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Women Who Dare Intrigue, Danger and Passion One summer in New Orleans— Madeline Johnson is determined to uncover the truth about her brother. His last words—a cry for help on Maddie's answering machine—contradict what the New Orleans police are telling her. The cops seem in a real hurry to close the case, and the one detective who may be able to help is about to go on vacation. Alex Batiste's vacation plans are set. His daughter's come to stay with him and, along with the usual teenage problems, the girl—encouraged by Alex's ex-wife—has a bad attitude toward her father. So police work is the furthest thing from Alex's mind. But it's not that easy to get the beautiful Maddie out of his mind. Apart from her persistence and her unwavering belief in her brother—traits he admires—she seems to know all the right things to say and do around his daughter. Now helping Maddie is becoming more than simply doing his job.
"[Christopher] Fowler repeatedly challenges the reader to redraw the boundaries between innocence and malevolence, rationality and paranoia. His strength lies in the way he unveils the darker side of the ordinary."-Guardian A geologist trapped in a town without water is lured into a desperate escape plan. A boy plans a murder in an eerie funfair. A cop witnesses an inexplicable plague of madness. A teenager learns a deadly trick with his cell phone. Christopher Fowler's tenth collection of uniquely disturbing short stories contains the blackest humor and the darkest fears. Christopher Fowler is the author of twelve novels, including the Bryant & May series. He lives in London.
The Poets of Tin Pan Alley by Philip Furia,Laurie J. Patterson Pdf
"Mrs. Oscar Hammerstein, so the story goes, once overheard someone praise "Ol' Man River" as a "great Kern song." "I beg your pardon," she said, "But Jerome Kern did not write 'Ol' Man River.' Mr. Kern wrote dum dum dum da; my husband wrote ol' man river." It's easy to understand her frustration. While the years between World Wars I and II have long been hailed as the "golden age" of American popular song, it is the composers, not the lyricists, who always usually get top billing. "I love a Gershwin tune" too often means just that-the tune-even though George Gershwin wrote many unlovable tunes before he began working with his brother Ira in 1924. Few people realize that their favorite "Arlen" songs each had a different lyricist-Ted Koehler for "Stormy Weather," Yip Harburg for "Over the Rainbow," Johnny Mercer for "That Old Black Magic." Only Broadway or Hollywood buffs know which "Kern" songs get their wry touch from Dorothy Fields, who would flippantly rhyme "fellow" with "Jello," and which of Kern's sonorous melodies got even lusher from Otto Harbach, who preferred solemn rhymes like "truth" and "forsooth." Jazz critics sometimes pride themselves on ignoring the lyrics to Waller and Ellington "instrumentals," blithely consigning Andy Razaf or Don George to oblivion"--
This classic astrology text, revered by beginners and professional astrologers alike, is now available in a Weiser Classics edition. “The most important single contribution of twentieth-century astrology is that astrology is not a map of one’s fixed destiny but is a potential map of the unfolding of the authentic, higher self.” —Robert Hand, from the foreword Saturn’s darker persona is recognized universally in myth and fairytale. In this classic astrology text, renowned astrologer and Jungian analyst Liz Greene offers a fresh perspective on how to handle the influence of this much-maligned astrological symbol. In Saturn, Greene shows us how the frustrating experiences connected to this planet can be turned into opportunities for greater insight and meaning in our lives. Saturn, she says, symbolizes a psychic process—one that allows us to utilize the experience of pain for self-discovery and a more fulfilling and complete life. Greene retraces Saturn’s character through sign, house, aspect, and synastry in a brilliant analysis that reveals his other face: that of the initiator who, for the price of our honesty with ourselves, offers us greater consciousness, self-understanding, and, eventually, freedom.
