Orientalism And Representations Of Music In The Nineteenth Century Bri

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Orientalism and Representations of Music in the Nineteenth-Century British Popular Arts

Claire Mabilat

Author : Claire Mabilat
Publisher : Unknown
Page : 272 pages
File Size : 47,8 Mb
Release : 2017
Category : Africa
ISBN : 1315090252

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Orientalism and Representations of Music in the Nineteenth-Century British Popular Arts by Claire Mabilat Pdf

"Representations of music were employed to create a wider 'Orient' on the pages, stages and walls of nineteenth-century Britain. This book explores issues of orientalism, otherness, gender and sexuality that arise in artistic British representations of non-European musicians during this time, by utilizing recent theories of orientalism, and the subsidiary (particularly aesthetic and literary) theories both on which these theories were based and on which they have been influential. The author uses this theoretical framework of orientalism as a form of othering in order to analyse primary source materials, and in conjunction with musicological, literary and art theories, thus explores ways in which ideas of the Other were transformed over time and between different genres and artists. Part I, The Musical Stage, discusses elements of the libretti of popular musical stage works in this period, and the occasionally contradictory ways in which 'racial' Others was represented through text and music; a particular focus is the depiction of 'Oriental' women and ideas of sexuality. Through examination of this collection of libretti, the ways in which the writers of these works filter and romanticize the changing intellectual ideas of this era are explored. Part II, Works of Fiction, is a close study of the works of Sir Henry Rider Haggard, using other examples of popular fiction by his contemporary writers as contextualizing material, with the primary concern being to investigate how music is utilized in popular fiction to represent Other non-Europeans and in the creation of orientalized gender constructions. Part III, Visual Culture, is an analysis of images of music and the 'Orient' in examples of British 'high art', illustration and photography, investigating how the musical Other was visualized."--Provided by publisher.

Orientalism and Representations of Music in the Nineteenth-Century British Popular Arts

Claire Mabilat

Author : Claire Mabilat
Publisher : Routledge
Page : 250 pages
File Size : 44,5 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351555548

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Orientalism and Representations of Music in the Nineteenth-Century British Popular Arts by Claire Mabilat Pdf

Representations of music were employed to create a wider 'Orient' on the pages, stages and walls of nineteenth-century Britain. This book explores issues of orientalism, otherness, gender and sexuality that arise in artistic British representations of non-European musicians during this time, by utilizing recent theories of orientalism, and the subsidiary (particularly aesthetic and literary) theories both on which these theories were based and on which they have been influential. The author uses this theoretical framework of orientalism as a form of othering in order to analyse primary source materials, and in conjunction with musicological, literary and art theories, thus explores ways in which ideas of the Other were transformed over time and between different genres and artists. Part I, The Musical Stage, discusses elements of the libretti of popular musical stage works in this period, and the occasionally contradictory ways in which 'racial' Others was represented through text and music; a particular focus is the depiction of 'Oriental' women and ideas of sexuality. Through examination of this collection of libretti, the ways in which the writers of these works filter and romanticize the changing intellectual ideas of this era are explored. Part II, Works of Fiction, is a close study of the works of Sir Henry Rider Haggard, using other examples of popular fiction by his contemporary writers as contextualizing material, with the primary concern being to investigate how music is utilized in popular fiction to represent Other non-Europeans and in the creation of orientalized gender constructions. Part III, Visual Culture, is an analysis of images of music and the 'Orient' in examples of British 'high art', illustration and photography, investigating how the musical Other was visualized.

