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Author : Douglas W. Schwartz Publisher : School for Advanced Research Press Page : 94 pages File Size : 50,6 Mb Release : 1988 Category : Social Science ISBN : STANFORD:36105021846006
On the Edge of Splendor by Douglas W. Schwartz Pdf
Between 1967 and 1970, the School of American Research conducted surveys and excavated more than thirty Pueblo ruins in the Grand Canyon and on its North Rim. The reports on this project make up the Grand Canyon Archaeological Series. The author's research included major surveys and excavations in several crucial regions of the Grand Canyon. Written for a general audience, this book alternates between insightful accounts of Schwartz's personal experiences in the canyon and explorations of the lives and cultures of its early and late inhabitants.
Dregs of poverty, catwalk of opulence, Illusion of Splendor is an epic literary thriller taking the reader on an astonishing journey from the illusion to the heart of splendor. Characters diverse as a West African fisherman, an American college professor, and an Afghan heroin magnate interact in settings as vibrant as Nigeria and Monte-Carlo. The presentation is exotic; the scenes powerful. Driving the story is a turbulent powder-keg of vengeance. Illusion of Splendor begins with the fisherman pursuing terrorists who killed his sister and ends in a spectacular scene of redemption aboard a luxury yacht in Monaco. The story is timely, complex, sophisticated, and thought-provoking; the result of considerable historical research.
Before Federer versus Nadal, before Borg versus McEnroe, the greatest tennis match ever played pitted the dominant Don Budge against the seductively handsome Baron Gottfried von Cramm. This deciding 1937 Davis Cup match, played on the hallowed grounds of Wimbledon, was a battle of titans: the world's number one tennis player against the number two; America against Germany; democracy against fascism. For five superhuman sets, the duo’s brilliant shotmaking kept the Centre Court crowd–and the world–spellbound. But the match’s significance extended well beyond the immaculate grass courts of Wimbledon. Against the backdrop of the Great Depression and the brink of World War II, one man played for the pride of his country while the other played for his life. Budge, the humble hard-working American who would soon become the first man to win all four Grand Slam titles in the same year, vied to keep the Davis Cup out of the hands of the Nazi regime. On the other side of the net, the immensely popular and elegant von Cramm fought Budge point for point knowing that a loss might precipitate his descent into the living hell being constructed behind barbed wire back home. Born into an aristocratic family, von Cramm was admired for his devastating good looks as well as his unparalleled sportsmanship. But he harbored a dark secret, one that put him under increasing Gestapo surveillance. And his situation was made even more perilous by his refusal to join the Nazi Party or defend Hitler. Desperately relying on his athletic achievements and the global spotlight to keep him out of the Gestapo’s clutches, his strategy was to keep traveling and keep winning. A Davis Cup victory would make him the toast of Germany. A loss might be catastrophic. Watching the mesmerizingly intense match from the stands was von Cramm’s mentor and all-time tennis superstar Bill Tilden–a consummate showman whose double life would run in ironic counterpoint to that of his German pupil. Set at a time when sports and politics were inextricably linked, A Terrible Splendor gives readers a courtside seat on that fateful day, moving gracefully between the tennis match for the ages and the dramatic events leading Germany, Britain, and America into global war. A book like no other in its weaving of social significance and athletic spectacle, this soul-stirring account is ultimately a tribute to the strength of the human spirit.
Praise for Sun Yung Shin: Finalist for the Believer Poetry Award "[her] work reads like redactions, offering fragments to be explored, investigated and interrogated, making her reader equal partner in the creation of meaning."—Star Tribune Sun Yung Shin moves ideas—of identity (Korean, American, adoptee, mother, Catholic, Buddhist) and interest (mythology, science fiction, Sophocles)— around like building blocks, forming and reforming new constructions of what it means to be at home. What is a cyborg but a hybrid creature of excess? A thing that exceeds the sum of its parts. A thing that has extended its powers, enhanced, even superpowered.
