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One Hundred Views of Mt. Fuji by Hokusai Katsushika Pdf
Considered Hokusai's masterpiece, this series of images -- which first appeared in the 1830s in three small volumes -- captures the simple, elegant shape of Mount Fuji from every angle and in every context.
100 Views of Mount Fuji by British Museum,Timothy Clark Pdf
Mount Fuji is renowned worldwide as Japan's highest and most perfectly shaped mountain. Serving as a potent metaphor in classical love poetry and revered since ancient times by mountain-climbing sects of both the Shinto and Buddhist faiths, Fuji has taken on many roles in pre-modern Japan. This volume explores a wide range of manifestations of the mountain in more recent visual culture, as portrayed in more than 100 works by Japanese painters and print designers from the 17th century to the present. Featured alongside traditional paintings of the Kano, Sumiyoshi, and Shijo schools are the more individualistic print designs of Katsushika Hokusai, Utagawa Hiroshige, Munakata Shiko, Hagiwara Hideo, and others. New currents of empiricism and subjectivity have enabled artists of recent centuries to project a surprisingly wide range of personal interpretations onto what was once regarded as such an eternal, unchanging symbol.
Prestigious Tokyo art curator Keizo Yukawa is hired by robotics magnate, Ichiro Ono, to create a monumental museum for Ono's ancestor, Takenoko, who painted a view of Mt. Fuji every day for a year. Yukawa soon finds all is not as it seems with Ono and his intensely dysfunctional family, all of whom have inherited pieces of Takenoko's genius and madness. Will Yukawa survive his descent into their strange world? The novel is full of dangerous aesthetics, visionary artificial intelligence, and delightfully dark humor. Over four hundred works of art in the book tell their own story of creative obsession.
This magnificent boxed set includes a silk- bound volume of stunning, accordion-fold, color reproductions of Hiroshige’s complete series, accompanied by a separate booklet with background and descriptions of each print. Roughly twenty-five years after Hokusai released his series of ukiyo-e prints depicting Japan’s most recognizable symbol, Hiroshige took on the subject as well—a common practice among the era’s printmakers. This volume features reproductions of the horizontal version of Hiroshige’s woodblock series, first published in 1852, and which reveal a mature artist working at the height of his powers. In the background of each of the views Mount Fuji is featured under varying vantage points and changing lights, towering over sites of sublime beauty, often animated by a few characters living in harmony with nature. These exquisite fold-out plates are perfect for appreciating Hiroshige’s eye for composition, his nontraditional use of line, and the subtle gradations of color and mood. Viewers can also learn much about daily life and culture in 19th-century Japan through carefully applied detail and symbolism. In his introductory booklet, Jocelyn Bouquillard provides captions for each print, as well as an appreciation of the remarkable and painstaking process of woodblock printing. Packaged in an elegant slipcase, these volumes reflect the beautiful artistry and traditions that are embodied in the prints themselves.
Kasushika Hokusai was among the foremost ukiyo-e artists of his generation, and his Thirty-six Views of Mt. Fuji ranks among the best-known series of Japanese woodblock prints. This edition presents a full-color reprint of that enduring masterpiece, plus the artist's later black-and-white series, One Hundred Views of Mt. Fuji. A must for all lovers of Japanese art.
A major publication on Hokusai's remarkable late work, incorporating fresh scholarship on the sublime paintings and prints the artist created in the last thirty years of his life
Hokusai was one of the great masters of the Japanese woodblock print. His exquisite compositions and dynamic use of color set him apart from other printmakers, and his unequalled genius influenced both Japanese and a whole generation of Western artists. Now available for the first time in paperback, this book reproduces the artist's finest works in plates that convey the full variety of his invention, each of which is provided with an informative commentary. In his introduction, Hokusai expert Matthi Forrer traces the artist's career and defines his place in relation to his contemporaries and to the history of Japanese art. Examining all genres of the artist's prolific output -- including images of city life, maritime scenes, landscapes, views of Mount Fuji, bird and flower illustrations, literary scenes, waterfalls and bridges -- Hokusai, Prints and Drawings provides a detailed account of the artist's genius.
