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On Humour and the Comic in the Hebrew Bible by Athalya Brenner-Idan,Yehuda T. Radday Pdf
In comparison with other literary aspects of the Old Testament, humour has suffered much scholarly neglect. The present collection of essays (by the editors and ten other authors) argues that humour is plentiful in biblical literature and that many passages, indeed even whole books, can be properly understood only when the humorous intention of the author is acknowledged. This collection is a particularly interesting, innovative and provocative one.
The Bible and the Comic Vision by J. William Whedbee Pdf
Apart from the occasional recognition of comic forms or motifs in biblical dress, the vast majority of interpreters have usually discounted or even disdained the possibility of the Bible having any significant place for the comic vision. This book attempts to make amends for this short-sighted, prejudicial perspective.
Comedy and Feminist Interpretation of the Hebrew Bible by Melissa Jackson Pdf
This book explores the Hebrew Bible for evidence of comedy and further asks how reading the Hebrew Bible through a comic "lens" might positively inform feminist interpretation. The exploration is conducted with a number of Hebrew Bible narratives, all of which prominently involve female characters.
Comedy and Feminist Interpretation of the Hebrew Bible by Melissa Jackson Pdf
Comedy is both relative, linked to a time and culture, and universal, found pervasively across time and culture. The Hebrew Bible contains comedy of this relative, yet universal nature. Melissa A. Jackson engages the Hebrew Bible via a comic reading and brings that reading into conversation with feminist-critical interpretation, in resistance to any lingering stereotype that comedy is fundamentally non-serious or that feminist critique is fundamentally unsmiling. Dividing comic elements into categories of literary devices, psychological/social features, and psychological/social function, Jackson examines the narratives of a number of biblical characters for evidence of these comic elements. The characters include the trickster matriarchs, the women involved in the infancy of Moses, Rahab, Deborah and Jael, Delilah, three of David's wives (Michal, Abigail, Bathsheba), Jezebel, Ruth, and Esther. Nine particularly instructive points of contact between comedy and feminist interpretation emerge: both (1) resist definition, (2) exist amidst a self/other, subject/object dichotomy, (3) emphasise and utilise context, (4) promote creativity, (5) acknowledge the concept of distancing, (6) work towards revelation, (7) are subversive, (8) are concerned with containment and control, and (9) enable survival. The use of comedy as an interpretive lens for the Hebrew Bible is not without difficulties for feminist interpretation. While maintaining an uncomfortable, even painful, awareness of the hold patriarchy retains on the Hebrew Bible, feminist critics can still choose to allow comedy's revelatory, subversive, survivalist nature to do its work revealing, subverting, and surviving.
Satire and the Hebrew Prophets by Thomas Jemielity Pdf
In this book, Thomas Jemielity demonstrates the striking relationship between satire and Hebrew prophecy by reviewing the role of ridicule in both and analyzing questions of nature, structure, form, and audience. This pioneering study makes compelling reading for all interested in the Bible and Western literature. The Literary Currents in Biblical Interpretation series explores current trends within the discipline of biblical interpretation by dealing with the literary qualities of the Bible: the play of its language, the coherence of its final form, and the relationships between text and readers. Biblical interpreters are being challenged to take responsibility for the theological, social, and ethical implications of their readings. This series encourages original readings that breach the confines of traditional biblical criticism.
Hebrew Bible / Old Testament. III: From Modernism to Post-Modernism by Magne Sæbø,Jean Louis Ska,Peter Machinist Pdf
The long and complex history of reception and interpretation of the Hebrew Bible / Old Testament through the ages, described in the HBOT Project, focuses in this concluding volume III, Part 2 on the multifarious research and the different methods used in the last century. Even this volume is written by Christian and Jewish scholars and takes its wider cultural and philosophical context into consideration. The perspective is worldwide and ecumenical. Its references to modern biblical scholarship, on which it is based, are extensive and updated.The indexes (names, topics, references to biblical sources and a broad body of literature beyond) are the key to the wealth of information provided.Contributors are J. Barton, H.L. Bosman, A.F. Campbell, SJ, D.M. Carr, D.J.A. Clines, W. Dietrich, St.E. Fassberg, D. Føllesdal, A.C. Hagedorn, K.M. Heim, J. Høgenhaven, B. Janowski, D.A. Knight, C. Körting, A. Laato, P. Machinist, M.A.O ́Brien, M. Oeming, D. Olson, E. Otto, M. Sæbø, J. Schaper, S. Sekine, J.L. Ska, SJ, M.A. Sweeney, and J. de Waard.
