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Icons and Saints of the Eastern Orthodox Church by Alfredo Tradigo Pdf
Catalogues the heritage of images according to type and subject, from the ancient at the Monastery of Saint Catherine in the Sinai to those from Greece, Constantinople, and Russia. This book includes chapters such as role of icons in the Orthodox liturgy and on common iconic subjects, including the fathers and saints of the Eastern Church.
On the Holy Icons by Saint Theodore (Studites) Pdf
To many modern Christians the question of icon veneration may seem a marginal issue in theology. To St Theodore the Studite, writing in the midst of the iconoclastic controversy of the eighth and ninth centuries, it was clear that iconoclasm is a serious error, which alienates its followers from God as much as any other heresy. That is to say, rejection of Christian veneration of images effectively denies God's incarnation, which alone makes human salvation possible. If Christ could not be portrayed, then He was not truly man, and humanity was not truly united with God in Him. In our own day, when the material world so often is regarded as mere matter, incapable of being transfigured in Christ, St Theodore's message remains remarkably pertinent.
Three Treatises on the Divine Images by Saint John (of Damascus) Pdf
In AD 726, the Byzantine emperor ordered the destruction of all icons, or religious images, throughout the empire, and icons were subject to an imperial ban that was to last, with a brief remission, until AD 843. A defender of icons, St John of Damascus wrote three treatises against "those who attack the holy images." He differentiates between the veneration of icons, which is a matter of expressing honor, and idolatry, which is offering worship to something other than God.
Forget your old name. Forget your parents. These are the things Euphrosyne's grandparents and counselor tell her. But if Orthodox Christianity is a lie, why did the icon so dramatically save her life? And what can she do to get the icon back? In a post-Christian America, where going to church, praying, or owning holy things means death, a twelve-year-old girl searches for the truth. Finding it may cost her everything.distinctives*One-of-a-kind Orthodox novel in the popular dystopian genre*Strong, relatable heroine faces some of the same issues as contemporary teens*Powerful exploration of religious persecution, seen from the inside*Recommended for ages 13 and up
A Treatise on the Veneration of the Holy Icons by Abū Qurrah (Bishop of Ḥarrān.) Pdf
Theodore Abu Qurrah (c.750-c.825) was an intellectual heir of St. John of Damascus. Both became monks of Mar Sabas monastery in the Judean desert. Whereas John of Damascus was prominent among the generations of Greek writers in the Holy Land in early Islamic times, Theodore Abu Qurrah was the first Orthodox scholar whose name we know regularly to write Christian theology in Arabic. He spoke and wrote the Arabic language at a time when it was just becoming the cultural language of classical Islamic civilization, as well as the lingua sacra of the Qu'ran and of the new world religion. He was among the first Christians to exploit the apologetic potential of the new Arabic medium of public discourse. Abu Qurrah's Arabic tract in defense of the veneration of the holy icons was a response to the problem of the public veneration of the symbols of Christianity in an Islamic environment in which the caliph's policies since the time of 'Abd al-Malik (685-705) had been to claim the public space for Islam. In this treatise one finds arguments once expounded by earlier Greek writers, now deployed to meet the needs of a new generation of Arabic-speaking Christians, who were more evidently in contact and debate with Muslims.
Icon and Devotion offers the first extensive presentation in English of the making and meaning of Russian icons. The craft of icon-making is set into the context of forms of worship that emerged in the Russian Orthodox Church in the mid-seventeenth century. Oleg Tarasov shows how icons have held a special place in Russian consciousness because they represented idealized images of Holy Russia. He also looks closely at how and why icons were made. Wonder-working saints and the leaders of such religious schisms as the Old Believers appear in these pages, which are illustrated with miniature paintings, lithographs and engravings never before published in the English-speaking world. By tracing the artistic vocabulary, techniques and working methods of icon painters, Tarasov shows how icons have been integral to the history of Russian art, influenced by folk and mainstream currents alike. As well as articulating the specifically Russian piety they invoke, he analyzes the significance of icons in the cultural life of modern Russia in the context of popular prints and poster design.
Solrunn Nes, one of Europe's most admired iconographers, illuminates the world of Christian icons, explaining the motifs, gestures, and colors common to these profound symbols of faith. Nes explores in depth a number of famous icons, including those of the Greater Feasts, the Mother of God, and a number of the better-known saints, enriching her discussion with references to Scripture, early Christian writings, and liturgy. She also leads readers through the process and techniques of icon painting, showing each step with photographs, and includes more than fifty of her own original works of art.
