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Enjoy a fresh new approach to sock knitting! Stephanie van der Linden is a master knitter and shows her technical skills to great effect in Op-Art Socks. A collector of op-art ceramics, she was inspired to translate graphic optical illusions into knitted patterns for socks, replicating their eye-popping effects. Op-Art Socks contains 19 projects. Explore graphic colorwork, textured knitting (knit and purl), shadow knitting, and shifting ribbing to create optical illusions. The book includes black and white swatches of all patterns so that you can readily perceive the op-art illusions in each piece. Op-Art Socks is truly unique in theme and designs. Go beyond ordinary sock knitting into new territory!
"Thus art is not an object, but an experience." This volume collects the work of a generation of international "op artists" who were fascinated by the physical laws of light and optics, visual phenomena and the principles of perception. Op art, also known as optical art, is a style of visual art that makes use of optical illusions. "Optical art is a method of painting concerning the interaction between illusion and picture plane, between understanding and seeing." Op art works are abstract, with many of the better known pieces made in only black and white. When the viewer looks at them, the impression is given of movement, hidden images, flashing and vibration, patterns, or alternatively, of swelling or warping.
Color these 30 original designs to make the interlocking rings, cubes, and other shapes stand out. Some visual illusions will even seem to move back and forth.
Eye Attack by Lærke Rydal Jørgensen,Michael Juul Holm,Tine Colstrup,Kirsten Degel Pdf
With the first major presentation of Op Art and Kinetic Art in Scandinavia for more than 50 years, Louisiana opens the door to a visual experimental laboratory with the whole range of media and techniques. 'Op Art' is an abbreviation of Optical Art and describes works which use ingeniously crafted optical illusions and effects that go straight to the core of our visual sensory apparatus. The movement had its inception in the middle of the 1950s and its glory days in the 1960s, when it established itself internationally across political and cultural contexts. The artists were preoccupied with science, the psychology of perception and the new technology of the time ? and turned their backs on old-fashioned storytelling and romantic sensitivity. While Kinetic and Optical Art originate from a particular time, the results are surprisingly timeless, and the movement has left striking marks in contemporary visual art and culture. The direct appeal to the senses is unabated ? and is effective today in a mixture of instant fascination and nostalgia.00With around 100 works and more than 40 artists, including Hungarian Victor Vasarely and English Bridget Riley in two of the main roles, the exhibition opens the door to a visual experimental laboratory with the whole range of media and techniques.00Exhibition: Louisiana Museum, Humlebaek, Denmark (04.02.-05.06.2016).
Dress and Popular Culture by Patricia Anne Cunningham,Susan Voso Lab Pdf
The subjects of the essays in this book range from looking at the ever changing means of specific garments and clothing practices of subcultural groups to examining dress as a reflection of changing life styles in American culture. The essays also examine fashions, fads, and popular images. Dress and Popular Culture hopes to shed new light on popular culture through a study of the associations of dress to culture.
Aesthetics of Interdisciplinarity: Art and Mathematics by Kristóf Fenyvesi,Tuuli Lähdesmäki Pdf
This anthology fosters an interdisciplinary dialogue between the mathematical and artistic approaches in the field where mathematical and artistic thinking and practice merge. The articles included highlight the most significant current ideas and phenomena, providing a multifaceted and extensive snapshot of the field and indicating how interdisciplinary approaches are applied in the research of various cultural and artistic phenomena. The discussions are related, for example, to the fields of aesthetics, anthropology, art history, art theory, artistic practice, cultural studies, ethno-mathematics, geometry, mathematics, new physics, philosophy, physics, study of visual illusions, and symmetry studies. Further, the book introduces a new concept: the interdisciplinary aesthetics of mathematical art, which the editors use to explain the manifold nature of the aesthetic principles intertwined in these discussions.
Published to accompany an exhibition at the Columbus Museum of Art, Ohio, this book examines the development of the Op Art movement, its cultural context, and its widespread impact on advertising, fashion and film-making. It includes works by Josef Albers, Bridget Riley and Victor Vasarely.