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Timeless, universal, and surprising, this magical and poetic Halloween tale is a gentle reminder that in order to reach for the stars, you must follow your heart.
This story of two girls trying to banish a witch is “full of wonderful fun, excitement, and humor” (Library Journal). Old Witch likes nothing better than to fly around on her broomstick, crying “Heh-heh!” and casting abracadabras. But now she has been sent away . . . by two young girls. Amy and Clarissa have decided that Old Witch is just too mean and wicked. So, drawing a rickety old house upon a barren glass hill, they exile Old Witch there with a warning: She better be good, or else no Halloween! But to give Old Witch some company, they draw her a Little Witch Girl and a Weeny Witch Baby . . . Old Witch tries to be good, but anyone would get up to no good in a place as lonely as the glass hill. And Amy and Clarissa are about to find that out, when Old Witch magics them into her world of make-believe-made-real, in “a very special book that is certain to give boundless pleasure—at any time of the year” (The Horn Book). “A classic for Halloween.” —Library Journal
Have you not always wondered as a child if witches really flew during the night on their brooms? And what was their destination? "How Do Witches Fly?" is an answer to these questions. It shows that witches anointed themselves with the "flying" ointment before they flew to their gatherings on special nights of the year. The book scientifically dissects the ointment and reveals its herebal and animal ingredients and biochemical components. It is a popular science treatise on alkaloids and their action, spiced with curious stories about Mediaeval witchcraft rituals. It offers recipes of the ointment and advances a biochemical theory on the mechanisms of the ointment action on human senses and perception. The book features the art of the world-renowned artist Barbara Broughel, which bridges the history of New England witchcraft trials and contemporary American society. "How Do Witches Fly?" is a charming reference book for students of herbalism, biochemistry, Mediaeval history and occultism of various ages and education. What a great Halloween reading! But Halloween is every night according to the author.
A Matter-of-Fact Magic Book: Witch's Broom by Ruth Chew Pdf
What if you could fly—just like a witch? One day, Amy’s mom finds a broom in her backyard and decides to keep it. But when Mom goes out on errands, Amy and her friend Jean discover that the broom can move—and fly. Now they can go anywhere, even on a nighttime flight around the neighborhood! What adventures will they go on next? And will they ever meet the witch who left her broom behind? For decades, Ruth Chew’s classic chapter books full of everyday magic have enchanted early readers. Now that they are in print again, a new generation can fall under her spell and fall in love with reading.
The Itty Bitty Witch by Trisha Speed Shaskan,Xindi Yan Pdf
"Betty can't wait to be a first-grade witch. But on the first day of school, her classmates start calling her 'Itty Bitty' because she's small and still uses her kinder-broom. Betty doesn't like the nickname--or how it makes her feel itty-bitty inside. So she comes up with a BIG idea to prove herself: winning the Halloween Dash"--Provided by publisher.
In the beginning everything is fresh and new. Learning how to cast a circle, work magick, compile a Book of Shadows, and honor the God and Goddess on esbats and sabbats can be exhilarating. But once you've mastered the basics of Witchcraft comes the real challenge of living your faith every moment of every day. Living as a Witch is knowing that you are the magick. Advanced Witchcraft doesn't contain any "Wicca 101" information--it assumes that you're already familiar with the nuts and bolts of the Craft. Instead, this book challenges you to think critically about your beliefs and practices, what they mean to you, how they've changed, and where you're going. Along the way you'll also learn many techniques for intermediate and advanced Witches, including: Meeting your shadow Advanced warding and psychic self-defense Power animals, familiars, and shapeshifters Working the labyrinth and the maze Advanced tree spirituality Advanced augury and divination Magick and ritual using the fine arts of storytelling, dance, music, art, and drama The art of Wishcraft Spirits and lost souls Banishing and closing portals The healing arts
Chilling Adventures of Sabrina meets The L Word in this fresh, sizzling New York Times bestselling rom-com by Lana Harper. Emmy Harlow is a witch but not a very powerful one—in part because she hasn't been home to the magical town of Thistle Grove in years. Her self-imposed exile has a lot to do with a complicated family history and a desire to forge her own way in the world, and only the very tiniest bit to do with Gareth Blackmoore, heir to the most powerful magical family in town and casual breaker of hearts and destroyer of dreams. But when a spellcasting tournament that her family serves as arbiters for approaches, it turns out the pull of tradition (or the truly impressive parental guilt trip that comes with it) is strong enough to bring Emmy back. She's determined to do her familial duty; spend some quality time with her best friend, Linden Thorn; and get back to her real life in Chicago. On her first night home, Emmy runs into Talia Avramov—an all-around badass adept in the darker magical arts—who is fresh off a bad breakup . . . with Gareth Blackmoore. Talia had let herself be charmed, only to discover that Gareth was also seeing Linden—unbeknownst to either of them. And now she and Linden want revenge. Only one question stands: Is Emmy in? But most concerning of all: Why can't she stop thinking about the terrifyingly competent, devastatingly gorgeous, wickedly charming Talia Avramov?
