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OSTIUM AB INFERNO [The Opening From Hell] by Danté Camminatore Pdf
All demons have this in common; they oppose God no matter what He does. As host, we were created to serve God. When we serve God, demons likewise oppose us in everything we do. When we choose to go against God, we get more help than we can possibly understand, but not from God.
What is hell? Why is there a hell? What openings from "hell" exist? What is the truth about "Abraham's Bosom?" And how does this or do these affect man? What are angels? Are angels named such because of structure or function? Precisely why were some angels sent to hell? It is true that one third were banished to hell. And when did this all happen? Much of that which is fanciful has been written about these questions. But the answers should not be sought from that which is the product of men's imaginations-albeit these may provide interesting reading. Rather; the answers should be sought from, and always remain: "according to The Father, The Christ Son, and The Holy Ghost."
The Divine Comedy, I. Inferno, Vol. I. Part 2 by Dante Pdf
Charles S. Singleton's edition of the Divine Comedy, of which this is the first part, provides the English-speaking reader with everything he needs to read and understand Dante’s great masterpiece. The Italian text here is in the edition of Giorgio Petrocchi, the leading Italian editor of Dante. Professor Singleton’s prose translation, facing the Italian in a line-for-line arrangement on each page, is smooth and literate. The companion volume, the Commentary, marshals every point of information the reader may require: vocabulary; grammar; identification of Dante’s characters; historical sources of some of the incidents and, where pertinent, excerpts from those sources in their original languages and in translation; profound clear analysis of the Divine Comedy’s basic allegory. There is a complete bibliography of every aspect of Dante studies. This first part of the Divine Comedy which is illustrated with maps of Italy and the region Dante knew especially, diagrams of the circles of Hell, and plates showing some of the historic sites mentioned by Dante in his poem.
William Touris OFM, The Contemplacioun of Synnaris by Alasdair A. MacDonald,J. Craig McDonald Pdf
The Contemplacioun of Synnaris of William Touris is a poem (c.1494) for Holy Week. Though intended for James IV of Scotland, the earliest surviving witness is an English print of 1499; post-Reformation, it re-emerged both in Scotland and England.
Author : Anthony K. Cassell Publisher : University of Toronto Press Page : 186 pages File Size : 44,8 Mb Release : 1984-12-15 Category : Literary Criticism ISBN : 9781442654532
Dante's Fearful Art of Justice by Anthony K. Cassell Pdf
Dante's Fearful Art of Justice deals primarily with the symbolic significance of 'the state of souls after death' in various episodes of the Inferno, the first canticle of Dante's Divina Commedia. The fruitlessness of the Auerbach-Singleton approach to the poem is demonstrated by Professor Cassell's investigations, which are based on the belief that Dante used both the theological system of fourfold allegory and the preconfiguration-fulfilment pattern of history found in the Old and New Testaments. The author first deals with the history of contrapassum, 'just retribution,' as it appeared in philosophy and theology, and describes Dante's use of historical and artistic figuration, both classical and Christian. It is central to Cassell's aim to show how Dante believed that his portrayal of the damned revealed the justice of God. Critics have believed that the relation of sin to the suffering of the shades in Hell was tenuous or even arbitrary in many cases. Cassell shows, through a close examination of Dante's assimilation of the Classics (and their medieval interpretations), or patristics, and of traditional iconography, that there is an intimate metaphorical and artistic aptness in the poet's representation. Cassell relies at some points on art history, and thirty-four illustrations of frescoes, statuary, and illuminations from paleo-Christian times to the fourteenth century are therefore included. This volume will be of particular interest to medieval specialists, historians of the Renaissance and Reformation periods, and those concerned with European literature.