"Music and Orientalism in the British Empire, 1780s?940s "

Bennett Zon

Author : Bennett Zon
Publisher : Routledge
Page : 403 pages
File Size : 47,9 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351557580

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"Music and Orientalism in the British Empire, 1780s?940s " by Bennett Zon Pdf

Filling a significant gap in current scholarship, the fourteen original essays that make up this volume individually and collectively reflect on the relationship between music and Orientalism in the British Empire over the course of the long nineteenth century. The book is in four themed sections. 'Portrayal of the East' traces the routes from encounter to representation and restores the Orient to its rightful place in histories of Orientalism. 'Interpreting Concert Music' looks at one of the principal forms in which Orientalism could be brought to an eager and largely receptive - yet sometimes resistant - mass market. 'Words and Music' investigates the confluence of musical and Orientalist themes in different genres of writing, including criticism, fiction and travel writing. Finally, 'The Orientalist Stage' discusses crucial sites of Orientalist representation - music theatre and opera - as well as tracing similar phenomena in twentieth-century Hindi cinema. These final chapters examine the rendering of the East as 'unachievable and unrecognizable' for the consuming gaze of the western spectator.

Music and Orientalism in the British Empire, 1780s-1940s

Bennett Zon

Author : Bennett Zon
Publisher : Routledge
Page : 368 pages
File Size : 46,6 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351557597

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Music and Orientalism in the British Empire, 1780s-1940s by Bennett Zon Pdf

Filling a significant gap in current scholarship, the fourteen original essays that make up this volume individually and collectively reflect on the relationship between music and Orientalism in the British Empire over the course of the long nineteenth century. The book is in four themed sections. 'Portrayal of the East' traces the routes from encounter to representation and restores the Orient to its rightful place in histories of Orientalism. 'Interpreting Concert Music' looks at one of the principal forms in which Orientalism could be brought to an eager and largely receptive - yet sometimes resistant - mass market. 'Words and Music' investigates the confluence of musical and Orientalist themes in different genres of writing, including criticism, fiction and travel writing. Finally, 'The Orientalist Stage' discusses crucial sites of Orientalist representation - music theatre and opera - as well as tracing similar phenomena in twentieth-century Hindi cinema. These final chapters examine the rendering of the East as 'unachievable and unrecognizable' for the consuming gaze of the western spectator.

Representations of the Orient in Western Music

Nasser Al-Taee

Author : Nasser Al-Taee
Publisher : Routledge
Page : 336 pages
File Size : 47,9 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351551410

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Representations of the Orient in Western Music by Nasser Al-Taee Pdf

This book focuses on the cultural, political and religious representations of the Orient in Western music. Dr Nasser Al-Taee traces several threads in a vast repertoire of musical representations, concentrating primarily on the images of violence and sensuality. Al-Taee argues that these prevailing traits are not only the residual manifestation of the Ottoman threat to Western Europe, but also the continuation of a long and complex history of fear and fascination towards the Orient and its Islamic religion. In addition to analyses of musical works, Al-Taee draws on travel accounts, paintings, biographies, and political events to engage with important issues such as gender, race, and religious differences that may have contributed to the variously complex images of the Orient in Western music. The study extends the range of Orientalism to cover eighteenth-century Austria, nineteenth-century Russia, and twentieth-century America. The book challenges those scholars who do not see Orientalism as problematic and tend to ignore the role of musical representations in shaping the image of the Other within a wider interdisciplinary study of knowledge and power.

The Symphonic Poem in Britain, 1850-1950

Michael Allis,Paul Watt

Author : Michael Allis,Paul Watt
Publisher : Boydell & Brewer
Page : 382 pages
File Size : 50,9 Mb
Release : 2020
Category : Music
ISBN : 9781783275281

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The Symphonic Poem in Britain, 1850-1950 by Michael Allis,Paul Watt Pdf

The Symphonic Poem in Britain 1850-1950 aims to raise the status of the genre generally and in Britain specifically. The volume reaffirms British composers' confidence in dealing with literary texts and takes advantage of the contributors' interdisciplinary expertise by situating discussions of the tone poem in Britain in a variety of historical, analytical and cultural contexts. This book highlights some of the continental models that influenced British composers, and identifies a range of issues related to perceptions of the genre. Richard Strauss became an important figure in Britain during this time, not only in terms of the clear impact of his tone poems, but the debates over their value and even their ethics. A focus on French orchestral music in Britain represents a welcome addition to scholarly debate, and links to issues in several other chapters. The historical development of the genre, the impact of compositional models, issues highlighted in critical reception as well as programming strategies all contribute to a richer understanding of the symphonic poem in Britain. Works by British composers discussed in more detail include William Wallace's Villon (1909), Gustav Holst's Beni Mora(1909-10), Hubert Parry's From Death to Life (1914), John Ireland's Mai-Dun (1921), and Frank Bridge's orchestral 'poems' (1903-15).

