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Ojibway Ceremonies provides a unique and fascinating glimpse of Ojibway culture before its disruption by European civilization. It is the story of the Ojibway told through the ceremonies which dominated the most important occasions and stages of their existence. As a young boy grows up, we see him develop through his involvement in the many rituals so important to the Ojibway way of life. From the Naming Ceremony and the Vision Quest to the War Path, from the Marriage Ceremony to the Ritual of the Dead, we see the attitudes and beliefs of the Ojibway people come alive.
Rarely accessible beyond the limits of its people, Ojibway mythology is as rich in meaning and mystery, as broad, as deep, and as innately appealing as the mythologies of Greece, Rome, Egypt, and other civilizations. In Ojibway Heritage, Basil Johnston sets forth the broad spectrum of his people’s life, legends, and beliefs. Stories to be read, enjoyed, dwelt on, and freely interpreted, their authorship is perhaps most properly attributed to the tribal storytellers who have carried on the oral tradition which Basil Johnston records and preserves in this book.
The Ojibway Indians were first encountered by the French early in the seventeenth century along the northern shores of Lakes Huron and Superior. By the time Henry Wadsworth Longfellow immortalized them in The Song of Hiawatha, theyøhad dispersed over large areas of Canada and the United States, becoming known as the Chippewas in the latter. A rare and fascinating glimpse of Ojibway culture before its disruption by the Europeans is provided in Ojibway Ceremonies by Basil Johnston, himself an Ojibway who was born on the Parry Island Indian Reserve. Johnston focuses on a young member of the tribe and his development through participation in the many rituals so important to the Ojibway way of life, from the Naming Ceremony and the Vision Quest to the War Path, and from the Marriage Ceremony to the Ritual of the Dead. In the style of a tribal storyteller, Johnston preserves the attitudes and beliefs of forest dwellers and hunters whose lives were vitalized by a sense of the supernatural and of mystery.
Celebrated Ojibway author Richard Wagamese shares the traditions and teachings of his people, entwining them with an account of his own life-long struggle for self-knowledge and self-respect. Richard Wagamese stares the modern world in the eye and takes careful note of its snares and perils. He sees people coveting without knowing why, people looking for roots without understanding what might constitute rootedness, people looking for acceptance without offering reciprocal respect, and people longing for love without knowing how to offer it. And underneath all lurks the seductive oblivion of substance abuse. These are the pitfalls of his own life, dangers he hopes his estranged son, Joshua, will be able to navigate with the guidance afforded by this heartfelt memoir. Richard Wagamese has no easy answers. His road to self-knowledge has been long and treacherous - and it is in part this series of trials that has furnished him if not with a complete set of answers then at least a profound understanding of the questions. Again and again Wagamese brings universal problems into astonishingly sharp focus by sharing the special wisdom of Canada's First Nations, while reminding us that we are not so different after all.
History of the Ojibway People, Second Edition by William Whipple Warren Pdf
First published in 1885 by the Minnesota Historical Society, the book has also been criticized by Native and non-Native scholars, many of whom do not take into account Warren's perspective, goals, and limitations. Now, for the first time since its initial publication, it is made available with new annotations researched and written by professor Theresa Schenck. A new introduction by Schenck also gives a clear and concise history of the text and of the author, firmly establishing a place for William Warren in the tradition of American Indian intellectual thought.--
Rarely accessible beyond the limits of its people, Ojibway mythology is as rich in meaning and mystery, as broad, as deep, and as innately appealing as the mythologies of Greece, Rome, Egypt, and other civilizations. In Ojibway Heritage, Basil Johnston sets forth the broad spectrum of his people’s life, legends, and beliefs. Stories to be read, enjoyed, dwelt on, and freely interpreted, their authorship is perhaps most properly attributed to the tribal storytellers who have carried on the oral tradition which Basil Johnston records and preserves in this book.
“The most profound truth in the universe is this: that we are all one drum and we need each other.” —Richard Wagamese, One Drum Fans of Richard Wagamese’s writing will be heartened by the news that the bestselling author left behind a manuscript he’d been working on until shortly before his death in 2017. One Drum welcomes readers to unite in ceremony to heal themselves and bring harmony to their lives and communities. In One Drum, Wagamese wrote, “I am not a shaman. Nor am I an elder, a pipe carrier, or a celebrated traditionalist. I am merely one who has trudged the same path many of this human family has—the path of the seeker, called forward by a yearning I have not always understood.” One Drum draws from the foundational teachings of Ojibway tradition, the Grandfather Teachings. Focusing specifically on the lessons of humility, respect and courage, the volume contains simple ceremonies that anyone anywhere can do, alone or in a group, to foster harmony and connection. Wagamese believed that there is a shaman in each of us, and we are all teachers and in the world of the spirit there is no right way or wrong way. Writing of neglect, abuse and loss of identity, Wagamese recalled living on the street, going to jail, drinking too much, feeling rootless and afraid, and then the feeling of hope he gained from connecting with the spiritual ways of his people. He expressed the belief that ceremony has the power to unify and to heal for people of all backgrounds. “When that happens,” he wrote, “we truly become one song and one drum beating together in a common purpose—and we are on the path to being healed.”