Redemption’s Edge – Book One Redemption Mountain – Historical Western Romance Series “A heartwarming, passionate story of loss, forgiveness, and redemption set in the untamed frontier during the tumultuous years following the Civil War. Ms. Davies’ engaging and complex characters draw you in from the start, creating an exciting introduction to this new historical western romance series.” “Redemption’s Edge is a strong and engaging introduction to her new historical western romance series.” Dax Pelletier is ready for a new life, far away from the one he left behind in Savannah following the South’s devastating defeat in the Civil War. The ex-Confederate general wants nothing more to do with commanding men and confronting the tough truths of leadership. Rachel Davenport possesses skills unlike those of her Boston socialite peers—skills honed as a nurse in field hospitals during the Civil War. Eschewing her northeastern suitors and changed by the carnage she’s seen, Rachel decides to accept her uncle’s invitation to assist him at his clinic in the dangerous and wild frontier of Montana. Now a Texas Ranger, a promise to a friend takes Dax and his brother, Luke, to the untamed territory of Montana. He’ll fulfill his oath and return to Austin, at least that’s what he believes. The small town of Splendor is what Rachel needs after life in a large city. In a few short months, she’s grown to love the people as well as the majestic beauty of the untamed frontier. She’s settled into a life unlike any she has ever thought possible. Thinking his battle days are over, he now faces dangers of a different kind—one by those from his past who seek vengeance, and another from Rachel, the woman who’s captured his heart.
The first mystery in this sunny series set in Florida “will keep you guessing to the end” (Krista Davis, New York Times bestselling author). To solve her father’s murder and save the family-owned glass shop, Savannah Webb must shatter a killer’s carefully constructed façade . . . After Savannah’s father dies unexpectedly of a heart attack, she drops everything to return home to St. Petersburg, Florida, to settle his affairs—including the fate of the beloved, family-owned glass shop. Savannah intends to hand over ownership to her father’s trusted assistant and fellow glass expert, Hugh Trevor, but soon discovers the master craftsman also dead of an apparent heart attack. As if the coincidence of the two deaths wasn’t suspicious enough, Savannah discovers a note her father left for her in his shop, warning her that she is in danger. With the local police unconvinced, it’s up to Savannah to piece together the encoded clues left behind by her father. And when her father’s apprentice is accused of the murders, Savannah is more desperate than ever to crack the case before the killer seizes a window of opportunity to cut her out of the picture . . . “Cheryl Hollon clearly knows her glass craft, but better still, she also knows how to craft a good mystery.” —Sheila Connolly, New York Times bestselling author “There’s plenty of variety and not just workbenches in the lively story by Cheryl Hollon.” —Fresh Fiction “Webb’s Glass Shop is certainly a place where you’d want to hang out.” —Kings River Life Magazine
In this eloquent plea for compassion and respect for all species, journalist and gardener Nancy Lawson describes why and how to welcome wildlife to our backyards. Through engaging anecdotes and inspired advice, profiles of home gardeners throughout the country, and interviews with scientists and horticulturalists, Lawson applies the broader lessons of ecology to our own outdoor spaces. Detailed chapters address planting for wildlife by choosing native species; providing habitats that shelter baby animals, as well as birds, bees, and butterflies; creating safe zones in the garden; cohabiting with creatures often regarded as pests; letting nature be your garden designer; and encouraging natural processes and evolution in the garden. The Humane Gardener fills a unique niche in describing simple principles for both attracting wildlife and peacefully resolving conflicts with all the creatures that share our world.
Nature's Splendor Stained Glass Pattern Book by M. S. Hanson Pdf
Beautiful patterns for stained glass work include a tropical sunset, Tuscan vineyard, New England country church, animals, and abstracts — total of 90 motifs, rendered in crisp black and white.
