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On August 31, 1915, a Texas posse lynched five “horse thieves.” One of them, it turned out, was General Pascual Orozco Jr., military hero of the Mexican Revolution. Was he a desperado or a hero? Orozco’s death proved as controversial as his storied life, a career of mysterious contradictions that Raymond Caballero puzzles out in this book. A long-overdue biography of a significant but little-known and less understood figure of Mexican history, Orozco tells the full story of this revolutionary’s meteoric rise and ignominious descent, including the purposely obscured circumstances of his death at the hands of a lone, murderous lawman. That story—of an unknown muleteer of Northwest Chihuahua who became the revolution’s most important military leader, a national hero and idol, only to turn on his former revolutionary ally Francisco Madero—is one of the most compelling narratives of early-twentieth-century Mexican history. Without Orozco’s leadership, Madero would likely have never deposed dictator Porfirio Díaz. And yet Orozco soon joined Madero’s hated assassin, the new dictator, Victoriano Huerta, and espoused progressive reforms while fighting on behalf of reactionaries. Whereas other historians have struggled to make sense of this contradictory record, Caballero brings to light Orozco’s bizarre appointment of an unknown con man to administer his rebellion, a man whose background and character, once revealed, explain many of Orozco’s previously baffling actions. The book also delves into the peculiar history of Orozco’s homeland, offering new insight into why Northwest Chihuahua, of all places in Mexico, produced the revolution’s military leadership, in particular a champion like Pascual Orozco. From the circumstances of his ascent, to revelations about his treachery, to the true details of his death, Orozco at last emerges, through Caballero’s account, in all his complexity and significance.
Author : Mary K. Coffey Publisher : Duke University Press Page : 346 pages File Size : 54,7 Mb Release : 2020-02-28 Category : Art ISBN : 9781478003304
Between 1932 and 1934, José Clemente Orozco painted the twenty-four-panel mural cycle entitled The Epic of American Civilization in Dartmouth College's Baker-Berry Library. An artifact of Orozco's migration from Mexico to the United States, the Epic represents a turning point in his career, standing as the only fresco in which he explores both US-American and Mexican narratives of national history, progress, and identity. While his title invokes the heroic epic form, the mural indicts history as complicit in colonial violence. It questions the claims of Manifest Destiny in the United States and the Mexican desire to mend the wounds of conquest in pursuit of a postcolonial national project. In Orozco's American Epic Mary K. Coffey places Orozco in the context of his contemporaries, such as Diego Rivera and David Alfaro Siqueiros, and demonstrates the Epic's power as a melancholic critique of official indigenism, industrial progress, and Marxist messianism. In the process, Coffey finds within Orozco's work a call for justice that resonates with contemporary debates about race, immigration, borders, and nationality.
"The first exhibition to offer a critical assessment of the artistic experimentation that took place in Mexico during the last three decades of the twentieth century. The exhibition carefully analyzes the origins and emergence of techniques, strategies, andmodes of operation at a particularly significant moment of Mexican history, beginning with the 1968 Student Movement, until the Zapatista upraising in the State of Chiapas. Theshow includes work by a wide range of artists, including Francis Alys, Vicente Rojo, Jimmie Durham, Helen Escobedo, Julio Galán, Felipe Ehrenberg, José Bedia,Guillermo Gómez-Peña, Francisco Toledo, Carlos Amorales, Melanie Smith, and Alejandro Jodorowsky, among many others. The edition is illustrated with 612 full-colorplates of the art produced during these last three decades of the twentieth century reflect the social, political and technical developments in Mexico and ranged from painting andphotography to poster design, installation, performance, experimental theatre, super-8 cinema, video, music, poetry and popular culture like the films and ephemeral actionsof 'Panic' by Alejandro Jodorowsky, Pedro Friedeberg's pop art, the conceptual art, infrarrealists and urban independent photography, artists books, the development ofcontemporary political photography, the participation of Mexican artists in Fluxus in the seventies and the contribution of Ulises Carrión to the international artist book movement and popular rock music, the pictorial battles of the eighties and the emergence of a variant of neo-conceptual art in 1990. The exhibition is curated by Olivier Debroise, Pilar García de Germenos, Cuauhtémoc Medina, Álvaro Vázquez Mantecón"--Provided by vendor.