The Ojibway Indians' sense of humor sparkles through these stories set on the fictional Moose Meat Point Indian Reserve, connected by a dirt road to the town of Blunder Bay. If some of them seem "farfetched and even implausible," Basil L. Johnston writes, "it is simply because human beings very often act and conduct their affairs and those of others in an absurd manner." ø These twenty-two stories were originally collected under the title Moose Meat and Wild Rice. Among the most memorable of the stories is "They Don't Want No Indians," in which all attempts are made to circumvent bureaucratic red tape and transport a dead Indian to his home for burial. One of the funniest is "Indian Smart: Moose Smart," which pits a moose in a lake against six Moose Meaters in two canoes. "If You Want to Play" and "Secular Revenge" are the result of misunderstanding or imperfect communication. Still other stories, like "What Is Sin?" and "The Kiss and the Moonshine," reveal the clash of different cultural approaches. All show the warm-heartedness and good will of the Ojibway Indians. If they are gently satirized, so are the whites who would change them, and with good reason. Government ineptitude and rigid piety are foisted on the Moose Meaters, who have only thirty thousand acres to move around in.
Moose Meat and Wild Rice is a unique comic collection by one of Canada’s first and most successful Aboriginal authors, who turns his talents to a mischievous (but never malicious) depiction of Ojibway and Ojibway-White relations, with the gentle satire cutting both ways. Light, but nevertheless realistic, told as fiction but based in fact, the escapades undertaken by the populace of Moose Meat Point Reserve encompass havoc and hilarity, prejudice and pretence.
"Life sometimes is hard. There are challenges. There are difficulties. There is pain. As a younger man I sought to avoid them and only ever caused myself more of the same. These days I choose to face life head on—and I have become a comet. I arc across the sky of my life and the harder times are the friction that lets the worn and tired bits drop away. It's a good way to travel; eventually I will wear away all resistance until all there is left of me is light. I can live towards that end." —Richard Wagamese, Embers In this carefully curated selection of everyday reflections, Richard Wagamese finds lessons in both the mundane and sublime as he muses on the universe, drawing inspiration from working in the bush—sawing and cutting and stacking wood for winter as well as the smudge ceremony to bring him closer to the Creator. Embers is perhaps Richard Wagamese's most personal volume to date. Honest, evocative and articulate, he explores the various manifestations of grief, joy, recovery, beauty, gratitude, physicality and spirituality—concepts many find hard to express. But for Wagamese, spirituality is multifaceted. Within these pages, readers will find hard-won and concrete wisdom on how to feel the joy in the everyday things. Wagamese does not seek to be a teacher or guru, but these observations made along his own journey to become, as he says, "a spiritual bad-ass," make inspiring reading.
This book is about the clan system of the Ojibway First Nations people of Canada and the animal totems, or spirits that represent them. The clan system is made up of a group of families, or clans that are descended from a common ancestor through family chiefs. This system provides leadership and organization within the community and plays a very important role in our culture, creating harmony and direction for each member of the tribe.
This companion volume to an exhibition at the National Museum of the American Indian in New York reveals how Anishinaabe (also known in the United States as Ojibwe or Chippewa) artists have expressed the deeply rooted spiritual and social dimensions of their relations with the Great Lakes region. Featuring 70 color images of visually powerful historical and contemporary works, Before and After the Horizon is the only book to consider the work of Anishinaabe artists overall and to discuss 500 years of Anishinaabe art history.
Honour Earth Mother is an inspiring reminder of the affection and reverence that the Native peoples of North America have had for the land. For Native peoples the earth was special, the dwelling place of manitous and spirits and the repository of the bones of generations of ancestors. And the earth remains today a deep wellspring of revelations and unveiled mysteries for those who take time to watch, listen, and reflect. Celebrated Ojibwa writer Basil Johnston invites us to go into the woods and meadows, mountains, valleys, and seashores to watch miracles still unfolding, to listen to nature's symphonies, to feel the pulse of the earth, to take in the fragrances, and to sense the awesome. His stories of the creatures, seasons, and landscape of the earth reveal a land that has never stopped brimming with beauty, song, and dance.
