the harmattan season, and the weather was hot and humid. The scorching rays of the sun had sucked the moisture out of every plant in the land and had turned the green leaves into dark yellow in color. Many of the leaves had fallen to the ground and had begun to decompose into dark loamy soil--rich, fertile land, innocent and untouched. And that was the way it was in ancient times. That was the way it was until the Oburoni slave traders arrived on the continent and changed everything, imposing their greed and guns on the inhabitants. The dry, humid air left many people panting for breath and sweating profusely. The women complained bitterly, the children suppressed their discomfort, but the men simply ignored the weather because they had bigger problems on their minds. They'd been thinking about the death and the devastation that the Oburoni intruders, these uninvited aliens, had unleashed on the land.
This critical text is a timely ethnography of how global powers, local resistance, and capital flows are shaping contemporary African foodways. Ghana was one of the first countries targeted by a group of US donors and agribusiness corporations that funded an ambitious plan to develop genetically modified (GM) crops for African farmers. The collective believed that GM crops would help farmers increase their yields and help spark a “new” Green Revolution on the continent. Soon after the project began in Ghana, a nationwide food sovereignty movement emerged in opposition to GM crops. Today, in spite of impressive efforts and investments by proponents, only two GM crops remain in the pipeline. Why, after years of preparation, millions of dollars of funding, and multiple policy reforms, did these megaprojects effectively come to a halt? One of the first ethnographies to take on the question of GM crops in the African context, We Are Not Starving: The Struggle for Food Sovereignty in Ghana blends archival analysis, interviews, and participant observation with Ghanaian scientists, farmers, activists, and officials. Ultimately the text aims to illuminate why GM crops have animated the country and to highlight how their introduction has opened an opportunity to air grievances about the systematic de-valuing and exploitation of African land, labor, and knowledge that have been centuries in the making.
A 2021 Edgar Nominee for Best Novel Accra private investigator Emma Djan's first missing persons case will lead her to the darkest depths of the email scams and fetish priests in Ghana, the world's Internet capital. When her dreams of rising through the Accra police ranks like her late father crash around her, 26-year-old Emma Djan is unsure what will become of her career. Through a sympathetic former colleague, Emma gets an interview with a private detective agency that takes on cases of missing persons, theft, and infidelity. It’s not the future she imagined, but it’s her best option. Meanwhile, Gordon Tilson, a middle-aged widower in Washington, DC, has found solace in an online community after his wife’s passing. Through the support group, he’s even met a young Ghanaian widow he’s come to care about. When her sister gets into a car accident, he sends her thousands of dollars to cover the hospital bill—to the horror of his only son, Derek. Then Gordon decides to surprise his new love by paying her a visit—and disappears. Fearing for his father’s life, Derek follows him across the world to Ghana, Internet capital of the world, where he and Emma will find themselves deep in a world of sakawa scams, fetish priests, and those willing to kill to protect their secrets.
Author : Mary Weismantel Publisher : University of Chicago Press Page : 377 pages File Size : 44,5 Mb Release : 2001-12-15 Category : Social Science ISBN : 9780226891545
Winner of the 2003 Senior Book Prize from the American Ethnological Society. Cholas and Pishtacos are two provocative characters from South American popular culture—a sensual mixed-race woman and a horrifying white killerwho show up in everything from horror stories and dirty jokes to romantic novels and travel posters. In this elegantly written book, these two figures become vehicles for an exploration of race, sex, and violence that pulls the reader into the vivid landscapes and lively cities of the Andes. Weismantel's theory of race and sex begins not with individual identity but with three forms of social and economic interaction: estrangement, exchange, and accumulation. She maps the barriers that separate white and Indian, male and female-barriers that exist not in order to prevent exchange, but rather to exacerbate its inequality. Weismantel weaves together sources ranging from her own fieldwork and the words of potato sellers, hotel maids, and tourists to classic works by photographer Martin Chambi and novelist José María Arguedas. Cholas and Pishtacos is also an enjoyable and informative introduction to a relatively unknown region of the Americas.
Accra joins Lagos, Nairobi, Marrakech, and Addis Ababa in representing the African continent in the Noir Series arena. “Superb . . . Each story reaffirms how fundamental ‘place’ is to the noir genre and how the locale shapes the story as much as the characters themselves . . . Strongly recommended.” —Library Journal “There’s good writing as well as a strong sense of place and culture, and the reader will absorb a side of Accra that doesn’t make it into the tourist brochures.” —New York Journal of Books Akashic Books continues its award-winning series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each book comprises all new stories, each one set in a distinct neighborhood or location within the respective city. Brand-new stories by: Nana Ekua Brew-Hammond, Kwame Dawes, Adjoa Twum, Kofi Blankson Ocansey, Billie McTernan, Ernest Kwame Nkrumah Addo, Patrick Smith, Anne Sackey, Gbontwi Anyetei, Nana-Ama Danquah, Ayesha Harruna Attah, Eibhlín Ní Chléirigh, and Anna Bossman.