Old Plantation Days Being Recollections Of Southern Life Before The Civil War New York 1909
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Old Plantation Days; Being Recollections of Southern Life Before the Civil War. [New York-1909] by Mrs. N. B. de Saussure Pdf
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Old Plantation Days by Nancy Bostick De Saussure Pdf
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Old Plantation Days: Being Recollections of Southern Life Before the Civil War by N. B. De Saussure Pdf
Old Plantation Days is a memoir in the form of a letter that Nancy Bostick writes reflecting on her life on a plantation and her marriage and parenthood afterward during the Civil War. Excerpt: The South as I knew it has disappeared; the New South has risen from its ashes, filled with the energetic spirit of a new age.
"The following reminiscences are published at the request of many friends who, after reading the manuscript, have urged that the recollections be given more permanent form and a wider circulation." -N. B. DeSaussure Nancy Bostick was born in 1837, one of twelve children of a prominent plantation owner in Hampton County, South Carolina. She was educated at home by private tutors and took music lessons in Charleston, where she met Dr. Henry William De Sausurre. The couple married in 1859 and settled in Robertville. During the War Between the States, Dr. De Sausurre served the Confederacy as a surgeon, first with the Charleston Light Dragoons and later along the South Carolina coast. While her husband was away, Nancy and her young daughter stayed at her father's plantation, which was near enough to her husband's camp to allow visitations. When General Sherman's army swept through the State, Nancy was forced to flee their home, leaving it to be destroyed by fire. After the war, she taught at Vassar College in Poughkeepsie, New York. She died in 1915.
Old Plantation Days; Being Recollections of Southern Life Before the Civil War by N B 1837-1915 De Saussure Pdf
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Old Plantation Days by Nancy Bostick De Saussure Pdf
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Author : Sarah E. Gardner Publisher : Univ of North Carolina Press Page : 360 pages File Size : 40,5 Mb Release : 2004 Category : History ISBN : 0807828181
During the Civil War, its devastating aftermath, and the decades following, many southern white women turned to writing as a way to make sense of their experiences. Combining varied historical and literary sources, this book argues that women served as guardians of the collective memory of the war and helped define and reshape southern identity.
2013 Book Award Winner from the International Research Society in Children's Literature 2012 Outstanding Book Award Winner from the Association for Theatre in Higher Education 2012 Winner of the Lois P. Rudnick Book Prize presented by the New England American Studies Association 2012 Runner-Up, John Hope Franklin Publication Prize presented by the American Studies Association 2012 Honorable Mention, Distinguished Book Award presented by the Society for the Study of American Women Writers Part of the American Literatures Initiative Series Beginning in the mid nineteenth century in America, childhood became synonymous with innocence—a reversal of the previously-dominant Calvinist belief that children were depraved, sinful creatures. As the idea of childhood innocence took hold, it became racialized: popular culture constructed white children as innocent and vulnerable while excluding black youth from these qualities. Actors, writers, and visual artists then began pairing white children with African American adults and children, thus transferring the quality of innocence to a variety of racial-political projects—a dynamic that Robin Bernstein calls “racial innocence.” This phenomenon informed racial formation from the mid nineteenth century through the early twentieth. Racial Innocence takes up a rich archive including books, toys, theatrical props, and domestic knickknacks which Bernstein analyzes as “scriptive things” that invite or prompt historically-located practices while allowing for resistance and social improvisation. Integrating performance studies with literary and visual analysis, Bernstein offers singular readings of theatrical productions from blackface minstrelsy to Uncle Tom’s Cabin to The Wonderful Wizard of Oz; literary works by Joel Chandler Harris, Harriet Wilson, and Frances Hodgson Burnett; material culture including Topsy pincushions, Uncle Tom and Little Eva handkerchiefs, and Raggedy Ann dolls; and visual texts ranging from fine portraiture to advertisements for lard substitute. Throughout, Bernstein shows how “innocence” gradually became the exclusive province of white children—until the Civil Rights Movement succeeded not only in legally desegregating public spaces, but in culturally desegregating the concept of childhood itself. Check out the author's blog for the book here.
In antebellum America, both North and South emerged as modernizing, capitalist societies. Work bells, clock towers, and personal timepieces increasingly instilled discipline on one’s day, which already was ordered by religious custom and nature’s rhythms. The Civil War changed that, argues Cheryl A. Wells. Overriding antebellum schedules, war played havoc with people’s perception and use of time. For those closest to the fighting, the war’s effect on time included disrupted patterns of sleep, extended hours of work, conflated hours of leisure, indefinite prison sentences, challenges to the gender order, and desecration of the Sabbath. Wells calls this phenomenon “battle time.” To create a modern war machine military officers tried to graft the antebellum authority of the clock onto the actual and mental terrain of the Civil War. However, as Wells’s coverage of the Manassas and Gettysburg battles shows, military engagements followed their own logic, often without regard for the discipline imposed by clocks. Wells also looks at how battle time’s effects spilled over into periods of inaction, and she covers not only the experiences of soldiers but also those of nurses, prisoners of war, slaves, and civilians. After the war, women returned, essentially, to an antebellum temporal world, says Wells. Elsewhere, however, postwar temporalities were complicated as freedmen and planters, and workers and industrialists renegotiated terms of labor within parameters set by the clock and nature. A crucial juncture on America’s path to an ordered relationship to time, the Civil War had an acute effect on the nation’s progress toward a modernity marked by multiple, interpenetrating times largely based on the clock.
The Pen is Ours by Jean Fagan Yellin,Cynthia D. Bond Pdf
This bibliography of writing by and about African-American women provides a much needed research tool to scholars and researchers in the field. The bibliography lists writing by African-American women whose earliest publication appeared before 1910; a supplemental bibliography lists writing published as of 1911.
W. Eric Emerson traces the wartime experiences of the Charleston Light Dragoons--a unique Confederate cavalry company drawn together from South Carolina's most prestigious families of planters, merchants, and politicos--and examines the military exploits of this "company of gentlemen" to find that the elite status of its membership dictated the terms of service