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This book focuses on the performance of oral epics and explores the significance of performance features for the interpretation of epic poetry. The leading question of the book is how the socio-cultural context of performance and the various performance elements contribute to the meaning of oral epics. This is a question which not only concerns epics collected from living oral tradition, but which is also of importance for the understanding of the epics of antiquity and the Middle Ages which originated and flourished in an oral milieu. The book is based on fieldwork in the still vibrant oral traditions of the Turkic peoples of Central Asia and Siberia. The discussion combines fieldwork with theory; it is not limited to Turkic epics but branches out into other oral traditions.
Author : Lauri Honko Publisher : Walter de Gruyter Page : 401 pages File Size : 47,6 Mb Release : 2011-07-20 Category : Language Arts & Disciplines ISBN : 9783110825848
TRENDS IN LINGUISTICS is a series of books that open new perspectives in our understanding of language. The series publishes state-of-the-art work on core areas of linguistics across theoretical frameworks as well as studies that provide new insights by building bridges to neighbouring fields such as neuroscience and cognitive science. TRENDS IN LINGUISTICS considers itself a forum for cutting-edge research based on solid empirical data on language in its various manifestations, including sign languages. It regards linguistic variation in its synchronic and diachronic dimensions as well as in its social contexts as important sources of insight for a better understanding of the design of linguistic systems and the ecology and evolution of language. TRENDS IN LINGUISTICS publishes monographs and outstanding dissertations as well as edited volumes, which provide the opportunity to address controversial topics from different empirical and theoretical viewpoints. High quality standards are ensured through anonymous reviewing.
Creating Culture in (Post) Socialist Central Asia by Ananda Breed,Eva-Marie Dubuisson,Ali Iğmen Pdf
This book brings together historical and ethnographic research from Kyrgyzstan, Kazakhstan, and Xinjiang, in order to explore how individuals and communities work to create and maintain forms of ‘culture’ in contexts of ideological repression and erasure. Across Inner Central Asia, in both China and the Soviet Union, while ethnic culture was on one hand lauded and promoted, it was simultaneously folklorized in the face of broader projects of socialist modernity. How do local intellectuals, cultural organizers, and performers work to negotiate their own forms and understandings of cultural meaning within the institutions and frameworks of a long twentieth century? How does scholarly attention to cultural production, tradition, and performance help to inform our understanding of (ethnic) nations not as given, but as coming into being?
Routledge Revivals: Turkic Oral Epic Poetry (1992) by Karl Reichl Pdf
Originally published in 1992, Turkic Oral Poetry provides an expert introduction to the oral epic traditions of the Turkic peoples of central Asia. The book seeks to remedy the problem of non-specialists’ lack of access to information on the Turkic traditions, and in the process, it provides scholars in various disciplines with material for comparative investigation. The book focuses on "central traditions" of this region, specifically those of the Uzbeks, Kazakhs, Karakalpak’s, and Kirghiz and looks at the historical and linguistic background to a survey of the earliest documents, portraits of the singers and of performance considerations of genre, story-patterns, and formulaic diction, and discussions of "composition in performance", memory, rhetoric and diffusion.
Culture and Customs of the Central Asian Republics by Rafis Abazov Pdf
The Central Asian Republics of Kazakhstan, Kyrgyzstan, Turkmenistan, Tajikistan, and Uzbekistan won their independence from the Soviet Union in 1991. Now they are emerging from the shadow of dominance and are subjects of intense interest from the West. The modern culture and customs of the various peoples in these geopolitical hotspots, straddling the far reaches of Europe into Asia, are revealed to a general audience for the first time. This will be the must-have volume for a broad, authoritative overview of these traditional civilizations as they cope with globalization.
Selected Studies on Genre in Middle Eastern Literatures by Hülya Çelik,Petr Kučera Pdf
The examination of literary genres in the Middle East opens the possibility of gaining new insights into the intellectual universe of Middle Eastern societies, the question of production of meaning, what “literature” meant in different historical periods, and the underlying epistemology of producing knowledge, and how this epistemology has changed over time. This book comprises 12 case studies from the three major Middle Eastern languages – Arabic, Persian, and Turkish – written by experts in the field. It brings together a wide range of approaches – from the study of epics to an analysis of travelogues, and from classical poetry to novels. Instead of focusing on one period or juxtaposing the classical genres and the West-induced development of “modern genres,” the studies in their totality apply a broad diachronic and synchronic perspective, with the potential to create a comparative framework for the study of the sociocultural and narratological dimensions of genre in the Middle East.
The Formation of the Uzbek Nation-state by Anita Sengupta Pdf
The Formation of the Uzbek Nation-State is a detailed and insightful examination of the process of nation-state formation in the Central Asian region in the post-October revolution period, based on a case-study of Uzbekistan. Author Anita Sengupta examines the role of language and religion in the formation of the Uzbek nation-state and demonstrates the continuous transition involved in such a process.
The Art of the Turkish Tale by Barbara K. Walker Pdf
In casting them into English, Walker has paid particular attention to capturing the flavor and excitement of the Turkish telling, while not infringing "on the narrator's right to have the tale recreated as he had told it." ...The Beauty, power, and appeal of the present volume for the general reading public, however, depends largely upon Barbara Walker's own consummate skill as a teller and re-teller of tales and her commitment to conveying as much of the Turkish performance context as possible. ...In a gesture which is perhaps symptomatic of the reasons for this volume's success, [Barbara Walker] recognizes in the Acknowledgments section each and every tale-teller by name--all forty of them, ranging in age from nine to ninety and coming from the many different walks of life, both urban and rural, to be found in twenty out of Turkey's seventy-four provinces from Mugla to Kars and from Istanbul to Diyarbakir. In presenting the works of "all these generous bearers of tradition" to an English-speaking audience, [she] has achieved her aim of opening a small window on the art of the Turkish tale in a volume which stands as a tribute to the art of book making as well. Sarah Moment Atis, Chair, Middle East Studies Program, University of Wisconsin-Madison President, Turkish Studies Association This will stand as a fine, quintessential contribution.... One hears the whispers of the original voices in these versions, all of which are... artful, recast in colloquial rhythms, and couched in a style that conveys the substance, the shape, the spirit, and the sumptuousness or the simplicity of the tale. Talat Sait Halman, Turkey's former Minister of Culture, then Ambassador for Cultural Affairs; now Professor of Near Eastern Languages and Literatures, New York University