Splendor in the Short Grass by Grover Lewis,W. K. Stratton Pdf
"Dave Hickey gets it exactly right in his preface to this collection of journalism, poetry, fiction and memoir: Lewis, who died in 1997, was indeed 'the most stone wonderful writer that nobody ever heard of.' Writing for Rolling Stone in the early '70s, he almost singlehandedly invented the movie set piece, and no one's ever improved on his flint-eyed profiles of Sam Peckinpah and the Allman Brothers. But the best piece here is his searing memoir of his white-trash Texas parents, who died in what was ruled a double suicide. Etched in acid and heart's blood, it is a terse masterpiece." —Malcolm Jones, Newsweek "The least known of the New Journalism's founding fathers, Grover Lewis has long been a legend among nonfiction writers, and this overdue collection shows us why. A beautiful stylist blessed with a blistering honesty, Grover saw it all and wrote it like nobody else could. Put Splendor in the Short Grass up on the shelf with the best of Tom Wolfe, Hunter Thompson and Gay Talese. It belongs there." —Kenneth Turan, film critic for the Los Angeles Times and National Public Radio's Morning Edition "Grover Lewis, the most literary of journalists, did things his way, simultaneously inventing a genre and setting the standard. These days ambitious feature writers, whether they know it or not, all strive to do it Grover's way. But, as this long overdue collection shows, not only did Grover do it first, he did it best." —Tim Cahill, author of Lost in My Own Backyard and Hold the Enlightenment "Grover Lewis was a gift to American letters. He had a hard eye, a sharp eye for hidden reality, and the unique ability to raise a popular journalism piece to the level of a universal truth. Plus he wrote like an angel. This collection, Splendor in the Short Grass, is not just a terrific read, it's an important work. I loved every page of it." —James Crumley, author of the hardboiled mysteries Dancing Bear, The Last Good Kiss, and The Final Country "Your gonzo journalism library isn't complete without him." —Ruminator "Grover was, after all, the most stone wonderful writer that nobody ever heard of....His job was to hammer the detritus of fugitive cultural encounters into elegant sentences, lapidary paragraphs, and knowable truth; and, in truth, the loveliness and lucidity of Grover's writing always rose to the triviality of the occasion." —Dave Hickey, from the foreword Grover Lewis was one of the defining voices of the New Journalism of the 1960s and 1970s. His wry, acutely observed, fluently written essays for Rolling Stone and the Village Voice set a standard for other writers of the time, including Hunter S. Thompson, Joe Eszterhas, Timothy Ferris, Chet Flippo, and Tim Cahill, who said of Lewis, "He was the best of us." Pioneering the "on location" reportage that has become a fixture of features about moviemaking and live music, Lewis cut through the celebrity hype and captured the real spirit of the counterculture, including its artificiality and surprising banality. Even today, his articles on Woody Guthrie, the Allman Brothers, the Rolling Stones concert at Altamont, directors Sam Peckinpah and John Huston, and the filming of The Last Picture Show and One Flew over the Cuckoo's Nest remain some of the finest writing ever done on popular culture. To introduce Grover Lewis to a new generation of readers and collect his best work under one cover, this anthology contains articles he wrote for Rolling Stone, Village Voice, Playboy, Texas Monthly, and New West, as well as excerpts from his unfinished novel The Code of the West and his incomplete memoir Goodbye If You Call That Gone and poems from the volume I'll Be There in the Morning If I Live. Jan Reid and W. K. Stratton have selected and arranged the material around themes that preoccupied Lewis throughout his life—movies, music, and loss. The editors' biographical introduction, the foreword by Dave Hickey, and a remembrance by Robert Draper discuss how Lewis's early struggles to escape his working-class, anti-intellectual Texas roots for the world of ideas in books and movies made him a natural proponent of the counterculture that he chronicled so brilliantly. They also pay tribute to Lewis's groundbreaking talent as a stylist, whose unique voice deserves to be more widely known by today's readers.
