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Initially composed for newspaper publication, and inspired by Thomas De Quincey'sConfessions of an Opium Eater,Baudelaire's musings on wine and hashish provide acute and fascinating psychological insight into the mind of the addict.On Wine and Hashishasserts the ambivalence of memory, urging a union of willpower and sensual pleasure as Baudelaire claims that wine and hashish bring about an escape of narrative time. This characteristic theme anticipates his famous prose poems, "Le Spleen de Paris," in which drunkennessas induced by wine, poetry, or virtueis celebrated in extraordinary style.
Among the earliest artistic accounts of the hallucinogenic experience in European literature, the four pieces in this volume document Gautier and Baudelaire's own involvement in the Club of Assassins, who met under the auspices of Dr Moreau to investigate the psychological and mind-enhancing effects of hashish, wine and opium. As well as providing an absorbing of nineteenth-century drug use, Hashish, Wine, Opium captures the spirit of French Romanticism, in its struggle to free the mind from the shackles of the humdrum and the conventional, and serves as a fascinating prologue to the psychedelic literature of the following centuries.
Paris Spleen and On Wine and Hashish by Charles Baudelaire Pdf
Set in a modern, urban Paris, the prose pieces in this volume constitute a further exploration of the terrain Baudelaire had covered in his verse masterpiece, The Flowers of Evil: the city with all its squalor and inequalities, the pressures of time and mortality, and the liberation provided by the sensual delights of intoxication, art and women.Published posthumously in 1869, Paris Spleen was a landmark publication in the development of the genre of prose poetry - a form which Baudelaire saw as particularly suited for expressing the feelings of uncertainty, flux and freedom of his age - and one of the founding texts of literary Modernism. This volume also includes Baudelaire's 1851 essay 'Wine and Hashish'.
The Cambridge Companion to Baudelaire by Rosemary Lloyd Pdf
Charles Baudelaire's place among the great poets of the Western world is undisputed, and his influence on the development of poetry since his lifetime has been enormous. In this Companion, essays by outstanding scholars illuminate Baudelaire's writing both for the lay reader and for specialists. In addition to a survey of his life and a study of his social context, the volume includes essays on his verse and prose, analyzing the extraordinary power and effectiveness of his language and style, his exploration of intoxicants like wine and opium, and his art and literary criticism. The volume also discusses the difficulties, successes and failures of translating his poetry and his continuing power to move his readers. Featuring a guide to further reading and a chronology, this Companion provides students and scholars of Baudelaire and of nineteenth-century French and European literature with a comprehensive and stimulating overview of this extraordinary poet.
In the 1840s Charles Baudelaire was a regular member of the infamous Club des Hashischins ("Club of the Hashish-Eaters"), a Parisian literary group dedicated to the exploration of altered states of consciousness, principally through the use of hashish (a concentrated form of cannabis resin). Other notable members of this group included Victor Hugo, Alexandre Dumas, Gerard de Nerval, Honore de Balzac, and Theophile Gautier, all dedicated to experimenting with drugs and drug-induced states. As a denizen of the Hashishin Club, Charles Baudelaire was well-placed to turn his drug experiences, and those of others, into literature. Inspired by Thomas de Quincey's 1821 Confessions Of An Opium-Eater (which he would also translate into French), he turned his writing to drug intoxication around 1850, eventually producing a collection of drug-related writings titled Artificial Paradise, published in 1858. As well as a modified version of an earlier essay, now titled "On Wine And Hashish", Artificial Paradise contained this "The Poem Of Hashish", a lengthy dissertation on the effects of prolonged hashish use.Let it be well understood then, by worldly and ignorant folk, curious of acquaintance with exceptional joys, that they will find in hashish nothing miraculous, absolutely nothing but the natural in a superabundant degree. The brain and the organism upon which hashish operates will only give their ordinary and individual phenomena, magnified, it is true, both in quantity and quality, but always faithful to their origin. Man cannot escape the fatality of his moral and physical temperament. Hashish will be, indeed, for the impressions and familiar thoughts of the man, a mirror which magnifies, yet no more than a mirror. Here is the drug before your eyes: a little green sweetmeat, about as big as a nut, with a strange smell; so strange that it arouses a certain revulsion, and inclinations to nausea—as, indeed, any fine and even agreeable scent, exalted to its maximum strength and (so to say) density, would do. There! there is happiness; heaven in a teaspoon; happiness, with all its intoxication, all its folly, all its childishness. You can swallow it without fear; it is not fatal; it will in nowise injure your physical organs. Perhaps (later on) too frequent an employment of the sorcery will diminish the strength of your will; perhaps you will be less a man than you are today; but retribution is so far off, and the nature of the eventual disaster so difficult to define! What is it that you risk? A little nervous fatigue to-morrow—no more. Do you not every day risk greater punishments for less reward?
Lawrence Driscoll's fresh examination of the meaning of drugs from the Victorians to the present asks us to listen to historical and current voices whose positions on drugs are at variance with our "truths." Driscoll draws on the work of figures as diverse as William Burroughs, Sigmund Freud, Conan Doyle, and Anna Kavan to shed light on different or silenced ways of talking about drugs and to offer us a historical counter-memory. The result of his work is to unsettle and disturb the familiar parameters that frame our discussion of drugs, revealing that others are available: positions which expose our own constructions as surprisingly limited.