Illuminating Humor of the Bible by Steven Walker Pdf
Humor smiles and chuckles and sometimes laughs so loud in virtually every book of the Bible, so it's remarkable how readers manage to overlook it. It's also unfortunate. Humor graces biblical texts at so many levels that to miss the humor is to miss not only much of the emotional impact of the Bible, but much of its meaning. Illuminating Humor of the Bible shows how--and how much--comic elements contribute to understanding the most vital book in our culture. Biblical humor has been seriously underestimated. We have not begun to appreciate why humor winks with such unexpected frequency and understated significance from this revered text. It's time to shine a spotlight on scriptural wit to illuminate the ways humor refracts biblical meaning. Unveiled by the frank perspective of humor, Bible texts reveal implications that will surprise the most informed readers. The reader-response lamp of humor lights up dark corners of biblical significance inaccessible until now. Awareness of the irony and wit and satire and slapstick enables not just better readings, but better ways to read. Go where no Bible reader has gone before. Try eight fresh and relevant methods of reading the Bible better through the lens of its humor.
The Hebrew Bible rightly deserves to be termed the Book of Books in the world of letters: it is distinguished from other literary productions by the richness of its sentences, its charm of style and diction, its pathos, and also by the flashes of genuine humour, which here and there illuminate its pages. Naturally its humour differs materially from the broad, rich humour of Sterne, Cervantes, Voltaire or Heine, but it has a stamp of its own, which is in some respects akin to that found in certain passages of the ancient classics. One or two examples will serve. In the first book of the Iliad, Homer describes a scene on Mount Olympus, in which the Greek gods and goddesses are represented as seated at a banquet, and waited upon by the lame Hephaestus. Observing his halting gait, they burst into peals of laughter. Comparable, perhaps, with this is the description of the well-known scene on Mount Carmel, when Elijah, the true prophet of God, gathered round him the false prophets of Baal. After they had leapt on the altar from morning unto even, crying incessantly, "Oh, Baal, hear us," Elijah stepped forth, and exclaimed mockingly, "Cry ye louder, for he is a god; perhaps he talketh or walketh, or is on a journey; or peradventure he sleepeth and must be awaked" (1 Kings xviii. 27).
Probing the Frontiers of Biblical Studies by Jay Harold Ellens,John T. Greene Pdf
Probing the Frontiers of Biblical Studies is a seventeen-chapter anthology on biblical studies. It has been crafted as an extended and respectful thank you note to one of the most insightful scholars of biblical studies, David J. A. Clines of Sheffield University in England. He is credited with providing guidance to, and shaping the thought of, two generations of scholars who focus on essential approaches to understanding the Bible, with particular attention given to the Old Testament and allied literature. The anthology is directed toward those readers with pastoral, analytical, ancient intercultural, as well as contemporary cultural perspectives. Essays address a wide range of topics: the so-called Documentary Hypothesis, prophecy, divination, and magic, the wisdom themes in the Book of Job, the Egyptian influence on New Testament, the issue of non-sexual love between two men during combat conditions, character development in a biblical novella, rhetorical questions and their role in the Psalter, and the ways of God in the world. By combining these various topics, Probing the Frontier of Biblical Studies has addressed many of the outstanding issues in Old Testament study and ancillary disciplines.