The Japanese landscape print has had a tremendous influence on Western art of the nineteenth and twentieth centuries. In Japan and in the West it is often seen as the dominant form in Ukiyo-e, pictures from the floating world. And yet for all its importance, it is a genre whose history has never been written. Beyond The Great Wave is a survey or overview for all those interested in discovering the inner dynamics of one of art history's most remarkable achievements. However, it is also a quest narrative, in which landscapes and notions of Japan as a homeland are intertwined and interconnected. Although there has never been a book-length study of the Japanese landscape print in either Japanese or English, a great deal has been written about the two giants of the genre, Hokusai and Hiroshige. From what traditions did these two nineteenth-century artists emerge? Who were their predecessors? What influence, if any, did they have on other Ukiyo-e artists? Can their influence be seen in the shin-hanga and sôsaku-hanga artists of the twentieth century? This book addresses these issues, but it also looks at a number of other factors, such as the growth of tourism in nineteenth-century Japan, necessary for understanding this genre.
A beautiful collection of Hokusai's prints, all from the largest collection of Japanese prints from outside of Japan The best known of all Japanese artists, Katsushika Hokusai was active as a painter, book illustrator and print designer throughout his ninety-year lifespan. Yet his most famous works of all - the colour woodblock landscape prints issued in series, beginning with Thirty-Six Views of Mount Fuji - were produced within a relatively short time, in an amazing burst of creative energy that lasted from about 1830 to 1836. Hokusai's landscapes not only revolutionized Japanese printmaking but within a few decades of his death had become icons of world art as well. With stunning colour reproductions of works from the largest collection of Japanese prints outside Japan, this book examines the magnetic appeal of Hokusai's designs and the circumstances of their creation. All published prints of his eight major landscape series are included.
Hiroshige 36 Views of Mt Fuji 1852 by Cristina Berna,Eric Thomsen Pdf
Utagawa Hiroshige's two Thirty-six Views of Mount Fuji series, 1852 and 1858 are both a copy act and in themselves innovative artistic endeavors. Katsushika Hokusai published his famous series Thirty-six Views of Mount Fuji in 1830-1832 and it influenced Hiroshige tremendously to his own series Thirty-six Views of Mount Fuji series 1852 which we deal with here. It is in the same horizontal format for landscapes that Hokusai used. In a subsequent series Thirty-six Views of Mount Fuji published in 1858 Hiroshige shifted to the vertical portrait format with novel and interesting results. We deal with that in a separate volume. It is possible to travel to see the same sites today and enjoy the views of Mt Fuji, which is still very important to the Japanese. Utagawa Hiroshige (in Japanese: 歌川広重), also called Andō Hiroshige (in Japanese: 安藤広重;), was a Japanese ukiyo-e artist, considered the last great master of that tradition. He was born 1797 and died 12 October 1858. Ukiyo-e is a genre of Japanese art which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica. The term ukiyo-e (浮世絵) translates as "picture[s] of the floating world". Hiroshige is best known for his horizontal-format landscape series The Fifty-three Stations of the Tōkaidō, and for his vertical-format landscape series One Hundred Famous Views of Edo and for instance the 69 Stations of the Nakasendō. The main subjects of his work are considered atypical of the ukiyo-e genre, whose focus was more on beautiful women, popular actors, and other scenes of the urban pleasure districts of Japan's Edo period (1603-1868).
Cent Vues Célèbres D'Edo by Melanie Trede,Lorenz Bichler Pdf
A dazzling reprint of Hiroshige's views of Edo (modern-day Tokyo), one of the masterpieces of the ukiyo-e woodblock tradition and a paradigm of the Japonisme that inspired Impressionist, Post-Impressionist and Art Nouveau artists, from Vincent van Gogh to James McNeill Whistler.