The Poem of Hashish (1821) by Charles Pierre Baudelaire was first published in 1850. This is the Aleister Crowley translation of 1895. Charles Baudelaire was an early precursor to the French symbolist movement of the late nineteenth century. The literary movement was a reaction to realism and placed a lot of emphasis on the power of dreams and the imagination as tools for communicating ideals through symbols. Synaesthesia was one the great tools of the symbolists and Baudelaire wrote of hashish: "By graduations, external objects assume unique appearances in the endless combining and transfiguring of forms. Ideas are distorted; perceptions are confused. Sounds are clothed in colors and colors in music." Baudelaire utilised the dream as the symbolic ground of the drug experience. Charles Baudelaire (1821 – 1867) was a French poet who produced notable work as an essayist, art critic, and pioneering translator of Edgar Allan Poe. His most famous work, Les Fleurs du mal (The Flowers of Evil), expresses the changing nature of beauty in modern, industrializing Paris during the 19th century. Baudelaire's highly original style of prose-poetry influenced a whole generation of poets including Paul Verlaine, Arthur Rimbaud and Stéphane Mallarmé among many others. He is credited with coining the term "modernity" to designate the fleeting, ephemeral experience of life in an urban metropolis, and the responsibility art has to capture that experience.
Despite having the highest rates of cannabis use in the continent, France enforces the most repressive laws against the drug in all of Europe. Perhaps surprisingly, France was once the epicentre of a global movement to medicalize cannabis, specifically hashish, in the treatment of disease. In Taming Cannabis David Guba examines how nineteenth-century French authorities routinely blamed hashish consumption, especially among Muslim North Africans, for behaviour deemed violent and threatening to the social order. This association of hashish with violence became the primary impetus for French pharmacists and physicians to tame the drug and deploy it in the homeopathic treatment of mental illness and epidemic disease during the 1830s and 1840s. Initially heralded as a wonder drug capable of curing insanity, cholera, and the plague, hashish was deemed ineffective against these diseases and fell out of repute by the middle 1850s. The association between hashish and Muslim violence, however, remained and became codified in French colonial medicine and law by the 1860s: authorities framed hashish as a significant cause of mental illness, violence, and anti-state resistance among indigenous Algerians. As the French government looks to reform the nation's drug laws to address the rise in drug-related incarceration and the growing popular demand for cannabis legalization, Taming Cannabis provides a timely and fascinating exploration of the largely untold and living history of cannabis in colonial France.
Author : Martin A. Lee Publisher : Simon and Schuster Page : 529 pages File Size : 43,5 Mb Release : 2013-08-13 Category : Health & Fitness ISBN : 9781439102619
In this book the author, an investigative journalist, traces the social history of marijuana from its origins to its emergence in the 1960s as a defining force in an ongoing culture war. He describes how the illicit marijuana subculture overcame government opposition and morphed into a multibillion-dollar industry. In 1996, Californians voted to legalize marijuana for medicinal purposes. Similar laws have followed in several other states, but not without antagonistic responses from federal, state, and local law enforcement. The author draws attention to underreported scientific breakthroughs that are reshaping the therapeutic landscape: medical researchers have developed promising treatments for cancer, heart disease, Alzheimer's, diabetes, chronic pain, and many other conditions that are beyond the reach of conventional cures. This book is an examination of the medical, recreational, scientific, and economic dimensions of the world's most controversial plant.
Rival Sisters, Art and Music at the Birth of Modernism, 1815-1915 by Mr James H Rubin,Dr Olivia Mattis Pdf
Introducing the concept of music and painting as 'rival sisters' during the nineteenth century, this interdisciplinary collection explores the productive exchange - from rivalry to inspiration to collaboration - between the two media in the age of Romanticism and Modernism. The volume traces the relationship between art and music, from the opposing claims for superiority of the early nineteenth century, to the emergence of the concept of synesthesia around 1900.
In the late twentieth and early twenty-first centuries, concerns about the environment and the future of global capitalism have dominated political and social agendas worldwide. The culture of excess underlying these concerns is particularly evident in the issue of trash, which for environmentalists has been a negative category, heavily implicated in the destruction of the natural world. However, in the context of the arts, trash has long been seen as a rich aesthetic resource and, more recently, particularly under the influence of anthropology and archaeology, it has been explored as a form of material culture that articulates modes of identity construction. In the context of such shifting, often ambiguous attitudes to the obsolete and the discarded, this book offers a timely insight into their significance for representations of social and personal identity. The essays in the book build on scholarship in cultural theory, sociology and anthropology that suggests that social and personal experience is embedded in material culture, but they also focus on the significance of trash as an aesthetic resource. The volume illuminates some of the ways in which our relationship to trash has influenced and is influenced by cultural products including art, architecture, literature, film and museum culture.
Walter Benjamin and the Arcades Project by Beatrice Hanssen Pdf
One of the most significant cultural documents of the Weimar Republic and Nazi era, Walter Benjamin's unfinished Arcades Project has had a remarkable impact on present-day cultural theory, urban studies, cultural studies and literary interpretation. Originally designed as a panoramic study chronicling the rise and decline of the Parisian shopping arcades, Benjamin's work combines imaginative peregrinations through the changing city-scape of nineteenth-century Paris with passages that read like a blueprint for a new cultural theory of modernity. Walter Benjamin and the Arcades Project provides the first comprehensive introduction to this extraordinary work accessible to English-language readers. The diverse range of issues explored include the nature of collecting, the anatomy of melancholy, the flâneur, the physiognomy of ruins, the dialectical image, Benjamin's relation to Baudelaire, the practice of history-writing, and modernity and architecture. Contributors include Susan Buck-Morss, Stanley Cavell, Jonathan Culler, Brigid Doherty, Barbara Johnson, Esther Leslie, Gerhard Richter, Andrew Benjamin, Howard Caygill, Beatrice Hanssen, Detlef Mertins, Elissa Marder, Tyrus Miller, and Irving Wohlfarth
