Opera And Modern Culture

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Opera and Modern Culture

Author : Lawrence Kramer
Publisher : Univ of California Press
Page : 265 pages
File Size : 54,7 Mb
Release : 2004-11-01
Category : Music
ISBN : 9780520940840

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Opera and Modern Culture by Lawrence Kramer Pdf

In this enlightening and entertaining book, one of the most original and sophisticated musicologists writing today turns his attention to music's most dramatic genre. Extending his ongoing project of clarifying music's various roles in Western society, Kramer brings to opera his distinctive and pioneering blend of historical concreteness and theoretical awareness. Opera is legendary for going to extremes, a tendency that has earned it a reputation for unreality. Opera and Modern Culture shows the reverse to be true. Kramer argues that for the past two centuries the preoccupation of a group of famous operas with the limits of supremacy and debasement helped to define a normality that seems the very opposite of the operatic. Exemplified in a series of beloved examples, a certain idea of opera—a fiction of opera—has contributed in key ways to the modern era's characterizations of desire, identity, and social order. Opera and Modern Culture exposes this process at work in operas by Richard Wagner, who put modernity on the agenda in ways no one after him could ignore, and by the young Richard Strauss. The book continues the initiative of much recent writing in treating opera as a multimedia rather than a primarily musical form. From Lohengrin and The Ring of the Niebelung to Salome and Elektra, it traces the rich interplay of operatic visions and voices and their contexts in the birth pangs of modern life.

Opera in a Multicultural World

Author : Mary Ingraham,Joseph So,Roy Moodley
Publisher : Routledge
Page : 281 pages
File Size : 54,6 Mb
Release : 2015-06-19
Category : Music
ISBN : 9781317444824

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Opera in a Multicultural World by Mary Ingraham,Joseph So,Roy Moodley Pdf

Through historical and contemporary examples, this book critically explores the relevance and expressions of multicultural representation in western European operatic genres in the modern world. It reveals their approaches to reflecting identity, transmitting meaning, and inspiring creation, as well as the ambiguities and contradictions that occur across the time and place(s) of their performance. This collection brings academic researchers in opera studies into conversation with previously unheard voices of performers, critics, and creators to speak to issues of race, ethnicity, and culture in the genre. Together, they deliver a powerful critique of the perpetuation of the values and practices of dominant cultures in operatic representations of intercultural encounters. Essays accordingly cross methodological boundaries in order to focus on a central issue in the emerging field of coloniality: the hierarchies of social and political power that include the legacy of racialized practices. In theorizing coloniality through intercultural exchange in opera, authors explore a range of topics and case studies that involve immigrant, indigenous, exoticist, and other cultural representations and consider a broad repertoire that includes lesser-known Canadian operas, Chinese- and African-American performances, as well as works by Haydn, Strauss, Puccini, and Wagner, and in performances spanning three continents and over two centuries. In these ways, the collection contributes to the development of a more integrated understanding of the interdisciplinary fields inherent in opera, including musicology, sociology, anthropology, and others connected to Theatre, Gender, and Cultural Studies.

Opera in a Multicultural World

Author : Mary Ingraham,Joseph So,Roy Moodley
Publisher : Routledge
Page : 264 pages
File Size : 41,8 Mb
Release : 2015-06-19
Category : Music
ISBN : 9781317444831

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Opera in a Multicultural World by Mary Ingraham,Joseph So,Roy Moodley Pdf

Through historical and contemporary examples, this book critically explores the relevance and expressions of multicultural representation in western European operatic genres in the modern world. It reveals their approaches to reflecting identity, transmitting meaning, and inspiring creation, as well as the ambiguities and contradictions that occur across the time and place(s) of their performance. This collection brings academic researchers in opera studies into conversation with previously unheard voices of performers, critics, and creators to speak to issues of race, ethnicity, and culture in the genre. Together, they deliver a powerful critique of the perpetuation of the values and practices of dominant cultures in operatic representations of intercultural encounters. Essays accordingly cross methodological boundaries in order to focus on a central issue in the emerging field of coloniality: the hierarchies of social and political power that include the legacy of racialized practices. In theorizing coloniality through intercultural exchange in opera, authors explore a range of topics and case studies that involve immigrant, indigenous, exoticist, and other cultural representations and consider a broad repertoire that includes lesser-known Canadian operas, Chinese- and African-American performances, as well as works by Haydn, Strauss, Puccini, and Wagner, and in performances spanning three continents and over two centuries. In these ways, the collection contributes to the development of a more integrated understanding of the interdisciplinary fields inherent in opera, including musicology, sociology, anthropology, and others connected to Theatre, Gender, and Cultural Studies.