Cultural Identity in British Musical Theatre, 1890–1939

Ben Macpherson

Author : Ben Macpherson
Publisher : Springer
Page : 245 pages
File Size : 42,5 Mb
Release : 2018-05-15
Category : Performing Arts
ISBN : 9781137598073

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Cultural Identity in British Musical Theatre, 1890–1939 by Ben Macpherson Pdf

This book examines the performance of ‘Britishness’ on the musical stage. Covering a tumultuous period in British history, it offers a fresh look at the vitality and centrality of the musical stage, as a global phenomenon in late-Victorian popular culture and beyond. Through a re-examination of over fifty archival play-scripts, the book comprises seven interconnected stories told in two parts. Part One focuses on domestic and personal identities of ‘Britishness’, and how implicit anxieties and contradictions of nationhood, class and gender were staged as part of the popular cultural condition. Broadening in scope, Part Two offers a revisionary reading of Empire and Otherness on the musical stage, and concludes with a consideration of the Great War and the interwar period, as musical theatre performed a nostalgia for a particular kind of ‘Britishness’, reflecting the anxieties of a nation in decline.

The Routledge Companion to Music and Visual Culture

Tim Shephard,Anne Leonard

Author : Tim Shephard,Anne Leonard
Publisher : Routledge
Page : 578 pages
File Size : 47,7 Mb
Release : 2013-07-31
Category : Music
ISBN : 9781135956530

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The Routledge Companion to Music and Visual Culture by Tim Shephard,Anne Leonard Pdf

As a coherent field of research, the field of music and visual culture has seen rapid growth in recent years. The Routledge Companion to Music and Visual Culture serves as the first comprehensive reference on the intersection between these two areas of study, an ideal introduction for those coming to the field for the first time as well as a useful source of information for seasoned researchers. This collection of over forty entries, from musicologists and art historians from the US and UK, delineate the key concepts in the field in five parts: Starting Points Methodologies Reciprocation – the musical in visual culture and the visual in musical culture Convergence –in metaphor, in conception, and in practice Hybrid Arts This reference work speaks to the important questions concerning this burgeoning field of research –what are the established approaches to studying musical and visual cultures side by side? What have been the major points of contact between these two areas and what kind of questions can this interdisciplinary research address moving forward? The Routledge Companion to Music and Visual Culture is an indispensable guide for anyone interested in the field of music and visual culture.

Mendelssohn and Victorian England

Colin Eatock

Author : Colin Eatock
Publisher : Ashgate Publishing, Ltd.
Page : 216 pages
File Size : 47,7 Mb
Release : 2009
Category : Music
ISBN : 0754666522

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Mendelssohn and Victorian England by Colin Eatock Pdf

This valuable book considers the reception of the composer, pianist, organist and conductor Felix Mendelssohn in nineteenth-century England, and his influence on English musical culture. Despite the composer's immense popularity in the nation during his lifetime and in the decades following his death, this is the first book to deal exclusively with the subject of Mendelssohn in England. Eatock reveals Mendelssohn as a catalyst for the expansion of English musical culture in the Victorian era. In taking this position, the author challenges much of the extant literature on the subject and provides an engaging story that brings Mendelssohn and his English experiences to life.