Honorable Mention, Latin American Studies Association Mexico Section Best Book in the Humanities A Revolution in Movement is the first book to illuminate how collaborations between dancers and painters shaped Mexico’s postrevolutionary cultural identity. K. Mitchell Snow traces this relationship throughout nearly half a century of developments in Mexican dance—the emulation of Diaghilev’s Ballets Russes in the 1920s, the adoption of U.S.-style modern dance in the 1940s, and the creation of ballet-inspired folk dance in the 1960s. Snow describes the appearances in Mexico by Russian ballerina Anna Pavlova and Spanish concert dancer Tortóla Valencia, who helped motivate Mexico to express its own national identity through dance. He discusses the work of muralists and other visual artists in tandem with Mexico’s theatrical dance world, including Diego Rivera’s collaborations with ballet composer Carlos Chávez; Carlos Mérida’s leadership of the National School of Dance; José Clemente Orozco’s involvement in the creation of the Ballet de la Ciudad de México; and Miguel Covarrubias, who led the “golden age” of Mexican modern dance. Snow draws from a rich trove of historical newspaper accounts and other contemporary documents to show how these collaborations produced an image of modern Mexico that would prove popular both locally and internationally and continues to endure today.
Mexico by Don M. Coerver,Suzanne B. Pasztor,Robert Buffington Pdf
A concise overview of 20th- and 21st-century Mexico, this volume explores the political, economic, social, and cultural history of the world's largest Spanish-speaking country. From NAFTA to narcotics, from immigration to energy, the ties that bind our nation and Mexico are varied and strong. Mexico uncovers the real Mexico that lies behind the stereotypes of tacos, tequila, and tourist hotels. Compiled by leading scholars of Mexican history and society, its more than 150 entries examine the nation in all its fascinating contradictions and complexity. This concise yet thorough study, covering the last 100 years of Mexican history, is the only one volume, A–Z reference work available to students, scholars, and readers curious about one of the world's most diverse and dynamic societies. What was the Mexican Revolution all about? Who are the Zapatistas? And why do Mexicans celebrate Cinco de Mayo? Mexicans are America's largest immigrant group and Mexico is America's favorite tourist destination. Yet we need to learn more and understand better our fascinating neighbor to the south. Mexico—comprehensive and accessible—is the best place to start.
A unique look at the social behaviour of wild animals for very young children, this book will find a home on school and library shelves, and in the hands of careful parents. Offering a unique perspective on the animal kingdom and its social habits, young children will embrace this beautifully illustrated book, both visually and intellectually.
Author : Mary K. Coffey Publisher : Duke University Press Books Page : 0 pages File Size : 43,5 Mb Release : 2020-02-28 Category : Art ISBN : 1478002980
Between 1932 and 1934, José Clemente Orozco painted the twenty-four-panel mural cycle entitled The Epic of American Civilization in Dartmouth College's Baker-Berry Library. An artifact of Orozco's migration from Mexico to the United States, the Epic represents a turning point in his career, standing as the only fresco in which he explores both US-American and Mexican narratives of national history, progress, and identity. While his title invokes the heroic epic form, the mural indicts history as complicit in colonial violence. It questions the claims of Manifest Destiny in the United States and the Mexican desire to mend the wounds of conquest in pursuit of a postcolonial national project. In Orozco's American Epic Mary K. Coffey places Orozco in the context of his contemporaries, such as Diego Rivera and David Alfaro Siqueiros, and demonstrates the Epic's power as a melancholic critique of official indigenism, industrial progress, and Marxist messianism. In the process, Coffey finds within Orozco's work a call for justice that resonates with contemporary debates about race, immigration, borders, and nationality.
Research Handbook on Child Migration by Jacqueline Bhabha,Jyothi Kanics,Daniel Senovilla Hernández Pdf
The scope and complexity of child migration have only recently emerged as a critical factors in global migration. This volume assembles for the first time a richly interdisciplinary body of work, drawing on contributions from renowned scholars, eminent practitioners and prominent civil society advocates from across the globe and from a wide range of different mobility contexts. Their invaluable pedagogical tools and research documents demonstrate the urgency and breadth of this important new aspect of international human mobility in our global age.
Obituaries by Gabriel Orozco,Hans Ulrich Obrist Pdf
In this artist's book, Mexican artist Gabriel Orozco (born 1962) takes New York Times obituaries of famous people, removing anecdotal information to reveal the wit, drama and absurdity of the press perception of public life.