Opera, Society, and Politics in Modern China

Author : Hsiao-t'i Li
Publisher : BRILL
Page : 380 pages
File Size : 46,5 Mb
Release : 2020-10-26
Category : History
ISBN : 9781684171019

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Opera, Society, and Politics in Modern China by Hsiao-t'i Li Pdf

"Popular operas in late imperial China were a major part of daily entertainment, and were also important for transmitting knowledge of Chinese culture and values. In the twentieth century, however, Chinese operas went through significant changes. During the first four decades of the 1900s, led by Xin Wutai (New Stage) of Shanghai and Yisushe of Xi’an, theaters all over China experimented with both stage and scripts to present bold new plays centering on social reform. Operas became closely intertwined with social and political issues. This trend toward “politicization” was to become the most dominant theme of Chinese opera from the 1930s to the 1970s, when ideology-laden political plays reflected a radical revolutionary agenda.Drawing upon a rich array of primary sources, this book focuses on the reformed operas staged in Shanghai and Xi’an. By presenting extensive information on both traditional/imperial China and revolutionary/Communist China, it reveals the implications of these “modern” operatic experiences and the changing features of Chinese operas throughout the past five centuries. Although the different genres of opera were watched by audiences from all walks of life, the foundations for opera’s omnipresence completely changed over time."

Opera Indigene

Author : Pamela Karantonis,Dylan Robinson
Publisher : Ashgate Publishing, Ltd.
Page : 400 pages
File Size : 42,7 Mb
Release : 2011
Category : Music
ISBN : 0754669890

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Opera Indigene by Pamela Karantonis,Dylan Robinson Pdf

The representation of non-Western cultures in opera has long been a focus of critical inquiry, however, the diverse relationships between opera and First Nations and indigenous cultures have received less attention. Opera Indigene addresses the changing historical depictions of indigenous cultures in opera and the more contemporary hybridizations of the form by indigenous and First Nations artists. Drawing upon postcolonial theory, ethnomusicology, cultural geography and critical discourses on nationalism and multiculturalism, the collection brings together experts on opera and music in Canada, the Americas and Australia.

Performing Images

Author : Judith T. Zeitlin,Yuhang Li
Publisher : Smart Museum of Art, the University of C
Page : 0 pages
File Size : 43,6 Mb
Release : 2014
Category : Art and society
ISBN : 0935573550

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Performing Images by Judith T. Zeitlin,Yuhang Li Pdf

Writing in the early nineteenth century, the French traveler and cleric Abbé Huc exclaimed: "There is, perhaps, not a people in the world who carry so far their taste and passion for theatrical entertainments as the Chinese.” This taste and passion for the theater was not restricted to the stage, but permeated the visual and material world of everyday life from the village to the court. The visual spectacle of this theater is well known, displayed primarily through colorful costumes, props, and face painting. What is less known is the extent to which operatic characters and stories were favored as pictorial and decorative motifs across the full spectrum of visual mediums, from courtly scroll paintings, popular New Year prints, illustrated woodblock books and painted fans to carved utensils, ceramics, textiles, and dioramas.

Modernism and Opera

Author : Richard Begam,Matthew Wilson Smith
Publisher : JHU Press
Page : 391 pages
File Size : 46,9 Mb
Release : 2016-11
Category : Literary Criticism
ISBN : 9781421420622

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Modernism and Opera by Richard Begam,Matthew Wilson Smith Pdf

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The Evolution of Opera Theatre in the Middle East and North Africa

Author : Paolo Petrocelli
Publisher : Cambridge Scholars Publishing
Page : 213 pages
File Size : 45,9 Mb
Release : 2019-09-12
Category : Art
ISBN : 9781527539785

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The Evolution of Opera Theatre in the Middle East and North Africa by Paolo Petrocelli Pdf

This book is the first structured and complete research work undertaken on opera theatres across the entire Middle East and North Africa. Until now, no single study has looked at every theatrical and musical institute in these countries. Many of the opera theatres that are examined here have had very little written about them at all. This work fills this void in order to provide scholars and practitioners in the sector with the first reference work on the subject that will help our understanding of the evolutionary process that has led—and continues to lead—all the countries in the MENA region to equip themselves with an opera theatre.

Jacques Offenbach and the Making of Modern Culture

Author : Laurence Senelick
Publisher : Unknown
Page : 128 pages
File Size : 55,9 Mb
Release : 2017
Category : Opera
ISBN : 1108328245

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Jacques Offenbach and the Making of Modern Culture by Laurence Senelick Pdf

Offenbach's operas were a significant force for cultural change, both in his own time and in the decades to follow. In this book, Laurence Senelick demonstrates the ways in which this musical phenomenon took hold globally, with Offenbach's work offering an alternative, irreverent, sexualized view of life which audiences found liberating, both personally and socially. In the theatre, the composer also inspired cutting-edge innovations in stagecraft and design, and in this book, he is recognized as a major cultural influence, with an extensive impact on the spheres of literature, art, film, and even politics. Senelick argues that Offenbach's importance spread far beyond France, and that his provocative and entertaining works, often seen as being more style than substance, influenced numerous key artists, writers, and thinkers, and made a major contribution to the development of modern society.

