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Opera : passion, power and politics by Kate Bailey Pdf
"Opera is traditionally regarded as an elitist art form far removed from reality by its fantastical pots and melodramatic divas. This book shows that beneath the opulent sets and sumptuous costumes, opera is very much a product of its time. Like all the great narrative arts, it draws on essential human experiences to create a form that can be endlessly reinvented to reflect a changing society.Focusing on seven opera premieres in seven distinct cultural landscapes, with additional essays by contemporary practitioners including Placido Domingo, Antonio Pappano and Simone Young, the book culminates in the international explosion of opera in the twentieth and twenty-first centuries. The seven operas and premieres are: Venice (Monteverdi's L'Incoranazione di Poppea, 1642); London (Handel's Rinaldo, 1711); Vienna (Mozart's Le Nozze di Figaro, 1786); Milan (Verdi's Nabucco, 1842); Paris (Wagner's Tannhauser, 1861); Dresden (Strauss' Salome, 1905) and St Petersburg 0(Shostakovich's Lady Macbeth of the Mtsensk District, 1934)" -- publisher's description.
The Marriage between Perfume and the Lyric Stage by Mary May Robertson Pdf
“But what is this scent of balmy air? What this ray of light in my tomb? I seem to see an angel, amid a scent of roses” sings Florestan in Fidelio, Beethoven’s only opera. The role of scents, smells, fragrances, and odours in opera has long been neglected, just as how much opera and its stars have influenced the world of perfumery from the nineteenth century to the present day. In the first book-length study on the topic, Professor Mary May Robertson explores the relationship between opera, perfumes, and their respective protagonists in order to map out the previously undiscussed connection between the two. Through compelling close readings of librettos and rigorous research through thousands of bottles of perfume, the reader will come to appreciate and recognise the influences and exchanges between operas and perfumes and their ultimate marriage in the previously unrecognised genre of Operatic Perfumes, which is to say, perfumes named after operas, composers, and their divas.
Museums and Digital Culture by Tula Giannini,Jonathan P. Bowen Pdf
This book explores how digital culture is transforming museums in the 21st century. Offering a corpus of new evidence for readers to explore, the authors trace the digital evolution of the museum and that of their audiences, now fully immersed in digital life, from the Internet to home and work. In a world where life in code and digits has redefined human information behavior and dominates daily activity and communication, ubiquitous use of digital tools and technology is radically changing the social contexts and purposes of museum exhibitions and collections, the work of museum professionals and the expectations of visitors, real and virtual. Moving beyond their walls, with local and global communities, museums are evolving into highly dynamic, socially aware and relevant institutions as their connections to the global digital ecosystem are strengthened. As they adopt a visitor-centered model and design visitor experiences, their priorities shift to engage audiences, convey digital collections, and tell stories through exhibitions. This is all part of crafting a dynamic and innovative museum identity of the future, made whole by seamless integration with digital culture, digital thinking, aesthetics, seeing and hearing, where visitors are welcomed participants. The international and interdisciplinary chapter contributors include digital artists, academics, and museum professionals. In themed parts the chapters present varied evidence-based research and case studies on museum theory, philosophy, collections, exhibitions, libraries, digital art and digital future, to bring new insights and perspectives, designed to inspire readers. Enjoy the journey!
Support for a radical politics and its form of political mobilization exists, but in the absence of a revolutionary leftist project, this support has in the past, and is currently, been transferred to the counter-revolutionary politics on offer from the other end of the ideological spectrum.
A lively introduction to opera, from the Renaissance to the twenty-first century There are few art forms as visceral and emotional as opera-and few that are as daunting for newcomers. A Mad Love offers a spirited and indispensable tour of opera's eclectic past and present, beginning with Monteverdi's L'Orfeo in 1607, generally considered the first successful opera, through classics like Carmen and La Boheme, and spanning to Brokeback Mountain and The Death of Klinghoffer in recent years. Musician and critic Vivien Schweitzer acquaints readers with the genre's most important composers and some of its most influential performers, recounts its long-standing debates, and explains its essential terminology. Today, opera is everywhere, from the historic houses of major opera companies to movie theaters and public parks to offbeat performance spaces and our earbuds. A Mad Love is an essential book for anyone who wants to appreciate this living, evolving art form in all its richness.
Consciousness, Performing Arts and Literature by Daniel Meyer-Dinkgräfe Pdf
Against the background of personal, institutional and cultural trajectories, this book considers dance, opera, theatre and practice as research from a consciousness studies perspective. Highlights include a conversation with Barbara Sellers-Young on the nature of dance; an assessment of the work of International Opera Theater; a new perspective on liveness and livecasts; a reassessment, with Anita S. Hammer, of the concept of a universal language of the theatre; a discussion of two productions of new plays; the development of a new concept of theatre of the heart; a comparison of Western and Thai positions on the concept of beauty; and an examination of the role of conflict for theatre. The final chapter of the book is taken up by the author’s first novel, which launches the new genre of spiritual romance.
I'm not much now, I know, but I will be. So pick me Jyoti and I swear I will make us the greatest adventure you ever have. On a stormy night in 1954, a woman doomed to marry one of five men discovers the wildcard choice might just be the person she'd been hoping for all along. An Adventure follows headstrong Jyoti and her fumbling suitor Rasik as they ride the crest of the fall of the Empire from the shores of post-Partition India to the forests of Mau Mau Kenya onto the industrial upheaval of 1970s London and the present day. But what happens when youthful ambitions crash hard against reality? When you look back at the story of your time together, can you bear to ask yourself: was it all worth it? Witty, charming and full of fearless historical insight, An Adventure is an epic, technicolour love story from one of the country's most promising young writers about the people who journeyed to British shores in hope and shaped the country we live in today.