The Brighton series continues and “takes a turn towards the occult” with “well-wrought prose, an appealing new character . . . and a deadly climax” (Booklist). Something strange is in the Brighton air. Everywhere newly-promoted Sarah Gilchrist looks, unsettling things are happening. A Wicker Man is burned on the beach at dawn with a body inside; a painting titled The Devil’s Altar is stolen from the Brighton Museum; a vicar who casts out demons goes missing; and a rare medieval manuscript of the occult Key of Solomon is stolen from the Jubilee Library. Then Gilchrist’s flatmate, Kate Simpson, discovers that acts of sacrilege and grave robbing have been routinely taking place in Brighton and the surrounding villages. And ex-Chief Constable Bob Watts is puzzling over inscriptions in his late father’s books. Specifically, books by occult writers Dennis Wheatley, Colin Pearson—and the feared Aleister Crowley, cremated in Brighton in 1947. Old Religion and New Age collide and the body count mounts as the Devil’s Moon slowly rises . . . “Guttridge’s fourth dispatch from Brighton features many of the same characters as the first three but is more cerebral and slower paced. In its own different way, however, it’s just as literate and exciting.” —Kirkus Reviews
Reading Lyrics by Robert Gottlieb,Robert Kimball Pdf
A comprehensive anthology bringing together more than one thousand of the best American and English song lyrics of the twentieth century; an extraordinary celebration of a unique art form and an indispensable reference work and history that celebrates one of the twentieth century’s most enduring and cherished legacies. Reading Lyrics begins with the first masters of the colloquial phrase, including George M. Cohan (“Give My Regards to Broadway”), P. G. Wodehouse (“Till the Clouds Roll By”), and Irving Berlin, whose versatility and career span the period from “Alexander’s Ragtime Band” to “Annie Get Your Gun” and beyond. The Broadway musical emerges as a distinct dramatic form in the 1920s and 1930s, its evolution propelled by a trio of lyricists—Cole Porter, Ira Gershwin, and Lorenz Hart—whose explorations of the psychological and emotional nuances of falling in and out of love have lost none of their wit and sophistication. Their songs, including “Night and Day,” “The Man I Love,” and “Bewitched, Bothered and Bewildered,” have become standards performed and recorded by generation after generation of singers. The lure of Broadway and Hollywood and the performing genius of such artists as Al Jolson, Fred Astaire, Ethel Waters, Judy Garland, Frank Sinatra, and Ethel Merman inspired a remarkable array of talented writers, including Dorothy Fields (“A Fine Romance,” “I Can’t Give You Anything but Love”), Frank Loesser (“Guys and Dolls”), Oscar Hammerstein II (from the groundbreaking “Show Boat” of 1927 through his extraordinary collaboration with Richard Rodgers), Johnny Mercer, Yip Harburg, Andy Razaf, Noël Coward, and Stephen Sondheim. Reading Lyrics also celebrates the work of dozens of superb craftsmen whose songs remain known, but who today are themselves less known—writers like Haven Gillespie (whose “Santa Claus Is Coming to Town” may be the most widely recorded song of its era); Herman Hupfeld (not only the composer/lyricist of “As Time Goes By” but also of “Are You Makin’ Any Money?” and “When Yuba Plays the Rumba on the Tuba”); the great light versifier Ogden Nash (“Speak Low,” “I’m a Stranger Here Myself,” and, yes, “The Sea-Gull and the Ea-Gull”); Don Raye (“Boogie Woogie Bugle Boy,” “Mister Five by Five,” and, of course, “Milkman, Keep Those Bottles Quiet”); Bobby Troup (“Route 66”); Billy Strayhorn (not only for the omnipresent “Lush Life” but for “Something to Live For” and “A Lonely Coed”); Peggy Lee (not only a superb singer but also an original and appealing lyricist); and the unique Dave Frishberg (“I’m Hip,” “Peel Me a Grape,” “Van Lingo Mungo”). The lyricists are presented chronologically, each introduced by a succinct biography and the incisive commentary of Robert Gottlieb and Robert Kimball.
Originally published in 1973, when it won the ASCAP Deems Taylor Award, reprinted and revised several times since, They're Playing Our Song is a classic oral history of American popular music. Now further updated with new material and new photographs, this book is indispensable for anyone interested in the Great American Songbook of the 20th century, these classic and timeless songs and lyrics are as popular today as ever.
This comprehensive musical theatre reference book chronicles the work of Broadway's great composers, from 1904 to 1999. Nine hundred shows and almost 9000 show tunes are included, comprising the entire theatrical output of 36 important Broadway composers along with notable musicals by others.
Frank Sinatra Anthology (Songbook) by Frank Sinatra Pdf
(Piano/Vocal/Guitar Artist Songbook). 100 more favorites performed by the Chairman of the Board, with no duplication from the first volume! Songs include: All Alone * Almost like Being in Love * Blue Skies * Cheek to Cheek * Fly Me to the Moon * I Won't Dance * Let's Face the Music and Dance * Makin' Whoopee * My Blue Heaven * Pennies from Heaven * Somethin' Stupid * This Love of Mine * Where or When * You're Nobody 'til Somebody Loves You * and many more!
If you think your astrological fate is sealed by your Sun sign, think again! Your emotions, instincts, intuition, and most private passions are dominated by your Moon sign. In this eye-opening volume, world-famous astrologer and therapist Donna Cunningham unravels the often bewildering effects of lunar influence: a person’s potential for intimacy, sense of security, family ties, susceptibility to indulgence in food or drink, career ambition, as well as how men and women respond differently to the same lunar promptings in love and life. Cunningham provides all the information you need to determine your own and others’ Moon signs—and analyze their power. Moon Signs also charts the daily, monthly, and yearly courses of the moon, which create those predictable mood swings—our “emotional weather.” The time-honored tradition of astrology has come into its own as a resource for human development and spiritual insight. For astrological novices and veterans alike, Cunningham’s invaluable guide will pave the way to a more profound understanding of the uncharted and sometimes dark side of the soul.
Wild Whiskers and Tender Tales by Ute Wegmann,Anthony Helman Pdf
Wild Whiskers and Tender Tales takes you behind the scenes of native Australian wildlife conservation, into the hearts of the people who commit their lives to rescuing, protecting and nurturing some of our most beautiful and endangered species.