Her Stories

Author : Elana Levine
Publisher : Duke University Press Books
Page : 0 pages
File Size : 54,6 Mb
Release : 2020-02-25
Category : Performing Arts
ISBN : 1478008016

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Her Stories by Elana Levine Pdf

Since the debut of These Are My Children in 1949, the daytime television soap opera has been foundational to the history of the medium as an economic, creative, technological, social, and cultural institution. In Her Stories, Elana Levine draws on archival research and her experience as a longtime soap fan to provide an in-depth history of the daytime television soap opera as a uniquely gendered cultural form and a central force in the economic and social influence of network television. Closely observing the production, promotion, reception, and narrative strategies of the soaps, Levine examines two intersecting developments: the role soap operas have played in shaping cultural understandings of gender and the rise and fall of broadcast network television as a culture industry. In so doing, she foregrounds how soap operas have revealed changing conceptions of gender and femininity as imagined by and reflected on the television screen.

Opera Buffa in Mozart's Vienna

Author : Mary Kathleen Hunter,James Webster
Publisher : Cambridge University Press
Page : 476 pages
File Size : 48,9 Mb
Release : 1997-11-27
Category : Music
ISBN : 0521572398

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Opera Buffa in Mozart's Vienna by Mary Kathleen Hunter,James Webster Pdf

This collection of essays, presented by an internationally known team of scholars, explores the world of Vienna and the development of opera buffa in the second half of the eighteenth century. Although today Mozart remains one of the most well-known figures of the period, the era was filled with composers, librettists, writers and performers who created and developed opera buffa. Among the topics examined are the relationship of Viennese opera buffa to French theatre; Mozart and eighteenth-century comedy; gender, nature and bourgeois society on Mozart's buffa stage; as well as close analyses of key works such as Don Giovanni and Le nozze di Figaro.

Jacques Offenbach and the Making of Modern Culture

Author : Laurence Senelick
Publisher : Cambridge University Press
Page : 371 pages
File Size : 55,8 Mb
Release : 2017-09-21
Category : Music
ISBN : 9780521871808

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Jacques Offenbach and the Making of Modern Culture by Laurence Senelick Pdf

Provides a fresh and global perspective on the works and influence of a nineteenth-century musical and theatrical phenomenon.

Music, Modern Culture, and the Critical Ear

Author : Nicholas Attfield,Ben Winters
Publisher : Routledge
Page : 312 pages
File Size : 40,6 Mb
Release : 2016-04-30
Category : Music
ISBN : 9781317091653

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Music, Modern Culture, and the Critical Ear by Nicholas Attfield,Ben Winters Pdf

In his 1985 book The Idea of Music: Schoenberg and Others, Peter Franklin set out a challenge for musicology: namely, how best to talk and write about the music of modern European culture that fell outside of the modernist mainstream typified by Schoenberg, Berg, and Webern? Thirty years on, this collected volume of essays by Franklin’s students and colleagues returns to that challenge and the vibrant intellectual field that has since developed. Moving freely between insights into opera, Volksoper, film, festival, and choral movement, and from the very earliest years of the twentieth century up to the 1980s, its authors listen with a ‘critical ear’: they site these musical phenomena within a wider web of modern cultural practices - a perspective, in turn, that enables them to exercise a disciplinary self-awareness after Franklin’s manner.

Fashionable Acts

Author : Jennifer Hall-Witt
Publisher : UPNE
Page : 412 pages
File Size : 49,9 Mb
Release : 2007
Category : History
ISBN : 1584656255

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Fashionable Acts by Jennifer Hall-Witt Pdf

A vibrant look at changes in British elite culture through the lens of opera-going

The Culture of Opera Buffa in Mozart's Vienna

Author : Mary Hunter
Publisher : Princeton University Press
Page : 312 pages
File Size : 41,5 Mb
Release : 1999-04-12
Category : Music
ISBN : 9781400822751

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The Culture of Opera Buffa in Mozart's Vienna by Mary Hunter Pdf

Mozart's comic operas are among the masterworks of Western civilization, and yet the musical environment in which Mozart and his librettist Lorenzo da Ponte wrote these now-popular operas has received little critical attention. In this richly detailed book, Mary Hunter offers a sweeping, synthetic view of opera buffa in the lively theatrical world of late-eighteenth-century Vienna. Opera buffa (Italian-language comic opera) persistently entertained audiences at a time when Joseph was striving for a German national theater. Hunter attributes opera buffa's success to its ability to provide "sheer" pleasure and hence explores how the genre functioned as entertainment. She argues that opera buffa, like mainstream film today, projects a social world both recognizable and distinct from reality. It raises important issues while containing them in the "merely entertaining" frame of the occasion, as well as presenting them as a series of easily identifiable dramatic and musical conventions. Exploring nearly eighty comic operas, Hunter shows how the arias and ensembles convey a multifaceted picture of the repertory's social values and habits. In a concluding chapter, she discusses Cos" fan tutte as a work profoundly concerned with the conventions of its repertory and with the larger idea of convention itself and reveals the ways Mozart and da Ponte pointedly converse with their immediate contemporaries.