Maria Callas was, perhaps, the greatest opera singer of the 20th century. Hers was a life lived on the world stage, and her fame extended to the public consciousness of many parts of the world. Even after her mysterious death in 1977, her singing and acting continue to thrill new generations of opera fans thanks to her many recordings and her fascinating life. This new biography of Callas tells her story from difficult beginnings as the daughter of Greek immigrants to New York City in 1923 to her wonderful performances at La Scala, Covent Garden, and the Metropolitan Opera. Callas was quite a diva and a master at creating a captivating public image. She also became notorious because of her very public affair with Aristotle Onassis, the wealthy ship-owner who left Callas to marry Jacqueline Kennedy.
Assistant Professor of Music and Ad Astra Fellow Tomás McAuley,Tomás McAuley,Nanette Nielsen,Distinguished University Professor of Philosophy Emeritus Jerrold Levinson,Jerrold Levinson,Ariana Phillips-Hutton
Author : Assistant Professor of Music and Ad Astra Fellow Tomás McAuley,Tomás McAuley,Nanette Nielsen,Distinguished University Professor of Philosophy Emeritus Jerrold Levinson,Jerrold Levinson,Ariana Phillips-Hutton Publisher : Oxford University Press, USA Page : 1151 pages File Size : 41,5 Mb Release : 2020-12-30 Category : Music ISBN : 9780199367313
The Oxford Handbook of Western Music and Philosophy by Assistant Professor of Music and Ad Astra Fellow Tomás McAuley,Tomás McAuley,Nanette Nielsen,Distinguished University Professor of Philosophy Emeritus Jerrold Levinson,Jerrold Levinson,Ariana Phillips-Hutton Pdf
Whether regarded as a perplexing object, a morally captivating force, an ineffable entity beyond language, or an inescapably embodied human practice, music has captured philosophically inclined minds since time immemorial. In turn, musicians of all stripes have called on philosophy as a source of inspiration and encouragement, and scholars of music through the ages have turned to philosophy for insight into music and into the worlds that sustain it. In this Handbook, contributors build on this legacy to conceptualize the rich interactions of Western music and philosophy as a series of meeting points between two vital spheres of human activity. They draw together key debates at the intersection of music studies and philosophy, offering a field-defining overview while also forging new paths. Chapters cover a wide range of musics and philosophies, including concert, popular, jazz, and electronic musics, and both analytic and continental philosophy.
Alchemy of Punk, a thesis and opera developed by Aneta Panek as part of her PhD, investigates punk’s poetics and motifs, genealogy, and subversive reinvention. Reaching as far back as the Middle Ages and exploring the tradition of troubadours, minnesingers, madrigals, beggar’s operas, and murder ballads, Aneta proposes to understand punk as an embodiment of Dionysian art; a danse macabre celebrating life through performative, screamed poetry. In her textual exploration of punk—this thesis—she delves into the vast forms of expression adopted by punk’s vagabonds, outcasts, and poètes maudits, and in her artwork—the punk opera—she tests the theories and ideas presented in her thesis, bringing together the greatest voices of classical opera, punk, and industrial rock in an explosive spectacle of theatrical and musical experiences, video installation, and live performance.
Sound Heritage by Jeanice Brooks,Matthew Stephens,Wiebke Thormählen Pdf
Sound Heritage is the first study of music in the historic house museum, featuring contributions from both music and heritage scholars and professionals in a richly interdisciplinary approach to central issues. It examines how music materials can be used to create narratives about past inhabitants and their surroundings - including aspects of social and cultural life beyond the activity of music making itself - and explores how music as sound, material, and practice can be more consistently and engagingly integrated into the curation and interpretation of historic houses. The volume is structured around a selection of thematic chapters and a series of shorter case studies, each focusing on a specific house, object or project. Key themes include: Different types of historic house, including the case of the composer or musician house; what can be learned from museums and galleries about the use of sound and music and what may not transfer to the historic house setting Musical instruments as part of a wider collection; questions of restoration and public use; and the demands of particular collection types such as sheet music Musical objects and pieces of music as storytelling components, and the use of music to affectively colour narratives or experiences. This is a pioneering study that will appeal to all those interested in the intersection between Music and Museum and Heritage Studies. It will also be of interest to scholars and researchers of Music History, Popular Music, Performance Studies and Material Culture.
An impassioned guide to opera's political dimension. Taking us on a tour of 200 years of great opera, from "The Marriage of Figaro" to "Nixon in China", Anthony Arblaster uncovers the political dimension of an art form all too often considered as purely aesthetic and reveals opera's full vitality and passion for liberty.
In late imperial China, opera transmitted ideas across the social hierarchy about the self, family, society, and politics. Beijing attracted a diverse array of opera genres and audiences and, by extension, served as a hub for the diffusion of cultural values. It is in this context that historian Andrea S. Goldman harnesses opera as a lens through which to examine urban cultural history. Her meticulous yet playful account takes up the multiplicity of opera types that proliferated at the time, exploring them as contested sites through which the Qing court and commercial playhouses negotiated influence and control over the social and moral order. Opera performance blurred lines between public and private life, and offered a stage on which to act out gender and class transgressions. This work illuminates how the state and various urban constituencies manipulated opera to their own ends, and sheds light on empire-wide transformations underway at the time.
Author : Claudio E. Benzecry Publisher : University of Chicago Press Page : 267 pages File Size : 54,9 Mb Release : 2011-07-15 Category : Music ISBN : 9780226043425
Though some dismiss opera as old-fashioned, it shows no sign of disappearing from the world's stage. So why do audiences continue to flock to it? Opera lovers are an intense lot, Benzecry discovers in his look at the fanatics who haunt the legendary Colón Opera House in Buenos Aires.