Fortuna Dalliance is practical. Rational. Clever. But when she finds herself at the doorstep of an adventure, she discovers something that has been inside her all along: the courage to step through. The old Baldwin sisters are in trouble, and they've asked Fortuna to help them out of a fix. The sisters have accidentally turned a swallow into a boy, and he refuses to be turned back! But if Martin doesn't return to his original form within five days, he'll remain a boy forever . . . and the Baldwin sisters will have a lot to answer for. Fortuna's not sure she believes in magic, and once she's gotten to know Martin, she's not sure she wants him to be changed back. As Fortuna figures out what it truly means to be a friend, she must decide whose side she's on—before it's too late! Judy Hoffman's debut, with delightful illustrations by Stephanie Graegin, weaves an enchanting tale of loyalty, freedom, and feathers.
Examines and compares myths and folk tales about witches, werewolves, death, altered states, and flying, and describes the relationships between myths and cultural order
In the 1600s, Maria was abandoned in a snowy field in rural England as a baby. Under the care of Hannah Owens, who recognizes that Maria has a gift, she learns about the 'Unnamed Arts.' When Maria is abandoned by the man who has declared his love for her, she follows him to Salem, Massachusetts. She invokes a curse that will haunt her family for generations. And she learns the lesson that she will carry with her for the rest of her life: Love is the only thing that matters.
Reminiscent of the works of Margaret Atwood, Shirley Jackson, and Octavia Butler, a biting social commentary from the acclaimed author of Lakewood that speaks to our times—a piercing dystopian novel about the unbreakable bond between a young woman and her mysterious mother, set in a world in which witches are real and single women are closely monitored. Josephine Thomas has heard every conceivable theory about her mother's disappearance. That she was kidnapped. Murdered. That she took on a new identity to start a new family. That she was a witch. This is the most worrying charge because in a world where witches are real, peculiar behavior raises suspicions and a woman—especially a Black woman—can find herself on trial for witchcraft. But fourteen years have passed since her mother’s disappearance, and now Jo is finally ready to let go of the past. Yet her future is in doubt. The State mandates that all women marry by the age of 30—or enroll in a registry that allows them to be monitored, effectively forfeiting their autonomy. At 28, Jo is ambivalent about marriage. With her ability to control her life on the line, she feels as if she has her never understood her mother more. When she’s offered the opportunity to honor one last request from her mother's will, Jo leaves her regular life to feel connected to her one last time. In this powerful and timely novel, Megan Giddings explores the limits women face—and the powers they have to transgress and transcend them.
The Witch Who Was Afraid of Witches by Alice Low Pdf
Wendy is a little witch who is afraid of her mean, bossy witch sisters--until one special Halloween night when she makes a magical discovery and outwitches her older sisters. In this new edition, complete with full-color art, Alice Low has adapted her popular story specifically for beginning readers
This novel permits insight into the strange and horrific civil war that erupted in Sierra Leone in the 1990s in the twilight of the Cold War, leading ultimately to a UN War Crimes Tribunal for Crimes Against Humanity. It captures the toxic brew of forces that ultimately unleashed a conflagration in this small West African nation––Big Oil, Big Diamonds, competing external powers, foreign mercenaries, and the local dominant Lebanese trading community– –all pillaging and degrading the African population’s assets and destroying its chances for development until, not surprisingly, a brutal insurrection breaks out. The protagonist, Richard White, is an African-American international lawyer who first arrives in Sierra Leone during the Cold War on a mission to collect a forty million dollar oil debt owed by the local Freetown refinery. He returns a second time, post-Cold War, representing Lebanese interests in the largely illicit diamond trade, only to be kidnapped and held for ransom by Foday Sankoh’s Revolutionary United Front. Where Witch Birds Fly is also––and not less so––an illuminated portrayal of White’s process of loss and redemption. An outwardly successful man,White is in actuality seeking to come to terms with the personal malaise brought about by his rejection of family and ethnic heritage. He travels through life with all the accoutrements that demonstrate his professional success––sharp clothes, fast cars, and flashy white women––but inside, he feels troubled and alone. Long-term psychoanalysis does little to alleviate his malaise. White’s road to peace lies through the maelstrom. Harkins projects the deadly social forces at play in Sierra Leone over a decade with the socio-political acumen and high moral vision of John Le Carre in The Constant Gardner.