The Pulitzer Prize–nominated author of Little Big Man proves that sometimes war doesn’t change a person, but the world he lives in. Carlo Reinhart returns home from his service in Germany expecting the Ohio he left not too long ago. What he finds instead is new technology, old attitudes, and people he’s not sure he can relate to anymore. As Reinhart stumbles back into life as a civilian, he finds camaraderie in the most unlikely places. A former classmate, Splendor Mainwaring, a man too smart for his lot in life as a mechanic, becomes a new and eccentric friend. His boss isn’t just the most over-eager real estate agent in town; he’s also a seasoned con man. Not even settling down comes easy to the gentle Reinhart. Duping him into marriage, his new wife Genevieve Raven is a force to be reckoned with. Endlessly surprising, this funny, sharp-edged narrative is Pulitzer Prize–finalist Thomas Berger at his very best. With an over the top cast of characters, it’s impossible not to fall in love with the exact people that make Reinhart’s life impossible. “Picture Fielding’s Tom Jones in a 20th century landscape and you’ll have some idea of Reinhart in Love.” —The New York Times
In his early twenties, John Blofeld spent what he describes as "three exquisitely happy years" in Peking during the era of the last emperor, when the breathtaking greatness of China's ancient traditions was still everywhere evident. Arriving in 1934, he found a city imbued with the atmosphere of the recent imperial past and haunted by the powerful spirit of the late Dowager Empress Tzu Hsi. He entered a world of magnificent palaces and temples of the Forbidden City, of lotus-covered lakes and lush pleasure-gardens, of bustling bazaars and peaceful bathhouses, and of "flower houses" with their beautiful young courtesans versed in the arts of pleasing men. With a novelists' command of detail and dialogue, Blofeld vividly re-creates the magic of these years and conveys to the reader his appreciation and nostalgia for a way of life long vanished.
A National Book Award Finalist A "riveting" (New York Times) look at one year of Viennese life during the twilight of an empire On January 30, 1889, at the champagne-splashed hight of the Viennese Carnival, the handsome and charming Crown Prince Rudolf fired a revolver at his teenaged mistress and then himself. The two shots that rang out at Mayerling in the Vienna Woods echo still. Frederic Morton, author of the bestselling Rothschilds, deftly tells the haunting story of the Prince and his city, where, in the span of only ten months, "the Western dream started to go wrong." In Rudolf's Vienna moved other young men with striking intellectual and artistic talents—and all as frustrated as the Prince. Among them were: young Sigmund Freud, Gustav Mahler, Theodor Herzl, Gustav Klimt, and the playwright Arthur Schnitzler, whose La Ronde was the great erotic drama of the fin de siecle. Morton studies these and other gifted young men, interweaving their fates with that of the doomed Prince and the entire city through to the eve of Easter, just after Rudolf's body is lowered into its permanent sarcophagus and a son named Adolf Hitler is born to Frau Klara Hitler.
Hailed as a classic of speculative fiction, Marge Piercy’s landmark novel is a transformative vision of two futures—and what it takes to will one or the other into reality. Harrowing and prescient, Woman on the Edge of Time speaks to a new generation on whom these choices weigh more heavily than ever before. Connie Ramos is a Mexican American woman living on the streets of New York. Once ambitious and proud, she has lost her child, her husband, her dignity—and now they want to take her sanity. After being unjustly committed to a mental institution, Connie is contacted by an envoy from the year 2137, who shows her a time of sexual and racial equality, environmental purity, and unprecedented self-actualization. But Connie also bears witness to another potential outcome: a society of grotesque exploitation in which the barrier between person and commodity has finally been eroded. One will become our world. And Connie herself may strike the decisive blow. Praise for Woman on the Edge of Time “This is one of those rare novels that leave us different people at the end than we were at the beginning. Whether you are reading Marge Piercy’s great work again or for the first time, it will remind you that we are creating the future with every choice we make.”—Gloria Steinem “An ambitious, unusual novel about the possibilities for moral courage in contemporary society.”—The Philadelphia Inquirer “A stunning, even astonishing novel . . . marvelous and compelling.”—Publishers Weekly “Connie Ramos’s world is cuttingly real.”—Newsweek “Absorbing and exciting.”—The New York Times Book Review