Author : Robert S. Nelson,Kristen M. Collins Publisher : Getty Trust Publications: J. P Page : 324 pages File Size : 47,9 Mb Release : 2006 Category : Art ISBN : UOM:39015066756324
Holy Image, Hallowed Ground by Robert S. Nelson,Kristen M. Collins Pdf
Isolated in the remote Egyptian desert, at the base of Mount Sinai, sits the oldest continuously inhabited monastery in the Christian world. The Holy Monastery of Saint Catherine at Sinai holds the most important collection of Byzantine icons remaining today. This catalogue, published in conjuction with the exhibition Holy Image, Hallowed Ground: Icons from Sinai, on view at the J. Paul Getty Museum from November 14, 2006, to March 4, 2007, features forty-three of the monastery's extremely rare--and rarely exhibited--icons and six manuscripts still little-known to the world at large. The exhibition and catalogue bring to life the central role of the icon in Byzantine religious practices. Themes include the icon's status as holy object, the ways in which the icon sanctified the place of worship, and the monks' quest for the holy. The Greek Orthodox monastery at Mount Sinai not only functioned as a major pilgrimage site for centuries but was also a cultural crossroads at the center of the shifting sands of ecclesiastical and secular politics. The accompanying essays explore how the monastery's contact with the outside world, through pilgrimage, resulted in aesthetic exchanges between the monastery and Coptic, Crusader, and Islamic art; and between the Greek Orthodox and Roman Catholic communities in Europe.
Behold the Beauty of the Lord by Henri J. M. Nouwen Pdf
This twentieth anniversary edition (more than 111,000 copies sold) brings Henri J.M. Nouwen's writings on Eastern Orthodox icons to a new generation and adds to the Nouwen collection published by Ave Maria Press. With a foreword by Br. Robert Lentz, a well-known painter of contemporary icons, this classic Nouwen book invites readers to pray with four Russian icons with their eyes open by emphasizing seeing or gazing, which are at the heart of Eastern spirituality. Nouwen's meditations reveal his viewing of the icons not as decorations, but holy places. The book includes four full-color icons for private contemplation or meditation.
The Role of Images and the Veneration of Icons in the Oriental Orthodox Churches by Christine Chaillot Pdf
The aim of this book is to demonstrate the presence in the very ancient Eastern Churches of religious images of all kinds (icons, paintings, illuminations), including the representation of Christ, together with the veneration (not the adoration) of icons/images. Presented here are not only the iconographic but also the liturgical-and especially the Christological-dimensions of the icon on the basis of texts used by these four traditions down the centuries. In contrast to the Byzantine Orthodox world which, after a controversy on this subject, officially established the veneration of icons from the time of the Second Council of Nicaea (787) and in 843, these Churches did not experience Iconoclasm. Christine Chaillot is Swiss and Orthodox (Patriarchate of Constantinople). She has published several books on the Orthodox Churches and the Oriental Orthodox Churches. (Series: Studies on Oriental Orthodox Church History / Studien zur Orientalischen Kirchengeschichte, Vol. 55) [Subject: Religious Studies, Christian Studies, History, Iconography]
Windows to Heaven by Elizabeth Zelensky,Lela Gilbert Pdf
In this useful guidebook, the authors debunk common misconceptions about Orthodox icons and explain how they might enrich the devotional lives of non-Orthodox Christians.
The Meaning of Icons by Léonide Ouspensky,Vladimir Lossky Pdf
"The nature of the icon cannot be grasped by means of pure art criticism, nor by the adoption of a sentimental point of view. Its forms are based on the wisdom contained in the theological and liturgical writings of the Eastern Orthodox Church and are imtimately bound up with the experience of the contemplative life. The present work is the first of its kind to give a reliable introduction to the spiritual background of this art. The introduction into the meaning and language of the icons by Ouspensky imparts to us in an admirable way the spiritual conceptions of the Eastern Orthodox Church which are often so foreign to us, but without the knowledge of which we cannot possibly understand the world of the icon." -- Back cover.
In Orthodox theology both the icon and the name of God transmit divine energies, theophanies, or revelations that imprint God's image within us. In Icons and the Name of God renowned Orthodox theologian Sergius Bulgakov explains the theology behind the Orthodox veneration of icons and the glorification of the name of God. In the process Bulgakov covers two major controversies -- the iconoclastic controversy (sixth to eighth centuries) and the "Name of God" controversy (early twentieth century) -- and explains his belief that an icon stops being merely a religious painting and becomes sacred when it is named. This translation of two essays "The Icon and Its Veneration" and "The Name of God" -- available in English for the first time -- makes Bulgakov's rich thinking on these key theological concepts available to a wider audience than ever before.
101 Orthodox Saints by Alexandra Schmalzbach,Sarah Wright Pdf
Did you know there was a saint who used a dogsled for transportation? Or a saint who turned down a marriage proposal from the Roman emperor? How about the saint who jumped from building to building during a siege to bring the Eucharist to his parishioners? Discover all of these stories and more in 101 Orthodox Saints. Written for children and those with a childlike curiosity, this visual encyclopedia will enhance your family's understanding and celebration of the saints of the Church. Each page is filled with illustrations, icons, graphics, and fascinating facts about the martyrs, monks, and mothers who boldly lived out their Faith to the glory of God.From Ancient Faith Publishing, your source for books on Orthodox Christianity.