The Provincial Music Festival in England, 1784–1914

Dr Pippa Drummond

Author : Dr Pippa Drummond
Publisher : Ashgate Publishing, Ltd.
Page : 326 pages
File Size : 43,9 Mb
Release : 2013-01-28
Category : History
ISBN : 9781409494614

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The Provincial Music Festival in England, 1784–1914 by Dr Pippa Drummond Pdf

A history of the English music festival is long overdue. Dr Pippa Drummond argues that these festivals represented the most significant cultural events in provincial England during the nineteenth century and emphasizes their particular importance in the promotion and commissioning of new music. Drawing on material from surviving accounts, committee records, programmes, contemporary pamphlets and reviews, Drummond shows how the festivals responded to and reflected the changing social and economic conditions of their day. Coverage includes a chronological overview documenting the history of individual festivals followed by a detailed exploration of such topics as performers and performance practice, logistics and finance, programmes and commissioning, together with information concerning the composition and provenance of festival choirs and orchestras. Also discussed are the effects of improved transport and new technologies on the festivals, sacred and secular conflicts, gender issues, the role of philanthropy, the nature of patronage and the changing social status of festival audiences. The book will also be of interest to social, economic and local historians.

Music in Edwardian London

Simon McVeigh

Author : Simon McVeigh
Publisher : Boydell & Brewer
Page : 345 pages
File Size : 43,6 Mb
Release : 2024-05-21
Category : History
ISBN : 9781837651344

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Music in Edwardian London by Simon McVeigh Pdf

Traversing London's musical culture, this book boldly illuminates the emergence of Edwardian London as a beacon of musical innovation. The dawning of a new century saw London emerge as a hub in a fast-developing global music industry, mirroring Britain's pivotal position between the continent, the Americas and the British Empire. It was a period of expansion, experiment and entrepreneurial energy. Rather than conservative and inward-looking, London was invigorated by new ideas, from pioneering musical comedy and revue to the modernist departures of Debussy and Stravinsky. Meanwhile, Elgar, Holst, Vaughan Williams, and a host of ambitious younger composers sought to reposition British music in a rapidly evolving soundscape. Music was central to society at every level. Just as opulent theatres proliferated in the West End, concert life was revitalised by new symphony orchestras, by the Queen's Hall promenade concerts, and by Sunday concerts at the vast Albert Hall. Through innumerable band and gramophone concerts in the parks, music from Wagner to Irving Berlin became available as never before. The book envisions a burgeoning urban culture through a series of snapshots - daily musical life in all its messy diversity. While tackling themes of cosmopolitanism and nationalism, high and low brows, centres and peripheries, it evokes contemporary voices and characterful individuals to illuminate the period. Challenging issues include the barriers faced by women and people of colour, and attitudes inhibiting the new generation of British composers - not to mention embedded imperialist ideologies reflecting London's precarious position at the centre of Empire. Engagingly written, Simon McVeigh's groundbreaking book reveals the exhilarating transformation of music in Edwardian London, which laid the foundations for the century to come.

Made-Up Asians

Esther Kim Lee

Author : Esther Kim Lee
Publisher : University of Michigan Press
Page : 283 pages
File Size : 44,7 Mb
Release : 2022-07-11
Category : Performing Arts
ISBN : 9780472055432

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Made-Up Asians by Esther Kim Lee Pdf

Why and how Asian characters have been represented by non-Asian actorson stage and screen

In Search of Song: The Life and Times of Lucy Broadwood

Dr Dorothy de Val

Author : Dr Dorothy de Val
Publisher : Ashgate Publishing, Ltd.
Page : 212 pages
File Size : 40,7 Mb
Release : 2013-01-28
Category : Music
ISBN : 9781409494409

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In Search of Song: The Life and Times of Lucy Broadwood by Dr Dorothy de Val Pdf

Born into the famous family of piano makers, Lucy Broadwood (1858-1929) became one of the chief collectors and scholars of the first English folk music revival in the late nineteenth and early twentieth centuries. Privately educated and trained as a classical musician and singer, she was inspired by her uncle to collect local song from her native Sussex. The desire to rescue folk song from an aging population led to the foundation of the Folk Song Society, of which she was a founder member. Mentor to younger collectors such as Percy Grainger but often at loggerheads with fellow collector Cecil Sharp and the young Ralph Vaughan Williams, she eventually ventured into Ireland and Scotland, while remaining an eclectic contributor and editor of the Society’s Journal, which became a flagship for scholarly publication of folksong. She also published arrangements of folk songs and her own compositions which attracted the attention of singers such as Harry Plunket Greene. Using an array of primary sources including the diaries Broadwood kept throughout her adult life, Dorothy de Val provides a lively biography which sheds new light on her early years and chronicles her later busy social, artistic and musical life while acknowledging the underlying vulnerability of single women at this time. Her account reveals an intelligent, generous though reserved woman who, with the help of her friends, emerged from the constraints of a Victorian upbringing to meet the challenges of the modern world.

