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Orphans of the Revolution by Ellisa Burks-McKnight Pdf
Orphans Of The Revolution is the story of how a nation of people became the target of the largest conspiracy the earth has ever encountered. From the pyramids of Egypt through the roads of Jerusalem straight through the neighborhood of south central Los Angeles. Orphans of the revolution is prolific and life changing.
In this absorbing narrative of the fall of the last Bourbon Monarch, David H. Pinkney resconstructs events in France during the seventeen critical months between August 1829 and December 1830. Beginning with the formation of the Polignac ministry, he traces the development of the conflict betweeen the crown and its opponents, showing how the protest against Charles X's Four Ordinances was turned into revolution by the intervention of the Parisian crowd. Motviated by resentement of the Bourbons, economic distress, and vaguely conceived ideals of the earlier Revolution, the people emerged as a political power again and expelled the royal forces from Paris. The fall of Charles X was followed by a power struggle that ended with the investitutre of Louis-Philippe, king by contract with the Chamber of Deputies. The author examines problems of interest to all students of revolution. What drove teh leaders to revolutionary action? Who were the members of the crowd? What were their motives? What were the effects of revolution on the composition of the ruling elite and on Paris? David H. Pinkney is Professor of History at the University of Washington, and the author of Napoleon III and the Rebuilding of Paris (Princeton). Originally published in 1972. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
An analysis of films produced in post-World War II Eastern Europe featuring the trope of the orphan, and the issues these characters addressed. Unlike the benevolent orphan found in Charlie Chaplin’s The Kid or the sentimentalized figure of Little Orphan Annie, the orphan in postwar Eastern European cinema takes on a more politically fraught role, embodying the tensions of individuals struggling to recover from war and grappling with an unknown future under Soviet rule. By exploring films produced in postwar Hungary, the German Democratic Republic, Czechoslovakia, Romania, and Poland, Constantin Parvulescu traces the way in which cinema envisioned and debated the condition of the post-World War II subject and the “new man” of Soviet-style communism. In these films, the orphan becomes a cinematic trope that interrogates socialist visions of ideological institutionalization and re-education and stands as a silent critic of the system’s shortcomings or as a resilient spirit who has resisted capture by the political apparatus of the new state. “By using the trope of an orphan Constantin Parvulescu demonstrates how films made in countries such as Hungary, East Germany, Poland, Czechoslovakia and Romania reflected on the specific problems affecting Eastern Europe after 1945, such as the loss of population, economic backwardness, the legacy of the Holocaust, while engaging in wider debates, especially the superiority of socialism over capitalism. Economically and elegantly written, it demonstrates that cinema produced in the periphery can be central to our understanding of films as ideological tools. This is one of the best books on Eastern European cinema ever written.” —Ewa Mazierska, University of Central Lancashire “Groundbreaking. . . . The author’s comparative, transnational perspective in chapters devoted to close textual analyses of each narrative demonstrates the value of reading film as a primary source for understanding the relationships among state power, intergenerational trauma, and revolutionary subjectivity. Parvulescu’s highly original portrayal of a landscape of parentless children evokes the trauma of war and the specificity of the socialist experiment in the former Eastern Bloc.” —Catherine Portuges, University of Massachusetts-Amherst “Parvulescu has taken a highly innovative approach to socialist and post-socialist cinema in the region, and one that is vividly illustrated by a superb selection of films.” —Studies in European Cinema
For those who lived in the wake of the French Revolution, its aftermath left a profound wound that no subsequent king, emperor, or president could heal. "Children of the Revolution" follows the ensuing generations who repeatedly tried and failed to come up with a stable regime after the trauma of 1789.
Cultural Orphans in America by Diana Loercher Pazicky Pdf
Applying aspects of psychoanalytic theory that pertain to identity formation, specifically Rene Girard's theory of the scapegoat, Cultural Orphans in America examines the orphan trope in early American texts and the antebellum nineteenth-century American novel as a reaction to the social upheaval and internal tensions generated by three major episodes in American history: the Great Migration, the American Revolution, and the rise of the republic. -- Provided by publisher.
On the 100th anniversary of the Russian Revolution, the epic story of an enormous apartment building where Communist true believers lived before their destruction The House of Government is unlike any other book about the Russian Revolution and the Soviet experiment. Written in the tradition of Tolstoy's War and Peace, Grossman’s Life and Fate, and Solzhenitsyn’s The Gulag Archipelago, Yuri Slezkine’s gripping narrative tells the true story of the residents of an enormous Moscow apartment building where top Communist officials and their families lived before they were destroyed in Stalin’s purges. A vivid account of the personal and public lives of Bolshevik true believers, the book begins with their conversion to Communism and ends with their children’s loss of faith and the fall of the Soviet Union. Completed in 1931, the House of Government, later known as the House on the Embankment, was located across the Moscow River from the Kremlin. The largest residential building in Europe, it combined 505 furnished apartments with public spaces that included everything from a movie theater and a library to a tennis court and a shooting range. Slezkine tells the chilling story of how the building’s residents lived in their apartments and ruled the Soviet state until some eight hundred of them were evicted from the House and led, one by one, to prison or their deaths. Drawing on letters, diaries, and interviews, and featuring hundreds of rare photographs, The House of Government weaves together biography, literary criticism, architectural history, and fascinating new theories of revolutions, millennial prophecies, and reigns of terror. The result is an unforgettable human saga of a building that, like the Soviet Union itself, became a haunted house, forever disturbed by the ghosts of the disappeared.
Japanese war orphans in Manchuria are the forgotten victims of the Asia-Pacific War and Sino-Japanese relations, and this is an integral part of the Japanese government's 'postwar settlement' issues concerning its war responsibility and compensation.
Orphans and Abandoned Children in European History by Nicoleta Roman Pdf
In a world dominated by poverty, a central characteristic has been the plight of orphans and abandoned children. Over the centuries, State, Church and individuals have all attempted to tackle the issue, but can we trace any change over the course of time when it comes to the welfare system intended for these disadvantaged children and acts of philanthropy? What kind of social policies did States follow and what were the main differences between countries and regions? Drawing on historical evidence across several centuries and a range of European countries, the contributors to this volume provide a transnational overview.
After Japan's defeat in August 1945, some Japanese children were abandoned in China and raised by Chinese foster parents. They were unable to return to Japan even during the mass repatriation carried out by the Japanese government in the 1950s. Most of them returned to Japan in the 1980s. They are called Japanese war orphans. They are victims of the Sino-Japanese War and have been exploited and abandoned by the Japanese government. They are also "border people" who have lived in the interstices between two nations, China and Japan, and are migrants who have exploited the gap in economic development between Japan and China to seek individual happiness. Modern East Asia underwent drastic social change. These drastic social changes affected the lives of the Japanese war orphans and their families in a variety of ways. Over the years, Zhong has interviewed Japanese war orphans, their Chinese foster parents, and Japanese volunteers. The title is an interview-based sociological study of the issue of Japanese war orphans. The first half of the Japanese war orphans' lives were spent in China, and the latter half in Japan. It brings to the fore the dramatic personal histories of the Japanese war orphans surviving in the interstices between two nation-states. Through analyzing the issue of Japanese war orphans, the research on the subject makes the following three points: (1) the powerlessness of civilians caught up in modern warfare and the long-lasting effects of modern warfare on the life histories of individuals and their families; (2) the nature of the modern nation-state, which exploits and abandons its citizens as though they were expendable; and (3) immigration as a product of modernization gaps. Scholars pursuing studies in Japanese society and historians of the Sino-Japanese war would find this an ideal read.