Humor has had a profound effect on the way the Jewish people see the world, and has sustained them through millennia of hardships and suffering. God Laughed reviews, organizes, and categorizes the humor of the ancient Jewish texts-the Hebrew Bible, the Talmud, and Midrash-in a clear, readable, and accessible manner. These works have influenced the Jewish people in many ways, and all are replete with humor and wit. Inevitably, this oeuvre of Jewish humor has itself influenced generations of comics, as well as genres of humor. The authors use examples of Biblical humor from several broad categories, including irony, sarcasm, wordplay, humorous names, humorous imagery, and humorous situations. Because their primary purpose is not to entertain, but to teach humanity how to live the ideal life, much of the humor in the Talmud and the Midrash has a single purpose: to demonstrate that evil is wrong and even, at times, ludicrous. This may help explain why approximately 1,500 years after its closing, the Talmud is still such a fascinating work.
Author : Jeremy Dauber Publisher : W. W. Norton & Company Page : 416 pages File Size : 52,9 Mb Release : 2017-10-31 Category : Social Science ISBN : 9780393247886
Jewish Comedy: A Serious History by Jeremy Dauber Pdf
Finalist for the National Jewish Book Award “Dauber deftly surveys the whole recorded history of Jewish humour.” —Economist In a major work of scholarship that explores the funny side of some very serious business (and vice versa), Jeremy Dauber examines the origins of Jewish comedy and its development from biblical times to the age of Twitter. Organizing Jewish comedy into “seven strands”—including the satirical, the witty, and the vulgar—he traces the ways Jewish comedy has mirrored, and sometimes even shaped, the course of Jewish history. Dauber also explores the classic works of such masters of Jewish comedy as Sholem Aleichem, Isaac Babel, Franz Kafka, the Marx Brothers, Woody Allen, Joan Rivers, Philip Roth, Mel Brooks, Sarah Silverman, Jon Stewart, and Larry David, among many others.
Biblical humor about women and gender remains elusive for many readers, for its recognition may imply the realization that it's a cruel and disrespectful humor, ridicule rather than good-natured fun. But viewing humor as social critique, as is largely done in the essays in this volume, with respect to both the texts read and their actual or implied author, may be fun as well as significant for understanding the biblical worlds. As most of the essays show, writing about women is writing about men as well. In other words, it is writing about gender roles. The critique of women, womanhood and femaleness implied by biblical and related texts serves, in equal measure, as a critique of men, manhood and maleness in the texts, of the texts authors, and of the texts' commentators and readers. Contributors include Scott Spencer, Mary Shields, Kathleen O'Connor, Toni Craven, Kathy Williams, Athalya Brenner, Gale Yee, Amy-Jill Levine, and Esther Fuchs.
Biblical humor about women and gender remains elusive for many readers, for its recognition may imply the realization that it's a cruel and disrespectful humor, ridicule rather than good-natured fun. But viewing humor as social critique, as is largely done in the essays in this volume, with respect to both the texts read and their actual or implied author, may be fun as well as significant for understanding the biblical worlds. As most of the essays show, writing about women is writing about men as well. In other words, it is writing about gender roles. The critique of women, womanhood and femaleness implied by biblical and related texts serves, in equal measure, as a critique of men, manhood and maleness in the texts, of the texts authors, and of the texts' commentators and readers. Contributors include Scott Spencer, Mary Shields, Kathleen O'Connor, Toni Craven, Kathy Williams, Athalya Brenner, Gale Yee, Amy-Jill Levine, and Esther Fuchs.
Divine Film Comedies by Terry Lindvall,J. Dennis Bounds,Chris Lindvall Pdf
Divine Film Comedies creates a meaningful dialogue between stories in the Hebrew Bible and New Testament and comedies spanning the history of film. The text lies at the intersection of three disciplines: humor/comedy studies, film studies, and theology. Drawing on films from the silent era to the 21st century, the book highlights parallels between comedic sub-genres and sacred narratives, parables, and proverbs, illuminating a path to seeing and understanding both Scripture and film through a comic lens. The book will be of interest to students and scholars of theology and film, media, and communications.