Charles Dibdin and Late Georgian Culture

Oskar Cox Jensen,David Kennerley,Ian Newman

Author : Oskar Cox Jensen,David Kennerley,Ian Newman
Publisher : Oxford University Press
Page : 272 pages
File Size : 48,9 Mb
Release : 2018-01-19
Category : Literary Criticism
ISBN : 9780192540454

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Charles Dibdin and Late Georgian Culture by Oskar Cox Jensen,David Kennerley,Ian Newman Pdf

Charles Dibdin (1745-1814) was one of the most popular and influential creative forces in late Georgian Britain, producing a diversity of works that defy simple categorisation. He was an actor, lyricist, composer, singer-songwriter, comedian, theatre-manager, journalist, artist, music tutor, speculator, and author of novels, historical works, polemical pamphlets, and guides to musical education. This collection of essays illuminates the social and cultural conditions that made such a varied career possible, offering fresh insights into previously unexplored aspects of late Georgian culture, society, and politics. Tracing the transitions in the cultural economy from an eighteenth-century system of miscellany to a nineteenth-century regime of specialisation, Charles Dibdin and Late Georgian Culture illustrates the variety of Dibdin's cultural output as characteristic of late eighteenth-century entertainment, while also addressing the challenge mounted by a growing preoccupation with specialisation in the early nineteenth century. The chapters, written by some of the leading experts in their individual disciplines, examine Dibdin's extraordinarily wide-ranging career, spanning cultural spaces from the theatres at Drury Lane and Covent Garden, through Ranelagh Gardens, Sadler's Wells, and the Royal Circus, to singing on board ships and in elegant Regency parlours; from broadside ballads and graphic satires, to newspaper journalism, mezzotint etchings, painting, and decorative pottery. Together they demonstrate connections between forms of cultural production that have often been treated as distinct, and provide a model for a more integrated approach to the fabric of late Georgian cultural production.

Evolution and Victorian Musical Culture

Bennett Zon

Author : Bennett Zon
Publisher : Cambridge University Press
Page : 377 pages
File Size : 55,9 Mb
Release : 2017-10-12
Category : History
ISBN : 9781107020443

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Evolution and Victorian Musical Culture by Bennett Zon Pdf

Explores the musical background to Darwinism and the development of the relationship between science and the arts in Victorian Britain.

Orientalism And Representations Of Music In The Nineteenth Century British Popular Arts

Orientalism and Representations of Music in the Nineteenth-Century British Popular Arts by Claire Mabilat Pdf

Orientalism and Representations of Music in the Nineteenth-Century British Popular Arts by Claire Mabilat Pdf

"Music and Orientalism in the British Empire, 1780s?940s " by Bennett Zon Pdf

Music and Orientalism in the British Empire, 1780s-1940s by Bennett Zon Pdf

Representations of the Orient in Western Music by Nasser Al-Taee Pdf

The Symphonic Poem in Britain, 1850-1950 by Michael Allis,Paul Watt Pdf

Cultural Identity in British Musical Theatre, 1890–1939 by Ben Macpherson Pdf

The Routledge Companion to Music and Visual Culture by Tim Shephard,Anne Leonard Pdf

Mendelssohn and Victorian England by Colin Eatock Pdf

The Provincial Music Festival in England, 1784–1914 by Dr Pippa Drummond Pdf

Music in Edwardian London by Simon McVeigh Pdf

Made-Up Asians by Esther Kim Lee Pdf

In Search of Song: The Life and Times of Lucy Broadwood by Dr Dorothy de Val Pdf

Charles Dibdin and Late Georgian Culture by Oskar Cox Jensen,David Kennerley,Ian Newman Pdf

Evolution and Victorian Musical Culture by Bennett Zon Pdf

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